We're gambling that you'll like this poster.
Some of our proudest shares on this website have been the rare posters we've shown you for Hijirimen bakuto, aka, Hidirimen bakuto, aka Red Silk Gambler. All of those amazing promos have now proliferated online and you'll often see them used whenever someone writes about the movie. Well, we have one more to add to the mix, which is the tateken sized promo featuring all the main cast members—Hiroko Fuji, Junko Matsudaira, Mitsue Horikoshi, Eiko Nakamura, Sanae Tsuchida, Reiichi Hatanaka, and Reiko Ike. This should pretty much cover it for this film. Click here and scroll to see the entire collection. Hijirimen bakuto premiered in Japan today in 1972.
Reiko Ike leaves everyone's tongues tied in nots.
Yes, we just shared a rare calendar page of pinku legend Reiko Ike, but what are you gonna do when she stars in photos like this one? We can't not post it. That's a double negative, we know, but some thoughts can only be expressed that way. We can't not not share this photo, because that would be immoral. Is that even right? Not the immoral part. The not part. If you decide you're not not not not going to do something, that means you're going to do it, right? Or maybe you can only successfully use a single double negative, and all the extra nots can only be used as emphasis rather than meaning, like saying you're never never never never going to do something, in which case that would mean you're not going to do it. Tricky questions. We could avoid them by using a single positive, but that would lack the exactness of the double negative. We will post it lacks the punch of we can't not post it. The meaning is similar, but the double negative removes our control over the decision, which is useful when the Pulp Intl. girlfriends look at the site. Baby, we couldn't not post it. So the double negative is better than the single positive and there's no such thing as a double positive. Well, maybe that's not strictly true. For instance, we're double positive about posting this photo. And gramatically speaking, people do say yes yes under certain circumstances, but those circumstances shouldn't occur while looking at naked photos on a computer. If that happens, we can only suggest that it's time to ask someone on a date.
I really don't know if I can survive another day of this.
Summer is coming just in the nick of time for Reiko Ike, who tends to wilt during the cold Japanese winter months, as you see her doing in this photo. It comes from an issue of the Japanese magazine Weekly Playboy and was published in January 1978 as part of a pin-up calendar. Reiko got the month of May, which is the commencement of new hope, the efflorescence of the natural world, and a good time to shop for bathing suits. Unless you prefer to go au naturel. Either way summer is the most fantabulous time of the year.
If it was easy to steal anyone could do it.
We have some nice pinku posters lined up for this month, and above you see the first of those—the tateken and standard promos for Suke Yakuza, aka Female Yakuza Convict, aka Female Prisoner Yakuza, which premiered in Japan today in 1974 starring Yoko Horikoshi and Reiko Ike. Though we can't be sure, we don't think this movie has been released on DVD, because we couldn't find it—the first time that's happened with one of Ike's films. No copy means no firsthand rundown, but we can tell you what the Japanese websites say. It's about bank robbers who steal 30 million yen and try to elude the cops and escape with the cash. Of the three, only one manages to avoid capture. Horikoshi, a female accomplice, is tossed in a women's prison where she meets Reiko, and the two of them manage to escape. Their plan is meet up with the robber who avoided capture, get ahold of the cash, and get for away from the big city, but mishaps and twists follow. Basically, it's sounds like classic Toei pinky violence, but sadly we may not get to see this one unless we go to Japan. But the posters sure are pretty. We have bonus material below—production photos, a Horikoshi promo poster, and a Reiko promo shot from wherever.
The key to an even tan is to turn regularly.
Japanese action movie icon Reiko Ike, who you just saw recently, is back giving both halves of her body equal time in the sun in these two promo images from the early 1970s. She's also careful to keep her tender bits covered because, let's face it, that's a sunburn that'll ruin your week. The hand shaped tan line will raise eyebrows, though. Why didn't she simply wear bottoms? Actually she did, and we have a photo of that we may post later. Meanwhile see plenty more of Reiko by clicking her keywords below.
If you think the danger has passed you're wrong.
Reiko Ike is famous for both the crazy pinku action films in which she's laid many a bad man low, and for her provocative promo photos that have made many a male fan rise. The above shot is different, an image that zooms in mainly on her expressive face. The pinku genre is vast, with performers of diverse skills and styles, but Ike is near the top of the pyramid. This photo dates from around 1973.
You know, you're kind of sexy when you're mad.
The panel length promo for Furyô anego den: Inoshika Ochô, aka Sex & Fury was one of the first Japanese posters we ever shared. It's now the standard poster scan for this film on the internet. We see it everywhere, and it's defnintely the one we uploaded because we recognize the various imperfections of the image. We've also had the above bo-ekibari style promo the whole time, and we're sharing it now, whole and in halves, eight years after that first upload, just for the sake of completeness. Have you seen the movie? It's pretty wild, and it has a love scene between Reiko Ike and Christina Lindberg. If that doesn't make your loins go all hot and gooey you aren't technically alive. Furyô anego den: Inoshika Ochô premiered in Japan today in 1973.
Two of pinku's biggest stars headline a rare film festival in Tokyo.
If you find yourself in Tokyo today, Cinema Laputa Asagaya is hosting a retrospective of films featuring two of the biggest pinku stars of the 1970s—Reiko Ike and Miki Sugimoto, who are not only big stars but also Pulp Intl. faves who we've discussed many times. A new film will be featured every weekend until April 1, with all the pair's most legendary efforts appearing on the program, including Yasagure anego den: sôkatsu rinchi, aka Female Yakuza Tale (discussed here and here), Zenka onna: koroshi-bushi, aka Criminal Woman: Killing Melody, for which you can see the badass promo poster here, and of course Furyô anego den: Inoshika Ochô, aka Sex & Fury, which we talked about way back in 2009. There will be thirteen films in all, and the festival represents the best chance to see all these movies on a big screen in many years, and in a pretty cool location too. If you're in the vicinity, don't miss it.
Whatever happens don't lose your head.
This weird Japanese poster was made to promote the weird Hong Kong movie Xin Mo, aka The Bedeviled, aka Sam moh, a horror flick starring Taiwanese actor Chun Hsiung Ko and Japanese actress Reiko Ike in a tale of corrupt elites in a rural village who frame a peasant and force his wife into sexual servitude. This is not a pinku film—the story unfolds with restraint and the plot is linear. And the moral is clear: don't use your power to subjugate others. But alas, the one-percenters of this village let their greed run rampant and as a result are haunted by severed heads and eventually wind up dead. Too bad greed isn't punished like that in the real world, right? So many severed heads would be flying around they'd turn the noon sky to midnight. We prefer Ike with her head attached, but this is still a good movie. It premiered in Japan today in 1975. |
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