Tate gives chase in an international fortune hunting comedy about a missing chair.
In ¿Las cual de 13?, aka 12 + 1, aka Twelve Plus One, an Italian barber played by Vittorio Gassman inherits thirteen chairs and, deeming them useless, sells them to a London antique shop. He later discovers one of the chairs contains a fortune, but when he returns to the shop he's told they've all been sold. So he offers the antique shop employee Sharon Tate half of the fortune to help him track down the chairs, which of course have scattered to the four winds. Their search takes them to Paris, Rome, and beyond, in 1960s screwball fashion with its expected pratfalls, mix-ups, and sticky situations. Gassman and Tate do reasonable jobs with the goofy script that's been made of Soviet authors Ilf and Petrov's satirical source novel, and the film is boosted by appearances from Vittorio De Sica, Mylène Demongeot, Terry-Thomas, and Orson Welles. This was an Italian production, but the poster above was painted for the film's Spanish run by Carlos Escobar, who signed his work “Esc.” This is the best we've ever seen from a very good artist. Since the movie didn't premiere in Italy until after Tate had been slain this month in 1969, and didn't reach Spain until mid-1970, the poster very likely was painted post-murder, which means Escobar probably was thinking of how to best portray someone who'd become a tragic figure. We suspect he put special effort into his work as a tribute, and if so, a fitting tribute it was.
, ¿Las cual de 13?
, Twelve Plus One
, 12 + 1
, Sharon Tate
, Vittorio Gassman
, Vittorio De Sica
, Mylène Demongeot
, Orson Welles
, Carlos Escobar
, poster art
, movie review
French musical comedy looks at the follies, foibles and failures of a terminally chaotic burlesque production.
This beautiful and rare Japanese poster was made to promote the French burlesque comedy Ah! Les belles bacchantes, which was known in English by the titles Peek-a-Boo and Femmes de Paris. We managed to locate a copy and basically you get a musical about a local cop who decides to look into reports of sexual dancing at a local cabaret. The movie stars Louis de Funès as the cop, Colette Brosset as an aspiring dancer, and Les Bluebell Girls du Lido. The image on the poster features one of those Bluebell Girls personifying La nuit, or the Night, and as impressive as she looks on paper, you should see her in the movie. Other dancers portray the Sun, the Moon, and so forth. We'd go so far as to say that sequence alone was worth the time spent watching Ah! Les belles bacchantes. But is it actually a good movie? Sure—if you like ventriloquists, leopards, pratfalls, brawls, and sputtering doubletakes. In other words, it's very silly, and very likeable. It opened in France in 1954 and reached Japan yesterday in 1955.
, Ah! Les belles bacchantes
, Femmes de Paris
, Colette Brosset
, Louis de Funès
, Les Bluebell Girls du Lido
, poster art
, movie review
Bal Tabarin is a movie that's a real kick.
We've been doing a lot on exotic dance of late, so keeping with that theme, above are two posters for Bal Tabarin, an American crime drama from Republic Pictures revolving around the Bal Tabarin cabaret in Paris. A Los Angeles secretary witnesses her boss's murder and flees to Paris to hide with a close friend. She's an aspiring singer, so naturally she soon receives a job offer from the owner of the cabaret. Add in a bit of romance and her Paris idyll is going better than expected, but the bad guys soon catch up to her, clued in by the many Paris postcards mailed to her apartment over the years. Standard ’50s drama with a good location gimmick and nice dance scenes, Bal Tabarin premiered today in 1952. But anyone going to Paris after that to visit the cabaret might have been disappointed. It closed in 1953.
French photographer earns raves for fresh look at the nude form... except for one little thing.
Those who cannot remember the past are condemned to be impressed by those who do. Especially when it comes to art. The very nice image above was shot by Parisian photographer Dani Olivier. He has published three photo books, exhibited his pieces all over France, as well as in galleries in such places as Kiev, Moscow, and Los Angeles, and describes his work as an effort to create nude portraits “that [haven't] been shot before.” Ah, but they have been shot before, Dani, they surely have, and by one of your countrymen, no less—Fernand Fonssagrives, as we discussed here.
The photo we posted back in 2012 was one from the Fonssagrives canon that had never been seen online before, which makes it worth a gander, but for those disinclined to click over there, an example of Fonssagrives' work from 1956 appears below. Very similar, no? We have a feeling Olivier would exclaim, “But Fonssagrives' light is dots, while mine is sperm, you idiot!” Well, dots, sperm—maybe Fonssagrives' is sperm too, but seen head-on.
There's no doubting Olivier's light patterns are more varied and detailed, however Fonssagrives might have gone in a similarly precise direction had he possessed similarly superior projection technology. In any case, we love Dani Olivier’s work. But the quote about its originality caught our eye, as well as the fact that none of the articles we checked on him mentioned Fonssagrives, so we were pretty much compelled to bring up the old master, who certainly deserves his just due.
It's a hard job but they make it look easy.
What better way to complement the collection of paperback covers above than with photos of actual dancers doing what they do best—making their strenuous and often unglamorous work look easy and fun? We present assorted burlesque dancers, showgirls, and strippers from the 1950s, 1960s, and 1970s, both onstage and off, photographed in such hot spots as London, Paris, Tokyo, Rome, New Orleans, and of course New York City. Among the performers: La Savona, Lilly Christine, Lynne O'Neill, the gorgeous Misty Ayres, Patti Cross, Tina Marshall, Carol Doda, Nejla Ates, Lili St. Cyr, Wildcat Frenchie, and more. If you like these, check out our previous set of dancers here.
, New Orleans
, New York City
, La Savona
, Lilly Christine
, Lynne O'Neill
, Misty Ayres
, Patti Cross
, Tina Marshall
, Carol Doda
, Nejla Ates
, Blaze Starr
, Wildcat Frenchie
, Lili St. Cyr
, Candy Barr
, Tina Marshall
King of the hill, top of the heap.
Owned by a publisher calling itself Sapho, Folies de Paris et de Hollywood was one of the pre-eminent pin-up magazines of the mid-century period, running from 1947 to 1975 for a total of nearly 600 issues. It also operated under other names, including Paris-Hollywood, and generated another 150 issues. Appearing this week in 1966, this issue of Folies is number 345 and features the usual assortment of showgirl portraits and write-ups. Often the magazine slipped in a model or two from outside the world of Parisian dance, and in this issue a good chunk of pages are given to British pin-ups Cleo Simmons and Penny Winters. We didn't scan all their photos—sorry. This is a big magazine, dimensionally speaking, and every page must be scanned in two pieces and merged in Photoshop—with the centerfold being scanned in four pieces and reassembled—so sometimes we don't get to all of them. But we strive to improve. Speaking of the centerfold, she's unknown to us, as is the rear cover star. If anyone knows them feel free to drop us a line. Twenty images below, and many more Folies to come.
Something about Paris just makes you want to dance.
This issue of Cancans de Paris, which is number 10, hit newsstands this month in 1966 featuring cover star Virginia Litz, someone we saw a while back in Folies de Paris et de Hollywood, but modeling under the pseudonym Arabelle. Litz pops up inside Cancans along with Gloria Paul, Dany Carrel, Sylvia Sorrente, and Uta Levka, as well as Sean Connery and Claudine Auger, who were starring together in Thunderball. We have Virginia Litz on at least one other mid-century magazine, which we'll post a bit later. In the meantime below are assorted scans from today's issue. France
, Folies Bergère
, Cancans de Paris
, Virginia Litz
, Gloria Paul
, Dany Carrel
, Sylvia Sorrente
, Uta Levka
, Sean Connery
, Claudine Auger
, Jeanne Moreau
, Françoise Giret
, Ginette Dupont
, Clara Dundée
, Linda Veras
, Véronique Vendell
, Estella Blain
Folies de Paris et de Hollywood kept readers guessing with their models but this one we know.
This issue of Folies de Paris et de Hollywood is from 1963 and its theme is “les peches capiteaux,” or the seven deadly sins. You see them listed at bottom left on the cover, if you ever wanted to learn them in French. While the theme is interesting, we're sharing this cover for one reason—Sophia Loren. Well, we think it's her. Folies never credited its cover models, so we can't be sure. The editors used her image on at least three other covers, and those instances are identifiably Loren because the shots are standard portraits, leaving no doubt. But this one has an oblique angle, which is enough by itself to make positive ID more difficult. And the model is wearing a see-through blouse. For casual fans of Loren that may seem out of character, but it isn't. Her early nude scene in Era lui... sì! sì! is well known today. We've discussed it a couple of times. And of course who can forget her wet-shirt appearance in Boy on a Dolphin. The point is Loren was not shy, so the see-through lingerie here is not a sign the cover model isn't her. We're going to say this is indeed Loren until someone convinces us otherwise. Inside the magazine identities are a bit clearer. You get various Parisian showgirls, as well Vicki Kennedy, aka Margaret Nolan, who we're beginning to think may have been the most photographed glamour model of the 1960s, centerfold Terry Higgins (in a crib, disturbingly), and June Palmer as “la paresse,” or sloth—though not so slothful she wasn't able to pose for three pages of photos, then don a blonde wig and appear on the rear cover too. That's more than we did all last week. Scans below. |
The headlines that mattered yesteryear.
1954—Communist Party Outlawed
In the U.S., during the height of the Red Scare, President Dwight Eisenhower signs the Communist Control Act into law. The new legislation bans the American Communist Party, and prohibits people deemed to be communists from serving as officials in labor organizations.
1968—France Explodes Nuke
a two-stage nuclear weapon, codenamed Canopus, on Fangataufa, French Polynesia.
1942—Battle of Stalingrad Begins
The Battle of Stalingrad, perhaps the most pivotal event of World War II, begins. It lasts for more than six months, spread across the brutal Russian winter, and ends with two million casualties. The Russian sacrifice reduces the powerful German army to a shell of its former self, and as a result Nazi defeat in the war becomes a simple matter of time.
1979—Alexander Gudonov Defects
Russian ballet dancer and actor Alexander Borisovich Godunov defects to the U.S. The event causes an international diplomatic crisis, but Gudonov manages to win asylum. He joins the famous American Ballet Theater, where he becomes a colleague of fellow-defector Mikhail Baryshnikov, and later earns roles in such Hollywood films as Witness and Die Hard.
1950—Althea Gibson Breaks the Color Barrier
Althea Gibson becomes the first African-American woman to compete on the World Tennis Tour, and the first to earn a Grand Slam title when she wins the French Open in 1956. Later she becomes the first African-American woman to compete in the Ladies Professional Golf Association.
1952—Devil's Island Closed
Devil's Island, the penal colony located off the coast of French Guiana, is permanently closed. The prison is later made world famous by Henri Charrière's bestselling novel Papillon, and the subsequent film starring Steve McQueen and Dustin Hoffman.
1962—De Gaulle Survives Assassination Attempt
Jean Bastien-Thiry, a French air weaponry engineer, attempts to assassinate French President Charles de Gaulle to prevent Algerian independence. Bastien-Thiry and others attack de Gaulle's armored limousine with machine guns, but after expending hundreds of rounds, they succeed only in puncturing two tires.
It's easy. We have an uploader that makes it a snap. Use it to submit your art, text, header, and subhead. Your post can be funny, serious, or anything in between, as long as it's vintage pulp. You'll get a byline and experience the fleeting pride of free authorship. We'll edit your post for typos, but the rest is up to you. Click here
to give us your best shot.