If only you could see the world the way I see it.
Above: an amazing shot of Austrian actress Marisa Mell made while she was filming the Italian drama Una sull’atra, aka Perversion Story in 1969.
Voulez vous Rendez-Vous avec moi ce soir?
We have a new Canadian tabloid for you, an issue of Le Rendez-Vous published today in 1968 with a cover shot of Austrian star Marisa Mell, and in the centerfold a brilliant photo of German actress Elke Sommer we're pretty sure has never been seen online before. We had to scan that in four pieces and merge the quadrants, which is time consuming, but in this case worth it, because—as you know if you visit the site often—we think Sommer is one of the all-time vintage goddesses. And speaking from a graphic design perspective, we think we did a pretty good job of assembling her, if we may say so. Fellow German actress Babsi Zimmermann also makes an appearance, and we thought we'd never see her again, but 1968 seems to have been a very visible year for her—particularly in Canadian tabloids.
In typical cheapie scandal sheet style, Le Rendez-Vous is filled with ridiculous material on subjects ranging from crime to medicine. You'll see a photo below of a human brain. The text there says, unsurprisingly, “Finally the secret of immortality... We can keep the brain alive separated from a dead body!” A Doctor Jacobsen claims brain transplants will become as popular as heart transplants. Okay, but heart transplants aren't popular—they're necessary. Big difference. However, if brain transplants were ever to become routine, we'd take one. Sure why not? It would be the ultimate mind altering experience, and we've never been against those. Twenty-plus scans below.
When a train trip goes off the tracks Marais and Mell come to the rescue.
This poster for Train d'enfer was painted by Georges Allard, who's probably best known for promos he made for Brigitte Bardot movies such as Le mepris and Le Repos du guerrier. Train d'enfer, which was adapted from the novel Combat de nègres by René Cambon, starred Jean Marais and Austrian femme fatale Marisa Mell in what is basically a Bond knockoff centered around a plot to assassinate an important emir as he travels to France. It sounds pretty fun, so we may check it out later. The title literally means “hell train,” but when the movie was released in the U.S. it was titled Operation Double Cross. Under its original title it premiered in France today in 1965.
Danger rears its pretty heads.
Above, a cool West German tri-fold promo for the classic camp crime flick Gefahr: Diabolik, aka Danger: Diabolik, with pretty boy John Phillip Law as the titular spy Diabolik and pretty girl Marisa Mell as his muse and sidekick Eva Kant. If you haven't seen the film it's utterly cheesy and great fun. It premiered in West Germany today in 1968.
What's gloves got to do with it?
Austrian born actress Marisa Mell made this photo when she was starring in the 1966 Italian thriller New York chiama Superdrago, aka Secret Agent Super Dragon, and what it shows is that opera gloves are the female spy's equivalent to James Bond's bow ties. Shooting someone is an important occasion, and the least you can do is dress formally when you do it. The title of this movie alone—we seriously must watch it. We'll report back.
Take National Spotlite's dating advice and you might end up black and blue like its cover.
Looking at this cover of National Spotlite published today in 1971 teaches us one thing—black ink is cheap. The magazine has Austrian actress Marisa Mell on the cover in a nice shot we've never seen before. Also on the cover, editors promise you can learn to be a modern Don Juan, and inside they share “sure fire seduction methods.” We know you're dying to learn these, so for all you single boys out there we'll skip right to the actionable intel.
The thing to watch are a woman's thighs, the way she sits and moves. If she's squirming around in her seat a lot and crossing and uncrossing her thighs it probably indicates a lot of beneath-the-surface sexual tension. On the other hand, if she's sitting there calmly smiling at you it could mean she's a tease, trying to get you to come on to her so she can put you down.
There aren't many women who want to be picked up in an elevator at 8 o'clock in the morning. On the other hand, there aren't many women sitting alone in bars who don't want to be picked up. Walk up, buy her a drink, sit down and enjoy the entertainment. When she's finished her drink, take her by the arm and guide her outside. After that you've got it made.
Wow, to us this seems like terrible advice, particularly the part about grabbing a woman by the arm and leading her outside. That sounds like a quick shortcut to a swift knee in the nuts. But the advice doesn't end there. After all, the real point of every cheapie tabloid article about dating is to veer into graphic sleaze fiction. That's no less the case here:
To help with the satisfaction part guys of the ’70s should use tools of the ’70s. I never let a woman go the first night without a little treatment from the vibrator. I mean, there's a limit to what you can do with penis, fingers, tongue, and so forth. (edit. “and so forth?”) Take a vibrator and start working it around her breasts. Watch her nipples rise and swell. When [you use it] on her clitoris and vaginal lips, let the tips of your fingers dip into her nest.
We'll stop there, before the climax, so to speak. We aren't sure if National Spotlite is trying to create Don Juans or increase the number of restraining orders. We also find their prototypical stud—this guy below wearing a bowler hat and a carnation in his lapel—of questionable use as a role model. As far as we're concerned Spotlite reinforces the same old lesson—never take sex advice from a tabloid.
Seven ways to die in Rome.
We mentioned a while back we were taking a closer look at vintage giallo flicks, and today you see a Renato Casaro poster for Sette orchidee macchiate di rosso, aka Seven Blood-Stained Orchids. During a train trip a serial killer who's been dispatching women in various diabolical ways tries to make a victim of Uschi Glas. Uschi's man Antonio Sabato is the police's number one suspect, and the only way he can disprove their suspicions is by finding the killer. Uschi plays sidekick for him, which is good, because he looks terribly confused most of the time. This falsely-accused-must-find-real-killer gimmick had already reached perennial status when Antonio arrived on the scene, so you'd hope for a fresh take on it—and be disappointed. This isn't a bad movie, but it's undistinguished, a giallo without the high style of the best entries in the genre. Umberto Lenzi, who had directed numerous films but was making his first giallo here, would do a bit better later. Sette orchidee macchiate di rosso premiered in Italy today in 1972.
It's a self portrait. I don't know why I painted myself bloody and mutilated. Just a weird inspiration.
These are my new strangling gloves. 100% lambskin. Nice, right?
My last victim didn't like gloves so this time I'm going bareback!
Not cutting him down.
Wait, what? That's not fair. I didn't even see him until just now.
This mystery is probably far less complicated than we think.
Perversion never goes out of style.
Years ago we briefly discussed the Marisa Mell thriller Una sull’atra and shared an Angelo Cesselon poster made for its Italian run. Well, we're back to the movie today with a poster made for its Spanish run under the title Una historia perversa. The illustration was painted by Francisco Fernandez Zarza-Pérez, who signed his work as Jano, and was one of Spain's more prolific cinematic illustrators. We put together a small collection of his work a while back and you can check that out here. Una historia perversa made its Spanish premiere in Barcelona today in 1969.
He was a Danger to everyone around him.
Above is a Japanese poster for Mario Bava’s Italian psychotronic masterpiece Danger: Diabolik, a movie we’ve discussed a bit before, and which every movie website in the universe has discussed as well. So, we’ll just reiterate what all those sites say: campy, cheesy, colorful, comical, languid, sexy, tongue-in-cheek, a prime influence on the late Austin Powers series, and so forth. We would add, however, that it was terribly reviewed in its time. But we like it, and it also has a political message that resonates today: Diabolik hoards wealth for his own amusement and lust for luxury, doesn’t care who he hurts or kills in the process, and has taken so much and done it so often that it has left his government destabilized and discredited. Sound familiar? Danger: Diabolik premiered in Japan today in 1968.
Hollywood shines bright in West Germany.
Below are the covers of some promotional brochures made by Illustrierte Film-Bühne for movies released in West Germany during the 1950s and 1960s. The examples here, some of which have killer designs, feature Elizabeth Taylor, Marisa Mell, Cary Grant, Virna Lisi, Sophia Loren, Doris Day, Tony Curtis, et.al. IFB was founded in 1946 in Munich by Paul Franke, and over the years produced thousands of these pamphlets. We’ll share more later.
The headlines that mattered yesteryear.
1964—Mass Student Arrests in U.S.
In California, Police arrest over 800 students at the University of California, Berkeley, following their takeover and sit-in at the administration building in protest at the UC Regents' decision to forbid protests on university property.
1968—U.S. Unemployment Hits Low
Unemployment figures are released revealing that the U.S. unemployment rate has fallen to 3.3 percent, the lowest rate for almost fifteen years. Going forward all the way to the current day, the figure never reaches this low level again.
1954—Joseph McCarthy Disciplined by Senate
In the United States, after standing idly by during years of communist witch hunts in Hollywood and beyond, the U.S. Senate votes 65 to 22 to condemn Joseph McCarthy for conduct bringing the Senate into dishonor and disrepute. The vote ruined McCarthy's career.
1955—Rosa Parks Sparks Bus Boycott
In the U.S., in Montgomery, Alabama, seamstress Rosa Parks refuses to give her bus seat to a white man and is arrested for violating the city's racial segregation laws, an incident which leads to the Montgomery Bus Boycott. The boycott resulted in a crippling financial deficit for the Montgomery public transit system, because the city's African-American population were the bulk of the system's ridership.
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