|Vintage Pulp||Dec 29 2015|
Folies de Paris et de Hollywood is one of our favorite vintage magazines, and though we have a tall stack of them we don't share them nearly as often as we should. The scanning and painstaking reassembly of the pages in Photoshop has something to do with that, but one of our upcoming New Year's resolutions is to try and get more of these up on the site. Today you're seeing the front and rear cover plus assorted interior bits from issue #506, which appeared in 1972. You get the usual burlesque dancers, prancers, and vixens, along with a centerfold featuring Margaret Nolan not looking quite her normal self (but it's her). See more from Folies de Paris et de Hollywood by clicking its keywords just below.
|Femmes Fatales||Nov 29 2015|
|Femmes Fatales||Nov 21 2015|
French burlesque dancer Yvonne Ménard is all smiles, and why not? That thing she wears between her legs probably tickles. Ménard also may be smiling because when these photos were taken she was about as famous as a dancer could be. She had started as a nude mannequin at La Cigale, then joined the cast of Folies Bergère as a replacement for a departing Josephine Baker after understudying the great American star during the 1949 season. Ménard was twenty when she took the lead role—the photos above were made backstage at the Folies shortly afterward. One of the acts Ménard developed showed her struggling against the lure of opium. She wore only her famous glittering leaf, and battled dark male figures only to be eventually carried by them into a smoking pit.
Ménard’s performances were a bit different from Baker’s—she couldn’t sing as well, and her dancing was a work in progress, but she would eventually master various flips and aerial maneuvers, which she once demonstrated for a photo feature in Life magazine. She toured the U.S. numerous times, making stops in New York, Miami Beach, and Las Vegas, and also performed in South America. Somewhere in there she made time to appear on the cover of the third issue of Playboy, in February 1954, and writer Georges Tabet said inside the issue, “Yvonne is the crystallization of Paris. She’s got a petit quelque chose—a little something—that you have to be born with. Chevalier, he has it in his smile. Edith Piaf has it in her voice. This one—she has it all over.”
|Vintage Pulp||Nov 20 2015|
Folies de Paris et de Hollywood rarely identifies its cover models, which is a shame, as the front of this issue spécial published today in 1966 treats readers to a vision of a sleek and slick motorcycle rider wearing a red—what is it?—faux snakeskin made from vinyl, we’re guessing. While it probably isn’t great for safety, it does make her look a bit like a superhero. The image fits, because she has a superpower—the ability to inspire us to take to the road, for a day, anyway. Which means we’re headed out to enjoy the sun and warmth and, somewhere along the way we’re sure, a nice bottle of cold white wine. We suggest you do something similar.
|Intl. Notebook||Nov 15 2015|
|Vintage Pulp||Oct 10 2015|
We were going to post nothing today, but even a fine red wine, twenty pages of good fiction, and the attentions of the wonderful Pulp Intl. girlfriends occupy only so many Saturday hours, so above and below you see the cover and contents of the French burlesque and entertainment magazine Cancans de Paris, named after the high-kicking stage dance of 19th-century Montparnasse music halls. This issue appeared this month in 1965 and features Gina Lollobrigida, Verna Lisi, Sandra Dee, ballerina Ludmilla Tchérina, and others.
|Vintage Pulp||Sep 21 2015|
This is a rather nice 1955 edition of Bernard O’Donnell’s The World’s Worst Women, a collection of bios on assorted female murderers. Among them are Belle Gunness, who we wrote about several years ago, Martha Wise, who was known as the “Borgia of America,” Vera Renczi, who poisoned thirty-five people in Bucharest, Romania, and Anna Marie Hahn, who killed five people in Cincinnati, Ohio. Other famed killers include such colorfully named characters as the Red Witch of Buchenwald (Ilse Koch), the Poison Widow of Liege (Marie Alexandrine Becker), the Ogress of Paris (Jeanne Weber), and the Angel Makers of Nagyrév, a group of women who poisoned up to 300 people in Hungary. We were just kidding about a sequel dealing with men. Finding enough paper to print something like that would wipe out half the world’s forests…
|Vintage Pulp||Sep 1 2015|
|Vintage Pulp||Aug 30 2015|
Check an English language bio on Gisela Fleischer and it’ll likely say she’s a West German woman who claimed to be Adolf Hitler’s daughter, and that the Swiss paper Tribune de Genève broke the story in 1966. Well, guess what? The above Midnight is from today in 1965, and inside, readers are told that Abigail Van Buren—aka Dear Abby—received a letter from West Germany that began: “I need some advice in a hurry. Should I marry a rabbi? I am the daughter of Adolf Hitler.” Fleischer’s mother Tilly Fleischer had competed in javelin at the 1936 Olympic games. According to Gisela, Hitler was impressed enough to invite her mother to the Berghof for dinner and that meeting in Obersalzberg was the beginning of an eight-month affair.
|Vintage Pulp||Aug 24 2015|
This issue of Paris Magazine features a beautiful Louis-Charles Royer cover of Ziegfeld star Claire Luce, one of the most popular celebrities of her time. Her heyday was the 1920s and ’30s, a period during which—though this is little remarked upon today—substantially more women began to have sex before marriage. By the time the first surveys took place in the 1940s about 50% of women admitted to having pre-marital sex. Anecdotally, during the 1920s probably at least one in four women had sex as singles. Claire Luce was a pioneer of the female right to choose. A mere eight-year span of her diary describes sixty lovers.
Of course, there are many factors behind any social shift, but rapid change typically derives from chaos. Ask any neo-con or disaster capitalist. The primary effect of war or warlike events upon society is to alter how it views life, death, and personal freedom. In the past, the spectre of death made people want more freedom to live as they saw fit; in our present era, traumatic events have resulted in people agreeing to sacrifice their personal freedom (thanks to powerful suggestions and hard work by opportunistic governments).
Anyway, just an interesting digression concerning Paris Magazine’s cover star. Like predecessors such as Dorothy Parker, and peers like Tallulah Bankhead, she was a sexual trendsetter, a new type of woman for a radically reordered Western world. She’s also about as pulp as it gets. We may get back to Claire Luce a bit later, but in the meantime we have a bunch of interior scans from Paris Magazine below, and more issues available at the click of a mouse. This edition, number 34, appeared in 1934.