Femmes Fatales | May 24 2024 |
![HIROMI WORSHIP](/images/headline/7495.png)
If Maya manifests in the forest and nobody saw her was she really there?
In the Hindu religion Maya is the goddess of illusion, personifying the concept that the material world is not quite real, but Japanese actress Maya Hiromi is no illusion. She appears here in a photo published in 1977 in Heibon Punch Supplement 33, and in verifiable corporeal form she appeared in movies such as Onna kyôshi: Shônen-gari, aka Female Teacher: Boy Hunt, Kyoran no aegi, aka Morning Frenzy, and Kunoichi ninpo: Hyakka manji-garami, aka Female Ninja Magic: 100 Trampled Flowers. Like many pinku stars she racked up a bunch of credits all at once—seventeen in four years—then pretty much disappeared. But you'll see her here again.
Vintage Pulp | Jun 4 2021 |
![HEAD OF THE CLASS](/images/headline/6061.png)
Maya Hiromi gets Onna roll and just can't stop.
This poster was made for the Japanese roman porno flick Onna kyôshi: Shônen-gari, known in English as Female Teacher: Boy Hunt. Nikkatsu Studios had already made two Female Teacher movies, but they're unreleated. This one did, however, spawn a sequel called Onna Kyoshi: Dotei-gari, or as it's known in English, terrifyingly, Female Teacher: Cherry Boy Hunt. We won't go there. Anyway we queued this up, and our first thought was: Wow, another roman porno film where a woman gets turned on by having her teeth drilled? Well, these movies explored every possible fetish. Having her teeth pried at turns her on so much she starts digging around her mouth herself with a fork. See the second screenshot below.
In any case, the sizzling hot Maya Hiromi plays a horny biology teacher who takes advantage of her position to indulge in some sexual extracurriculars. She shaves a student's pubes, gives a classroom lesson pantyless, has a nice little threesome, masturbates in a library, and engages in other activities that would get any teacher outside a roman porno movie arrested and placed on the sexual offender registry. We won't tell you what develops from all Hiromi's crazy academic activity, but trust us—you can expect it to be twisted. In the end Onna kyôshi: Shônen-gari is another Nikkatsu Studios humpfest where eroticism turns to something darker, and the final message—to the extent that it's comprehensible—is dubious at best. Can't recommend this one. Just can't. It premiered in Japan today in 1975.
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But here's something we can recommend: a nice shot of Hiromi originally published in 1978. Just don't let it make you watch the film. It ain't worth it.
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