Oshida and Co. may have been to reform school but once a boss always a boss.
First film in what would become the successful Zubekô banchô series, Zubekô banchô: yume wa yoru hiraku, aka Delinquent Girl Boss: Blossoming Night Dreams, aka Tokyo Bad Girls stars Reiko Oshida as a parolee from a reform school who takes a job in a Shinjuku hotspot called Bar Murasaki, but finds walking the straight and narrow a difficult ambition to fulfill. As usual in these pinku films set in and around nightclubs, a criminal syndicate wants to take over, which means she's soon stuck between a resistant owner and an insistent Yakuza. Some girls she knows from reform school have also found spots at the club, and in addition to Yakuza problems, Oshida finds herself drawn into the issues of her friends.
But it's good they're around, these girl delinquents, because when the climactic brawl with the villains happens, Oshida will need loyal friends at her side. On the whole Blossoming Night Dreams is tamer than later entires in the Delinquent Girl Boss series, but considering the sexual violence that began to appear, most would consider that a good thing. Of course, it's always important to remember that these films are counterculture in character, replacing the subservient women of previous eras with badass riot girls who always took violent revenge upon men who wronged them. The formula was both exploitative and pro feminist, with the sexploitation putting rear ends in the seats, whereupon the progressive message was hammered home.
Anyway, moving on to the poster, you may notice that, by a quirk of design, Oshida, star of the film, does not appear to be star of the promo art. The topmost position is given to Keiko Fuji. But a closer look reveals that Oshida gets a full body shot in the center foreground of the art, while Fuji is layered behind. It's still unusual that Fuji is placed where she is, though. While she plays Bar Murasaki's headlining performer, she has far less screen time most of the other castmembers. But she's good in her role, Oshida's excellent, Masumi Tachibana, Yukie Kagawa, and the rest of the troupe are having fun, and everyone deserves credit for making the movie well worth a screening. Zubekô banchô: yume wa yoru hiraku opened today in 1970.
She isn't even remotely done with you.
Way back in 2010 we shared a promo poster for Joshû 701-gô: Sasori, aka Female Convict 701: Scorpion, as part of a collection of promos from the entire Female Prisoner tetrology. If you click over to that group you'll see it right on top. The movie opened today in 1972 with Meiko Kaji in the lead as the iconic character Nami Matsushima, aka Matsu the Scorpion, and the posters above are the second and third we have for this fun movie. If you haven't seen it but appreciate a little Japanese style cinematic mayhem, we recommend you check it out.
Meiko Kaji finds herself in a gang of trouble.
Above and below are two beautiful posters for Hangyaku no Melody, aka Melody of Rebellion, starring Yoshio Harada and Meiko Kaji. We've located and screened some of the most obscure Japanese films of all time. But this one, with two iconic stars—no such luck. But we can tell you that it deals, like many pinku films, with the multifarious challenges of gang life. When (if) we find this one we'll circle back to it. For now just enjoy the posters, which are both significant upgrades from anything currently visible online. Hangyaku no Melody opened in Japan today in 1970.
Reiko Ike’s pelvic floor exercises pay off big time.
Onsen mimizu geisha, which premiered today in 1971, stars an eighteen-year-old Reiko Ike, along with Miki Sugimoto and Junkô Tôda, in yet another tale centered on a Japanese hot spring—Toi Onsen on the Izu Peninsula. So what is this about specifically? Basically, in order to avoid losing the family’s ancestral burial plot to debt collectors, Ike is forced to become a geisha, which turns out to be a natural choice because of the muscle control she has over her vagina. The extraordinarily pleasurable sensation she creates in there is akin to that of worms writhing. Yes, you read that right—worms. Warm ones, of course. And this is where the title of the movie comes from—Onsen mimizu geisha, or “hot springs earthworm geisha.” Do you need to know more? This is a classic, with a lot of goofy humor, plenty of bare skin and bikinis, a strong visual style from director Noribumi Suzuki, and some bizarrely aggressive octopi. And most importantly it has Ike, who’s radiant throughout, never more so than when flashing the viewer during the naughty opening credit montage. Maybe not for everybody, this one, but it certainly worked for us.
Whatever you’re holding, consider yourself trumped.
Back in November of 2014 we shared a vanishingly rare tatekan style promo poster for Teruo Ishii’s Hijirimen bakuto, aka Red Silk Gambler. Today we’ve finally gotten around to sharing the other five matching tatekans, new to any website, and unwatermarked for your enjoyment. Though that may change soon. The stars of these posters are, top to bottom, Hiroko Fuji, Junko Matsudaira, Mitsue Horikoshi, Eiko Nakamura, and Sanae Tsuchida. By the way, IMDB calls this movie Hijirimen bakuto, but many other sources, especially those based in Japan, call it Hidirimen bakuto. As far as we know, both are technically correct, but maybe one of our Japanese speaking friends can confirm that. You can see our first write-up on this film here.
One of these days these boots are gonna walk all over you.
This image made by Susumu Murakami comes from an issue of the magazine Heibon Punch and is a large foldout we scanned in three pieces and put together in Photoshop. You're welcome. It shows Japanese actress Ryôko Ema, who appeared in such pinku epics as Onsen suppon geisha, Sukeban gerira, and 1973's all-time classic Furyô anego den: Inoshika Ochô, aka Sex and Fury. We've discussed all those movies, but Ema was a supporting character, which is why we never mentioned her before. Omission remedied.
Some people just can't keep out of trouble.
We already showed you a poster for Reiko Oshida's 1971 pinku actioner Zubekô banchô: zange no neuchi mo nai, aka Delinquent Girl Boss: Worthless To Confess. She returns above on two rare alternate promos. Those inclined can visit our earlier write-up on the movie here.
When two incendiary personalities meet the result is bound to be explosive.
The rare poster above was made to promote the Japanese pinku thriller Asu naki furaiha, aka Jeans Blues: No Future, and it's the only panel-length promo for the movie we've ever seen. Meiko Kaji plays Seiko, who robs the bar where she works. Tsunehiko Watase plays Jiro, who rips off the Yakuza. They crash their stolen getaway cars into each other and from that accidental meeting a partnership is formed and the two scam and rob their way across the countryside like Bonnie and Clyde.
Jiro is a bit more serious of a criminal than Seiko, and is in more severe trouble, but Seiko is loyal to a fault now that she's found a kindred spirit. She refuses to leave Jiro even though the Yakuza are destined to turn up—in Japanese movies you can't realistically hope to shake those guys. But even if doom is the final destination there's fun on the road to ruin—speed, adventure, laughs, a little barnyard nookie, and regularly spaced cop murders. Plus you get Kaji and with her you can't lose, even if she does. Watching this was time well spent. Asu naki furaiha premiered in Japan today in 1974.
Reiko Ike makes her presence felt in Rome.
Reiko Ike appears here in a bold photo published in the French magazine Euro Cinéma in November 1972. The text reads: A beautiful oriental pearl came to Rome for the turn Toei’s “A modern biography.” What does that mean? Unfortunately, our translating widget cannot clear that up. Seems as though the magazine is telling us Ike was sent to Rome earlier that year to promote either one of her own films, films by her studio Toei Company, or both. We found no references to anything made by Toei called A Modern Biography, and nothing that would translate to such. Our guess is the name refers to a Japanese film festival in Rome they put together or participated in. Anyone out there want to clear this up? You know the drill—email@example.com. Anyway, what’s extra cool about this magazine is that it also has Christina Lindberg on the cover and inside, plus Florinda Bolkan and Laura Antonelli. Euro Cinéma is good cinema.
Reiko Ike and Sandra Julien get together and sparks fly.
Gendai poruno-den: Sentensei inpu, aka Modern Porno Tale: Inherited Sex Mania, aka The Insatiable is a Noribumi Suzuki-directed tale of sexual awakening, but we bet most viewers don't awaken until co-stars Reiko Ike and Sandra Julien end up in the shower together. Pretty steamy stuff, and as a bonus the two migrate into bed, which you see in the photo below. Prefacing that agreeable sequence are less agreeable but standard pinku elements, including legions of slimy horndogs, shameful voyeurism, forced de-virginization, a drugging, and an alcohol fueled orgy. The only good thing that happens is that Ike falls into bed with Pulp Intl. fave Miki Sugimoto. Actually, that's nearly the opening sequence, which is nice because it lets you know exactly where the movie plans to take you. But that interlude aside, other aspects of Reiko's life really suck, and her escalating problems eventually lead to a brawl which she escapes by hiding in a parked car. The man who owns that car seems to bethe person destined to save her from the sordid club girl life she's made for herself. Or is he? He slaps her within minutes of their initial meeting, but can you blame the guy? She was trying to kiss him. We can't pretend to truly understand these movies, and since there are no real reviews of this one online we're flying blind with our interpretation, but the message seems to be that sluttiness is genetic. In any case, we love the two posters at top. We also love the two promo images below of Ike and Julien. Gendai poruno-den: Sentensei inpu opened in Japan today in 1971.
The headlines that mattered yesteryear.
1945—Flag Raised on Iwo Jima
Four days after landing on the Japanese-held island of Iwo Jima, American soldiers of the 28th Regiment, 5th Marine Division take Mount Suribachi and raise an American flag. A photograph of the moment shot by Joe Rosenthal becomes one of the most famous images of WWII, and wins him the Pulitzer Prize later that year.
1987—Andy Warhol Dies
American pop artist Andy Warhol, whose creations have sold for as much as 100 million dollars, dies of cardiac arrhythmia following gallbladder surgery in New York City. Warhol, who already suffered lingering physical problems from a 1968 shooting, requested in his will for all but a tiny fraction of his considerable estate to go toward the creation of a foundation dedicated to the advancement of the visual arts.
1947—Edwin Land Unveils His New Camera
In New York City, scientist and inventor Edwin Land demonstrates the first instant camera, the Polaroid Land Camera, at a meeting of the Optical Society of America. The camera, which contains a special film that self-develops prints in a minute, goes on sale the next year to the public and is an immediate sensation.
1965—Malcolm X Is Assassinated
American minister and human rights activist Malcolm X is assassinated at the Audubon Ballroom in New York City by members of the Nation of Islam, who shotgun him in the chest and then shoot him sixteen additional times with handguns. Though three men are eventually convicted of the killing, two have always maintained their innocence, and all have since been paroled.
It's easy. We have an uploader that makes it a snap. Use it to submit your art, text, header, and subhead. Your post can be funny, serious, or anything in between, as long as it's vintage pulp. You'll get a byline and experience the fleeting pride of free authorship. We'll edit your post for typos, but the rest is up to you. Click here
to give us your best shot.