I really don't know if I can survive another day of this.
Summer is coming and just in the nick of time for Reiko Ike, who tends to wilt during the cold Japanese winter months, as you see her doing in this photo. It comes from an issue of the Japanese magazine Weekly Playboy and was published in January 1978 as part of a pin-up calendar. Reiko got the month of May, which is the commencement of new hope, the efflorescence of the natural world, and a good time to shop for bathing suits. Unless you prefer to go au naturel. Either way summer is the most fantabulous time of the year.
If it was easy to steal anyone could do it.
We have some nice pinku posters lined up for this month, and above you see the first of those—the tateken and standard promos for Suke Yakuza, aka Female Yakuza Convict, aka Female Prisoner Yakuza, which premiered in Japan today in 1974 starring Yoko Horikoshi and Reiko Ike. Though we can't be sure, we don't think this movie has been released on DVD, because we couldn't find it—the first time that's happened with one of Ike's films. No copy means no firsthand rundown, but we can tell you what the Japanese websites say. It's about bank robbers who steal 30 million yen and try to elude the cops and escape with the cash. Of the three, only one manages to avoid capture. Horikoshi, a female accomplice, is tossed in a women's prison where she meets Reiko, and the two of them manage to escape. Their plan is meet up with the robber who avoided capture, get ahold of the cash, and get for away from the big city, but mishaps and twists follow. Basically, it's sounds like classic Toei pinky violence, but sadly we may not get to see this one unless we go to Japan. But the posters sure are pretty. We have bonus material below—production photos, a Horikoshi promo poster, and a Reiko promo shot from wherever.
The key to an even tan is to turn regularly.
Japanese action movie icon Reiko Ike, who you just saw recently, is back giving both halves of her body equal time in the sun in these two promo images from the early 1970s. She's also careful to keep her tender bits covered because, let's face it, that's a sunburn that'll ruin your week. The hand shaped tan line will raise eyebrows, though. Why didn't she simply wear bottoms? Actually she did, and we have a photo of that we may post later. Meanwhile see plenty more of Reiko by clicking her keywords below.
If you think the danger has passed you're wrong.
Reiko Ike is famous for both the crazy pinku action films in which she's laid many a bad man low, and for her provocative promo photos that have made many a male fan rise. The above shot is different, an image that zooms in mainly on her expressive face. The pinku genre is vast, with performers of diverse skills and styles, but Ike is near the top of the pyramid. This photo dates from around 1973.
You know, you're kind of sexy when you're mad.
The panel length promo for Furyô anego den: Inoshika Ochô, aka Sex & Fury was one of the first Japanese posters we ever shared. It's now the standard poster scan for this film on the internet. We see it everywhere, and it's defnintely the one we uploaded because we recognize the various imperfections of the image. We've also had the above bo-ekibari style promo the whole time, and we're sharing it now, whole and in halves, eight years after that first upload, just for the sake of completeness. Have you seen the movie? It's pretty wild, and it has a love scene between Reiko Ike and Christina Lindberg. If that doesn't make your loins go all hot and gooey you aren't technically alive. Furyô anego den: Inoshika Ochô premiered in Japan today in 1973.
Two of pinku's biggest stars headline a rare film festival in Tokyo.
If you find yourself in Tokyo today, Cinema Laputa Asagaya is hosting a retrospective of films featuring two of the biggest pinku stars of the 1970s—Reiko Ike and Miki Sugimoto, who are not only big stars but also Pulp Intl. faves who we've discussed many times. A new film will be featured every weekend until April 1, with all the pair's most legendary efforts appearing on the program, including Yasagure anego den: sôkatsu rinchi, aka Female Yakuza Tale (discussed here and here), Zenka onna: koroshi-bushi, aka Criminal Woman: Killing Melody, for which you can see the badass promo poster here, and of course Furyô anego den: Inoshika Ochô, aka Sex & Fury, which we talked about way back in 2009. There will be thirteen films in all, and the festival represents the best chance to see all these movies on a big screen in many years, and in a pretty cool location too. If you're in the vicinity, don't miss it.
Whatever happens don't lose your head.
This weird Japanese poster was made to promote the weird Hong Kong movie Xin Mo, aka The Bedeviled, aka Sam moh, a horror flick starring Taiwanese actor Chun Hsiung Ko and Japanese actress Reiko Ike in a tale of corrupt elites in a rural village who frame a peasant and force his wife into sexual servitude. This is not a pinku film—the story unfolds with restraint and the plot is linear. And the moral is clear: don't use your power to subjugate others. But alas, the one-percenters of this village let their greed run rampant and as a result are haunted by severed heads and eventually wind up dead. Too bad greed isn't punished like that in the real world, right? So many severed heads would be flying around they'd turn the noon sky to midnight. We prefer Ike with her head attached, but this is still a good movie. It premiered in Japan today in 1975.
Reiko Ike’s pelvic floor exercises pay off big time.
Onsen mimizu geisha, which premiered today in 1971, stars an eighteen-year-old Reiko Ike, along with Miki Sugimoto and Junkô Tôda, in yet another tale centered on a Japanese hot spring—Toi Onsen on the Izu Peninsula. So what is this about specifically? Basically, in order to avoid losing the family’s ancestral burial plot to debt collectors, Ike is forced to become a geisha, which turns out to be a natural choice because of the muscle control she has over her vagina. The extraordinarily pleasurable sensation she creates in there is akin to that of worms writhing. Yes, you read that right—worms. Warm ones, of course. And this is where the title of the movie comes from—Onsen mimizu geisha, or “hot springs earthworm geisha.” Do you need to know more? This is a classic, with a lot of goofy humor, plenty of bare skin and bikinis, a strong visual style from director Noribumi Suzuki, and some bizarrely aggressive octopi. And most importantly it has Ike, who’s radiant throughout, never more so than when flashing the viewer during the naughty opening credit montage. Maybe not for everybody, this one, but it certainly worked for us.
Reiko Ike makes her presence felt in Rome.
Reiko Ike appears here in a bold photo published in the French magazine Euro Cinéma in November 1972. The text reads: A beautiful oriental pearl came to Rome for the turn Toei’s “A modern biography.” What does that mean? Unfortunately, our translating widget cannot clear that up. Seems as though the magazine is telling us Ike was sent to Rome earlier that year to promote either one of her own films, films by her studio Toei Company, or both. We found no references to anything made by Toei called A Modern Biography, and nothing that would translate to such. Our guess is the name refers to a Japanese film festival in Rome they put together or participated in. Anyone out there want to clear this up? You know the drill—email@example.com. Anyway, what’s extra cool about this magazine is that it also has Christina Lindberg on the cover and inside, plus Florinda Bolkan and Laura Antonelli. Euro Cinéma is good cinema.
Reiko Ike and Sandra Julien get together and sparks fly.
Gendai poruno-den: Sentensei inpu, aka Modern Porno Tale: Inherited Sex Mania, aka The Insatiable is a Noribumi Suzuki-directed tale of sexual awakening, but we bet most viewers don't awaken until co-stars Reiko Ike and Sandra Julien end up in the shower together. Pretty steamy stuff, and as a bonus the two migrate into bed, which you see in the photo below. Prefacing that agreeable sequence are less agreeable but standard pinku elements, including legions of slimy horndogs, shameful voyeurism, forced de-virginization, a drugging, and an alcohol fueled orgy. The only good thing that happens is that Ike falls into bed with Pulp Intl. fave Miki Sugimoto. Actually, that's nearly the opening sequence, which is nice because it lets you know exactly where the movie plans to take you. But that interlude aside, other aspects of Reiko's life really suck, and her escalating problems eventually lead to a brawl which she escapes by hiding in a parked car. The man who owns that car seems to bethe person destined to save her from the sordid club girl life she's made for herself. Or is he? He slaps her within minutes of their initial meeting, but can you blame the guy? She was trying to kiss him. We can't pretend to truly understand these movies, and since there are no real reviews of this one online we're flying blind with our interpretation, but the message seems to be that sluttiness is genetic. In any case, we love the two posters at top. We also love the two promo images below of Ike and Julien. Gendai poruno-den: Sentensei inpu opened in Japan today in 1971. |
The headlines that mattered yesteryear.
1924—Leopold and Loeb Murder Bobby Franks
Two wealthy University of Chicago students named Richard Loeb and Nathan Leopold, Jr. murder 14-year-old Bobby Franks, motivated by no other reason than to prove their intellectual superiority by committing a perfect crime. But the duo are caught and sentenced to life in prison. Their crime becomes known as a "thrill killing", and their story later inspires various works of art, including the 1929 play Rope by Patrick Hamilton, and Alfred Hitchcock's 1948 film of the same name.
1916—Rockwell's First Post Cover Appears
The Saturday Evening Post publishes Norman Rockwell's painting "Boy with Baby Carriage", marking the first time his work appears on the cover of that magazine. Rockwell would go to paint many covers for the Post, becoming indelibly linked with the publication. During his long career Rockwell would eventually paint more than four thousand pieces, the vast majority of which are not on public display due to private ownership and destruction by fire.
1962—Marilyn Monroe Sings to John F. Kennedy
A birthday salute to U.S. President John F. Kennedy takes place at Madison Square Garden, in New York City. The highlight is Marilyn Monroe's breathy rendition of "Happy Birthday," which does more to fuel speculation that the two were sexually involved than any actual evidence.
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