 People get topless, bottomless, legless, headless—anything goes. 
This fun Italian poster, which is uncredited, was created for the monster movie Spiaggia di sangue, which was originally filmed in the U.S. and released as Blood Beach in 1980, before reaching Italy today in 1981. We riffed on it many years ago because it's nothing more than a left coast remix of Jaws on a frayed shoestring budget, not really deserving of a proper review, in our opinion. The producers were even sued by the Jaws franchise for using a catchphrase—Just when you thought it was safe to go back in the water you can’t get to it—just a little too similar to that for the previous year's Jaws 2—Just when you thought it was safe to go back in the water. We said last time that you never really see the monster. Actually, you do, briefly, at the end, in all its papier mâché glory. Total. Letdown. Don't visit Blood Beach. Instead, look at the lobby cards below and call it a day.       
 You moved like they do. I've never seen anyone move that fast. 
Usually when we share a foreign poster for a film it's because the foreign version is markedly better. The original poster for Bruce Lee's Hong Kong-produced martial arts thriller Tang shan da xiong is actually pretty nice, but the Matrix-like motion capture attempt on this Italian version is just too cool to ignore. In Italy the film was titled Il furore della Cina colpisce ancora, or “China's fury strikes again,” and the art is by Averado Ciriello. It's an inspired effort, which he almost equals on version two, at bottom. There are also two Japanese posters at this link, and it's here that we mention that the movie was titled in English The Big Boss and Fists (not Fist) of Fury.
Bruce Lee movies are not to be watched for their acting or complex plots, and the dialogue in this one is laugh-out-loud bad. The film is a morality play about Lee, an expert fighter, having promised his wise old uncle never to fight again because “violence is never the answer.” Of course he's immediately dropped into a pit of evil when his new job in an ice factory turns out to be a front for drug smuggling. His intervention in the racket comes exactly too late to help his cousin, who's murdered by the villains, but when he finally fights, it's with lightning quickness and almost mystical ability, as he lethally wades through hoards of baddies and cripples the smuggling enterprise single-handedly, or double-fistedly. Maybe violence is the answer after all.
But it isn't quite that easy. These traffickers didn't reach the top of the heap for nothing. Their continued commitment to violence demands that Lee either walk away or willingly descend into the same cycle. As always there's a final showdown with a crafty old karate master who pushes Lee to his limits. His moral progression from purity through temptation, corruption, shame, revenge, and consequences is cheesy but it's also very entertaining, and one thing is clear. He never needed digital help to dazzle the eye. He'd demonstrate his gifts in three more movies, then be gone, at the age of thirty-two, with his final film—his biggest hit Enter the Dragon—released posthumously. Tang shan da xiong premiered in Hong Kong in 1971 and reached Italy today in 1973.                   
 Anselmo Ballester helped set the artistic standard in the competitive world of Italian movie illustrators.     
Anselmo Ballester is yet another virtuoso poster artist from Italy, where cinema promos were taken perhaps more seriously as art pieces than anyplace in the world. We've documented many of these Italian geniuses, including Mafé, Luigi Martinati, Sandro Symeoni, Mario de Berardinis, and others. Ballester, born in 1897, predated nearly all of his colleagues (only Martinati was born earlier) and enjoyed a fifty year career working for studios such as Cosmopolis, Titanus, Twentieth Century Fox, and RKO Radio Pictures. He also worked in commercial and political advertising. For the titles of the above works just check the keywords below. They're in top-to-bottom order in Italian and English.
 Holding on for dear life. 
La Ciociara aka Two Women is another film that isn’t pulp or noir, but whose poster art is everything pulp aficionados love. It would fit perfectly on the cover of a Carter Brown book. If you’re a film lover you know director Vittorio de Sica made The Bicycle Thief, which makes this WWII drama based on a novel by Alberto Moravia well worth a screening. Sophia Loren and Jean-Paul Belmondo starred, and it opened today in Italy in 1960.
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The headlines that mattered yesteryear.
2003—Hope Dies
Film legend Bob Hope dies of pneumonia two months after celebrating his 100th birthday. 1945—Churchill Given the Sack
In spite of admiring Winston Churchill as a great wartime leader, Britons elect
Clement Attlee the nation's new prime minister in a sweeping victory for the Labour Party over the Conservatives. 1952—Evita Peron Dies
Eva Duarte de Peron, aka Evita, wife of the president of the Argentine Republic, dies from cancer at age 33. Evita had brought the working classes into a position of political power never witnessed before, but was hated by the nation's powerful military class. She is lain to rest in Milan, Italy in a secret grave under a nun's name, but is eventually returned to Argentina for reburial beside her husband in 1974. 1943—Mussolini Calls It Quits
Italian dictator Benito Mussolini steps down as head of the armed forces and the government. It soon becomes clear that Il Duce did not relinquish power voluntarily, but was forced to resign after former Fascist colleagues turned against him. He is later installed by Germany as leader of the Italian Social Republic in the north of the country, but is killed by partisans in 1945.
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