French magazine celebrates essential American film genre.
A few years ago we used this image of German actress Dorothée Blanck as a femme fatale, but didn't scan the rest of the magazine in which we had found her. By now you know why—the pages of these old film mags are large and we have to scan them in halves and put them together in Photoshop or GIMP, which is time consuming, something that's a real problem for lazy people like us. But here we are three years later and we've finally done it. Above is the full cover of the issue of Cinémonde—“cineworld” in English—from which Blanck came.
Cinémonde was first published in October 1928 and ran until being interrupted by World War II in 1940. Post hostilities the magazine reappeared, running from 1946 until 1968, taking another pause, running again from 1970 to 1971, and finally folding for good. This issue hit newsstands today in 1965. Like other European magazines of the era, the main attraction with Cinémonde is that its photos generally have not been seen online before. This issue was devoted to the American western, and the subjects include some of the biggest cowboy stars in cinema history, including John Wayne, Glenn Ford, Clint Eastwood, and Jimmy Stewart.
That's the first half of the issue. Afterward editors move outside the western milieu, and you get Marlon Brando, David Niven, Francois Dorleac, Barbara Bouchet, Serge Gainsbourg, hair secrets of the stars, the top ten Don Juans of French cinema, and more. Do we have other issues of this magazine? You bet. We own a group that includes Cinémonde, Ciné-Revue, and others. Will we ever scan them? Well, we make no promises at this point, but you never know—maybe we'll splash out for a bigger scanner and solve the problem with money instead of effort. Seems to work for everyone else. Thirty plus images below.
Redhead risks serious sunburn to get a base tan.
Belgium's Ciné-Revue is one of the best film magazines of the mid-century era. It's also one of the hardest to scan. Not only do the pages need to be scanned in halves and joined via computer, but the tiny text makes lining the halves up a real challenge. We didn't think about that when we bought a stack of these in Paris several years back, and now the sheer effort involved causes us to doubt we'll ever get them all uploaded. But we managed to carve out a few hours, so today we have this issue from May 1975 with French actress Marlène Jobert doing a little topless boating on the cover, hopefully well slathered in sunscreen. Jobert also features in the beachy center spread wearing even less clothing (and theoretically more sunscreen), but the real star of this issue is Bette Davis, who receives a career retrospective with shots from seemingly every movie she ever made. You also get William Holden, Jane Birkin, Dominique Sanda, Sidney Poitier, Sophia Loren, Rita Hayworth, Agostina Belli, a feature on Steven Spielberg's Jaws, and much more, in forty-plus scans.
Bardot uses smooth moves to solve a murder.
Brigitte Bardot graces a black Clément Hurel promo poster for Voulez-vous danser avec moi, and a Belgian poster as well, where the film was known by both its French title and as Wilt jij met mij dansen? In English it was called Come Dance with Me!, and in it Bardot indeed dances, but also pouts, flirts, schemes, and sleuths. It all starts when she weds a dentist. The couple are in love, but within months they're in constant marital conflict. The husband goes out one night and gets fishhooked by Dawn Addams, though he doesn't go all the way. Doesn't matter though, because it looks like he did in the photos shot by sneaky ass Serge Gainsbourg, who's photographing everything through the French doors—or as the French probably call them, the doors.
Nearly cheating makes the dentist realize how good he has it with Bardot—duh—but blackmail rears its ugly head when his almost affair shows up with the heavy petting photos. Though it may not sound like it, Voulez-vous danser avec moi is a comedy, or perhaps a dramedy. It's generally considered lesser Bardot, but is there really such a thing? It's satisfyingly wacky like Bardot films tend to be. For example, when Addams turns up dead, Bardot connives her way into a position at Addams' dance studio in order prove her husband is innocent of murder. The rest of the film is basically a caper comedy with dance numbers. Lesser Bardot or not, we suspect it'll get the job done for you just fine. Voulez-vous danser avec moi premiered in France today in 1959.
Alain Gourdon finds a musical outlet.
You know we love the French illustrator Aslan’s, aka Alain Gourdon’s work around here. We shared some of his genius here, here, and here. Today we thought we’d show you some of the work he did for Fontana Records, a subsidiary of the Dutch label Philips Records. These six pieces were used by Fontana during the early 1960s for its
Après Minuit series, which featured such performers as Johnny Hallyday, Juliette Gréco, and Serge Gainsbourg. Aslan’s work was used for other record pressings as well, fronting bootleg music by the Cure, Joy Division, as well as legal releases by other groups. We’ll show you some of those later.
They don’t make them like they used to.
Brigitte Bardot started as a dancer and model, but soon moved into film, debuting in 1952’s Le trou normand. But it wasn’t until today in 1955 that she exploded onto the international scene in Roger Vadim’s Et Dieu… créa la femme, aka ...And God Created Woman. As Bardot’s career blossomed she embraced the role of luscious sex symbol, and was eventually voted honorary sex goddess of the 1960s—though by whom we aren’t sure. Anyway, if she’s a sex goddess, she’s pulp, so here she is on a collection of vintage posters.
Later in her career Bardot released several albums, charting hits in collaboration with French musical legend Serge Gainsbourg. As Bardot aged she became reclusive, but still speaks out on political issues. Recently she slammed U.S. vice-presidential candidate and fellow sexpot Sarah Palin for, among other transgressions, downplaying the environmental harm caused by humans. There’s much more to Bardot’s life than we can describe here. We recommend checking out her Wikipedia entry and renting her movies.
The headlines that mattered yesteryear.
1950—Althea Gibson Breaks the Color Barrier
Althea Gibson becomes the first African-American woman to compete on the World Tennis Tour, and the first to earn a Grand Slam title when she wins the French Open in 1956. Later she becomes the first African-American woman to compete in the Ladies Professional Golf Association.
1952—Devil's Island Closed
Devil's Island, the penal colony located off the coast of French Guiana, is permanently closed. The prison is later made world famous by Henri Charrière's bestselling novel Papillon, and the subsequent film starring Steve McQueen and Dustin Hoffman.
1962—De Gaulle Survives Assassination Attempt
Jean Bastien-Thiry, a French air weaponry engineer, attempts to assassinate French President Charles de Gaulle to prevent Algerian independence. Bastien-Thiry and others attack de Gaulle's armored limousine with machine guns, but after expending hundreds of rounds, they succeed only in puncturing two tires.
1911—Mona Lisa Disappears
Leonardo da Vinci's masterpiece, the Mona Lisa, aka La Gioconda, is stolen from the Louvre. After many wild theories and false leads, it turns out the painting was snatched by museum employee Vincenzo Peruggia.
1940—Trotsky Iced in Mexico
In Mexico City exiled Russian revolutionary Leon Trotsky is fatally wounded with an ice axe
(not an ice pick) by Soviet agent Ramon Mercader. Trotsky dies the next day.
1968—Prague Spring Ends
200,000 Warsaw Pact troops backed by 5,000 tanks invade Czechoslovakia to end the Prague Spring political liberalization movement.
1986—Sherrill Goes Postal
In Edmond, Oklahoma, United States postal employee Patrick Sherrill shoots and kills fourteen of his co-workers and then commits suicide.
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