Musiquarium Apr 30 2024
WHEN LIZABETH SINGS
The whole world sings with her—except Bogart.


The first time we saw Lizabeth Scott sing was in the film noir Dead Reckoning, in which she starred with Humphrey Bogart. Scott breaks into a little torch number while they're at dinner. Old fims, including old noirs, often required female leads to sing, but having Scott sing at the table was a twist. Unlike the normal set-up in which the actress sings onstage sa a performer in a nightclub or casino, it was closer to the technique that would become standard in musicals, with the song flowing directly from the dialogue. Bogart mostly seemed baffled, possibly even spooked. You can see what we mean here.

We realized only recently that Scott, backed by Henri René and His Orchestra, released this 1958 album on RCA. She has a somewhat smoky speaking voice, so we were intrigued by the possibilities of an album. She performs such classics as “I'm in Love Again,” and “When a Woman Loves a Man,” and her vocal instrument is really nice, residing in the deep and mellow mode. If you like orchestral pop music you'll probably like the record. Give her a listen here and here, while the links last.
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Hollywoodland Mar 21 2024
ON BENDED KNEES
Strange ideas from the minds and lenses of mid-century promo photographers.
A while back we shared a promo photo of Glenn Ford and Gloria Grahame from 1953's The Big Heat that was meant to imply oral sex (it absolutely was, and you can see for yourself here). We commented on its weirdness, and noted that an actress would probably not be asked or made to pose that way today. The shot got us thinking about whether there were other kneeling promo shots from the mid-century era, and above you see two others from The Big Heat.
 
Below we have more such shots, and while none are as jarring as that previous promo, they're all interesting. We assumed there would be few if any featuring kneeling males, but we found a couple. Even so, there are probably scores more kneeling actresses that we missed. While many of shots took the form they did to highlight the criminal/victim themes in their parent films, you still have to wonder what else—consciously or not—was in the various photograhers' minds. Anyway, just some food for thought this lovely Thursday. Ready, set discuss!
Rod Taylor and Luciana Pauluzzi swap subordinate positions for 1967's Chuka.

Edmund O'Brien goes for the time honored hair grab on Marla English for 1954's Shield for Murder.

Marilyn Monroe swoons as Richard Widmark snarls for Don't Bother To Knock, 1952.

Inger Stevens and Terry Ann Ross for Cry Terror, an adaptation of a novel we talked about a few years ago.

Kim Hunter soothes an overheated Marlon Brando in a promo for 1951's A Streetcar Named Desire.

George Raft menaces Marlene Dietrich in the 1941 comedy Manpower.

As promos go, these actually make sense. They show three unidentified models mesmerized by vampire Christopher Lee for 1970's Taste the Blood of Dracula.

Glenn Ford is at it again, this time looming over Rita Hayworth for the 1946 classic Gilda.
 
Aldo Ray and Barbara Nichols for 1958's The Naked and the Dead.

This one shows less domination and more protectiveness, as Humphrey Bogart prepares to defend Ida Lupino for High Sierra, 1941.

Humphrey once more. Here he's with Lizabeth Scott for Dead Reckoning, 1947.

This shot shows Brazilian actress Fiorella Mari with an actor we can't identify in a movie we also can't identify.

Shelly Winters and Jack Palance climb the highest mountain together for I Died a Thousand Times, 1955.

As we said, we didn't find as many examples of kneeling men, but we found this gem—Cappucine makes a seat of director Blake Edwards on the set of The Pink Panther in 1963. Does this count, though? While Edwards is subordinate, he isn't kneeling and it really isn’t a legit promo.

And lastly, in a curious example, Hugo Haas seems to tell Cleo Moore to stay in a shot made for 1953's One Girl's Confession

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Femmes Fatales Dec 22 2023
FINAL EDITION
I find it fascinating that today's paper says nothing about you, but by tomorrow you're all it will talk about.


Above: Lizabeth Scott looking like she means serious business in a promo photo made for her 1948 film noir Pitfall. Scott was an a-list actress and a noir stalwart, so her movies are usually safe bets. Pitfall isn't her best, but it's certainly worth watching

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Femmes Fatales Nov 23 2023
GREAT SCOTT
Not just another brick in the wall.


Lizabeth Scott, who you see above, has an outsize legacy in film history thanks to her appearances in several film noir landmarks: Dead Reckoning, I Walk Alone, Pitfall, and Too Late for Tears come to mind. She also appeared in Dark City, Paid in Full, The Racket, the bizarre British noir-adjacent melodrama Stolen Face, and others. The above promo image was made when she appeared in one of her best movies—the Barbara Stanwyck headlined film noir The Strange Love of Martha Ivers, from 1946. 

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Vintage Pulp Aug 24 2022
FALL GUY
In film noir you always need to watch your step.


A long while back we talked about the 1948 thriller Pitfall and shared a rare insert poster. Today we're showing you the standard size, usually referred to as a one sheet. Pitfall is worth a watch for a couple of reasons, but mainly because Dick Powell is a very watchable star. When we began this website, back when he was new to us, we called him “solid.” All these years later we now think of him as one of the better stars of his era. 

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Intl. Notebook Nov 17 2021
HOLLYWOOD ROYALTY
A dozen movie stars share the Crown.


Not long ago we showed you a few Royal Crown Cola print ads featuring Hollywood superstar Lauren Bacall, and mentioned that other celebs had also pitched the brand. That was an understatement. In its efforts to claw away part of Coca Cola's dominant market share, RC signed up an entire stable of top stars, including a-list personalities such as Barbara Stanwyck, Joan Crawford, and Gene Tierney. Above you see a dozen celebrity ads produced by RC. There were others we left out of the group, for example with Sonja Henie, Irene Dunne, Diana Lynn, and even Bing Crosby. But how much cola can you really stand? Twelve is enough for one day. 

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Vintage Pulp Jan 18 2020
DEEP IN THE RED
By any Reckoning this poster is a top quality piece.


This promo poster for Dead Reckoning is deliberately garish and highly effective at drawing the eye. They don't make 'em like this anymore, nor movies like this either. It had a special premiere today in 1947 in San Francisco, and went into wide release across the U.S. a month later. We shared a piece of Japanese promo art years ago and talked about the film, so if you want to know more, check here

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Hollywoodland Dec 8 2018
JUST BEARLY
And you think America is polarized today.


The iconic polar bear rug. What can you say about them? Well, it's not a good look nowadays, but back then people thought these sorts of decorations were quite chic. When did that end? Possibly shortly after the three-hundredth Playboy model posed on one, or when many people began to see trophy hunting as the obsession of vain and unsavory millionaires. One of those two. Personally, we blame Hefner. In the shot above Jayne Mansfield and Mickey Hargitay take polar bear style to its pinnacle. Just look at that room. Besides the bear they have a copper ceiling, satin curtains, and a white shag rug. It's a pimp's wet dream and all of it must have cost a fortune. We like to imagine what the look on Jayne's face would have been if anyone walked in with a brimming glass of red wine. We bet she'd have turned whiter than the bear.

We have more photos in the same vein below. If you need help identifying the stars, their names are in our keywords in order of appearance. Looking at the entire collection, we tend to wonder if there were three or four bears that ended up in all the photos. You know, like bears owned by certain photography studios or prop departments. Just saying, a couple of them look suspiciously similar. But on the other hand, how different from each other do bears really look? You'll notice that the poor creatures were generally posed to look fierce. But by contrast Inger Stevens' bear, just below, strikes us as a bit reflective and melancholy, which is understandable. Elizabeth Montgomery, meanwhile, gets extra points for wearing her bear. We have twenty-plus images below, including another shot of Mansfield, sans Hargitay.

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Vintage Pulp Jul 8 2018
SINK OR SWIM
Lizabeth Scott finds herself floating on an ocean of tears.


Playwright John Guare once compared money to life preservers. People are just as desperate for money as someone in the ocean is for a way to float. They may be swimming fine, but without that life preserver they could go down in rough water and disappear without a trace. In Too Late for Tears a married couple that are swimming fine suddenly find themselves with an excess of life preservers when a bag of money lands in their car. We mean it literally—it comes out of the night and plops into the back seat of their convertible. It's a lot of money—$100,000, which would be more than a million bucks today. The couple don't really need this cash but they can't make themselves give it up. Which leads to serious problems when the crook who accidentally threw the bag into their car comes looking for it.

The promo poster is interesting. It shows bad guy Dan Duryea trying to make Lizabeth Scott tell him where the money went. But Scott's tough. She'll endure anything to keep the hundred grand. As an allegory about greed Too Late for Tears runs on a couple of tracks, but the way it suggests that the craving for money can make a woman forgive—or perhaps pretend to forgive—the unforgivable is a pretty potent commentary. Some viewers may find the very suggestion offensive, which is where thinking of the money as life preservers helps. What price wouldn't a rational person swimming in the ocean pay to guarantee that they would never drown? Too Late for Tears asks the question and the answer isn't pretty. It premiered in the U.S. today in 1949.

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Vintage Pulp Feb 1 2018
SOLO PERFORMANCE
If you want something done right do it yourself.


Years ago we shared a poster for I Walk Alone but hadn't seen the film. Since it's on the Noir City Film Festival schedule this year we thought we'd have a look, and what we watched was a story about Burt Lancaster being released from fourteen years in prison and immediately looking up his old partner who owes him a 50% share of profits from the bar they owned together. The partner is Kirk Douglas, at his slimy best, having expanded the bar into a glitzy supper club he has no intention of sharing. But since Lancaster got tossed into jail in the first place by protecting Douglas he's not going to just walk away empty handed. Once it becomes clear he has no legal claim to the club he puts together a crew to muscle in, but the strong arm method doesn't work out quite how he plans, and the stakes between the former partners go higher and higher. Lancaster, Douglas, Lizabeth Scott—there's really no way to fail. I Walk Alone has some problems in the area of character motivation—i.e. why would you do that?—but it's well acted and ultimately is an enjoyable film noir entry.

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History Rewind
The headlines that mattered yesteryear.
May 22
1942—Ted Williams Enlists
Baseball player Ted Williams of the Boston Red Sox enlists in the United States Marine Corps, where he undergoes flight training and eventually serves as a flight instructor in Pensacola, Florida. The years he lost to World War II (and later another year to the Korean War) considerably diminished his career baseball statistics, but even so, he is indisputably one of greatest players in the history of the sport.
May 21
1924—Leopold and Loeb Murder Bobby Franks
Two wealthy University of Chicago students named Richard Loeb and Nathan Leopold, Jr. murder 14-year-old Bobby Franks, motivated by no other reason than to prove their intellectual superiority by committing a perfect crime. But the duo are caught and sentenced to life in prison. Their crime becomes known as a "thrill killing", and their story later inspires various works of art, including the 1929 play Rope by Patrick Hamilton, and Alfred Hitchcock's 1948 film of the same name.
May 20
1916—Rockwell's First Post Cover Appears
The Saturday Evening Post publishes Norman Rockwell's painting "Boy with Baby Carriage", marking the first time his work appears on the cover of that magazine. Rockwell would go to paint many covers for the Post, becoming indelibly linked with the publication. During his long career Rockwell would eventually paint more than four thousand pieces, the vast majority of which are not on public display due to private ownership and destruction by fire.
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