No time to wallow in the mire.
Above is a poster for the Roger Corman produced b-movie Swamp Women, which starred Marie Windsor, Carole Matthews, Beverly Garland, and Mike Connors, the latter acting under the name Touch Connors. Connors was Armenian-American and thought—correctly, we suspect—that his real name Krekor Ohanian wasn't going to help his show business career. He accumulated at least twenty credits as Touch Connors before he jettisoned it and eventually became the guy everyone remembers from the cop show Mannix.
In Swamp Women Connors plays an oil prospector boating around the Louisiana bayou who stumbles across a group of escaped female convicts searching for a stash of diamonds. Among their number is an undercover police woman charged with finding the stones and apprehending the group. It's fully as ridiculous as it sounds, and with Corman at the helm you know it's cheap, too. Plus this was only his fourth full directing gig. But we give him credit—he really made his cast slog through the Louisiana mire, which means you get realism to offset the use of stock footage.
The thing about Corman is that he always did more with less. But despite his particular set of skills, the script here hamstrings any attempt at making a decent flick. As an example of what we mean, Mike Connors doesn't go into the swamp alone. He takes his girlfriend with him, and she's eaten by an alligator. Hours later he's smooching the undercover policewoman. Not as part of a ruse or escape attempt. Just because he digs her. His girlfriend was a gold digging pain in the ass, but still, you'd think seeing her ripped to pieces would cool his ardor. But they don't call him Touch Connors for nothing. Plenty more fish in the bayou.
If you look on Wikipedia Swamp Women is classified as a film noir. That's purely comical. It's a proto-exploitation flick along the lines of what American International Pictures would routinely do fifteen years later with more skin and better efx. By the time the swamp women finally reach the site of the hidden diamonds and dig up a box, you'll be hoping they open it and find a new script and more investment money. But no such luck. Corman would do better later. Windsor, Matthews, and Garland had done better in the past. That's show business—one day you're at the top, the next you're sinking in the bog. Swamp Women premiered in the U.S. today in 1956.
We knew Amazon working conditions were terrible, but now there's a monster too?
This is a brilliant Belgian poster for a terrible U.S. monster movie originally called Curucu, Beast of the Amazon, about plantation workers who are being terrorized by a horrible creature—possibly Jeff Bezos. Considering the low pay, hard work, and lack of bathroom breaks, the workers should have gone on strike long before the monster showed up. Unfortunately, before they can get organized the man in charge materializes to set everything straight. That would be John Bromfield, armed with a machete and a strong sense of entitlement, while Not of This Earth's Beverly Garland plays a scientist wandering the same patch of jungle looking for a miracle drug.
You'll need a miracle drug too, if you plan to watch this flick—we recommend mescaline. But really, you don't even have to watch it, because the poster covers all the salient plot points—Garland is attacked by a big rubber snake, Bromfield is attacked by a big stuffed leopard, they get tied up at one point but escape, and the villain dangles some shrunken heads at them before ending up one himself. Rapacious capitalism is saved again. The movie was called Curuçu sorcier de l'Amazone in French and Tovenaar van de Amazone in Dutch. There's no known Belgian premiere date for it, but it opened in the U.S. in late 1956 and probably reached Belgium in the middle of 1957.
Hi there. Is this planet taken?
Above is an iconic poster for Roger Corman's sci-fi thriller Not of This Earth, about an alien in human form who is beamed to Earth through a matter transmitter and enacts a scheme to be transfused with human blood. If he derives the hoped for benefits from these transfusions, his entire dying race will come to Earth, in what you might call an interstellar migrant caravan, only rather than fleeing danger and finding good paying jobs their intent is to enslave humanity and steal its blood. This film is one of the all-time cheeseball classics, well worth a viewing, especially when accompanied by drinks and friends. And it's just about 70 minutes long, which is a nice bonus. The poster art, which is the entire point of this post, is by Albert Kallis, one of the great American movie artists. More from him later, or if you prefer, more of his unearthly talent now. Not of This Earth premiered in the U.S. today in 1957.
I'm getting some really high readings on this. We better try the rectal thermometer.
I don't have a rectum, baby. But I have a rection. That's the word in Earthtongue right?
Sure, he wanted to enslave humanity. But it felt good to be wanted.
Clearly they have consent issues.
Monsters may be horrible but you can't fault their taste. To borrow a line from one of their number, they're automatically attracted to beautiful. It's like a magnet. We wonder if it's possible their need is an unconscious manifestation of the id of male Hollywood screenwriters. Or were the writers deliberately making commentaries about male power, nuclear paranoia, and environmental degradation? Well, those are questions for smarter people than us. We take monsters at face value. Maybe that's not what we mean—some don't even have proper faces. What we mean is we judge them as individuals. Most monsters are direct, like Pongo, above, trying to impress Maris Wrixon in the 1945 movie White Pongo, while some, on the other claw, are more circumspect. But the language barrier usually sabotages their delicate efforts. “I know an independently owned café that serves a killer macchiato,” comes out as a series of glottal grunts. “I loved La La Land too and I think the naysayers are mainly joyless jazz purists,” comes out as a sustained sodden hiss. Even if these vocalizations could give a true indication of the inner depths of a monster's personality, women generally wouldn't give them a shot anyway, because despite what they say, looks really do matter. What's a monster to do?
This Island Earth, with Faith Domergue.
The Time Machine, with Yvette Mimieux.
Creature from the Black Lagoon, with Julie Adams.
The Alligator People, with Beverly Garland.
The Man from Planet X, with Margaret Field.
Robot Monster, with Claudia Barrett.
The Beach Girls and the Monster, with Sue Casey.
The Monster of Piedras Blancas, with Jeanne Carmen.
The Day of the Triffids, with Janette Scott.
It! the Terror from Beyond Space, with Shirley Patterson.
I Walked with a Zombie, with Christine Gordon.
From Hell It Came.
I Was a Teenage Werewolf, with Dawn Richard.
It Conquered the World, with Beverly Garland again crushing a monster's hopes for love and fulfillment.
El retorno del Hombre Lobo, aka Night of the Werewolf.
Empire of the Ants, with Joan Collins.
I Married a Monster from Outer Space, with Gloria Talbott.
The Wolf Man, with Evelyn Ankers.
The headlines that mattered yesteryear.
1924—St. Petersburg is renamed Leningrad
St. Peterburg, the Russian city founded by Peter the Great in 1703, and which was capital of the Russian Empire for more than 200 years, is renamed Leningrad three days after the death of Vladimir Lenin. The city had already been renamed Petrograd in 1914. It was finally given back its original name St. Petersburg in 1991.
1966—Beaumont Children Disappear
In Australia, siblings Jane Nartare Beaumont, Arnna Kathleen Beaumont, and Grant Ellis Beaumont, aged 9, 7, and 4, disappear from Glenelg Beach near Adelaide, and are never seen again. Witnesses claim to have spotted them in the company of a tall, blonde man, but over the years, after interviewing many potential suspects, police are unable generate enough solid leads to result in an arrest. The disappearances remain Australia's most infamous cold case.
1949—First Emmy Awards Are Presented
At the Hollywood Athletic Club in Los Angeles, California, the Academy of Television Arts & Sciences presents the first Emmy Awards. The name Emmy was chosen as a feminization of "immy", a nickname used for the image orthicon tubes that were common in early television cameras.
1971—Manson Family Found Guilty
Charles Manson and three female members of his "family" are found guilty of the 1969 Tate-LaBianca murders, which Manson orchestrated in hopes of bringing about Helter Skelter, an apocalyptic war he believed would arise between blacks and whites.
1961—Plane Carrying Nuclear Bombs Crashes
A B-52 Stratofortress carrying two H-bombs experiences trouble during a refueling operation, and in the midst of an emergency descent breaks up in mid-air over Goldsboro, North Carolina. Five of the six arming devices on one of the bombs somehow activate before it lands via parachute in a wooded region where it is later recovered. The other bomb does not deploy its chute and crashes into muddy ground at 700 mph, disintegrating while driving its radioactive core fifty feet into the earth, where it remains to this day.
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