Vintage Pulp Dec 29 2015
A FOLIES JOLLY CHRISTMAS
Now dancers, now prancers, now vixens...


Folies de Paris et de Hollywood is one of our favorite vintage magazines, and though we have a tall stack of them we don't share them nearly as often as we should. The scanning and painstaking reassembly of the pages in Photoshop has something to do with that, but one of our upcoming New Year's resolutions is to try and get more of these up on the site. Today you're seeing the front and rear cover plus assorted interior bits from issue #506, which appeared in 1972. You get the usual burlesque dancers, prancers, and vixens, along with a centerfold featuring Margaret Nolan not looking quite her normal self (but it's her). See more from Folies de Paris et de Hollywood by clicking its keywords just below. 

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Femmes Fatales Nov 29 2015
LA SIRENE JOSEPHINE
Ménard was a star but Baker was a groundbreaker.

Since we recently featured Josephine Baker's Folies Bergère successor Yvonne Ménard it seemed only fair to feature la grande Baker herself. Here she is backstage at the Folies in February 1930. She had been in Paris since 1925 and was by this time twenty-eight years old and one of the most famous performers in France, if not all of Europe.

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Femmes Fatales Nov 21 2015
FINE FEATHERED FRENCHY
What are you staring at, chérie? Have you never seen a hat before?


French burlesque dancer Yvonne Ménard is all smiles, and why not? That thing she wears between her legs probably tickles. Ménard also may be smiling because when these photos were taken she was about as famous as a dancer could be. She had started as a nude mannequin at La Cigale, then joined the cast of Folies Bergère as a replacement for a departing Josephine Baker after understudying the great American star during the 1949 season. Ménard was twenty when she took the lead role—the photos above were made backstage at the Folies shortly afterward. One of the acts Ménard developed showed her struggling against the lure of opium. She wore only her famous glittering leaf, and battled dark male figures only to be eventually carried by them into a smoking pit.  

Ménard’s performances were a bit different from Baker’s—she couldn’t sing as well, and her dancing was a work in progress, but she would eventually master various flips and aerial maneuvers, which she once demonstrated for a photo feature in Life magazine. She toured the U.S. numerous times, making stops in New York, Miami Beach, and Las Vegas, and also performed in South America. Somewhere in there she made time to appear on the cover of the third issue of Playboy, in February 1954, and writer Georges Tabet said inside the issue, “Yvonne is the crystallization of Paris. She’s got a petit quelque chose—a little something—that you have to be born with. Chevalier, he has it in his smile. Edith Piaf has it in her voice. This one—she has it all over.”

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Vintage Pulp Nov 20 2015
LEAN MACHINE
Feeling the need to hit the road.

Folies de Paris et de Hollywood rarely identifies its cover models, which is a shame, as the front of this issue spécial published today in 1966 treats readers to a vision of a sleek and slick motorcycle rider wearing a red—what is it?—faux snakeskin made from vinyl, we’re guessing. While it probably isn’t great for safety, it does make her look a bit like a superhero. The image fits, because she has a superpower—the ability to inspire us to take to the road, for a day, anyway. Which means we’re headed out to enjoy the sun and warmth and, somewhere along the way we’re sure, a nice bottle of cold white wine. We suggest you do something similar.

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Intl. Notebook Nov 15 2015
LET'S REVUE
Ciné-Revue's clever mix made it one of Europe's longest running celeb magazines.

This issue of the Belgian magazine Ciné-Revue was one of our treasures from last year's trip to the Saint-Ouen flea market in Paris. Inside you get too many stars to name (and too many pages to scan), but the highlights are Marlon Brando, Susan Denberg, Marilyn Monroe, and Nadja Tiller. On the cover is British actress and pop singer Minnie Minoprio, who during the early 1970s starred in several films, all considered obscure today. But that was Ciné-Revue's m.o.—giving equal exposure to both lesser lights and the biggest stars. And of course the obscurities were usually required to get naked, justifying their positioning on the covers and in the centerfolds. Monika Käser, who you see below, is a perfect example. We can find nothing about her. Her only moment in the spotlight—insofar as we can determine using the internet to research her—seems to have been the photo below. But Ciné-Revue's formula worked—it began publishing in 1944 and is still around today (though the days of centerfolds are gone). This issue hit newsstands today in 1973.

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Vintage Pulp Oct 10 2015
PARIS KICKS
Any which way you cancan.

We were going to post nothing today, but even a fine red wine, twenty pages of good fiction, and the attentions of the wonderful Pulp Intl. girlfriends occupy only so many Saturday hours, so above and below you see the cover and contents of the French burlesque and entertainment magazine Cancans de Paris, named after the high-kicking stage dance of 19th-century Montparnasse music halls. This issue appeared this month in 1965 and features Gina Lollobrigida, Verna Lisi, Sandra Dee, ballerina Ludmilla Tchérina, and others. 

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Vintage Pulp Sep 21 2015
WORSE COMES TO WORST
A sequel dealing with the world’s worst men ran more than 100 volumes.

This is a rather nice 1955 edition of Bernard O’Donnell’s The World’s Worst Women, a collection of bios on assorted female murderers. Among them are Belle Gunness, who we wrote about several years ago, Martha Wise, who was known as the “Borgia of America,” Vera Renczi, who poisoned thirty-five people in Bucharest, Romania, and Anna Marie Hahn, who killed five people in Cincinnati, Ohio. Other famed killers include such colorfully named characters as the Red Witch of Buchenwald (Ilse Koch), the Poison Widow of Liege (Marie Alexandrine Becker), the Ogress of Paris (Jeanne Weber), and the Angel Makers of Nagyrév, a group of women who poisoned up to 300 people in Hungary. We were just kidding about a sequel dealing with men. Finding enough paper to print something like that would wipe out half the world’s forests…  

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Vintage Pulp Sep 1 2015
THE PARIS OF YOUR DREAMS
Where the pleasure never seems to end.

Though they are at a glance aesthetically very different, the pulp era and the art deco era were contemporaneous, both in full bloom during the 1920s. Above you see the dreamy cover of a 1925 issue of the art deco style magazine Paris Plaisirs, i.e. Paris Pleasures, which was published from 12 Rue Georges-Berger in Paris. The cover star is dancer Isabelitta Ruiz, shot by R. Sobol. It looks to us as if Sobol provided the original image, but it was tinted by a second artist in the employ of the magazine. At least that’s our suspicion. We think that because we can see a second signature on the cover at lower left—it looks like, maybe, Cuaillant? No, that sounds wrong even for French. Maybe C. Jaillant? Better, but still quite possibly wrong. Here we go again with these French artists. And the magazines never seem to bother with masthead credits either. Too prosaïque maybe. We can hear our French friends say, “Comment typique! You Americans, always wanting to know exactly who did what. Learn to embrace uncertainty!” Okay, then. Twenty-two scans below, and you can see a lot more Paris Plaisirs art at the excellent webpage aucarrefouretrange.

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Vintage Pulp Aug 30 2015
LITTLE HITLERS
There’s nothing like the pitter patter of little jackboots.


Check an English language bio on Gisela Fleischer and it’ll likely say she’s a West German woman who claimed to be Adolf Hitler’s daughter, and that the Swiss paper Tribune de Genève broke the story in 1966. Well, guess what? The above Midnight is from today in 1965, and inside, readers are told that Abigail Van Buren—aka Dear Abby—received a letter from West Germany that began: “I need some advice in a hurry. Should I marry a rabbi? I am the daughter of Adolf Hitler.” Fleischer’s mother Tilly Fleischer had competed in javelin at the 1936 Olympic games. According to Gisela, Hitler was impressed enough to invite her mother to the Berghof for dinner and that meeting in Obersalzberg was the beginning of an eight-month affair.

Gisela claims to have been born in December 1937 at a special Nazi clinic, but never knew who her father was until later in life. Midnight journo Cyrus Bell claims to have spoken to Fleischer, and the gist is basically that learning she was Hitler’s daughter was a good thing, because it helped her finally know and accept herself. She says at the end, “Now I can say, like Antigone in the tragedy by Sophocles, that I was born for love and not for hate.” But by now you know that Midnight couldn’t land a scoop if you dropped the entire editorial staff into a Breyer’s factory. While the Dear Abby connection might well be true, it turns out Fleischer first made her Hitler claims in mid-1965 in the European magazines Oggi, Ici Paris, and Bunten, and Midnight merely reprinted them.
 
Fleischer was mostly ignored until she revealed all in a 1966 book called Mein Vater Adolf Hitler, published in France as Adolf Hitler mon père. Reactions to this event were skeptical, to say the least. A famous wit of the day wrote a satirical piece called, “I was Hitler’s toothbrush.” Fleischer kept her story alive with interviews in other magazines, but she had stiff competition—two people claiming to be the offspring of Hitler and Eva Braun had surfaced, a woman named Eleanor Bauer claimed to be Hitlerspawn, and the same assertion was made by a Frenchman named Jean Marie Loret. Even Martin Bormann’s son claimed to be in reality the result of an encounter between Hitler and a girl known only as Uschi.
 
Proof will probably never turn up in any of these cases, but is it very hard to believe a man with Hitler’s power and obsession with Aryan womanhood was sowing his seed whenever the urge struck? As Goliath books and Hans von Bockhain have documented, 1930s Germany was an extraordinarily decadent time anyway. In addition, it’s rare that dictators do not have mistresses. From there it’s easy to imagine children being the result. Some historical researchers have portrayed Hitler as a sexual deviant—impotent shit freak seems to be the favored theory—but most historians believe he had a normal sex life, whatever that is. We’ll have more from Midnight later, and you can see other issues by visiting our tabloid index.
 
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Vintage Pulp Aug 24 2015
A CLAIRE DAY
A new woman for a new era.


This issue of Paris Magazine features a beautiful Louis-Charles Royer cover of Ziegfeld star Claire Luce, one of the most popular celebrities of her time. Her heyday was the 1920s and ’30s, a period during which—though this is little remarked upon today—substantially more women began to have sex before marriage. By the time the first surveys took place in the 1940s about 50% of women admitted to having pre-marital sex. Anecdotally, during the 1920s probably at least one in four women had sex as singles. Claire Luce was a pioneer of the female right to choose. A mere eight-year span of her diary describes sixty lovers.

Luce very much personifies a seismic shift in the values of Western women. Many scholars say it happened because they moved into the university and the workplace around that time, and that was indeed an important factor because it brought women and men into mutual contact outside of family and church situations. But it’s clear the prime mover was the trauma of World War I and the loss of 37 million lives in a conflict that taught those who came of age around then that life could be short and joy could be fleeting. This factor is nearly always downplayed in studies of that time, though we have never understood why. It is too obvious?
 
Even with their numbers increasing, relatively few women were in the university and workplace. But virtually no Western family went untouched by the war. Those 37 million deaths reached deep into every town, every enclave, every social class. Nearly everyone had lost a father, a brother, an uncle, or at least a family friend. And if a loved one actually survived battle, they often returned to preach the futility of war to the generation below them—or by their mere broken presence serve as a warning. Ernest Hemingway captured this in The Sun Also Rises, which focuses on Jake, prevented by a war wound from having sex, and Lady Brett, who loves Jake but must constantly seek lovers elsewhere.

Of course, there are many factors behind any social shift, but rapid change typically derives from chaos. Ask any neo-con or disaster capitalist. The primary effect of war or warlike events upon society is to alter how it views life, death, and personal freedom. In the past, the spectre of death made people want more freedom to live as they saw fit; in our present era, traumatic events have resulted in people agreeing to sacrifice their personal freedom (thanks to powerful suggestions and hard work by opportunistic governments).

Anyway, just an interesting digression concerning Paris Magazine’s cover star. Like predecessors such as Dorothy Parker, and peers like Tallulah Bankhead, she was a sexual trendsetter, a new type of woman for a radically reordered Western world. She’s also about as pulp as it gets. We may get back to Claire Luce a bit later, but in the meantime we have a bunch of interior scans from Paris Magazine below, and more issues available at the click of a mouse. This edition, number 34, appeared in 1934. 

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History Rewind
The headlines that mattered yesteryear.
February 08
1969—Allende Meteorite Falls in Mexico
The Allende Meteorite, the largest object of its type ever found, falls in the Mexican state of Chihuahua. The original stone, traveling at more than ten miles per second and leaving a brilliant streak across the sky, is believed to have been approximately the size of an automobile. But by the time it hit the Earth it had broken into hundreds of fragments.
February 07
1985—Matt Munro Dies
English singer Matt Munro, who was one of the most popular entertainers on the international music scene during the 1960s and sang numerous hits, including the James Bond theme "From Russia with Love," dies from liver cancer at Cromwell Hospital, Kensington, London.
February 06
1958—Plane Crash Kills 8 Man U Players
British European Airways Flight 609 crashes attempting to take off from a slush-covered runway at Munich-Riem Airport in Munich, West Germany. On board the plane is the Manchester United football team, along with a number of supporters and journalists. 20 of the 44 people on board die in the crash.

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