The house that Bogart built.
The first time we watched Casablanca years ago we were impressed by so many aspects of the film, but perhaps most by its humor. There are laugh lines scattered throughout the first half of the script, but by far our favorite bit is:
Major Strasser: “What is your nationality?”
Rick Blaine: “I'm a drunkard.”
It's impossible to overrate the movie. Only iconoclasts don't like it. The above poster befits such a landmark film. It was painted by Bill Gold for the movie's U.S. run, which began in New York City today in 1942. You can see two more incredible Casablanca posters here.
U.S. magazine offers its vision of the world.
Model and singer Corky Crowley stars on this September 1948 cover of See magazine, a publication that came out of New York City and fell squarely into the Life and Look category. We picked this up years ago in the U.S. and never got around to posting it because its large format and the resultant necessity to scan pages in halves and join them in Photoshop deterred us. But we finally had a few spare hours we opted not to spend on a local terrace sipping white wine, and today you have the result.
Inside this monster mag you get photo features, celebs, politics, travel and more. Probably the most interesting feature is the one detailing the transformation of a French typist into a high society dame. It was done as a promotional feature by the magazine Point de Vue and they called it “Cinderella for a Day.” For this installment they chose a woman named Juliet Latifa, who they coiffed, dressed, sent to the swankiest Parisian nightspots, hooked up with the celeb set, then sent packing at the end of the night just like in the fairy tale.
The final photo caption sums it up: “Her 24 hour dream ended, drab normalcy not unexpectedly overtakes Cinderella, but unforgettable memories will serve to bolster her occasionally slipping morale.” Wow—belittle much, See editors? In any case, the photos of Latifa's night out are nice. We wish we could scan all the shots in the magazine but there are more than a hundred and we just don't have that kind of stamina. We managed about twenty pages divided into thirty plus panels featuring Latifa, Anna Neagle, Michael Wilding, Ingrid Bergman dressed in armor for her role in Joan of Arc, and more.
O Século Ilustrado gives readers its best shot.
It's the Portuguese magazine O Século Ilustrado again, with another hazy, portrait style cover. We love these things. This one features Swedish legend Ingrid Bergman looking quite pleased and dates from today in 1947.
They say even bad publicity is good publicity.
In this March 1957 issue of the tabloid Behind the Scene editors take swipes at assorted Hollywood icons, among them Yul Brenner, John Wayne, and others. Highlights include the allegation that Elvis Presley's career is mob controlled, that camera clubs are just fronts for porn peddlers, that Hedy Lamarr used Linda Lombard as a body double for Samson & Delilah, and that Lucrezia Borgia is the sexiest movie ever made. Also Mamie Van Doren's “secret weapon” is that anywhere she goes she always wears the least clothing of any woman present.
The shocking tales about Brynner have mainly to do with his claims of being a real life man of action, born on the Russian island of Sakhalin to Mongol ancestors. The truth was more mundane, but the lies helped Brynner establish himself as a star. As far as Elvis goes, he was dogged by rumors of Mafia ties later in his career, but this mention of a connection as far back as 1957 was a surprise to us. As always, people on both sides of the issue are willing to shout their version of the facts to the mountaintops, but nobody really knows who’s telling the truth. We’ll check with Elvis himself on this, since he lives just over in the next town since faking his death in 1977.
The interesting story here is the one about Gail Russell and John Wayne. Their acquaintanceship began when they starred in Angel and the Badman together in 1947, and continued when they reunited for Wake of the Red Witch in 1949. Whether they were more than just friends, nobody really knows. At the time Wayne was married to Esperanza Baur Díaz, and the relationship was marred by drinking and fighting, including one incident when Baur shot at Wayne. When the divorce inevitably came, it turned into one of the nastiest splits in years, with Baur accusing Wayne of being a violent drunk who beat her and fucked around with various women, including Russell, and Wayne accusing Baur of hanging around sleazy dive bars in Mexico, hooking up with strange men, and spending his money to entertain them.
The divorce was in 1953, but Behind the Scene, with this cover, is offering its readership dirt from an event that was still fresh in the public’s minds because it had been such a knock-down-drag-out spectacle. Russell had never weathered the limelight well, and she used booze to cope. Her long term drinking problem was exacerbated by the turbulence surrounding the Wayne-Baur split. Two weeks after the divorce she was arrested for drunk driving. It caused Paramount to decline renewing her contract, and she kind of floated around for a few years, trying to hook on with a new studio but drinking steadily all the while. In 1955 she crashed her car and fled the scene, and in early 1957 she drove though the plate glass windows of Jan’s Restaurant in Hollywood.
With hindsight, it’s clear Russell was in a death spiral, but in the Tinseltown of that day the situation was perhaps not so obvious. In August 1957, Russell was found unconscious in her home, passed out after a drinking binge. Even in Hollywood, she had now crossed the line from being merely a party girl to having a problem. She was persuaded to join AA, but couldn't stop drinking, and in August 1961 was found in her L.A. apartment, having died from liver damage, aged 36, another beautiful star that flamed out. All that and more, in thirty-plus scans below.
Clothes encounters of the Hollywood kind.
We've been gathering rare wardrobe and hairdresser test shots from the golden era of Hollywood, and today seems like a good day to share some of what we've found. It was standard procedure for all the main performers in a movie to pose for such photos, but the negatives that survive tend to belong to the most popular stars, such as Cary Grant, who you see at right. You'll see Marilyn Monroe more than amply represented below. What can we do? She's possibly the most photographed Hollywood figure ever, and she was beautiful in every exposure. But we've also found shots of a few lesser known stars, such as Giorgia Moll and France Nuyen.
Some of the shots are worth special note. You'll see Doris Day as a mermaid for The Glass Bottom Boat, Liz Taylor as a kid for National Velvet and an adult for Cat On a Hot Tin Roof, Farrah Fawcett in lingerie, Sheree North in both front and rear poses, and Yul Brynner looking like an actual man by sporting a body that had to that point seemingly known neither razor nor wax (he ditched the fur for his actual onscreen appearances). Usually the photos feature a chalkboard or card with pertinent information about the production and star, but not always, as in the case of Brynner's photo, and in Audrey Hepburn's and Joan Collins' cases as well. If the names of the subjects don't appear on the chalkboards you can refer to the keywords at bottom, which are listed in order. We may put together another group of these wardrobe shots later.
Tonight they're gonna party like it's 1955.
Questions abound on this cover of Inside Story, but for each one there's an answer. What did Prince Rainier not tell Grace Kelly? That the palace in Monaco was cold and drafty, and she couldn't sleep in the nude anymore because the premises were open to the public from 9 to 5. What was the amazing Frank Sinatra hoax? His studio Carlyle Productions started a whisper campaign that he was such a dedicated actor that he actually used heroin while filming the heroin drama The Man with the Golden Arm. What is the secret fear that haunts Perry Como? That his family might be kidnapped.
All of these pieces are fascinating, but since it's baseball season and people are high on the front-running New York Yankees right now, we'll point to the story, “The Real Reason the Yankees Lost!” What they lost was the 1955 World Series, and it happened—according to Inside Story—because they were partying too hard. They were ensconced at the Concourse Hotel for the Series, a hole-up made possible by the fact that their opponents were the Brooklyn Dodgers. So with both the home and away games taking place in New York City, and the players barred from sleeping in their own houses to avoid family distractions, the superstar Yanks did some major league carousing.
Inside Story scribe Manuel Shaw describes an allegedly typical scene: “Mickey Mantle, Phil Rizzuto, and several other Yankees were sitting around the lobby of the hotel when three lovelies from a nearby night spot showed up. Since the cuties were entertainers familiar to one or two of the players, and were rabid Yankees boosters, it was not remarkable that they were soon in animated conversation with the group, which shortly adjourned from the lobby to an upstairs suite.”
Then he moves into this bit: “A beauteous brunette [was in the hall] clad only in a negligee. The two players wanted to spend some time with her, and they agreed that they would rather do it separately, but she insisted it would be more fun if they both stayed, and after a while she persuaded both of them to come back with her to her room. Soon a real party was underway, joined by many other Yankees, and several doting females who lived at the hotel.”
Well, what good is being a member of the famed Yankees if you can't do some Yankee doodle diddling? Most guys we know can't resist a free beer, let alone a woman in lingerie. A little later in the story, after the question of whether professional gamblers employed the party girls to distract the Yanks, we get this: “If true, this parallels the persistent story in gambling and diamond circles that the voluptuous Marilyn Monroe was introduced to Yankee star Joe DiMaggio just in order to take his attention off the Yankee pennant drive of a few years back.”
Did Inside Story really just say Marilyn Monroe was a mafia Trojan horse? Yup. They did. No ambiguity there. The magazine does not go so far as to say Monroe was aware of the set-up, so perhaps it was a matter of maneuvering her into the same space as DiMaggio at the same time and letting nature take its course. There are worse ways for a man to fall from the sporting mountaintop. And talk about a soft landing. We doubt the story, but you never know. There are far crazier tales starring Monroe. We have about thirty-five scans below, and more tabloids coming soon.
And they say nobody walks in L.A.
Ingrid Bergman takes a stroll near downtown Los Angeles in this promo photo made in 1967 for a Life magazine feature titled “Ingrid Bergman: A Day on Bunker Hill.” At this point Bergman wasn't acting much, but she was featured in Life several times that year and, as one of the transcendent movie stars of the 1940s, was never out of mind, even when she was out of sight.
Private Affairs joins the wild mix of 1960s tabloids.
This issue of the New York based tabloid Private Affairs appeared in June 1962, and features cover stars Kim Novak and American Nazi Party leader George Lincoln Rockwell rendered by an uncredited artist. Inside the issue Affairs rehashes Novak’s various relationships, recounting how mafia goons threatened to kill Sammy Davis Jr. if he didn’t stop meeting Novak across the color line, how she accepted an expensive sports car as a gift from Ramfis Trujillo even though his hands were “bathed in the blood of executed political prisoners,” and how she shot down a smitten Charles Boyer by asking him in bewilderment, “How could you have thought I loved you?” The overarching concern is Novak’s longstanding unmarried status, wedlock of course being the default state for any normal woman. Novak was only twenty-nine at the time—but that was spinster age by tabloid standards. She eventually did wed when she was thirty-two, and it’s a wonder she made it down the aisle without the aid of a wheelchair.
Private Affairs moves on to Norman Lincoln Rockwell, who was making waves with racist rhetoric and a bold guarantee to win the White House by 1972. The question Private Affairs editors ask is whether Rockwell should be taken seriously. They answer by offering an anecdote about how German president Paul von Hindenburg scoffed at a fledgling Adolf Hitler by calling him a “silly little housepainter.” Ten years later, they note, there were 30,000,000 dead. “How far will America let the hate mongers go? Will an unsound branch on the tree of American democracy fall off or will it poison the organism?” they ask. It’s worth noting that while Rockwell’s anti-Jewish rhetoric clearly annoys the editors, they don’t offer any support for the African Americans he was likewise excoriating. But in the end, Rockwell was shot dead by a fellow Nazi. Whether he could have risen to political office is a matter of historical debate.
Private Affairs moves next to related subject matter by claiming that the 1942 Cocoanut Grove fire that killed nearly five-hundred people in a Boston nightclub was set by Nazi saboteurs, and furthermore that the FBI covered that fact up. We wrote about the fire a few years ago, and you may remember that witnesses said the conflagration began with a busboy changing a light bulb. Private Affairs claims the bulb was a specially designed Nazi device that had a fuse inside instead of a normal tungsten filament. This fuse could be set for various ignition times, and a delayed setting allowed the saboteur got away. How the editors puzzled this out remains unclear, and there’s no explanation how a busboy randomly asked to change a burnt out light chose or was handed a deadly device rather than a typical bulb, but maybe those points aren’t important. Tabloids often fail to answer their own questions—the important thing is to stir up trouble.
Elsewhere in the issue we get Lana Turner, who Affairs claims let her daughter take a murder rap for her; comedian Dick Gregory, who is accused of stealing jokes; and Ingrid Bergman, who is shown with her later-to-be-famous daughter Isabella Rossellini. We also meet Nai Bonet, a famed Vietnamese bellydancer who within a couple of years would parlay her fame into a film and music career. Private Affairs is not a well known tabloid today—it probably arrived on the scene just a bit too late to carve out a readership when newsstand shelves were already packed with established imprints such as Confidential, Uncensored, Top Secret, Inside Story, Hush-Hush, et al. This particular issue—designated Vol 1, No. 3—is the only copy of the magazine we’ve ever seen. We suspect the brand was defunct within the first year. Many scans below, and more rare tabloids coming soon.
Before moving back to items from other countries, we thought we’d share a few more pieces related to Germany—this time vintage posters. Below are seven excellent examples of thriller and film noir promo art that appeared in that country from 1932 to 1955. They are, top to bottom, Highway 301, Night and the City, Thunder Road, Notorious twice, because both posters are great, Night of the Hunter and Blonde Venus.
Sleazy tabloid exposes the nationwide trade in even sleazier Tijuana bibles.
It’s been a while since we’ve featured Hush-Hush, but it’s one of our favorite high-end mid-century tabloids, so today we have a newly scanned issue from this month 1957. We learn that Ingrid Bergman called Ed Sullivan a liar for falsely claiming she was booked on his show, and that Phil Silvers was terrified that he would lose his fame, and that Eartha Kitt was destined to forever be lonely because she was interested only in white men. But the fun story here is the one headed: “Movie Stars Victimized By Smut, Inc.” The article is about Tijuana bibles, and the many celebs who had been unknowingly featured in them. We’ve already posted a few bibles, thus you probably already know that they’re pornographic eight-page comic booklets sold clandestinely in drug stores and soda fountains. Their makers felt free to borrow the likenesses of public figures of the day, and Hush-Hush offers up examples starring Bob Hope, Marie Wilson, Robert Mitchum and others. The article describes them as “unbelievably filthy booklets showing the basest sexual acts and perversions.” Well, true enough. Their distribution was so worrisome that the FBI got involved, and while the feds did manage to make some arrests, the flow of booklets remained pretty much uninterrupted. We can only assume that Hush-Hush’s exposé made them even more popular, which is kind of how it works with porn, right? Someone gets on their soapbox about it and people walk away thinking, Hmm, I better see one of these with my own eyes. Of course, Hush-Hush didn’t dare reprint the interior pages, but we have no such inhibitions here at Pulp Intl. See the next post, and see here.
The headlines that mattered yesteryear.
1911—Team Reaches South Pole
Norwegian explorer Roald Amundsen, along with his team Olav Bjaaland, Helmer Hanssen, Sverre Hassel, and Oscar Wisting, becomes the first person to reach the South Pole. After a celebrated career, Amundsen eventually disappears in 1928 while returning from a search and rescue flight at the North Pole. His body is never found.
1944—Velez Commits Suicide
Mexican actress Lupe Velez, who was considered one of the great beauties
of her day, commits suicide by taking an overdose of sleeping pills. In her note, Velez says she did it to avoid bringing shame on her unborn child by giving birth to him out of wedlock, but many Hollywood historians believe bipolar disorder was the actual cause. The event inspired a 1965 Andy Warhol film entitled Lupe
1958—Gordo the Monkey Lost After Space Flight
After a fifteen minute flight into space on a Jupiter AM-13 rocket, a monkey named Gordo splashes down in the South Pacific but is lost after his capsule sinks. The incident sparks angry protests from the American Society for Prevention of Cruelty to Animals, but NASA says animals are needed for such tests.
1968—Tallulah Bankhead Dies
American actress, talk show host, and party girl
Tallulah Bankhead, who was fond of turning cartwheels in a dress without underwear and once made an entrance to a party without a stitch of clothing on, dies in St. Luke's Hospital in New York City of double pneumonia complicated by emphysema.
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