Jeanne Carmen shows off her golf form. Her playing partners get fairway wood.
These items show Jeanne Carmen, model and b-movie actress, fronting The Reluctant Golf Pupil and Par Golf in 8 Steps, albums of golf instruction by Joe Novak punctuated with comic interjections from Reginald Owen. Though these seem like different albums, they're the same, just issued a year apart. Inside both you get liner notes written (allegedly) by Bing Crosby and Bob Hope, who were known to spend time on the links.
Carmen spent time on the fairways as well. She was nationally known as a trick-shot golfer, a skill she had picked up starting a decade earlier. She toured the U.S. pulling stunts such as using rubber shafted clubs and nailing drives off tees clenched between the teeth of supine (and terrified) male volunteers. So while these images appear often online, we've rarely seen it noted that Carmen was an appropriate choice for a cover star.
There's more to her story, including chapters involving gangster Johnny Roselli, friendships with the Kennedys and Marilyn Monroe, and hook-ups with Elvis Presley and (of course) Frank Sinatra. We may get back to her later. In the meantime, if you want to see a really nice swing check out Ana Berthe Lethe on the course here.
Clearly they have consent issues.
Monsters may be horrible but you can't fault their taste. To borrow a line from one of their number, they're automatically attracted to beautiful. It's like a magnet. We wonder if it's possible their need is an unconscious manifestation of the id of male Hollywood screenwriters. Or were the writers deliberately making commentaries about male power, nuclear paranoia, and environmental degradation? Well, those are questions for smarter people than us. We take monsters at face value. Maybe that's not what we mean—some don't even have proper faces. What we mean is we judge them as individuals. Most monsters are direct, like Pongo, above, trying to impress Maris Wrixon in the 1945 movie White Pongo, while some, on the other claw, are more circumspect. But the language barrier usually sabotages their delicate efforts. “I know an independently owned café that serves a killer macchiato,” comes out as a series of glottal grunts. “I loved La La Land too and I think the naysayers are mainly joyless jazz purists,” comes out as a sustained sodden hiss. Even if these vocalizations could give a true indication of the inner depths of a monster's personality, women generally wouldn't give them a shot anyway, because despite what they say, looks really do matter. What's a monster to do?
This Island Earth, with Faith Domergue.
The Time Machine, with Yvette Mimieux.
Creature from the Black Lagoon, with Julie Adams.
The Alligator People, with Beverly Garland.
The Man from Planet X, with Margaret Field.
Robot Monster, with Claudia Barrett.
The Beach Girls and the Monster, with Sue Casey.
The Monster of Piedras Blancas, with Jeanne Carmen.
The Day of the Triffids, with Janette Scott.
It! the Terror from Beyond Space, with Shirley Patterson.
I Walked with a Zombie, with Christine Gordon.
From Hell It Came.
I Was a Teenage Werewolf, with Dawn Richard.
It Conquered the World, with Beverly Garland again crushing a monster's hopes for love and fulfillment.
El retorno del Hombre Lobo, aka Night of the Werewolf.
Empire of the Ants, with Joan Collins.
I Married a Monster from Outer Space, with Gloria Talbott.
The Wolf Man, with Evelyn Ankers.
Liberace experiences tabloid wrath at its most merciless.
It was in this July 1957 issue of Confidential that journalist “Horton Streete’ infamously outed cover star Liberace in the most vicious and dehumanizing way with an article entitled “Why Liberace’s Theme Song Should Be ‘Mad About the Boy’.” We’ve talked about it before. Streete willfully attempted to damage the singer’s career by spinning a shocking tale of how he attacked a young, male press agent. The article refers to Liberace as Fatso, Pudgy, Dimples, and other, less flattering monikers.
Here’s a rule you can count on—when a journalist or on-air personality constantly refers to someone by other than his or her name or title, it’s a hit piece. Liberace was horrified and sued Confidential. California Attorney General Pat Brown had already managed to win an indictment of the magazine two months earlier. Owner Robert Harrison was about to spend his entire summer in court. He took these legal threats to heart and publicly promised to stop publishing stories about the private lives of Hollywood stars.
Up until then Confidential had been as reckless as a magazine could be. This issue accuses Gary Crosby of punching a woman in the face, and Eartha Kitt of trapping her friend’s boyfriend in her penthouse. An extraordinary story about boxer Jake LaMotta suggests the he got a bumrap in his morals trial. LaMotta was serving time for bedding a 14-year-old. Prosecutors had convinced a jury that the incident with LaMotta was a primary cause of the girl later becoming a prostitute. Confidential rides to the rescue, claiming that the girl’s father had already deflowered her, therefore LaMotta could not have had any influence on the girl’s fate. How’s that for a principled stand?
These early issues of Confidential are a cesspool of journalistic ethics, no doubt, but they’re also a visual treat. Using black, red, blue, and yellow, plus the white of the pages themselves, the designers put together a bold and gaudy package that would influence every other tabloid on the market. The layouts on Kitt, Liberace, Alan Dale, and Lex Barker are among the most eye-catching we’ve seen from the period. Elsewhere you get Anthony Quinn, and a host of other stars. We have a bunch of scans below. Remember, you can always see more from Confidential and other tabs by visiting our tabloid index at this link.
The two guys Top Secret tried to portray as enemies actually kinda liked each other.
As usual, there is an array of interesting teasers on the cover of Top Secret. The squaw in question at left is Jeanne Carmen, who was a famous blonde pin-up, but who was naturally brunette, and had played the role of a Native American girl named Yellow Moon in the cheesy western War Drums. So that’s the source of the squaw reference. Whether Elvis actually stole her from Sinatra, we can’t say. It’s possible any woman in Hollywood would have to be stolen from Sinatra, the guy got around so much. And as if to prove the point, he would later have a fling with the cover star here, Sabrina, aka Norma Sykes. We talked about their tryst in this post from earlier this year.
Anyway, the bit that really caught our attention was not the alleged Elvis-Carmen-Sinatra triangle, but the story about Ingo Johansson being doped. Ingemar “Ingo” Johansson was a world champion boxer who had won the heavyweight crown from Floyd Patterson a year earlier. In the March 1960 rematch, Patterson put Johansson’s lights out with a blow so vicious that Johansson was left twitching on the canvas. It was a definitive victory, just as Johansson’s earlier win over Patterson had been, but in 1960 white-black boxing matches were overtly racially divisive, and so Top Secret took advantage by suggesting that perhaps Patterson’s camp managed to slip the Swede a mickey. That question was answered in the March 1961 third match between the two, when Patterson again knocked Johansson out.
After their careers were over, Johansson and Patterson became good friends and even flew to visit each other in their native countries every year. Top Secret could well have done a story on that, but of course harmony doesn’t sell magazines. So while in the U.S. civil rights strife raged through the rest of the sixties and into the seventies, two guys who once made a living beating the living shit out of each other quietly proved that, given a chance to see each other’s similarities rather than differences, people tend to get along just fine.
Promo photo of American actress Jeanne Carmen circa late ’50s. Carmen earned the moniker “The Queen of the B Movies” by appearing in such fare as Untamed Youth, Monster of the Piedras Blancas, and The Devil’s Hand.
The headlines that mattered yesteryear.
1942—Battle of Stalingrad Begins
The Battle of Stalingrad, perhaps the most pivotal event of World War II, begins. It lasts for more than six months, spread across the brutal Russian winter, and ends with two million casualties. The Russian sacrifice reduces the powerful German army to a shell of its former self, and as a result Nazi defeat in the war becomes a simple matter of time.
1979—Alexander Gudonov Defects
Russian ballet dancer and actor Alexander Borisovich Godunov defects to the U.S. The event causes an international diplomatic crisis, but Gudonov manages to win asylum. He joins the famous American Ballet Theater, where he becomes a colleague of fellow-defector Mikhail Baryshnikov, and later earns roles in such Hollywood films as Witness and Die Hard.
1950—Althea Gibson Breaks the Color Barrier
Althea Gibson becomes the first African-American woman to compete on the World Tennis Tour, and the first to earn a Grand Slam title when she wins the French Open in 1956. Later she becomes the first African-American woman to compete in the Ladies Professional Golf Association.
1952—Devil's Island Closed
Devil's Island, the penal colony located off the coast of French Guiana, is permanently closed. The prison is later made world famous by Henri Charrière's bestselling novel Papillon, and the subsequent film starring Steve McQueen and Dustin Hoffman.
1962—De Gaulle Survives Assassination Attempt
Jean Bastien-Thiry, a French air weaponry engineer, attempts to assassinate French President Charles de Gaulle to prevent Algerian independence. Bastien-Thiry and others attack de Gaulle's armored limousine with machine guns, but after expending hundreds of rounds, they succeed only in puncturing two tires.
1911—Mona Lisa Disappears
Leonardo da Vinci's masterpiece, the Mona Lisa, aka La Gioconda, is stolen from the Louvre. After many wild theories and false leads, it turns out the painting was snatched by museum employee Vincenzo Peruggia.
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