|Hollywoodland||Apr 27 2016|
In a story entitled “What Kim Novak Won’t Tell Her Psychiatrist,” this issue of Uncensored from April 1962 promises “the most intimate, revealing self-portrait of a guilt-tormented soul that you have ever read.” What does the magazine reveal? Apparently Novak’s father was disappointed to have had a daughter instead of a son. Novak’s father is portrayed as domineering and distant, and this relationship is cited as the cause of all her “neuroses,” from her preference for slacks and shirts over dresses and skirts, to her supposed shame over sex. Even her short hair is blamed on her father—she allegedly cut it off as an expression of self-loathing. But here’s the bit we love: “He is a father who raised no objection when nightclub entertainer Sammy Davis, Jr. showed up at Kim’s home in Chicago with a engagement ring one Christmas.” Yes, this father of hers was truly the lowest of the low.
Uncensored offers readers much more than Kim Novak. Journo Ken Travis takes down King Edward VIII and his wife Wallis Simpson in a story rather amusingly titled “Those Royal Money Grubbing Windsors,” raking them over the coals for being filthy rich but too stingy to even pick up a dinner check. Elsewhere in the issue Hitler’s Heirs author Paul Meskil offers a story claiming with 100% certainty that Nazi criminal Martin Bormann was hiding in Argentina. But embarrassingly, Bormann was nowhere near South America—he died in Berlin at the end of World War II, but his body wasn’t found and identified until 1972. You also get letters from readers, photos of Vikki Dougan doing the twist, trans pioneer Coccinelle showing off her cleavage, a really cool 8mm movie advert that bizarrely misidentifies a California blonde type as Romanian-Tatar dancer Nejla Ates, and more.
|Vintage Pulp||Apr 17 2016|
|Intl. Notebook||Mar 16 2016|
A newly discovered manuscript written by otherworldly horror writer H.P. Lovecraft has been found in a collection of magic memorabilia in Chicago. The 31-page piece, titled "The Cancer of Superstition," is said to have been originally commissioned by Harry Houdini in 1926. Houdini died that year and the project fell by the wayside, but the typewritten pages were conserved by Houdini's widow Bess, and her manager, Edward Saint. The sheaf of pages will be auctioned April 9th, with bids starting at $13,000 and a final price estimated to reach $25,000 to $40,000—a pittance considering Lovecraft's fans will probably pay plenty to buy anything published bearing the icon's name.
This story dusted off some nice memories for us and brought a smile to our faces because—as any Call of Cthulhu geek knows—the real-life pairing of Lovecraft and Houdini is like ice cream paired with caramel sauce, or a census-taker's liver with a fine Chianti. We'd go so far as to say that any Call of Cthulhu keeper worth the title incorporates Houdini into the game eventually. In our long-running C of C campaign—years before we had girlfriends and an inkling that there were equally sticky but much more enjoyable ways to spend a Saturday night—Houdini appeared in a session only to promptly have his head melted by an interdimensional horror.
There's some small question whether "The Cancer of Superstition" was written by Lovecraft, or if it was actually penned by fellow author C.M. Eddy and merely polished by Lovecraft, but we suspect doubts on that score will always remain. After years of doing this site and trying to track the original authors of numerous obscure novels we know some questions about the provenance of literature are destined never to be answered.
So get your bidding hats on. Since anyone out who's seriously into Lovecraft and Call of Cthulhu is a supernerd (we mean that affectionately, as former nerds ourselves), you've probably squirrelled away plenty of cash from your career in computer sciences or botany or something. Don't let the manuscript fall into the hands of some empty suit hedge fund manager from upper Manhattan. And for those of you who haven't read Lovecraft and have no idea what we're talking about, we highly recommend you give him a try if you feel like a little literary horror. Just don't read too much about Lovecraft as a person. Some of his views were even more terrifying than his stories.
|Hollywoodland||Nov 12 2015|
Above and below are assorted scans from an issue of Screenland published this month in 1940. The issue we posted previously was from 1923. In the intervening years contributor Delight Evans had become editor, and as a result had become one of Hollywood’s most powerful starmakers. Evans was uniquely talented and got her break when, as a fifteen-year-old, she had a story purchased by Photoplay. That was in 1915. By 1917 she was working for Photoplay in Chicago, and quickly ascended to an associate editor position there. At least one online source says she was an editor at Screenland by 1923, but even for someone that gifted twenty-three is a bit young to be helming one of America’s biggest magazines. We have an issue from December 1923 and it was Frederick James Smith in the corner office. But Evans was in charge by at least 1934, which we can confirm because we have an issue from that year too. When did she actually take the reins? No idea. This is where it would be nice to click over to a Wikipedia page or something, but she doesn’t have one. A trailblazer like this—can you believe it? But we shall dig. Evans needs some online exposure, so we’ll see what we can do. Twenty-one scans with a galaxy of stars below.
|Sportswire||Sep 29 2015|
|Vintage Pulp||Sep 28 2015|
Above is a rare double-sided Robert Bonfils cover, Lash of Desire with a flipside of Pillow Tramp, from the Dollar Double Book Company of Chicago, with both covers featuring a signature—a rarity from Bonfils. G.H Smith was aka M.J. Deer, Jan Hudson, Jerry Jason, Dusty North, et al., and Hastings was aka March Hastings, Laura Duchamp and Sally Singer. The art for Lash of Desire features a confident, challenging female figure, while Pillow Tramp presents a less edgy woman seeming to offer easy pleasures. But of course, all femmes fatales lead to the same result in mid-century sleaze fiction—disaster. A lot of Bonfils’ cover output was for various Greenleaf Classics imprints during the late 1960s and early 1970s, but these efforts from 1962 show him in more conventional form. Compare them to this front, this one, and this one.
|Sportswire||Jun 16 2015|
|Vintage Pulp||Jun 7 2015|
There’s no limit to the range of tabloids from the 1960s and 1970s. Yesterday we showed you Private Affairs, and today we’re going downmarket with Offbeat, which came from Beta Publications of Chicago. The main thing that’s offbeat with this publication is the cover design, which you can see on this issue that appeared today in 1965 features elements skewed relative to each other and the magazine’s frame. We like it. Content-wise, though, Offbeat is nothing new. Its report on the shocking habits of American housewives is just sleaze fiction dressed up as research. The number one reason wives cheat, according to W.D. Sprague, PhD, is revenge against cheating husbands. Readers are treated to a steamy retelling of a wife’s affair with a milkman—yes, really, a milkman—and another wife tells the story of how she ran into an old boyfriend one day and they fell into the old pattern and started having sex regularly again. It’s pure lit-porn.
W.D. Sprague was not the creation of tabloid editors you might suspect, but rather an actual author who published Sexual Behavior of American Nurses, Sex and the Secretary, The Lesbian in Our Society (A Problem That Must Be Faced!), and many other romps that swelled readers’ groins while doing the same for his bank account. The article in Offbeat is actually taken directly from Sexual Behavior of the American Housewife, another Sprague winner. His real name was Bela von Block—yes, really—and he also published under other names besides Sprague. His PhD was a hoax, of course, but who needs a degree when you’re smart enough to make a career of faking expertise about the inner lives of women? Some of his work was done for reliable sleaze imprint Midwood-Tower, but he also published for Lancer and other companies. We’ll undoubtedly run across him at some point in the future.
|Vintage Pulp||Apr 27 2014|
Here’s another typical cover of the tabloid Midnight. We tend to think of this as a U.S. publication but it actually had offices in both Chicago and Montreal, and was printed in Canada, which presumably makes it a Canadian paper first and foremost. This issue appeared today in 1964 and the imprint had by this point been around for eleven years. We have no idea when it died but we’ve never seen an issue past 1969. We’ll have more from Midnight later, including some complete scans.
|Vintage Pulp||Jun 10 2013|
We’re back to the West German publication Illustrierte Film-Bühne today, supplementing our post from two months ago. These examples are all from American dramas or films noir produced during the 1940s and early 1950s, but which premiered in West Germany later, typically 1954 or after. You can see the earlier IFB collection here.