Pulp International - Francisco+Fernandez+Zarza-Pérez

Feb 2 2022

I resent the accusation. First of all, puffy sleeves are in style. And second, no, there's nothing up them.

Here's a look at a couple of the items we found back in November while exploring the maze of roads and streets comprising Cadiz. These westerns were written by José Mallorquí and were published in 1974 as part of Ediciones Favencia's Colección El Coyote. Titled De tal palo... and Un caballero, these were half a euro each, and here's the bonus—the cover art on both is by Jano, aka Francisco Fernandez Zarza-Pérez, one of the better movie poster illustrators from Spain during the mid-century era. Check here to see a prime example. There's also some interior art by Carlos Prunés. They're just ink sketches but some of them are nice. We haven't read these, but we'll get around to that. We just got in a stack of rare crime and sleaze novels, so the cowboys will have to wait their turn.

Spain Cadiz Ediciones Favencia José Mallorquí Jano Francisco Fernandez Zarza-Pérez Carlos Prunés cover art literature

Modern Pulp

Aug 1 2017

In a place like Atlantic City there's always one more chance.

The poster you see above was painted by the Spanish artist Francisco Fernandez Zarza-Pérez, who signed his work as Jano. As you can see, it was to promote Louis Malle's drama Atlantic City, U.S.A. Most sites call the film just Atlantic City, but we're going with what the opening credits called it. Though the movie starred U.S. performers and tends to be thought of as an American effort, it was French produced and premiered all over Europe in 1980 before reaching the States in 1981. It opened in Spain today in 1980 and tells the story of a sixty-something minor crook who finds himself involved with twenty-something hustlers and their sale of stolen drugs. Circumstances place both the party favors and the profits in his hands, and he suddenly has a chance to be the big time mobster he never was.

Not only did Atlantic City, U.S.A. win the Golden Lion at the Venice Film Festival, it's one of the few movies to be nominated for all five major Academy Awards—Best Actor (Burt Lancaster), Best Actress (Susan Sarandon), Best Director, Best Picture, and Best Screenplay. With a résumé like that we don't have to tell you the movie is good. Watch it. You'll like it. The woman on the poster, by the way, looks nothing like Susan Sarandon, but it was early in Sarandon's career, and we suspect Jano wasn't too invested in getting her likeness correct. It was within his capability, certainly—his Lancaster looks great. We don't know why he got Sarandon wrong. Considering how famous she eventually became, we have a feeling he wished he'd done better.

Spain Venice Atlantic City U.S.A.Venice Film Festival Golden Lion Academy Award Francisco Fernandez Zarza-Pérez Burt Lancaster Susan Sarandon Louis Malle Jano poster art cinema movie review

Vintage Pulp

Jul 13 2017

There's no business like Monroe business.

Spanish illustrator Francisco Fernandez Zarza-Pérez painted this beautiful poster for the comedy Luces de candilejas, aka There's No Business Like Show Business, and signed the piece as his alter ego Jano. As you can see by comparing the poster to the set photo below, he covered Monroe's leg, which maybe isn't surprising, since he was working in Franco's fascist Spain. Even so this is by far the best poster we've seen from him. The movie's Spanish title Luces de candilejas translates as “candle lights,” which is appropriate, as Marilyn Monroe gets into the type of moth-to-flame difficulties in which she specialized, with her arrival as a new talent on the Vaudeville scene bringing strife to a show business family. No pulp material here—it's a pure musical, with a lot of performance numbers from Monroe, Mitzi Gaynor, Johnnie Ray, Dan Dailey, and headliners Ethel Merman and Donald O'Connor. The Jano artwork makes the poster a must share, but the film is a pass—not because it's a Vaudeville musical, but because it's bland, due in part to Monroe's minimal screen time. Luces de candilejas premiered in Spain today in 1959, and you can see more Jano here.

Spain Luces de candilejas There's No Business Like Show Business Ethel Merman Mitzi Gaynor Johnnie Ray Dan Dailey Donald O'Connor Marilyn Monroe Francisco Fernandez Zarza-Pérez Jano poster art cinema movie review

Vintage Pulp

Dec 1 2016

Perversion never goes out of style.

Years ago we briefly discussed the Marisa Mell thriller Una sull’atra and shared an Angelo Cesselon poster made for its Italian run. Well, we're back to the movie today with a poster made for its Spanish run under the title Una historia perversa. The illustration was painted by Francisco Fernandez Zarza-Pérez, who signed his work as Jano, and was one of Spain's more prolific cinematic illustrators. We put together a small collection of his work a while back and you can check that out here. Una historia perversa made its Spanish premiere in Barcelona today in 1969.

Spain Italy Barcelona Una historia perversa Una sull’atra Perversion Story Jean Sorel Marisa Mell Elsa Martinelli Francisco Fernandez Zarza-Pérez Jano poster art cinema

Vintage Pulp

Feb 19 2010

Argento’s first film was among his most restrained and most successful.

Above we've posted two Spanish one-sheets for El Pajaro de las Plumas de Cristal, aka L’uccello dale piume de cristallo, aka The Bird with the Crystal Plumage. This was horror grandmaster Dario Argento’s first film, a thriller in the Hitchcockian mode about an American in Italy who witnesses an attempted murder. The police make him stay in the country, the would-be killer soon begins stalking him. After an attempt on his life he realizes unmasking the maniac himself is probably his best defense.

This was the beginning of a storied career for Argento. In subsequent efforts, he would explore realms of gore Hitchcock probably never dreamt of, but in this early effort he relies on mood to achieve his goals, and the English language version mostly succeeds despite the distraction of some less than breathtaking dubbing. Overall, we consider this well worth a viewing, imperfections and all. The Bird with the Crystal Plumage premiered in Italy today in 1970.

Turning to the poster art, it was painted by another grandmaster, Spanish illustrator Francisco Fernandez Zarza-Pérez, who worked under the pseudonym Jano—aka Janus, the two-faced Roman god of doorways, arches, beginnings and endings. Jano painted thousands of pieces beginning in the 1940s, and we’ve cobbled a few more together and posted them below for you to enjoy this lovely Friday. More on Jano later.

Vintage Pulp

Jul 16 2009

You want at least five—count ’em—five accessories with your outfit.

Here’s a movie we’ve seen a bunch—The Enforcer, with Humphrey Bogart and Zero Mostel. The film’s Israeli promo art is fantastic, and is another example of Bogie’s impeccable fashion sense. He proves here that it’s possible to pull off the very tricky fedora/bowtie/pistol look, and as a bonus, he even rocks a pocket square and sports a couple of rings. It’s not for amateurs, but if you think you’ve got the moxie, try this multiple accessory look and see if you don’t get laid. In the meantime we have more great Enforcer posters below from Germany, Poland, Italy, and Spain.

Israel Germany Poland Italy Spain The Enforcer Humphrey Bogart Zero Mostel Francisco Fernandez Zarza-Pérez Jano film noir poster art cinema