Bogart didn't deserve me anyway.
French actress Madeleine Lebeau made more than thirty films, including Federico Fellini's classic 8½, but we remember her most for her small part in Casablanca. You remember too. She's badly treated by Humphrey Bogart in the beginning of the film, but we see her later as she joins bar patrons drowning out Nazi soldiers who are singing “Die Wacht am Rhein” by singing an even louder rendition of the French national anthem “La Marseillaise.” She's the one in tears. It's an unforgettable image in an unforgettable movie and remains Lebeau's trademark screen moment. This photo is a promo from Casablanca made in 1942.
The fundamental things apply as time goes by.
Yes, we're back to Casablanca. Above you see a Spanish poster for this award winning war drama, which premiered in Madrid yesterday in 1946. The movie was a smash hit everywhere because, simply put, it dealt with every important theme in the realm of human experience, which is why it's still fundamental viewing. And that would be true even if most of the characters weren't migrants—a type of person that's very prominent in the news these days.
The poster art is signed MCP, the designation applied to work produced by the Barcelona based design company owned by artists Ramón Martí, Josep Clavé, and Hernán Pico. We'll get back to this trio's output a bitlater. Casablanca generated some very nice promos, and MCP's effort is one of the best, in our opinion. We also recommend checking out the Japanese ones here.
The house that Bogart built.
The first time we watched Casablanca years ago we were impressed by so many aspects of the film, but perhaps most by its humor. There are laugh lines scattered throughout the first half of the script, but by far our favorite bit is:
Major Strasser: “What is your nationality?”
Rick Blaine: “I'm a drunkard.”
It's impossible to overrate the movie. Only iconoclasts don't like it. The above poster befits such a landmark film. It was painted by Bill Gold for the movie's U.S. run, which began in New York City today in 1942. You can see two more incredible Casablanca posters here.
Working in Bardot’s shadow.
Thea Fleming, aka Thea Fammy, née Thea Catharina Wihelmina Gemma Pfennings, is a Dutch actress who was packaged as “The Brigitte Bardot of Holland.” We don’t know if that was because of her talent or looks, but in any case she actually spent most of her career not in Holland but in Italy, working under the stage name Isabella Biancini. She was never a big star, no Bardot by any measure, but she made some memorable movies, including Salome ’73, Asso di picche—Operazione controspionaggio, aka Operation Counterspy, and Il nostro agente a Casablanca, aka The Killer Lacks a Name. This great shot is from around 1970.
Sometimes a kiss is not just a kiss.
The above promo shot was made for Humphrey Bogart and Lauren Bacall’s 1944 thriller To Have and Have Not, in which he played a cynical boat captain and she played a tough girl with a heart ready to be given to the right man. It was set in French Martinique, and it’s one of our favorite old movies. Certainly not in the same league as Casablanca, which is the phenomenon it was trying to recreate, yet it was faster, funnier, and far less grandiose, all of which work in its favor. Haven’t seen it? Rent it. Or better yet—in the spirit of Bogart’s rum running character Capt. Harry Morgan—pirate it. Arrr.
A siren in the desert.
This Columbia Pictures promo photo of Swedish actress Märta Torén was shot when she appeared in the adventure Sirocco in 1951, starring opposite Humphrey Bogart. The film, which was set in Syria, was an attempt to recapture the magic of Casablanca, and one of its taglines was: “Beyond Casablanca... Fate, in a low-cut gown lies in wait for Bogart!” The movie didn’t recapture that Casablanca magic, but it was a nice role for Torén. She worked steadily until 1957 when she died of a sudden brain hemorrhage at age 30.
The fundamental things apply.
Here’s something nice we ran across on an auction site. It’s a piece of sheet music for “As Time Goes By”, which is a song written by German composer Herman Hupfeld and sung by Dooley Wilson’s character Sam in 1942’s Casablanca. The tune is inextricably identified with the film, but it was actually written for the 1931 Broadway show Everybody’s Welcome, where, in its complete form, it becomes clear the song is just as much about stress as about romance. You wouldn’t know that of course, because you don’t know the lyrics—really, who does? But today’s your lucky Monday—you can brush up on the words here. Just remember these two music fundamentals: if you sing, please do so from the diaphragm; and if you sing badly, blame it on booze.
Classic movie teaches us you only need two things in this world—a tuxedo and a gun.
There really isn’t much to say about it except that most critics rank it as one of the top five motion pictures ever made. So it’s befitting that the promo art is among the best we’ve seen. Below we have two Japanese posters for Casablanca, the classic war adventure set in exotic French Morocco. It premiered in Tokyo today in 1946.
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