What is it with men? Why can't I find one who likes cats?
Like clockwork we return to master illustrator Robert McGinnis, as any paperback art site must. Here you see a cover for The Hellcat by Australian author Carter Brown, aka Alan Yates, for Signet Books, 1962. We showed you a Dutch cover for this years ago, which you can see here.
I'm going to kill myself because I can't have you! You always ignored me, but you can't ignore this! Ahhhhhhhh....!
Above, a fun cover for Carter Brown Long Story Magazine. And long story short, when you make an epic gesture to your object of unrequited love, be sure she's actually watching. 1960 on this, with art by Grant Roberts.
She was so good Horwitz had a second helping.
Senta Berger makes a second appearance on a Horwitz Publications paperback cover, this time for Carter Brown's Murder Is My Mistress. We showed you the Horwitz cover for Brown's Swan Song for a Siren a while back. That actually came second of the pair and was numbered 34 in the company's Reprint by Demand series. The above is number 19 and was published in 1960. We found it on the Nick Carter & Carter Brown blog, which is a stop you should make if you want to know everything about Brown. Anyway, we've been discussing these Horwitz paperbacks for a while because of their celebrity covers. In using Berger twice the publisher chose well.
American singer gets booked for special engagement Down Under.
We love documenting the appropriations of celebrities by Horwitz Publications. This time the company snares U.S. nightingale Abbe Lane for its 1955 edition of Carter Brown's Swan Song for a Siren. You see the original photo they worked with below, which also features Lane's husband Xavier Cugat in the left background, erased by Horwitz's graphics guru and replaced by a man with a gun. The company would reprint this title in 1958 with Senta Berger on the cover, because once you get a taste for kidnapping celebrities you never stop. You can see that edition here. And if you want to see more examples of celebrity theft click the Horwitz keywords below.
Like all thefts in pulp fiction it was less than perfect.
We were just talking recently about U.S. paperback art being copied by overseas companies, and here we have a good example from the Italian publishing company Gialli Tre Cerchi. This cover for Wallace MacKentzy's, aka Mario Raffi's Allan Beebe spacca tutto meno Gina features art copied from Robert McGinnis. The artist is uncredited, which is probably good because his work, though pleasing, is not close to the standard of McGinnis. But don't take our word for it. Have a look at the McGinnis that was copied—Carter Brown's Who Killed Doctor Sex?, which we shared way back in 2012. You'll also notice it was copied more than once. Well, if you're going to steal from someone, steal from the best.
Al Wheeler gets caught in an explosive situation.
Barye Phillips art adorns the cover of Carter Brown's The Bombshell, first published in 1957, with this Signet edition appearing in 1960. The book features his franchise police detective Al Wheeler, who's assigned a murder case where there's no body. He protests because it's really a missing persons investigation, but his boss is convinced young Lily Teal's corpse is somewhere to be found. Even so, a previous investigation came up empty and Wheeler is assigned the case with the expectation he won't get anywhere. But failure is for lesser detectives. Our favorite exchange in this one:
Femme fatale: “Maybe it's something to do with me being born in the South—a girl matures early in a hot climate.”
Al Wheeler: “And you've been carrying that climate around with you ever since.
We shared this cover as part of a collection several years ago, but hadn't read the book. The scan above is from our own copy. This is the third Al Wheeler book in the long running series, but it already feels a bit perfunctory. The narrative doesn't really take off until Wheeler is framed for attempted sexual assault. At that point, based on how far his still unknown enemies are willing to go, he realizes there's more to the case than just a possible murder. Overall, not a bad outing, but nothing special. We have more Al Wheeler mysteries we acquired recently, so we'll see how those go.
Horwitz uses its best known cover star to date.
American actress and dancer Debra Paget appears, quite strikingly, on the front of Carter Brown's Stripper You've Sinned, which was published in 1956. We've been speculating for a while whether Horwitz, headquartered 7,500 miles away from Hollywood in Sydney, Australia, licensed its celebrity covers. Our assumption has always been no. The idea of celebrity covers would be, ostensibly, to generate extra interest in the book. But if that's the case, why such obscure stars? There's really no extra publicity to gain, and a licensing fee to lose. So we've always suspected the celebs were chosen merely because they were beautiful and the shots were available as handout photos.
But now we aren't sure about that, because Paget breaks the pattern—she was pretty well known in 1956, having appeared in more than a dozen films, and in highly billed roles in a few of those productions. So now we're thinking Horwitz actually did license these images. The fees must have been tiny, though, otherwise it wouldn't make any sense fiscally. Horwitz could have put an equally beautiful Aussie model on the book covers and gotten the same result with less hassle. In any case, this is great imagery. If you want to know what the book is actually about, check the review here. And if you click the keywords “Horwitz Publications” below you'll see all our previous posts on this matter.
As soon as I hear, “That's a wrap, Diane,” the clothes are coming off and I'm streaking out of this joint.
Yes, it's Diane Webber on the cover of this Horwitz second edition of Carter Brown's No Future Fair Lady, and amazingly, she's fully clothed, a phenomenon we've never seen from the most famous nudist model of her generation. Looking closer, though, the dress could be painted on. Wouldn't surprise us. You don't become a nudist icon in the buttoned down 1950s by letting the Man tell you what to do. At any rate, this is yet another example of Horwitz using unlicensed (we suspect) celeb photos on their Carter Brown paperbacks. Since we feature a lot of tabloids on Pulp Intl., we have to point out that the protagonist in this story works for a tab called Smear. We love that. The copyright here is 1960, and we have several other examples of Horwitz celeb covers you can see by clicking this link.
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