The courtship is dangerous, but the engagement is murder.
A Kiss Before Dying should perhaps be titled “A Xanax Before Dying,” because Robert Wagner and co-star Joanne Woodward both perform as if they've gotten into the medicine cabinet. They play a young couple that accidentally conceive. Wagner envisions his life's ambitions going up in a haze of diapering and 6 a.m. feedings, so he decides to get rid of the baby. Abortion is out of the question, of course, so he tries gently nudging Woodward down a set of bleachers at the local university. When her tumble fails to produce the desired miscarriage, Wagner decides to up his game with a pharmacological solution—and murder.
Best exchange of dialogue, as Wagner parts one evening with an unsuspecting Woodward:
Wagner: “Good-bye, baby.”
The attraction in this film is Wagner, who's so smarmy and eely he might make you laugh out loud—at least until you realize how brutal he's prepared to be. Only in a vintage movie can a guy be so obviously evil yet have nobody take notice. A sign around his neck reading, “I think about nothing but homicide 24/7,” would have been ignored. But of course Woodward, while remaining studiously oblivious to her mortal peril, is harder to kill than expected.
Each year the Noir City organizers try to get audiences to take a fresh look at a few non-noir films, but their choices have occasionally been dubious. A Kiss Before Dying is a solidly but unspectacularly directed Deluxe Color production that lacks pretty much any noir iconography, but in terms of script and characterization it's a good fit for the festival. Plus Mary Astor plays Wagner's mom, and she's noir enough to satisfy us any day of the week. Put this in the flawed-but-interesting bin.
Getting Mary-ed was one of the most important decisions of her life.
Above you see a Paramount Pictures promo image of U.S. actress Mary Astor made around 1930. Astor is remembered by movie fans for her role in 1941's The Maltese Falcon, but she had been in film for more than twenty years by then. We often note show business name changes. Astor's real name was Lucile Langhanke. Would she have been as successful using that name? There's no way to know, but we doubt it. To us, Langhanke sounds like a cut of meat. Like something from the middle ages. Gimme a langhanke and an ale! And a roasted Maltese falcon too! Acting is hungry work! But instead she appropriated the family name of a strain of British royalty and her career took flight, so it seems Mary made the right choice.
God, I love these pants. Fashion may be transitory, but these will never go out of style.
Here's an interesting cover for Romana Stewart's Desert Town showing that confidence is the key to fashion. You gotta wear it like you mean it. Even if it's jodhpurs. The story here is a coming of age tale about a seventeen-year-old girl pursuing an older man, with the pursuit complicated by her eerie resemblance to the man's dead wife, the fact that her mother is basically the queenpin of the town, and the fact that the man is a hustler and the story behind his wife's death may not be as simple as it seems. There's even more to it—a fierce rival for the man's attention, crooked cops, a dangerous gangster, an alcoholic wife, and other curious smalltown characters. The story was adapted for cinema in 1947 as Desert Fury, starring Burt Lancaster, John Hodiak, Lizabeth Scott, and Mary Astor. The cover artist on this 1948 Pocket Books edition is Roswell Keller, whose work was last seen on the front of Slay the Loose Ladies, a paperback we included in our alpha males collection.
Twilight of the flapper age.
The French erotic magazine Beauté may look familiar to you because we shared another copy of it a while back. That one was from 1937 and was called Beautés. This one, with a stylized twilight time photo-illustration, was published in 1933, when the Depression was in full swing. Perhaps that’s why the cover subject, who has a flapper/party-girl aspect, looks so weary and jaded. If her face rings a bell, that’s because she isn’t just any flapper—she’s Mary Astor, whose forty-four year screen career included turns in Dodsworth, The Maltese Falcon, The Hurricane, Across the Pacific, and The Great Lie. We have no idea why Beautés dropped the “s” from its name. Nothing was dropped from inside, though—it’s erotica as only the French were able to do it. Nine scans below, including a great shot of Muriel Evans, star of numerous films between 1928 and 1940.
Black bird singing in the dead of night.
Above are two French posters for one of our favorite movies, The Maltese Falcon. Dashiell Hammett’s novel was originally adapted in 1931 by Roy Del Ruth with Bebe Daniels and Ricardo Cortez in the leads. Though that version was good, John Huston and Warner Brothers Studios chose to remake the film in 1941 and hit the jackpot pairing Humphrey Bogart and Mary Astor as Sam Spade and Brigid O’Shaugnessey. With Peter Lorre, Sydney Greenstreet and Elisha Cook, Jr. in supporting roles, the film was loaded with top talent and is considered the first film noir. If you haven’t seen it, rent it. And if you like it, rent the 1931 version too—the contrast is striking. Le faucon Maltais opened in Paris today in 1946.
The headlines that mattered yesteryear.
1954—Communist Party Outlawed
In the U.S., during the height of the Red Scare, President Dwight Eisenhower signs the Communist Control Act into law. The new legislation bans the American Communist Party, and prohibits people deemed to be communists from serving as officials in labor organizations.
1968—France Explodes Nuke
a two-stage nuclear weapon, codenamed Canopus, on Fangataufa, French Polynesia.
1942—Battle of Stalingrad Begins
The Battle of Stalingrad, perhaps the most pivotal event of World War II, begins. It lasts for more than six months, spread across the brutal Russian winter, and ends with two million casualties. The Russian sacrifice reduces the powerful German army to a shell of its former self, and as a result Nazi defeat in the war becomes a simple matter of time.
1979—Alexander Gudonov Defects
Russian ballet dancer and actor Alexander Borisovich Godunov defects to the U.S. The event causes an international diplomatic crisis, but Gudonov manages to win asylum. He joins the famous American Ballet Theater, where he becomes a colleague of fellow-defector Mikhail Baryshnikov, and later earns roles in such Hollywood films as Witness and Die Hard.
1950—Althea Gibson Breaks the Color Barrier
Althea Gibson becomes the first African-American woman to compete on the World Tennis Tour, and the first to earn a Grand Slam title when she wins the French Open in 1956. Later she becomes the first African-American woman to compete in the Ladies Professional Golf Association.
1952—Devil's Island Closed
Devil's Island, the penal colony located off the coast of French Guiana, is permanently closed. The prison is later made world famous by Henri Charrière's bestselling novel Papillon, and the subsequent film starring Steve McQueen and Dustin Hoffman.
1962—De Gaulle Survives Assassination Attempt
Jean Bastien-Thiry, a French air weaponry engineer, attempts to assassinate French President Charles de Gaulle to prevent Algerian independence. Bastien-Thiry and others attack de Gaulle's armored limousine with machine guns, but after expending hundreds of rounds, they succeed only in puncturing two tires.
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