Vintage Pulp Sep 21 2015
A sequel dealing with the world’s worst men ran more than 100 volumes.

This is a rather nice 1955 edition of Bernard O’Donnell’s The World’s Worst Women, a collection of bios on assorted female murderers. Among them are Belle Gunness, who we wrote about several years ago, Martha Wise, who was known as the “Borgia of America,” Vera Renczi, who poisoned thirty-five people in Bucharest, Romania, and Anna Marie Hahn, who killed five people in Cincinnati, Ohio. Other famed killers include such colorfully named characters as the Red Witch of Buchenwald (Ilse Koch), the Poison Widow of Liege (Marie Alexandrine Becker), the Ogress of Paris (Jeanne Weber), and the Angel Makers of Nagyrév, a group of women who poisoned up to 300 people in Hungary. We were just kidding about a sequel dealing with men. Finding enough paper to print something like that would wipe out half the world’s forests…  


Vintage Pulp Sep 1 2015
Where the pleasure never seems to end.

Though they are at a glance aesthetically very different, the pulp era and the art deco era were contemporaneous, both in full bloom during the 1920s. Above you see the dreamy cover of a 1925 issue of the art deco style magazine Paris Plaisirs, i.e. Paris Pleasures, which was published from 12 Rue Georges-Berger in Paris. The cover star is dancer Isabelitta Ruiz, shot by R. Sobol. It looks to us as if Sobol provided the original image, but it was tinted by a second artist in the employ of the magazine. At least that’s our suspicion. We think that because we can see a second signature on the cover at lower left—it looks like, maybe, Cuaillant? No, that sounds wrong even for French. Maybe C. Jaillant? Better, but still quite possibly wrong. Here we go again with these French artists. And the magazines never seem to bother with masthead credits either. Too prosaïque maybe. We can hear our French friends say, “Comment typique! You Americans, always wanting to know exactly who did what. Learn to embrace uncertainty!” Okay, then. Twenty-two scans below, and you can see a lot more Paris Plaisirs art at the excellent webpage aucarrefouretrange.


Vintage Pulp Aug 30 2015
There’s nothing like the pitter patter of little jackboots.

Check an English language bio on Gisela Fleischer and it’ll likely say she’s a West German woman who claimed to be Adolf Hitler’s daughter, and that the Swiss paper Tribune de Genève broke the story in 1966. Well, guess what? The above Midnight is from today in 1965, and inside, readers are told that Abigail Van Buren—aka Dear Abby—received a letter from West Germany that began: “I need some advice in a hurry. Should I marry a rabbi? I am the daughter of Adolf Hitler.” Fleischer’s mother Tilly Fleischer had competed in javelin at the 1936 Olympic games. According to Gisela, Hitler was impressed enough to invite her mother to the Berghof for dinner and that meeting in Obersalzberg was the beginning of an eight-month affair.

Gisela claims to have been born in December 1937 at a special Nazi clinic, but never knew who her father was until later in life. Midnight journo Cyrus Bell claims to have spoken to Fleischer, and the gist is basically that learning she was Hitler’s daughter was a good thing, because it helped her finally know and accept herself. She says at the end, “Now I can say, like Antigone in the tragedy by Sophocles, that I was born for love and not for hate.” But by now you know that Midnight couldn’t land a scoop if you dropped the entire editorial staff into a Breyer’s factory. While the Dear Abby connection might well be true, it turns out Fleischer first made her Hitler claims in mid-1965 in the European magazines Oggi, Ici Paris, and Bunten, and Midnight merely reprinted them.
Fleischer was mostly ignored until she revealed all in a 1966 book called Mein Vater Adolf Hitler, published in France as Adolf Hitler mon père. Reactions to this event were skeptical, to say the least. A famous wit of the day wrote a satirical piece called, “I was Hitler’s toothbrush.” Fleischer kept her story alive with interviews in other magazines, but she had stiff competition—two people claiming to be the offspring of Hitler and Eva Braun had surfaced, a woman named Eleanor Bauer claimed to be Hitlerspawn, and the same assertion was made by a Frenchman named Jean Marie Loret. Even Martin Bormann’s son claimed to be in reality the result of an encounter between Hitler and a girl known only as Uschi.
Proof will probably never turn up in any of these cases, but is it very hard to believe a man with Hitler’s power and obsession with Aryan womanhood was sowing his seed whenever the urge struck? As Goliath books and Hans von Bockhain have documented, 1930s Germany was an extraordinarily decadent time anyway. In addition, it’s rare that dictators do not have mistresses. From there it’s easy to imagine children being the result. Some historical researchers have portrayed Hitler as a sexual deviant—impotent shit freak seems to be the favored theory—but most historians believe he had a normal sex life, whatever that is. We’ll have more from Midnight later, and you can see other issues by visiting our tabloid index.

Vintage Pulp Aug 24 2015
A new woman for a new era.

This issue of Paris Magazine features a beautiful Louis-Charles Royer cover of Ziegfeld star Claire Luce, one of the most popular celebrities of her time. Her heyday was the 1920s and ’30s, a period during which—though this is little remarked upon today—substantially more women began to have sex before marriage. By the time the first surveys took place in the 1940s about 50% of women admitted to having pre-marital sex. Anecdotally, during the 1920s probably at least one in four women had sex as singles. Claire Luce was a pioneer of the female right to choose. A mere eight-year span of her diary describes sixty lovers.

Luce very much personifies a seismic shift in the values of Western women. Many scholars say it happened because they moved into the university and the workplace around that time, and that was indeed an important factor because it brought women and men into mutual contact outside of family and church situations. But it’s clear the prime mover was the trauma of World War I and the loss of 37 million lives in a conflict that taught those who came of age around then that life could be short and joy could be fleeting. This factor is nearly always downplayed in studies of that time, though we have never understood why. It is too obvious?
Even with their numbers increasing, relatively few women were in the university and workplace. But virtually no Western family went untouched by the war. Those 37 million deaths reached deep into every town, every enclave, every social class. Nearly everyone had lost a father, a brother, an uncle, or at least a family friend. And if a loved one actually survived battle, they often returned to preach the futility of war to the generation below them—or by their mere broken presence serve as a warning. Ernest Hemingway captured this in The Sun Also Rises, which focuses on Jake, prevented by a war wound from having sex, and Lady Brett, who loves Jake but must constantly seek lovers elsewhere.

Of course, there are many factors behind any social shift, but rapid change typically derives from chaos. Ask any neo-con or disaster capitalist. The primary effect of war or warlike events upon society is to alter how it views life, death, and personal freedom. In the past, the spectre of death made people want more freedom to live as they saw fit; in our present era, traumatic events have resulted in people agreeing to sacrifice their personal freedom (thanks to powerful suggestions and hard work by opportunistic governments).

Anyway, just an interesting digression concerning Paris Magazine’s cover star. Like predecessors such as Dorothy Parker, and peers like Tallulah Bankhead, she was a sexual trendsetter, a new type of woman for a radically reordered Western world. She’s also about as pulp as it gets. We may get back to Claire Luce a bit later, but in the meantime we have a bunch of interior scans from Paris Magazine below, and more issues available at the click of a mouse. This edition, number 34, appeared in 1934. 


Hollywoodland Aug 18 2015
Paris Match offers a retrospective of Monroe from childhood to superstardom.

Marilyn Monroe was perhaps the most photographed celebrity of her era, so when she died it was only natural that scores of magazines released tribute issues. One of the most comprehensive was published by Paris Match today in 1962, just shy of two weeks after Monroe’s death, and it featured a thirty-six page retrospective of her life and career. Above you see the cover of that issue, and below you’ll find all of the accompanying photographs, including several that have been less widely seen, such as those near the bottom showing her making faces while doing acting exercises. We have scans from another Monroe tribute issue made just after her death—this one by Italy’s Epoca—and you can see those here.


Vintage Pulp Jul 31 2015
Here's a lama, there's a lama, and another little lama

To offset the ridiculous cover above, we thought we’d share something a bit more traditionally pulp, so here you see the front of Jerôme Caval’s 1964 thriller Le lama de Lima, which means, well, exactly what it looks like it means. The book is volume 30 of the Espionnage Service-Secret collection from the Parisian publisher S.E.G., and the brilliant art is uncredited. 


Intl. Notebook Jul 9 2015
One of the last two functioning examples of revered World War II fighter plane hits the auction block today.

Today in London, Christie’s auction house is selling off one of the only two flyable, original spec Vickers Supermarine Spitfire fighter planes left in the world. One of the most elegant of World War II fighters, the Spitfire played a pivotal role in the Battle of Britain, going up against the German Luftwaffe and its comparable Messerschmitt fighter craft. This particular Spitfire made an emergency landing on a beach at Calais, France in 1940, and was quickly covered by tidal sands. The sands receded in 1980 to expose the aircraft once more, and it went into the Musée d’l’Air at Le Bourget, Paris, before being acquired and restored by the British company Aircraft Restoration Company/Historic Flying Ltd. Christie’s estimates the plane will sell for at least US$2.3 million, and could go for close to US$4 million.


Vintage Pulp Jul 5 2015
Anthropologists stunned as new research shows Native Americans funneled beer centuries before frat boys.

We have no idea why scientists are surprised. Native Americans brewed many types of alcoholic beverages, so it follows they’d come up with ridiculous ways to drink them. Jean d’Ascain wrote L’or qui tue in 1946 for the Paris based publishing company La Caravelle as part of its Collection Le Ranch. On the cover Albert Chazelle art shows an early American colonist named Trish learning how to funnel, while one of the boys cops a cheap feel. The natives would later improve the funneling process by adding a tube, as well as sexually suggestive, horribly out-of-pitch singing. Genealogical note—Trish is the many-times-great grandmother of this person. Also, d’Ascain wrote a sequel where natives invent the drinking game Edward Fortyhands. 


Vintage Pulp Jun 27 2015
Secrets, spies, and other tools of espionnage.

Here are a few scans from the cover and interior of Folies de Paris et de Hollywood #174, which appeared in 1960. It’s a “numéro exceptionnel,” or special issue of the magazine, and is devoted secrets and spies. All that means is that the photo features are entitled things like “Paola Mystere,” and “Le Rendez-vous Secret.” You get the usual assortment of glamour models, including Sally Douglas, who we've featured before, and lots of showgirls. We bought twenty of these a while back but have been lazy about sharing them because, well, it’s really time intensive. We have to scan each page in two halves, which already amounts to twice the normal work, then Photoshop the pieces together, which is a whole new realm of effort. But we’ll get more issues up soon. In the meantime you can our previous shares by clicking here. 


Vintage Pulp May 14 2015
Monroe is packed and has a one-way ticket.

This issue of Paris Frou Frou appeared in 1956 with cover star Marilyn Monroe in costume for her role in the classic comedy Bus Stop. Inside the issue she's garbed for Otto Preminger’s River of No Return, an interesting quasi-western that’s worth a viewing just to see Monroe and her co-star Robert Mitchum together. Elsewhere you get Kim Novak, dancer Vera Bell, and Mamie van Doren. Van Doren and Novak are still with us, and that fact serves to remind that—incredible as it may seem—Monroe would be eighty-nine now if not for her unfortunate suicide (or murder, if you want to go that direction). Considering how long she’s been dead, and how deeply her current-day identity is tied to her death, it’s a bit of a shocking thought. Eleven scans below.


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History Rewind
The headlines that mattered yesteryear.
October 07
1959—Dark Side of Moon Revealed
The Soviet space probe Luna 3 transmits the first photographs of the far side of the moon. The photos generate great interest, and scientists are surprised to see mountainous terrain, very different from the near side, and only two seas, which the Soviets name Mare Moscovrae (Sea of Moscow) and Mare Desiderii (Sea of Desire).
October 06
1966—LSD Declared Illegal in U.S.
LSD, which was originally synthesized by a Swiss doctor and was later secretly used by the CIA on military personnel, prostitutes, the mentally ill, and members of the general public in a project code named MKULTRA, is designated a controlled substance in the United States.
October 05
1945—Hollywood Black Friday
A six month strike by Hollywood set decorators becomes a riot at the gates of Warner Brothers Studios when strikers and replacement workers clash. The event helps bring about the passage of the Taft-Hartley Act, which, among other things, prohibits unions from contributing to political campaigns and requires union leaders to affirm they are not supporters of the Communist Party.

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