Vintage Pulp Feb 2 2019
1959: A RACE ODDITY
They'll have to choose what they hate more—their circumstances or each other.


The Noir City Film Festival rolls on with Robert Wise's 1959 thriller Odds Against Tomorrow. Harry Belafonte and Robert Ryan star in a heist story that brings a touch of underground jazz and an edge of racial tension to the narrative mix. It would play nicely on a double bill with In the Heat of the Night, but fits at Noir City too. In fact it might be the darkest film noir on the bill. Belafonte is in debt to mobsters and Ryan is broke and feels emasculated being supported by his girlfriend. When ex-cop Ed Begley brings the two together for a lucrative robbery both see it as the only answer. The robbery has the same problems associated with any heist, with the added complication of Ryan's racism.

Some reviews of this film try to suggest equivalence between these two characters. Uh, no. Belafonte's separatist leanings and distrust of whites in a society that is unfair toward him is a precaution; Ryan's separatist leanings and distrust of blacks in a society that favors him is oppression. This is a basic sociological truth as it relates to power in any society, and it's irksome that some reviewers miss this. Belafonte respondsto aggressive hate with reactive hate. The expectation that he possess superhuman forbearance while his oppressor can be merely human removes context and wrongly demands that everybody behave identically despite their different circumstances and different locations within the spectrum of power.

Much of the movie examines Belafonte's and Ryan's respective attitudes along these lines, with the heist coming in a flurry of action at the end. The robbery is basically foolproof, but only if the powder keg of racial resentment doesn't blow it sky high. The points Wise is making here, which originate with William P. McGivern's novel, are simply these: cooperate and succeed, or fight and fail. All Ryan needs to do extend the hand of respect, but because of his prejudice he fails again and again, which hardens Belafonte's already suspicious attitudes. Who do these two hate more—their circumstances or each other? That's what Odds Against Tomorrow asks, about its characters, and the U.S. Festivalgoers will leave the cinema talking about this one.

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Vintage Pulp Jul 27 2018
A FATE WORSE THAN DEATH
I could stop coloring it, I guess. But then I'd be a brunette again, and that's worse than dying young.


Above, an uncredited cover for Blondes Die Young by Bill Peters. The author is aka William P. McGivern, and the book is hard boiled action in Chicago's jazz clubs and dope dens, as the sleuth protagonist Bill Canalli tries to track down the culprit who murdered his girlfriend. Who by the way has barely cooled to room temperature before slick Bill beds another woman, but what's a hard boiled guy to do? Anything to get to the bottom—of the case. The hero's treatment of this woman will raise some eyebrows in this day and age, but this is still an involving tale and we like that it doesn't get too moralistic about the drugs angle. And we got it for four bucks, which is an absolute steal. It was written in 1952 originally, with this Popular Library paperback edition appearing in 1953. 

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Vintage Pulp Mar 14 2013
AMAZING YEAR
1941—when the future was just twenty cents away.

Amazing Stories was launched in 1926 and was the first publication devoted solely to sci-fi. These issues span January to December 1941. Most of the pieces (those that prominently feature figures) are by the excellent J. Allen St. John. Leo Morey painted February, Stockton Mulford painted July, Robert Fuqua painted September and November, and Rod Ruth painted December. We have a hundred and thirty-three fully scanned issues of this magazine, which is pretty cool, though we’ll probably never have time to read them. But we’ll certainly share more down the line. 

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History Rewind
The headlines that mattered yesteryear.
September 20
1946—Cannes Launches Film Festival
The first Cannes Film Festival is held in 1946, in the old Casino of Cannes, financed by the French Foreign Affairs Ministry and the City of Cannes.
September 19
1934—Arrest Made in Lindbergh Baby Case
Bruno Hauptmann is arrested for the kidnap and murder of Charles Lindbergh Jr., son of the famous American aviator. The infant child had been abducted from the Lindbergh home in March 1932, and found decomposed two months later in the woods nearby. He had suffered a fatal skull fracture. Hauptmann was tried, convicted, sentenced to death, and finally executed by electric chair in April 1936. He proclaimed his innocence to the end
September 18
1919—Pollard Breaks the Color Barrier
Fritz Pollard becomes the first African-American to play professional football for a major team, the Akron Pros. Though Pollard is forgotten today, famed sportswriter Walter Camp ranked him as "one of the greatest runners these eyes have ever seen." In another barrier-breaking historical achievement, Pollard later became the co-head coach of the Pros, while still maintaining his roster position as running back.
1932—Entwistle Leaps from Hollywood Sign
Actress Peg Entwistle commits suicide by jumping from the letter "H" in the Hollywood sign. Her body lay in the ravine below for two days, until it was found by a detective and two radio car officers. She remained unidentified until her uncle connected the description and the initials "P.E." on the suicide note in the newspapers with his niece's two-day absence.
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