Vintage Pulp May 14 2015
FROU ROMANCE
Monroe is packed and has a one-way ticket.

This issue of Paris Frou Frou appeared in 1956 with cover star Marilyn Monroe in costume for her role in the classic comedy Bus Stop. Inside the issue she's garbed for Otto Preminger’s River of No Return, an interesting quasi-western that’s worth a viewing just to see Monroe and her co-star Robert Mitchum together. Elsewhere you get Kim Novak, dancer Vera Bell, and Mamie van Doren. Van Doren and Novak are still with us, and that fact serves to remind that—incredible as it may seem—Monroe would be eighty-nine now if not for her unfortunate suicide (or murder, if you want to go that direction). Considering how long she’s been dead, and how deeply her current-day identity is tied to her death, it’s a bit of a shocking thought. Eleven scans below.

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Vintage Pulp Apr 20 2015
FLINGTIME IN PARIS
Timeless moments in a timeless town.

Cover and scans from an April 1933 issue of Paris Magazine, with the usual art photography from Studio Manassé and other sources, plus humor and goings-on around town. The cover star is showgirl Lilian Daugherty. 

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Vintage Pulp Mar 6 2015
FOLDABLE FATALES
Americans may have perfected the art, but the French got there first.

During the last few months we shared three Technicolor lithographs with glassine overlays of clothing that could be peeled back to reveal a nude model, and mentioned we thought the technique originated in France with Paris-Hollywood, a cover of which see above. The magazine began publishing déshabillable—i.e. undressable—pin-ups in 1950, whereas the American undressables we’ve found date from no earlier than 1953. Though Statesiders may have been latecomers to the party, once they got the technique down they churned overlay pin-ups out by the hundreds. You can see three here, here, and here, and we’ll share more later.

The artist responsible for painting the centerfold in this issue of Paris-Hollywood was Roger Brard, and he was the brush for most of those the magazine featured, but at least one other artist was involved too. Elsewhere in the issue you get showgirls, showgirls, and more showgirls, including a three page spread on la vagabonde Cirque Z dancer and world traveler Katrina, a Venice carnival-inspired set involving a model wearing a lace mask (she also gets the back cover), and a weird photo essay with knives and six-shooters. All of this is from 1952. We have twenty scans below, and you can see many more issues of Paris-Hollywood by clicking its keywords at the bottom of this post.

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Vintage Pulp Jan 29 2015
HOLLYWOOD SWINGING
Everybody who was anybody got inside.

Above and below, scans from the French show-biz and showgirl magazine Paris-Hollywood, issue 26, from 1948. The front cover features Marguerite Chapman, the rear Arlene Dahl, and in between you get Cyd Charisse, Patricia Roc, Martha Vickers, Alexis Smith, Anne Jeffreys, Luce Feyrer, Edwige Feuillère, Marlene Dietrich, and other luminaries. That's quite a collection of celebs. In upcoming years the magazine would spend more time on cabaret dancers, but its early issues were all about international stars. We picked up a few of these in Paris a while back and we’ll get to some detailed scans of those soon. In the meantime, you can see more from Paris-Hollywood here, here, and here.

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Vintage Pulp Jan 19 2015
HODGING YOUR BETS
French illustrator James Hodges shifts from the magic of books to the magic of cards.

We mentioned in our October post on French artist James Hodges that he moved into playing card design as his career progressed, so today we thought it would be nice to show you some of those designs. Above you see an example of his collectible work for the French playing card and tarot card company B.P. Grimaud, owned by Baptiste Paul Grimaud and based in Paris. Grimaud’s cards go back to 1848 when he purchased a workshop that had been in business since 1750, so we’re talking about a time-honored art here. Hodges’ designs were pin-up influenced, but he also painted stylized card faces, and we’re pretty sure he did some of the backs too. We have an assortment of card fronts below, and you can see more work at his website. The post where we mentioned his playing card career is here, and we have a collection of Hodges book fronts here.

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Femmes Fatales Jan 4 2015
TIMELESS IN TUNISIA
Anna Karina gives an ancient place a touch of contemporary beauty.

Anna Karina, née Hanne Karin Bayer, is a famed model, novelist, singer, and award-winning actress, who was a muse of French director Jean-Luc Godard, and star of such films as Alphaville, A Woman Is a Woman, and Chinese Roulette. She has also directed two movies, with the latest appearing in 2008. All very amazing, considering she was homeless and unable to speak French when she was discovered by an advertising exec in a Paris café at age seventeen. The above photo was made in Tunisia (standing in for Egypt) for her 1969 film Justine.

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Vintage Pulp Dec 9 2014
TOMBE RAIDER
The widow is about to join her husband.

Above is another treasure from Saturday—Une tombe pour la veuve, which means “a grave for the widow,” 1961, from publishers Éditions de Lutèce for their L’Agence Héléna series. The book is billed as an unpublished novel from Francis Fortunas, a pseudonym of Jean Denis, and it cost us two little euros at the Place de Quinconces. Art is uncredited, but signed GB, which is probably Georges Boland. 

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Musiquarium Dec 2 2014
L'GRECO
La Muse de l’existentialisme et Miles.

This striking promo art for French singer Juliette Gréco and Disques Fontana (a subsidiary of the Dutch label Philips Records) was created by the famous illustrator O’Kley in 1956. The art was reused for record covers, as you see below. Gréco, an actress as well as singer, was a fixture in the Saint-Germain-des-Prés area of Paris, and her acquaintanceships with such figures as Jean-Paul Sartre and Maurice Merleau-Ponty earned her the nickname La Muse de l’existentialisme—the existentialists’ muse. She was also, according to Miles Davis, one of the great loves of his life, and the feeling was reciprocated, so that wins major points right there because Miles was the bomb.

Moving on to the art, O’Kley was a pseudonym for Nantes-born Pierre Gilardeau, the man behind some of the most collectable Folies Bergère posters. He also illustrated many book covers and movie posters, and after a long career just died in 2007. We’ve tracked down some good examples of his art and we’ll get back to him a bit later. You can see another Fontana post here.

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Vintage Pulp Oct 28 2014
IT'S A WONDERFUL LIFE
La Vie Parisenne offers readers an enticing mix of cinema, illustration and photography.


Above, La Vie Parisienne #202 of October 1967—more than one hundred years into its existence by this point—with an uncredited cover star, and interior photos of Gina Lollobrigida, Dany Carrel, Terry Martine, Jane Fonda, Slovenian actress Sceila Rozin, aka Spela Rozin, and other celebs. There’s also a shot of Talitha Pol from Barbarella, and some of you may remember she married the fast living John Paul Getty, Jr. (he of the kidnapped son, though not Pol’s) and later died of a heroin overdose. You also get some truly excellent ink illustrations by the diverse James Hodges, not to be mistaken for contemporary artist Jim Hodges. James Hodges was a French pin-up artist of the 1960s who also became a magician and illustrated magic books, painted playing cards, and designed stage sets. See more from La Vie Parisienne here.

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Vintage Pulp Oct 13 2014
VENUS DE PARIS
French cover model earns her stripes.

This is the first issue of the Parisian art deco magazine Vénus we’ve had on the site. There’s a reason for that—they’re rare. And there’s a reason for that—they’re amazing. We think it’s the prettiest mid-century French art magazine ever made, and that’s really saying something, because plenty were published. This one survives from January 1937 and when we saw it at one of bouquinistes adjacent to the Seine it seemed to leap out from all the publications on offer. And no wonder—the cover photo-illustration of a woman dressed as a sort of theatre usher riding a carousel zebra is an instant classic. We’ve already made a high resolution scan of it and are thinking of having it framed. Our website (and other vintage websites) implicitly ask whether we are today living in a less artful age. Vénus answers that question definitively, especially when you consider that it was only one (but the best in our opinion) of a dozen or more French magazines of similar stripe (heh, because of the zebra). For a refresher on what was going on in Paris during the mid-century era check here, here, here, here, and here, but only after you scroll down and enjoy the interior of Páris, including a stunning overleaf, a great rear cover, and photography from Schostal, Caillaus, and others.

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History Rewind
The headlines that mattered yesteryear.
May 27
1930—Chrysler Building Opens
In New York City, after a mere eighteen months of construction, the Chrysler Building opens to the public. At 1,046 feet, 319 meters, it is the tallest building in the world at the time, but more significantly, William Van Alen's design is a landmark in art deco that is celebrated to this day as an example of skyscraper architecture at its most elegant.
1969—Jeffrey Hunter Dies
American actor Jeffrey Hunter dies of a cerebral hemorrhage after falling down a flight of stairs and sustaining a skull fracture, a mishap precipitated by his suffering a stroke seconds earlier. Hunter played many roles, including Jesus in the 1961 film King of Kings, but is perhaps best known for portraying Captain Christopher Pike in the original Star Trek pilot episode "The Cage".
May 25
1938—Alicante Is Bombed
During the Spanish Civil War, a squadron of Italian bombers sent by fascist dictator Benito Mussolini to support the insurgent Spanish Nationalists, bombs the town of Alicante, killing more than three-hundred people. Although less remembered internationally than the infamous Nazi bombing of Guernica the previous year, the death toll in Alicante is similar, if not higher.
1977—Star Wars Opens
George Lucas's sci-fi epic Star Wars premiers in the Unites States to rave reviews and packed movie houses. Produced on a budget of $11 million, the film goes on to earn $460 million in the U.S. and $337 million overseas, while spawning a franchise that would eventually earn billions and make Lucas a Hollywood icon.

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