Vintage Pulp Aug 29 2023
INGRID'S IN THE HAUS
Bogart may own the café, but Bergman owns the room.


Since we're checking out European poster art today, above is a nice West German promo for the classic wartime drama Casablanca, with Humphrey Bogart and Ingrid Bergman. We've covered just about all the nice promos for this film: Japanese, Spanish, Italian, and of course the classic U.S. version. Plus we wrote a post about the movie's brilliant set design. But this additional poster is worth sharing because it's the first time we've featured artist Hans Otto Wendt, a well regarded figure who worked during his youth as a draftsman in the newspaper industry, before taking his talents afield and collaborating with Deutsche London Film, Warner Bros., Twentieth Century Fox, and other major studios. He worked until 1969, at which point he retired due to poor health, and finally died in Berlin in 1979. For the above effort, note that he not only made Bergman the star of the poster, but the star of his handpainted lettering too. Casablanca premiered in West Germany today in 1952. 

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Modern Pulp May 21 2022
PLAIDING HIS CASE
Something old, something new.


This is something a bit unusual. It's a life-sized promotional cardboard cut-out for 1982's film noir-sourced comedy Dead Men Don't Wear Plaid, which starred Steve Martin and Rachel Ward. We thought of this film recently due to Martin's new Agatha Christie-influenced television mystery series Only Murders in the Building, which we watched and enjoyed. We first saw Dead Men Don't Wear Plaid years ago, long before Pulp Intl. and all the knowledge we've gained about film noir. We liked it much better during our recent viewing.

If you haven't seen it, Martin uses scores of film noir clips to weave a mystery in which he stars as private detective Rigby Reardon. Aside from Ward, and director Rob Reiner, his co-stars are Ava Gardner, Humphrey Bogart, Burt Lancaster, Barbara Stanwyck, Ingrid Bergman, Lana Turner, Cary Grant, and many others, all arranged into a narrative that turns out to be about cheese, a Peruvian island, and a plot to bomb the United States.

The film's flow only barely holds together, which you'd have to expect when relying upon clips from nineteen old noirs to cobble together a plot, but as a noir tribute—as well as a satirical swipe at a couple of sexist cinematic tropes from the mid-century period—it's a masterpiece. If you love film noir, you pretty much have to watch it. Dead Men Don't Wear Plaid had its premiere at the USA Film Festival in early May, but was released nationally today in 1982.

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Vintage Pulp Sep 25 2021
SPLIT PERSONALITY
He's not a bad guy. He's just a little conflicted.


Above: a beautiful French language Belgian poster for the suspense/horror film Dr. Jekyll et Mr. Hyde, aka Dr. Jekyll and Mr. Hyde, with Spencer Tracy, Ingrid Bergman, and Lana Turner. We love this poster as much as we love the Finnish and West German ones. The art here depicts quite effectively Jekyll's inner battle, with his face half in light and half in shadow. The movie opened in the U.S. in 1941, was delayed from showing in Europe for years due to World War II, but we think it finally premiered in Belgium during the autumn of 1946, a range we extrapolated from the film's premiere in France today the same year. 

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Hollywoodland Nov 26 2020
EVERYBODY COMES TO RICK'S
In Casablanca no other place compares.


We're back in the house today—Casablanca, that is. Several days ago, on the film's Italian premiere date, we showed you some Italian posters, and today, on its U.S. premiere date, we're taking a close look at possibly the most famous fictional bar in cinema history—Rick's Café Americain. Casablanca is one of the greatest films ever made, and it's fair to say Rick's was a supporting character. Filmgoers of 1942 found themselves steeped in its otherworldly Moroccan atmosphere, as scenes were staged in its courtyard, dining room, gambling room, at its lively bar, and in Rick's roomy upstairs office and personal living quarters. We've never confirmed this, but we suspect one third of the film occurs inside Rick's Café. We have photos of every area we could find of this iconic and exotic “gin joint”—as Bogart cynically describes it—and we even turned up a blueprint.

You'd be tempted to think bars like Rick's exist only in film, but you'd be wrong. We've been to places that have exotic architecture, excellent food and drink, lively musical entertainment, well dressed internationalclientele, and the aura of being in the middle of a spy caper. The decadent colonial bar Abaco, located in Palma de Mallorca, comes immediately to mind, as does the supper club Meson Pansa Verde in Antigua, Guatemala, where they have live jazz in a converted wine cellar and a friend of ours once famously pushed his date into the pool. We've been to Rick's-like places in Mexico, the Caribbean, the Greek Islands, and, appropriately, Morocco, in both Fes and Marrakech (we're not fans of the Rick's that currently operates in Casablanca—same name, very diminished feel). But magical places do exist, which means even if Bogart's beloved café was never real, having those types of nights is possible. We recommend making it your mission to seek them out.

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Vintage Pulp Nov 21 2020
HOUSE PAINTERS
Two Italian artists created some of the coveted posters for the classic drama Casablanca.


All of these posters are Italian promos for the classic war drama Casablanca, which premiered in Italy today in 1946, four years after it opened in the U.S. An original example of the top poster, which was painted by Luigi Martinati, sold at auction in 2017 for $478,000. The following three posters are also by Martinati. The bottom three efforts, meanwhile, are by Silvano Campeggi (who sometimes signed his work as "Nano"), and were painted for the movie's re-release in 1962. Top notch efforts all of them, for a top notch movie. See more Casablanca promos here and here.

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Vintage Pulp May 17 2019
THE HEALING ARZT
The doctor is out—of his freaking mind.


Above: a poster for Arzt und Dämon, aka Dr. Jekyll and Mr. Hyde, which premiered in West Germany today in 1949. The art here is by Heinz Schulz-Neudamm, whose most famous piece is the poster he designed for the expressionist sci-fi movie Metropolis. It once sold for $1.2 million, which made it the most valuable movie promo in existence at the time, but this Hyde effort shows Schulz-Neudamm's skills in a totally different light. We think it's top shelf work for a top shelf flick.

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Vintage Pulp Jan 10 2019
NO PLACE TO HYDE
Spencer Tracy unleashes the beast on Bergman and Turner.


We don't feature a lot of material from Finland* but this poster for Tri Jekyll ja Mr. Hyde, aka Dr. Jekyll and Mr. Hyde, caught our eye. The movie was based on the gothic horror novella by Robert Louis Stevenson, and was the third attempt Hollywood had made at the story, this time with Spencer Tracy as Jekyll/Hyde and Ingrid Bergman as Ivy Peterson. We gather Tracy thought his performance had ruined his career. Talk about being hard on yourself. He's perfectly decent in the role, even if he's a bit unconvincing as an English gentleman, and doesn't even bother tackling the accent. Bergman is decent too, and she does wrestle the accent, and loses, but since she's Swedish you have to forgive her. She'd soon be acknowledged as one of the greatest actresses in cinema. The film also features a pre-superstardom Lana Turner. She would develop a tendency to chew the scenery after she became a global celebrity, but here, in a supporting role under established stars, she's good, and hot as hell to boot—not that Bergman is anything other than dreamy herself.

Do we digress? Not in the least. Their beauty is pivotal to the plot. The two sides of Tracy's personality, the loving and lustful sides, posited as good and evil, are preoccupied by these basically opposite women. This is demonstrated during a nightmare sequence in which Tracy uses a whip to drive a pair of horses, a dark one and a light one, that transform into Bergman and Turner, side by side, windblown, sweaty, and implied as nude. It's a surprising sequence, hotly erotic, and all too brief if you ask us. We could have watched those two all wet and thrashing for a long while. But maybe that's our own Mr. Hyde speaking. In any case, the sequence serves to demonstrate that Dr. Jekyll's beastly Hyde is loose and isn't going back in his cage anytime soon. A career ruining performance from Tracy? On the contrary. His star continued to shine brightly after this highly effective piece of gaslamp horror, and his co-stars' ascents were just beginning. Dr. Jekyll and Mr. Hyde premiered in the U.S. in 1941 and reached Finland today in, apparently, 1943. How that happened in the middle of World War II is a mystery to us, but maybe it just shows how pushy Mr. Hyde was.

*While the poster is supposed to be Finnish, it actually seems to contain both Finnish and Swedish lettering. For example "Tri" in Finnish means "doctor," but "Dr.," which is common in Swedish, appears too, Likewise the word "and" is repeated. In Swedish it's "och" but in Finnish it's "ja." We guess the poster was used in both countries.

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Vintage Pulp Dec 19 2018
YOU MUST REMEMBER THIS
The fundamental things apply as time goes by.


Yes, we're back to Casablanca. Above you see a Spanish poster for this award winning war drama, which premiered in Madrid today in 1946. The movie was a smash hit everywhere because, simply put, it dealt with every important theme in the realm of human experience, which is why it's still fundamental viewing. And that would be true even if most of the characters weren't migrants—a type of person that's very prominent in the news these days.

The poster art is signed MCP, the designation applied to work produced by the Barcelona based design company owned by artists Ramón Martí, Josep Clavé, and Hernán Pico. We'll get back to this trio's output a bit later. Casablanca generated some very nice promos, and MCP's effort is one of the best, in our opinion. We also recommend checking out the Japanese ones
here

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Vintage Pulp Nov 25 2018
CASA GRANDE
The house that Bogart built.


The first time we watched Casablanca years ago we were impressed by so many aspects of the film, but perhaps most by its humor. There are laugh lines scattered throughout the first half of the script, but by far our favorite bit is:

Major Strasser: “What is your nationality?”

Rick Blaine: “I'm a drunkard.”

It's impossible to overrate the movie. Only iconoclasts don't like it. Even its many backstories are incredible. Just an example: the screenwriters of this American landmark—Howard Koch, Julius Epstein, and Philip Epstein—became victims of the Red Scare and lost their jobs.

The above poster befits such a monumental achievement. It was painted by Bill Gold for the movie's U.S. run, which began in New York City today in 1942. When you consider the film's longevity, you could almost say its run has never ended. You can see two more incredible Casablanca posters here.

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Intl. Notebook Sep 30 2018
SIGHT SEEING
U.S. magazine offers its vision of the world.


Model and singer Corky Crowley stars on this September 1948 cover of See magazine, a publication that came out of New York City and fell squarely into the Life and Look category. We picked this up years ago in the U.S. and never got around to posting it because its large format and the resultant necessity to scan pages in halves and join them in Photoshop deterred us. But we finally had a few spare hours we opted not to spend on a local terrace sipping white wine, and today you have the result.

Inside this monster mag you get photo features, celebs, politics, travel and more. Probably the most interesting feature is the one detailing the transformation of a French typist into a high society dame. It was done as a promotional feature by the magazine Point de Vue and they called it “Cinderella for a Day.” For this installment they chose a woman named Juliet Latifa, who they coiffed, dressed, sent to the swankiest Parisian nightspots, hooked up with the celeb set, then sent packing at the end of the night just like in the fairy tale.

The final photo caption sums it up: “Her 24 hour dream ended, drab normalcy not unexpectedly overtakes Cinderella, but unforgettable memories will serve to bolster her occasionally slipping morale.” Wow—belittle much, See editors? In any case, the photos of Latifa's night out are nice. We wish we could scan all the shots in the magazine but there are more than a hundred and we just don't have that kind of stamina. We managed about twenty pages divided into thirty plus panels featuring Latifa, Anna Neagle, Michael Wilding, Ingrid Bergman dressed in armor for her role in Joan of Arc, and more.

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Next Page
History Rewind
The headlines that mattered yesteryear.
September 26
1934—Queen Mary Launched
The RMS Queen Mary, three-and-a-half years in the making, launches from Clydebank, Scotland. The steamship enters passenger service in May 1936 and sails the North Atlantic Ocean until 1967. Today she is a museum and tourist attraction anchored in Long Beach, U.S.A.
1983—Nuclear Holocaust Averted
Soviet military officer Stanislav Petrov, whose job involves detection of enemy missiles, is warned by Soviet computers that the United States has launched a nuclear missile at Russia. Petrov deviates from procedure, and, instead of informing superiors, decides the detection is a glitch. When the computer warns of four more inbound missiles he decides, under much greater pressure this time, that the detections are also false. Soviet doctrine at the time dictates an immediate and full retaliatory strike, so Petrov's decision to leave his superiors out of the loop very possibly prevents humanity's obliteration. Petrov's actions remain a secret until 1988, but ultimately he is honored at the United Nations.
September 25
2002—Mystery Space Object Crashes in Russia
In an occurrence known as the Vitim Event, an object crashes to the Earth in Siberia and explodes with a force estimated at 4 to 5 kilotons by Russian scientists. An expedition to the site finds the landscape leveled and the soil contaminated by high levels of radioactivity. It is thought that the object was a comet nucleus with a diameter of 50 to 100 meters.
September 24
1992—Sci Fi Channel Launches
In the U.S., the cable network USA debuts the Sci Fi Channel, specializing in science fiction, fantasy, horror, and paranormal programming. After a slow start, it built its audience and is now a top ten ranked network for male viewers aged 18–54, and women aged 25–54.
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