 Continental Film Review ties modern cinema up in a tidy little package. 
Above and below, the cover and assorted interior pages from Continental Film Review, with all the rare imagery and erudite commentary from the European cinema scene readers had come to expect. The cover features German actress Brigitte Skay bound with rope, and those of note inside include Anna Gaël, Romy Schneider, Alain Delon, Serge Gainsbourg, Jane Birkin, and Edwige Fenech. Skay and Gaël are featured because of their roles in the 1969 sci-fi film Zeta One, aka The Love Factor, which it happens we discussed way back in 2010. Shorter version: Barbarella it ain't. Continental Film Review had a secondary focus on non-performance visual arts. This issue looks at animation from Sweden and talks about some hot illustrators of the time, including Jan Lenica and Per Ahlin, drawing comparisons between them and famed painters like René Magritte. All of that and more in thirty-plus scans.                                  
 If you’re going to have an empty life, at least make it a beautiful one. 
La poupée d’amour played in the U.S. by the silly title Take Me, Love Me, but was originally released in Sweden as Naná, after the Emile Zola novel from which it’s adapted. Director Mac Ahlberg and cinematographer Andréas Winding deserve credit for making the film look fantastic, star Anna Gaël is certainly beautiful, and the cabaret numbers are entertainingly staged, but on the whole we found this one a bit tedious. The movie is basically ’70s arthouse porn and, thanks to some coupling by Gaël’s body double, still qualifies today as adult cinema, but only barely. Zola’s Naná ended up covered with pustules and dying in agony; this movie wouldn’t dare harsh on its own groovy high to that extent, but Gaël does find happiness elusive, as do her lovers. If you watch the movie you may find enjoyment elusive, but in purely visual terms, it’s a real treat. The Belgian promo poster, also a treat, was painted by Loris, an illustrator whose online presence is small, which means we can’t tell you anything about him/her—not even a full name. But he/she did paint other nice promos, and we may dig some of those up later. La poupée d’amour premiered in France/Belgium today in 1970.                 
 Houston, we have a negative on that orbit trajectory.   
Above are three promo posters for the British sci-fi romp The Love Factor, aka Zeta One, aka Zeta Uno, and while it is not our intention to pose as film reviewers, when we watch these movies we can’t help but share our thoughts. We had high hopes this one would be a bit like Barbarella, and it is—if you can imagine an earthbound version made with a fraction of the budget and none of the sets or special effects. But we do dig the posters, the latter two of which were painted by Luciano Crovato, and we certainly have no problem with the likes of Yutte Stensgaard, Anna Gaël, Carol Hawkins, and Valerie Leon. In fact, the film is possibly worth a screening just to see Stensgaard in the scene where she burns a coq au vin. After making a nude sprint to save the doomed chicken, she returns to the bedroom and tells her companion, “The cock’s ruined.” Aspiring screenwriters take note—that’s how it’s done. And now below, for no other reason than because we found some cool photos, we have a feature we’re calling "The Women of The Love Factor." From top to bottom, you have Brigitte Skay, Hawkins, Stensgaard, Leon, and Gaël. Made in 1969, The Love Factor opened in the U.S. today in 1975.
    
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The headlines that mattered yesteryear.
1916—Rockefeller Breaks the Billion Barrier
American industrialist John D. Rockefeller becomes America's first billionaire. His Standard Oil Company had gained near total control of the U.S. petroleum market until being broken up by anti-trust legislators in 1911. Afterward, Rockefeller used his fortune mainly for philanthropy, and had a major effect on medicine, education, and scientific research. 1941—Williams Bats .406
Ted Williams of the Boston Red Sox finishes the Major League Baseball season with a batting average of .406. He is the last player to bat .400 or better in a season. 1964—Warren Commission Issues Report
The Warren Commission, which had been convened to examine the circumstances of John F. Kennedy's assassination, releases its final report, which concludes that Lee Harvey Oswald, acting alone, killed Kennedy. Today, up to 81% of Americans are troubled by the official account of the assassination. |
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