|Sportswire||Apr 2 2016|
How much beating can a fighter take? National Police Gazette asks that burning question on the front of this issue that hit newsstands this month in 1950. The cover star is Jake LaMotta, the Bronx Bull, who was famous for being able to take a punch—or fifty—and his unseen opponent is French fighter Robert Villemain. The photo was made during their December 1949 bout, a match LaMotta lost by unanimous decision. But his reputation as someone who could take a punch grew even when he lost, and eventually reached legendary proportions. His most serious beating occurred in February 1951 during a bout with Sugar Ray Robinson that was dubbed the Saint Valentine's Day Massacre. By the end the fight had become an epic of human destruction, and almost certainly caused permanent damage to La Motta. But in ninety-five professional matches to that point he had never been knocked to the canvas and he didn't fall that night either, even during a vicious final-round barrage that had LaMotta staggering around the ring. So the answer to Gazette's question—How much beating can a fighter take?—is simple. If you're LaMotta, you can take plenty.
|Sportswire||Sep 23 2015|
|Sportswire||Sep 1 2015|
The cover of this National Police Gazette published today in 1950 shows boxer Willie Pep being assessed by Dr. Vincent Nardiello after a February 1949 bout with archnemesis Sandy Saddler. Below the cover is another image from the same sequence. Saddler really put a hurting on Pep, as you can see from the severity of his injuries, but that was normal for the two fighters. They met four times, trading the lightweight championship three times in those battles, with the last fight considered even today one of the dirtiest of all time. You can see more from Police Gazette by clicking its keywords below.
|Vintage Pulp||Aug 11 2015|
W.R. Burnett followed up his 1929 gangster novel Little Caesar with 1930’s Iron Man, the story of a boxer named Kid Mason who is laid low not by his ring opponents but by the machinations of unsavory hangers on and a femme fatale—who’s unfortuntately also his wife. We showed you the hardback dust jacket to this a while back. This paperback from Avon goes full pulp with the teaser, promising a “toboggan-slide of passion, a headlong express that rips through the heavens and plunges to the bottom of hell.” That sounds fun, and indeed it was well reviewed, and was adapted into a film in 1931 with Lew Ayres as Mason and Jean Harlow as his wife. The cover art is uncredited.
|Femmes Fatales||Aug 5 2015|
This photo of Elsie Connor looked to us as if it had been Photoshopped in a very interesting way but it wasn’t—we found a version on Getty Images and it was identical to what you see above. The image and the fact that she’s identified as an Irish boxing champion on various websites made us curious about her career, but after a bit of digging we discovered that she was actually a dancer and chorus girl, and appeared in the 1930 musical Earl Carroll's Sketch Book, the 1929 shows Fioretta and Earl Carroll’s Vanities, and the 1928 production Here’s Howe. That’s a pretty short career, and one that lacked any starring roles, but thanks to the internet she’s famous again, looking like a real world beater. The only thing is, we doubt she was ever a boxer. We can’t be 100% sure, but with no evidence that she ever stepped into a ring, as well as a very clear understanding of how often the world wide web is world wide wrong, we suspect this is just a very, er, striking publicity photo. It dates from 1931.
|Vintage Pulp||Jul 29 2015|
Above and below, a July 1956 issue of Real Adventure magazine with uncredited art on the cover and throughout the issue. Inside you get model Peggy Ray, and a self-written feature by boxer Sandy Saddler in which he denies being a dirty fighter. The article includes a photo, which you see in panels three and four below, of Saddler mugging Willie Pep. That’s not the first appearance on Pulp Intl. for that image. Police Gazette featured it on one of its covers in February 1951 with a little photo-illustrative tweak. It’s worth glancing at and you can see it here.
Saddler won 144 bouts against only 16 losses, which would seem to indicate a considerable amount of talent. He retired in 1956, at the earlyish age of thirty, after he hurt his eye in a traffic accident. Afterward her became a trainer and counted among his clients a young George Foreman. He died in 2001 but was honored by The Ring magazine a couple of years later when editors ranked him as the fifth greatest puncher of all time. We have about twenty scans of Saddler, Pep, and others below.
|Sportswire||Apr 21 2015|
This cover of The National Police Gazette from April 1955 shows light-heavyweight champion Archie Moore putting a hurting on Joey Maxim. Gazette was hyping an upcoming title bout between Moore and Rocky Marciano, then and now considered one of the top three boxers to ever lace up a pair of gloves. We doubt that Marciano was afraid, as Moore claims on the cover, but maybe he should have been. The night of the bout Moore amazed/dismayed the crowd by landing a right counter and knocking Marciano to his knees. It was only the second time in Marciano's storied career that he had hit the canvas. He received a count from the ref. Under boxing rules the count should have stopped when Marciano rose—which he did after two seconds—and Moore should have been free to pummel his presumably dazed opponent. But referee Harry Kessler interposed himself between the two fighters.
Moore tells it this way: “The referee saw me stepping toward Marciano, and [put] his butt in my stomach and kept me off Marciano. He grabbed Marciano’s hands and wiped off his gloves while my corner yelled, ‘Hit him! Hit him!’ All of a sudden, Kessler jerked [Marciano’s] hands, and Marciano’s head jerked and [that] brought him to.”
Moore eventually lost the fight. But you have to give him credit—rather than thinking Kessler acted maliciously, he believes the ref was so amazed to see the champ down that he simply forgot his duties under the rules. Still, Moore makes no bones about it—in his view, Kessler cost him the fight. In the end though, Moore had to be proud. He had jumped up a weight class for the bout, and, at forty-one, was a decade older than Marciano. For those reasons and others a Moore victory would have been the greatest upset in boxing history, but it was not to be.
|Sportswire||Dec 21 2014|
These two December 1960 promotional photos show American welterweight/middleweight boxer Sugar Ray Robinson and Italian middleweight actress Rita Giannuzzi hamming it up after Robinson’s draw with rival Gene Fullmer at the Los Angeles Memorial Sports Arena. Robinson and Giannuzzi were slated to appear together in a boxing-related movie—title to be determined—backed by lightweight producer Felice Zappulla and filmed in Europe. Apparently the idea never quite caught on, because the movie never happened.
|Sportswire||Nov 4 2014|
The National Police Gazette devoted much of its space to boxing. Above you see twelve pages, some originals and some reprints, from its monthly feature the Gallery of Champions. Of course, Jimmy Carter, at top, later went on to become president of the United States. Really a remarkable story.
|Vintage Pulp||Jun 8 2014|
We’ve featured Pic magazine only once before, but not because it was an unimportant publication. Quite the opposite—we’ve seen issues as early as 1936 and as late as 1958, making it both a Depression and World War II survivor, presumably no easy feat and certainly a run indicative of sustained popularity. Early issues seemed focused on sports, but it soon broadened to include celebrities. It was launched by Wagner Publications of New York City, and this issue appeared in June 1952 with a cover featuring actress Suzan Ball placing a crown on the head of Akton Miller, a man Pic had chosen as its Hot Rod King. Inside you get a raft of Hollywood stars, including photos of Yvonne De Carlo in Uruguay, Marilyn Monroe, Janet Leigh, and Joan Vohs, shots of New York Giants manager Leo Durocher and his beautiful actress wife Laraine Day, and some nice boxing pictures. There’s also an interesting feature on the day’s top vocalists (with African-Americans notably excluded), and a profile of crooner Tony Bennett.
It was then that her train to stardom jumped the tracks. She injured her leg performing a dance number in East of Sumatra, and later in the year had a car accident and hurt the leg again. Treatment for those two injuries led to the discovery of a cancerous tumor. Soon afterward she fell and broke the limb, and when doctors decided they couldn’t remove the tumor they instead took the entire the leg. That was in January 1954. Ball soldiered on in her show business career with an artificial leg, starring in Chief Crazy Horse, though she lost fifteen pounds during the production, and later playing nightclub dates and appearing on television shows. In July 1955 she collapsed while rehearsing for the show Climax, whereupon doctors discovered the cancer had metastasized and spread to her lungs. A month later she died at age twenty-one. We have about fifty scans below.