Operating at a whole new delinquency.
Above are two posters for Zubeko banchô: hamagure kazoe uta, aka Delinquent Girl Boss: Ballad of Yokohama Hoods, third in the Delinquent Girl Boss series, with Reiko Oshida reprising her role as the ass kicking Rika Kageyama. We managed to track down a copy of this and took a gander. It's similar to other entries, with Oshida going from the frying pan to the fire—or more literally, from reform school to the mean streets, as shortly after arriving in Yokohama she gets tangled up in girl biker and organized crime weirdness. She proves her mettle to the girls, then sets about causing trouble for the boys. All this is wrapped around a subplot involving a deserter from the U.S. army.
One distinguishing aspect of Yokohama Hoods is that sex and nudity are de-emphasized throughout the proceedings, and we think this actually helps the movie. We're still grappling with the often challenging role of sexual violence in pinku films, trying but not always managing to understand it in its cultural context, so Yokohama Hoods was refreshing for its lack. Other aspects are exactly as you'd anticipate—i.e. a climactic confrontation between the tough good girls and the superbad boys. Director Kazuhiko Yamaguchi goes all out, staging a waterfront fracas featuring speeding motorcycles, blazing machine guns, flashing swords, and more. If everyone actually aimed their guns rather than thrusting them wildly at their targets the fight might have ended sooner, but in any case Yokohama will never be the same. Zubeko banchô: hamagure kazoe uta premiered in Japan today in 1971.
Tajima joins the white panty club.
This is the last of our Heibon Punch calendar pages. Sad, we know—these things have provided a lot of visual pleasure, but we'll acquire more at some point. The above foldout features actress Harumi Tajima, who appeared in Kyôfu joshi kôkô: Animal dôkyôsei, aka Terrifying Girls' High School: Animal Courage, and in Seijû gakuen, aka School of the Holy Beast, which we talked about here. This shot, as you can see from the date at bottom left, is from 1974, and she sports the same garb worn last month by Yumiko Tatsuno. While the look is similar, the photographer is different. This shot was made by Keinosuke Hashimoto. Wanna see the other Heibon Punch calendar pages? Just click here and scroll down.
You know, you're kind of sexy when you're mad.
The panel length promo for Furyô anego den: Inoshika Ochô, aka Sex & Fury was one of the first Japanese posters we ever shared. It's now the standard poster scan for this film on the internet. We see it everywhere, and it's defnintely the one we uploaded because we recognize the various imperfections of the image. We've also had the above bo-ekibari style promo the whole time, and we're sharing it now, whole and in halves, eight years after that first upload, just for the sake of completeness. Have you seen the movie? It's pretty wild, and it has a love scene between Reiko Ike and Christina Lindberg. If that doesn't make your loins go all hot and gooey you aren't technically alive. Furyô anego den: Inoshika Ochô premiered in Japan today in 1973.
Two of pinku's biggest stars headline a rare film festival in Tokyo.
If you find yourself in Tokyo today, Cinema Laputa Asagaya is hosting a retrospective of films featuring two of the biggest pinku stars of the 1970s—Reiko Ike and Miki Sugimoto, who are not only big stars but also Pulp Intl. faves who we've discussed many times. A new film will be featured every weekend until April 1, with all the pair's most legendary efforts appearing on the program, including Yasagure anego den: sôkatsu rinchi, aka Female Yakuza Tale (discussed here and here), Zenka onna: koroshi-bushi, aka Criminal Woman: Killing Melody, for which you can see the badass promo poster here, and of course Furyô anego den: Inoshika Ochô, aka Sex & Fury, which we talked about way back in 2009. There will be thirteen films in all, and the festival represents the best chance to see all these movies on a big screen in many years, and in a pretty cool location too. If you're in the vicinity, don't miss it.
Yumi Yumi Yumi puts her knife in your tummy.
A couple a years ago we wrote briefly about and shared a poster for the Yumi Takigawa headlined pinku flick Shin joshuu sasori: 701-gô, aka New Female Prisoner Scorpion: 701. Above is another poster from the film, actually the standard poster, as opposed to the bo-ekibari, or horizontal two-piece we showed you before. It's a great image, as is the very Yumi shot of Takigawa below. See the other poster here.
Oshida and Co. may have been to reform school but once a boss always a boss.
First film in what would become the successful Zubekô banchô series, Zubekô banchô: yume wa yoru hiraku, aka Delinquent Girl Boss: Blossoming Night Dreams, aka Tokyo Bad Girls stars Reiko Oshida as a parolee from a reform school who takes a job in a Shinjuku hotspot called Bar Murasaki, but finds walking the straight and narrow a difficult ambition to fulfill. As usual in these pinku films set in and around nightclubs, a criminal syndicate wants to take over, which means she's soon stuck between a resistant owner and an insistent Yakuza. Some girls she knows from reform school have also found spots at the club, and in addition to Yakuza problems, Oshida finds herself drawn into the issues of her friends.
But it's good they're around, these girl delinquents, because when the climactic brawl with the villains happens, Oshida will need loyal friends at her side. On the whole Blossoming Night Dreams is tamer than later entires in the Delinquent Girl Boss series, but considering the sexual violence that began to appear, most would consider that a good thing. Of course, it's always important to remember that these films are counterculture in character, replacing the subservient women of previous eras with badass riot girls who always took violent revenge upon men who wronged them. The formula was both exploitative and pro feminist, with the sexploitation putting rear ends in the seats, whereupon the progressive message was hammered home.
Anyway, moving on to the poster, you may notice that, by a quirk of design, Oshida, star of the film, does not appear to be star of the promo art. The topmost position is given to Keiko Fuji. But a closer look reveals that Oshida gets a full body shot in the center foreground of the art, while Fuji is layered behind. It's still unusual that Fuji is placed where she is, though. While she plays Bar Murasaki's headlining performer, she has far less screen time most of the other castmembers. But she's good in her role, Oshida's excellent, Masumi Tachibana, Yukie Kagawa, and the rest of the troupe are having fun, and everyone deserves credit for making the movie well worth a screening. Zubekô banchô: yume wa yoru hiraku opened today in 1970.
She isn't even remotely done with you.
Way back in 2010 we shared a promo poster for Joshû 701-gô: Sasori, aka Female Convict 701: Scorpion, as part of a collection of promos from the entire Female Prisoner tetrology. If you click over to that group you'll see it right on top. The movie opened today in 1972 with Meiko Kaji in the lead as the iconic character Nami Matsushima, aka Matsu the Scorpion, and the posters above are the second and third we have for this fun movie. If you haven't seen it but appreciate a little Japanese style cinematic mayhem, we recommend you check it out.
Meiko Kaji finds herself in a gang of trouble.
Above and below are two beautiful posters for Hangyaku no Melody, aka Melody of Rebellion, starring Yoshio Harada and Meiko Kaji. We've located and screened some of the most obscure Japanese films of all time. But this one, with two iconic stars—no such luck. But we can tell you that it deals, like many pinku films, with the multifarious challenges of gang life. When (if) we find this one we'll circle back to it. For now just enjoy the posters, which are both significant upgrades from anything currently visible online. Hangyaku no Melody opened in Japan today in 1970.
Reiko Ike’s pelvic floor exercises pay off big time.
Onsen mimizu geisha, which premiered today in 1971, stars an eighteen-year-old Reiko Ike, along with Miki Sugimoto and Junkô Tôda, in yet another tale centered on a Japanese hot spring—Toi Onsen on the Izu Peninsula. So what is this about specifically? Basically, in order to avoid losing the family’s ancestral burial plot to debt collectors, Ike is forced to become a geisha, which turns out to be a natural choice because of the muscle control she has over her vagina. The extraordinarily pleasurable sensation she creates in there is akin to that of worms writhing. Yes, you read that right—worms. Warm ones, of course. And this is where the title of the movie comes from—Onsen mimizu geisha, or “hot springs earthworm geisha.” Do you need to know more? This is a classic, with a lot of goofy humor, plenty of bare skin and bikinis, a strong visual style from director Noribumi Suzuki, and some bizarrely aggressive octopi. And most importantly it has Ike, who’s radiant throughout, never more so than when flashing the viewer during the naughty opening credit montage. Maybe not for everybody, this one, but it certainly worked for us.
Whatever you’re holding, consider yourself trumped.
Back in November of 2014 we shared a vanishingly rare tatekan style promo poster for Teruo Ishii’s Hijirimen bakuto, aka Red Silk Gambler. Today we’ve finally gotten around to sharing the other five matching tatekans, new to any website, and unwatermarked for your enjoyment. Though that may change soon. The stars of these posters are, top to bottom, Hiroko Fuji, Junko Matsudaira, Mitsue Horikoshi, Eiko Nakamura, and Sanae Tsuchida. By the way, IMDB calls this movie Hijirimen bakuto, but many other sources, especially those based in Japan, call it Hidirimen bakuto. As far as we know, both are technically correct, but maybe one of our Japanese speaking friends can confirm that. You can see our first write-up on this film here.
The headlines that mattered yesteryear.
1973—Peter Dinsdale Commits First Arson
A fire at a house in Hull, England, kills a six year old boy and is believed to be an accident until it later is discovered to be a case of arson. It is the first of twenty-six deaths by fire caused over the next seven years by serial-arsonist Peter Dinsdale. Dinsdale is finally captured in 1981, pleads guilty to multiple manslaughter, and is detained indefinitely under Britain's Mental Health Act as a dangerous psychotic.
1944—G.I. Bill Goes into Effect
U.S. president Franklin D. Roosevelt signs the Servicemen's Readjustment Act into law. Commonly known as the G.I. Bill of Rights, or simply G.I. Bill, the grants toward college and vocational education, generous unemployment benefits, and low interest home and business loans the Bill provided to nearly ten million military veterans was one of the largest factors involved in building the vast American middle class of the 1950s and 1960s.
1940—Smedley Butler Dies
American general Smedley Butler dies. Butler had served in the Philippines, China, Central America, the Caribbean and France, and earned sixteen medals, five of which were for heroism. In 1934 he was approached by a group of wealthy industrialists wanting his help with a coup against President Franklin D. Roosevelt, and in 1935 he wrote the book War Is a Racket, explaining that, based upon his many firsthand observations, warfare is always wholly about greed and profit, and all other ascribed motives are simply fiction designed to deceive the public.
It's easy. We have an uploader that makes it a snap. Use it to submit your art, text, header, and subhead. Your post can be funny, serious, or anything in between, as long as it's vintage pulp. You'll get a byline and experience the fleeting pride of free authorship. We'll edit your post for typos, but the rest is up to you. Click here
to give us your best shot.