Vintage Pulp Aug 16 2019
THE DEAN MARTIN SHOW
With special guests the Slaymates of the year.
 
Today we have some beautiful rarities, a set of door panel posters made for the 1968 Dean Martin spy movie spoof The Wrecking Crew. Martin played the wise-cracking and woman-loving Matt Helm, a character created by novelist Donald Hamilton. There have been a lot of loveable drunks in cinema, but Martin certainly was one of the most popular. Boozy Matt Helm was a perfect role for him, and the first film became the launching point for a series that stretched to four entries.

The Wrecking Crew was the last film, coming after 1966's The Silencers and Murderer's Row, and 1967's The Ambushers. The movies were populated by a group of women known as “Slaymates,” and the actresses on the posters below are posing as members of that deadly cadre. They are, top to bottom, Sharon Tate, Elke Sommer, Nancy Kwan, Tina Louise, and a fifth woman no other website seems able to identify, but who we're pretty sure is Kenya Coburn.

These posters are 51 x 152 centimeters in size, or 20 x 60 for you folks who measure in inches, and they caught our eye mainly because of Tate. There's been renewed interest in her, including portrayals in two 2019 films—The Haunting of Sharon Tate and Quentin Tarantino's new effort Once Upon a Time in Hollywood. Her poster is definitely one of the nicest pieces of Tate memorabilia we've seen.

We glanced at The Silencers a while back and found it just a little too dumb to consider slogging through the series, but maybe we'll have another go at it. We're sort of newly interested in Tate too, and since The Wrecking Crew was her next-to-last screen role, we want to have a look. Allegedly, Dean Martin quit this highly successful franchise because it felt wrong to go on with it after the Tate–LaBianca murders in August 1969. From what we've read about the era, Martin was far from the only person who felt as if that event changed everything. These days Tate's death makes anything she's in seem ironic and portentous, even, we suspect, a piece of fluff like The Wrecking Crew.
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Hollywoodland Nov 14 2018
A BITE OUT OF HOLLYWOOD
Confidential sinks its teeth into the juiciest celebrity secrets.


Confidential magazine had two distinct periods in its life—the fanged version and the de-fanged version, with the tooth pulling done courtesy of a series of defamation lawsuits that made publisher Robert Harrison think twice about harassing celebrities. This example published this month in 1955 is all fangs. The magazine was printing five million copies of each issue and Harrison was like a vampire in a blood fever, hurting anyone who came within reach, using an extensive network spies from coast to coast and overseas to out celebs' most intimate secrets.

In this issue editors blatantly call singer Johnnie Ray a gay predator, spinning a tale about him drunkenly pounding on doors in a swanky London hotel looking for a man—any man—to satisfy his needs. The magazine also implies that Mae West hooked up with boxer Chalky White, who was nearly thirty years her junior—and black. It tells readers about Edith Piaf living during her youth in a brothel, a fact which is well known today but which wasn't back then.

The list goes on—who was caught in whose bedroom, who shook down who for money, who ingested what substances, all splashed across Confidential's trademark blue and red pages. Other celebs who appear include Julie London, Jack Webb, Gregg Sherwood, and—of course—Elizabeth Taylor. Had we been around in 1955 we're sure we would have been on the side of privacy rights for these stars, but today we can read all this guilt-free because none of it can harm anyone anymore. Forty panels of images below, and lots more Confidential here.

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Femmes Fatales Jul 6 2018
HOME COOKING
How can I be making your mouth water? I haven't even put the food in the pot yet.


This shot of superstar Kim Novak was made when she was filming Billy Wilder's 1964 comedy Kiss Me, Stupid. This was one of Novak's most memorable characters—Polly the Pistol, party girl with attitude, waitress at a roadhouse called the Belly Button, and sometime prostitute. The movie is worth it for her alone, but she happens to co-star with Dean Martin and he's always a bonus.

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Vintage Pulp Feb 14 2017
TEXAS FOUR STEP
All bets are off when the Für starts flying.


4 für Texas opened in West Germany today in 1968 after premiering in the U.S. the previous December as 4 for Texas. This was a high powered production, starring Frank Sinatra, Dean Martin, Anita Ekberg, Ursula Andress, Charles Bronson, and incredibly, The Three Stooges. The movie was terribly reviewed when released, but it isn't as bad as all that. Sinatra and Martin vie for a fortune in stolen cash, and later for ownership of a profitable Galveston riverboat casino, but join forces to deal with Bronson, the villain. Ekberg and Andress are mainly interested in getting married. Critics of the time might not have been dazzled, but today, with Andress the only main member of the cast still living, 4 for Texas emits a strong aura of Rat Pack nostalgia. The poster art is by Rolf Goetze, a prolific illustrator who produced something like eight-hundred promos between 1958 and 1972, of which this one is surely among the best. See another example of his work here.

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Vintage Pulp Jun 4 2016
SILENT BUT DEADLY
Dean Martin gives James Bond a spin—of the bottle.

Above, a Japanese program book for The Silencers, first film in the Matt Helm series about a constantly drinking government agent, starring Dean Martin in a role perfect for his boozing partyboy persona, along with Stella Stevens, Daliah Lavi, Nancy Kovack, and Cyd Charisse. That's Larri Thomas in a towering up-do on the front cover. She's in the film for probably ninety seconds, sadly. Whether you enjoy the rest of it will depend on whether you find the smarmy Martin charming—and can tolerate his cheeseball crooning. The Silencers premiered in the U.S. in February 1966 and hit Japan today in 1966. 

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Vintage Pulp Feb 15 2016
SPLITTING ADAMS
Getting down to the fine details.


Two issues of Adam to share—one from Australia and one from the U.S.—proved too much work for one day, so we posted Aussie Adam yesterday, and today we’re on to the American Adam. These magazines have no relationship to each other apart from coincidentally sharing a name. U.S. Adam relies on photo covers rather than painted art, shows a dedication to cheesecake photography that far outstrips its Australian cousin, and also has less fiction. However, what fiction it does offer extends beyond Aussie Adam’s adventure and crime focus, such as the short piece from counterculture icon Harlan Ellison called, “The Late Great Arnie Draper.” We’ve scanned and shared the entirety of that below if you’re in a reading mood.

The striking cover model here goes by the name Lorrie Lewis, and inside you get burlesque dancer Sophie Rieu, who performed for years at the nightclub Le Sexy in Paris, legendary jazzman Charles Mingus, and many celebs such as Jane Fonda, Claudia Cardinale, Sharon Tate, and the Rolling Stones. There’s also a feature on the Dean Martin movie Murderer’s Row, with Ann-Margret doing a little dancing, and blonde stunner Camilla Sparv demonstrating how to properly rock a striped crop-top. We managed to put up more than forty scans, which makes this an ideal timewaster for a Monday. Enjoy.

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Hollywoodland Nov 2 2012
GIVING HER ALL
Hush-Hush says they didn’t want her even in the nude, but is that true?


The story probably fueled ten million fantasies. Marilyn Monroe had stripped naked on the set of her last movie Something’s Got To Give. Monroe was eventually fired, the production was scrapped, and the footage was archived, but if it had been released, she would have been the first Hollywood actress to appear unclothed onscreen since the 1920s. It’s interesting, isn’t it, to reflect upon the effect a minority of prudes had on Hollywood? Because of them, Monroe’s unreleased scene, and Jayne Mansfield’s later nude scene in 1963’s Promises, Promises, merely brought American cinema back to where it had already been four decades earlier.

In the movie Monroe’s character is in a pool and calls up to a window where Dean Martin resides. Martin is married and Monroe is disrupting his life, so when he sees her, he tells her to get out of the water. She complies and Martin realizes she’s nude. It's a standard sex comedy oops moment. Monroe began the filming of the scene in a body stocking, then removed that and wore a flesh-colored bikini bottom. After the scene she posed for some publicity shots for several surprised photographers, and during that period removed even the bottoms. Some sources say she also shot the scene nude, but most say the bottoms came off afterward.
 
Hush-Hush was not the first magazine to break the story of Monroe’s peel down. Life had done that in June 1962, and included a couple of titillating photos. By the time Hush-Hush told the tale Monroe was two months dead. The blurb MM—Even In The Nude They Didn’t Want Her wasn’t strictly true. The production company Twentieth Century Fox most certainly did want her. A hospital stint prior to production had caused her to shed twenty-five pounds, bringing her to a weight she had never reached in her adult life, despite exercise and dieting. The newly svelte Monroe looked good and Fox was getting her cheap—$100,000.
 
By most accounts, Monroe knew her career was in trouble. She was making one tenth one what Elizabeth Taylor was making at the time, and was determined to remind people they were still dealing with possibly the biggest sex symbol who had ever lived. She knew that if she stripped she might be falling into the same old trap of making it easy for people to not take her seriously, but if her career really was finished she was determined to go down swinging. In the end her stunt was irrelevant. Her health problems had made her thin, but they lingered and caused numerous costly production delays, causing Fox to finally give up and pull the plug. That was June 1962. Two months later she was gone.

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Hollywoodland Aug 26 2012
BURNING HEPBURN
The magazine that whispered rape.


Inside Story of August 1957 offers up stories on Elsa Martinelli, Ann Sothern, Clark Gable and others, but the subhead reading “The Night Audrey Hepburn Can’t Forget” is irresistible. So what happened on the night in question? Nothing fun, unfortunately. Fully expecting to read about some wild party or drunken escapade, journo Gwen Ferguson instead tells us that in 1942, when Hepburn was a Dutch teen named Audrey Kathleen Ruston, she was “brutally kidnapped and subjected to terrible indignities” by a Nazi soldier. As is typical for mid-century tabloids, this claim comes not from direct interviews, but rather from a fly-on-the-wall third person account. In this case, the magazine claims she confessed what happened to prospective husband Mel Ferrer, pictured next to her below, because she wanted him to have a chance to rescind his marriage proposal. The implication is clear—“indignities” is a euphemism for rape. Or else why would Ferguson suggest Ferrer might turn tail and run?

In light of all the discussion about rape lately, it’s instructive to go back in time and read such an incendiary insinuation presented so casually in a national magazine, probably by some pseudonymous male editor, if tradition holds true. Looking for corroboration, we found only stories about Hepburn living in constant fear of being kidnapped, but that’s all. In no place we looked did we find any reference to her actually being taken, let alone violated. So we don’t know where Inside Story got its information. That being the case, we have to call bullshit. Inside Story goes on to wrap its dubious claim in the truth by telling readers how Hepburn’s uncle was executed by Nazis—true; how she gave secret ballet performances to generate funds for the Dutch resistance—true; and how she used tulip bulbs to make the flour needed for cakes and biscuits, but went through the war malnourished and underweight—true and true. As for the other claim—if untrue, it’s pretty low, and if true, it’s both low and irresponsible. Even by the standards of mid-century scandal sheets.
 

 
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Hollywoodland Feb 10 2012
DEAN OF FINANCE
It was a simple matter of dollars and sense.

Last time we featured Inside Story, we took a detailed look at the contents, concluded that there was good reason it was a strictly blah tabloid, and decided not to buy it again. But that doesn’t mean we can’t cull them from online, so today we have this February 1957 cover that promises to expose “the amazing James Dean hoax.” Make sure you’re sitting down when you read this. The globe-spanning conspiracy Inside Story uncovered is simply that Dean’s posthumous spike in popularity wasn’t entirely due to sincere outpourings of appreciation by fans, but also because of a deliberate, behind-the-scenes publicity campaign by Warner Bros., who had produced his last movie Giant. Warners had decided that, after dropping $5 million on production, they needed a major publicity angle to have any hope of recouping their investment in a movie whose star had been dead a year and a month. The money quote: “Unfortunately, Dean, living again only for the profits of the movie-makers, will never see a dime of that increased gross…” Well, no, because death will tend to put a crimp in one’s personal finances. At least Inside Story published a nice photo, from East of Eden, below. We have two more issues, with lots of scans, and you can see those here and here. 

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Vintage Pulp Jan 11 2012
SEX & VIOLENZA
She’s Andressing you with her eyes.

European publishers, like Italy’s Tecnografica, often used celebrities on their book covers. Here’s a favorite example—Swiss actress Ursula Andress on the cover of the illustrated giallo Invito alla violenza, by Hugh Pentecost, aka Judson Pentecost Phillips, aka Phillip Owen. The shot is from a 1965 photo series, another frame of which appeared in Spain’s Triunfo magazine. We don’t know whether the series was shot for Triunfo and rented by Tecnografica, or vice-versa. Possibly neither. It could have been shot as a promo series and sold to both Triunfo and Tecnografica. Alternatively, maybe Tecnografica simply appropriated the image. We only suggest that because we can’t think of any reason Ursula Andress would have needed to gnaw grass on the cover of a cheapie giallo three years after she appeared in Dr. No. Maybe we’ll find out the answer to that one later. In the meantime, we’re working on an aggregate post of celeb covers, which we’ll get up soon. 

Update: Rafael wrote in with this: I suggest that these are promotional photos for 4 for Texas (USA 1963), freely appropriated by magazines everywhere.

And indeed he is right. Once we knew the movie we found many more promo shots of Andress wearing the same outfit.  4 for Texas also starred Frank Sinatra and Dean Martin, as well as Anita Ekberg, which all sounds worthwhile to us. We will defnitely screen a copy of it. Thanks Rafael, for the help.

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Next Page
History Rewind
The headlines that mattered yesteryear.
October 17
1933—Capone Sentenced to Prison
Chicago organized crime boss Al Capone is convicted of income tax evasion after all other attempts to tie him to an assortment of crimes, from the mass murder of the St. Valentine's Day Massacre to widespread violations of the Volstead Act, fail. He is sentenced to eleven years in federal prison and, cut off from the outside world while on Alcatraz Island, his power is finally broken.
October 16
1964—China Detonates Nuke
At the Lop Nur test site located between the Taklamakan and Kuruktag deserts, the People's Republic of China detonates its first nuclear weapon, codenamed 596 after the month of June 1959, which is when the program was initiated.
1996—Handgun Ban in the UK
In response to a mass shooting in Dunblane, Scotland that kills 16 children, the British Conservative government announces a law to ban all handguns, with the exception .22 caliber target pistols. When Labor takes power several months later, they extend the ban to all handguns.
October 15
1945—Laval Executed
Pierre Laval, who was the premier of Vichy, France, which had collaborated with the Nazis during World War II, is shot by a firing squad for treason. In subsequent years it emerges that Laval may have considered himself a patriot whose goal was to publicly submit to the Germans while doing everything possible behind the scenes to thwart them. In at least one respect he may have succeeded: fifty percent of French Jews survived the war, whereas in other territories about ninety percent perished.
1966—Black Panthers Form
In the U.S., in Oakland, California, Huey P. Newton and Bobby Seale form the Black Panther political party. The Panthers are active in American politics throughout the 1960s and 1970s, but eventually legal troubles combined with a schism over the direction of the party lead to its dissolution.
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