|Femmes Fatales||Mar 2 2018|
|Femmes Fatales||Oct 18 2017|
|Vintage Pulp||Sep 7 2016|
The French had a wide array of nudie—er, we mean, art—magazines during the mid-century period, including Paris-Hollywood and Folies de Paris et de Hollywood, which are the two we’ve focused on up to now. Regal was another popular publication—digest sized, light on text, and put together by Éditions Extentia, an outfit based out of 38 Rue du Monte-Thabor in Paris that also published Sensations, Chi-Chis, Paris-Broadway, and Paris-Tabou. It was a far-flung enterprise, even distributing issues in distant French Indochina via the loftily named Société Franco-Asiatique located in Saigon. Or if one preferred, issues could be obtained direct from France through the use of “envoi discret,” or discreet shipping, by which we expect they mean in a plain brown wrapper. This issue of Regal, with its voyeur themed cover photo suggesting a woman spied through an open window, was published in 1952. We have twenty-five scans below.
|Femmes Fatales||Aug 5 2015|
This photo of Elsie Connor looked to us as if it had been Photoshopped in a very interesting way but it wasn’t—we found a version on Getty Images and it was identical to what you see above. The image and the fact that she’s identified as an Irish boxing champion on various websites made us curious about her career, but after a bit of digging we discovered that she was actually a dancer and chorus girl, and appeared in the 1930 musical Earl Carroll's Sketch Book, the 1929 shows Fioretta and Earl Carroll’s Vanities, and the 1928 production Here’s Howe. That’s a pretty short career, and one that lacked any starring roles, but thanks to the internet she’s famous again, looking like a real world beater. The only thing is, we doubt she was ever a boxer. We can’t be 100% sure, but with no evidence that she ever stepped into a ring, as well as a very clear understanding of how often the world wide web is world wide wrong, we suspect this is just a very, er, striking publicity photo. It dates from 1931.
|Hollywoodland||Sep 23 2014|
A world-weary Sammy Davis, Jr. appears here in a photo shot by Peter Basch in the back of a Chicago limousine. Davis was about to go to New York to star on Broadway in Clifford Odets and William Gibson’s Golden Boy, a musical involving a boxer’s turbulent career, doomed interracial romance, and eventual suicide. Not exactly an uplifting night out, yet the show ran for 569 performances and the cast album cracked the Top 40. That’s called star power, and Davis, who was already huge in Hollywood and the music industry, had it to spare. The photo dates from 1964.
|Intl. Notebook||Feb 20 2014|
Comedian W.C. Fields, née William Claude Dukenfield, jokes around with chorus girls Helen Ellsworth, Helene Sheldon, Cricket Wooten, and Margy Martyn during a rehearsal for Florenz Ziegfeld’s Ziegfeld Follies revues. Fields was a Follies cast member off and on from 1915 until 1925. He was known from the beginning of his career for having a large nose, and it reddened and grew over time due to rosacea and rhinophyma. This shot is from today, 1925.
|Vintage Pulp||Jan 6 2014|
Above is the cover of a March 1932 issue of the French “esthétique, humoristique, théâtral” monthly Paris Plaisirs with cover star Marjorie King cheerfully wielding a field hockey stick from a position that suggests she’s been knocked on her ass. If you tilt your head you can see that she was really striking. When this issue appeared she seemed to be on the cusp of a cinema breakthrough, having appeared in four films in quick succession. But she only made two screen appearances after this cover—1933’s My Weakness and 1936’s J’ai gagné un million. However, she had some Broadway roles and appeared on and in many magazines, so when you add it all up she seems to have had a nice career. Regarding Paris Plaisirs, it launched in 1922 and ran until at least 1938. We’ve shared several of these before and you can see those by clicking here. And we also found another photo of King from the same field hockey session, as well as a nice shot of her by photography legend Alfred Cheney Johnston which we’ll share a bit later.
|Femmes Fatales||Apr 15 2013|
These two eye-catching shots feature American actress Barbara Nichols, née Barbara Marie Nickerauer, who did the usual round of pin-up modeling and beauty contests before earning a running part in the Broadway musical Pal Joey. She later appeared in the film version along with Frank Sinatra, Kim Novak and other notables, and during her show business career became known for playing strippers. Pretty easy to see why. We have no date for these photos, but if we had to guess we’d say 1955 or 1956.
|Intl. Notebook||Apr 10 2013|
When Michael Todd’s famed musical Mexican Hayride opened in New York City he decided to have the program art, which had been painted by the famed Peruvian arist Alberto Vargas, aka Varga, reproduced at giant scale on the billboard atop the Winter Garden Theater where the show was being staged. This photo shows Varga’s giant pin-up almost completed.
In person the matador-like figure, which is modeled after but isn’t quite a portrait of star June Havoc, was probably garbed in bright red with gold brocade, matching the colors of the program art. The reverse of the photo says: A gargantuan Varga girl, 157 feet wide and 30 feet high, has been completed atop the Winter Garden Theater on Broadway in New York. Sketches for the illustration were made by artist Varga in Chicago.
Of course, the horizontal image doesn’t look very impressive at a mere 433 pixels in width, so through the magic of Photoshop and for no other reason than we wanted to see what it looked like, we’ve reoriented the image below. There’s some egregious pixel stretching happening on the lower half of the figure, but all things considered, it looks pretty good. You can drag it to your desktop and rotate it for a better look. The photo was shot today in 1944.
|Vintage Pulp||Feb 24 2013|
We’re at the penultimate page of the Goodtime Weekly Calendar of 1963, and as promised last week here’s a great shot from Ron Vogel of an unidentified model getting her groove on. This just cries out to be repurposed as a 12-inch cover or some kind of concert poster, don’t you think? The image actually brings up lots of humorous possibilities, and we were contemplating something along these lines for a subhead: She’s not the only one who loves beating something between her legs. But then we decided that was just too much. We have some class here.