|Femmes Fatales||Jan 29 2016|
This awesome promo photo comes from Jacques Tourneur’s iconic 1947 film noir Out of the Past, in which Jane Greer plays Kathie Moffat, one of history’s greatest femmes fatales. Here she watches Robert Mitchum and Steve Brodie in a fistfight, planning all along to decide the situation with a bullet.
|Sex Files||Jan 4 2016|
The Tijuana bibles we like best are those dealing with celebrities, like this one about Robert Mitchum and this one spoofing John Dillinger. But many of these dirty little books dealt with famous comic strip characters such as today’s Dixie Dugan send-up. In addition to being absolutely scandalous and often very funny, these eight-panel booklets show that we haven’t really changed that much in the last eighty years or so years when it comes to such variations as oral sex and dirty talk. Yes, your grandparents may well have been sixty-nining like banshees. Read a bit more about Tijuana bibles here.
|Vintage Pulp||Dec 22 2015|
With a poster this amazing you’d expect a pretty good movie. It promotes the Japanese run of the thriller Second Chance, which opened there today in 1953 after premiering in the U.S. in July. The film is near impossible to find, but we already possessed a downloaded copy from years back because we long ago sought out all Robert Mitchum’s work due to his utter coolness. Second Chance has not only Mitchum, but the always excellent Linda Darnell, exteriors shot in the Mexican towns of Cuernavaca and Taxco, color film stock (which lost its vividness in the intervening decades), and a 3-D process (of course not replicated for the home viewer).
So, is it any good? Well, when technical innovations arrive in Hollywood, filmmakers often use them as gimmicks, with diminished regard for story flow and physical logic. You see the same phenomenon today with CGI. Because this was RKO Radio Pictures’ first 3-D movie, and it was in Technicolor, many scenes take advantage of those aspects, but fail to build characterization or advance the plot. So there you go. But the locations in hilly Taxco look great, the musical interludes are grandly staged, and it all climaxes with an extended cable car set piece where down-on-his-luck prizefighter Mitchum gets a chance at redemption by taking on hitman Jack Palance. We’ve seen better. But we’ve seen far worse.
|Vintage Pulp||Jul 14 2015|
Above is one of the great film noir posters—the three-sheet promo for Where Danger Lives (presumably de-seamed by some enterprising Photoshopper). The movie starred Robert Mitchum, Faith Domergue, and Claude Rains, and deals with a doctor who gets involved with a suicidal patient, a situation that simply can’t end well. Like most film noirs, Where Danger Lives is well regarded today, but it’s strictly second tier—watching Mitchum stagger around for half the movie making bad decisions because of a concussion just didn’t engage us, but more importantly there’s no real basis for his relationship with Domergue. Writing it into a script is not enough—the actors need to establish chemistry and heat to make recklessness understandable. When you start asking questions like, “But why would he have any interest in this crazy chick when he already has a great girlfriend?” you know the movie is fatally flawed. If you like noirs, you might be inclined to give this one’s failings a pass—after all, even so-so noir is better than 90% of what’s coming out of Hollywood today. And it has Mitchum, who’s also better than 90% of what’s coming out of Hollywood today. Where Danger Lives premiered in the U.S. today in 1950.
|Vintage Pulp||Nov 11 2013|
|Vintage Pulp||Oct 20 2013|
Above is a Swedish poster for Edward Dmytryk’s Hämnden är rättvis, aka Crossfire, a really interesting film noir about an ex-soldier who is murdered, and his fellow ex-soldiers who are suspects. Police detective Robert Young tries to get to the bottom of the crime, but is increasingly baffled as he realizes the killing did not occur for any of the usual reasons—money, lust, revenge, etc. Different character recollections provide different information about the victim’s last hours, but only serve to underscore the apparent senselesslness of the crime. We can’t reveal the direction Young’s investigation turns without giving away the ending*, but we’ll mention that the movie won an award at Cannes—the Prix du meilleur film social, or Best Social Film.
*We’ve never worried about giving away endings before. Our capsule reviews are really just excuses to show the poster art and joke around. However, a few recent emails have revealed that some readers actually visit Pulp Intl. for viewing ideas, which just goes to show that after five years online you receive credibility whether you were looking for it or not. So even though recent scientific research shows that people enjoy stories more if they know the endings in advance, we’re going to be better about spoilers in the future. Promise.
|Vintage Pulp||Jul 27 2012|
It’s been a while since we’ve featured Hush-Hush, but it’s one of our favorite high-end mid-century tabloids, so today we have a newly scanned issue from this month 1957. We learn that Ingrid Bergman called Ed Sullivan a liar for falsely claiming she was booked on his show, and that Phil Silvers was terrified that he would lose his fame, and that Eartha Kitt was destined to forever be lonely because she was interested only in white men. But the fun story here is the one headed: “Movie Stars Victimized By Smut, Inc.” The article is about Tijuana bibles, and the many celebs who had been unknowingly featured in them. We’ve already posted a few bibles, thus you probably already know that they’re pornographic eight-page comic booklets sold clandestinely in drug stores and soda fountains. Their makers felt free to borrow the likenesses of public figures of the day, and Hush-Hush offers up examples starring Bob Hope, Marie Wilson, Robert Mitchum and others. The article describes them as “unbelievably filthy booklets showing the basest sexual acts and perversions.” Well, true enough. Their distribution was so worrisome that the FBI got involved, and while the feds did manage to make some arrests, the flow of booklets remained pretty much uninterrupted. We can only assume that Hush-Hush’s exposé made them even more popular, which is kind of how it works with porn, right? Someone gets on their soapbox about it and people walk away thinking, Hmm, I better see one of these with my own eyes. Of course, Hush-Hush didn’t dare reprint the interior pages, but we have no such inhibitions here at Pulp Intl. See the next post, and see here.
|Sex Files||Jul 27 2012|
So, here’s the Robert Mitchum booklet cited in the July 1957 Hush-Hush in the above post. The article describes it as the lowest form of filth and its maker or makers as degenerate profiteers. Pretty hard to argue with that. Consider it a warning. It’s called Goof Butts, and it references Mitchum’s arrest for marijuana possession in 1948. Assuming the creators of the book wanted to strike while the iron was hot, so to speak, they probably published it around the same time. Enjoy.
|Vintage Pulp||May 29 2012|
|Sex Files||May 3 2011|
The infamous Profumo Affair exploded onto British front pages during the spring and summer of 1963, outing Secratary of State for War John Profumo’s affair with the call girl Christine Keeler, and leading directly to his humiliation and resignation. More than a year later the other call girl at the center of the scandal—Mandy Rice-Davies—was promoting a tell-all book about her time in the sex trade. It was called The Mandy Report and on the cover of Confidential from May 1964, we see Rice-Davies holding the book and looking pretty darn pleased with herself.
The Mandy Report was actually rather cleverly formatted as a tabloid-style magazine, and inside Rice-Davies claimed to have spent quality time with the likes of Douglas Fairbanks, Jr., Robert Mitchum, Bob Hope, George Hamilton and many others. Mostly, the men denied it, of course, but to paraphrase Rice-Davies herself: “Well, they would, wouldn’t they?” Call us prejudiced, but we tend to believe women about situations like these, even when they happen to be trying to drum up sales.
We don't know how many copies The Mandy Report eventually sold, but the fact that it's still widely available online might be an indication that it did okay. Later in life, Rice-Davies stayed in the spotlight, acting in film and television. That’s her below, relaxing on a beach on Majorca circa 1963, and if you're curious you can read a bit more about the Profumo Affair at an earlier post, here.