Vintage Pulp Apr 2 2021
TOP SIR LOINCLOTH
Weissmuller's jungle classic continues to look weirder as time goes by.


Above is a beautiful poster for Tarzan the Ape Man, which starred Olympic swimmer Johnny Weissmuller as Tarzan and twenty-one year old Maureen O'Sullivan as Jane Parker. The plot here is simple. White explorers are desperate to find a million pounds of ivory they believe lies hidden in an elephant graveyard somewhere in the African interior. After scaling a massive escarpment (and losing a native bearer over the side), and traversing a river (and losing native bearers to rubber hippos and crocs), and stumbling across a tribe of dwarfs (and losing a native bearer to an arrow), they finally reach the right area—and promptly lose Jane to Tarzan. Although he's carried her away against her will, she and Sir Loincloth eventually establish a rapport. And no wonder—this particular Tarzan is handsome, has good hair, and a physique in top maintenance.

Tarzan the Ape Man was made way back in 1932, but it isn't the first Tarzan film, or even the fifth or the eighth. But this effort from MGM, with its somewhat detailed sets, scanty costuming, and numerous animal co-stars, was the first that was a big hit. The shooting took place in various locations around Southern California and Florida, although there is some legit African stock footage used in spots, and, according to some sources, some second unit stuff from Mexico. For the era it must have been pretty convincing, rubber hippos and all. Needless to say, this flick is not flattering to Africans, African Americans, or African anyones. As for what the little person community thinks about fifty of their number covered in shoe polish, you'd have to ask a little person. We don't know any. But we seriously doubt they like it.

As we are all part of the same human family, we all should feel empathy as we would if a brother or beloved cousin were insulted. Seems to us we've made halting progress on that front. What hasn't progressed at all is agreement about how to deal with literally trillions of dollars of stolen labor, goods, economic potential, and lives. If no recompense is to be offered, then at least we should be able to talk honestly about what happened. German Foreign Minister Heiko Maas recently admitted that his country's possession of some of the priceless Benin Bronzes amounted to harboring stolen goods. The U.S. and Britain, meanwhile, refuse even to entertain conversations about their share of these looted pieces. It's the same with people: some admit to crimes of the past, while others say there were no crimes, and even if there were, they don't matter anymore.

Tarzan the Ape Man presents a fictionalized version of the real-world history of capitalists strip-mining Africa. Without an iota of reflection, the characters here plan to steal local wealth, described by head bwana C. Aubrey Smith as, “Enough ivory for the entire world.” But what he really means is, “Enough ivory for the entire world to buy from me.” Of course, colonials didn't think they were looters. But then, colonials wrote the rules. So Tarzan the Ape Man scratches the surface of a contentious history, but here's the thing: it's still just a movie, and it's possible to watch it, be aware of what it portrays, yet have a laugh. It's a 100-minute over-the-top burlesque of historical wrongs, from colonialism to segregation in moviemaking. To enshrine so many bad practices in one film is a hell of a feat. Yet within its narrative universe it's still very entertaining. Is that a paradox? Maybe. But that's art for you. Tarzan the Ape Man premiered in the U.S. today in 1932.
Pick man up. Put man down. Pick man up. Let man pose on my head. I'm about to stomp this fool.

Tarzan invent shaving armpits. Tarzan smooth like eel.

Great pose, Johnny! Just great. And your nuts didn't fall out this time. Excellent!

Jane feet funky. Also, Jane need pedicure.

OooOOOoo... what's this here, Johnny? Is that a rock hard chest? I think it is. Who's got a rock hard chest? Johnny's got a rock hard chest...

AHHHH-AHAHAHAH-AHAHAHAHA! Can Maureen and I get some goddamned lunch over here!
 
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Vintage Pulp Feb 2 2020
A SWING BY THE MALL
It's taken weeks to get here, but it will be worth it—in that fabled place I am told are stores that have shoes, boxer-briefs, bug repellant, and more.


We shared a Robert Stanley cover for Edgar Rice Burroughs' wild adventure Tarzan and the Lost Kingdom a while back. We'd be doing a disservice if we didn't also share the brilliant Frank Frazetta art used for Ace Books on its 1962 re-issue. Frazetta is an artist about whom there is no debate. He was a genius.

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Vintage Pulp Nov 10 2019
TARZAN AND THE SILICON VALLEY
Tarzan destroyed on social media after posting photo of himself with lion he killed for sport.


Tarzan and the Lost Empire, originally serialized in 1928 and ’29 in Blue Book Magazine, was entry twelve in Edgar Rice Burroughs' Tarzan series, and some would say the concept had jumped the shark—and the lion—at this point. Basically, Tarzan stumbles upon a remnant of the Roman Empire hidden deep in the mountains somewhere in Africa and—as this 1951 cover by Robert Stanley depicts—is dragged into their coliseum bloodsports. In later books he'd venture to a subterranean world, find a city of talking gorillas, and fly a fighter plane for the RAF (maybe that one isn't so strange, since he had the civilian identity of John Clayton).
 
Burroughs was never mistaken for a great writer, but his Tarzan books sold millions of copies and the character remains one of the best known in pulp literature. As tough as he was, we doubt even the King of the Jungle could have survived social media. But Tarzan was not one with whom to trifle. We can totally picture an adventure where he goes to Silicon Valley to battle the forces of shame. It ends when he learns the evil mastermind is Mark Zuckerberg, swings on a DSL cable into Facebook, and lays waste to the place. “Shame me, Zuckerberg? Me Tarzan! You lame!”

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Vintage Pulp May 8 2016
RED SHUNA DIARIES
Ever get the feeling you've met someone before?


Shuna and the Lost Tribe and Shuna White Queen of the Jungle were written by British author John King, aka Ernest L. McKeag, and reached bookstores via Harborough Publishing in 1951. Shuna is exactly what she seems to be—the archetypal Western literary fantasy of a naturalistic and uncorrupted white woman maintaining semi-sexual thralldom over black hordes who look on with wonder but never, ever get to touch. She's also a virtual copy, right down to the form-fitting leopardskin tunic, of the character Sheena, who appeared in the 1930s, and was part of a wave of lost world literature, comics, and movies that came after the runaway success of Edgar Rice Burroughs' 1912 novel Tarzan of the Apes. We're a little surprised King was able to basically steal Sheena's name. He seems to have gotten away with it, though—we found no mention in the historical record of legal trouble. Maybe it's like the whole Britney Spears vs. Britney Rears thing. The name is close, but juuust different enough to avoid a lawsuit. Anyway, the cover art is really the thing to focus on here. We love these. They're two of the most striking efforts we've seen from the incomparable Reginald Heade, and a reminder we need to feature him more. 

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Vintage Pulp Feb 7 2015
UNHAPPILY CARRIED
For better or worse, in sickness and health, women in pulp don’t have a heck of a lot of choice about it.
 
Pulp is a place where the men are decisive and the women are as light as feathers. We’ve gotten together a collection of paperback covers featuring women being spirited away to places unknown, usually unconscious, by men and things that are less than men. You have art from Harry Schaare, Saul Levine, Harry Barton, Alain Gourdon, aka Aslan, and others.
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Vintage Pulp Aug 12 2013
VANISHING POINTS
I've seen the needle and the damage done.


Today we have another cover collection for you. We had noticed quite a few pieces of pulp/sleaze art featuring syringes as a central element, so we’ve gathered up twenty examples, with art by Michel Gourdon and others. Some of these are from Flickr, so thanks to the original uploaders.

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Vintage Pulp Mar 14 2013
AMAZING YEAR
1941—when the future was just twenty cents away.

Amazing Stories was launched in 1926 and was the first publication devoted solely to sci-fi. These issues span January to December 1941. Most of the pieces (those that prominently feature figures) are by the excellent J. Allen St. John. Leo Morey painted February, Stockton Mulford painted July, Robert Fuqua painted September and November, and Rod Ruth painted December. We have a hundred and thirty-three fully scanned issues of this magazine, which is pretty cool, though we’ll probably never have time to read them. But we’ll certainly share more down the line. 

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Vintage Pulp Jan 31 2013
FUNGUS AND GAMES
I don’t know. Last time I saw her she was sitting over by that patch of mushrooms and now look at her.

Although there aren’t any psychedelic mushrooms in Edgar Rice Burroughs’ The Cave Girl, it’s still a fun book. Basically, a wheezy, wimpy, uptight city dweller named Waldo is swept overboard during a Pacific sea journey and fetches up on an island of Neolithic savages. He meets a girl and the rest of the book involves him turning into Rambo in order to defend her from the men of her own undeserving (obviously) tribe. Ultimately it turns out she was never a savage, but rather a regular white chick born on the island twenty years earlier to a shipwrecked American woman. The woman died and the girl was raised as an islander. So it’s a good thing Waldo washed ashore to keep those primitives from defiling her flesh. Burroughs helped pioneer the entire Lost World genre, so despite its flaws, The Cave Girl is worth a read for that reason alone. It began as two separate stories in 1914, was melded into a novel in 1925, and in 1949 was released in the Dell paperback edition you see above, with the title shortened to simply Cave Girl, and with cover art by Jean des Vignes. Interesting and action-packed, this one should keep you entertained for a couple of days, and it’s in the public domain, which means you can download it.

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Vintage Pulp Mar 25 2009
THE KING OF SWING
Johnny Weissmuller brought Tarzan to life seventy-five years ago today.


This is one of the most beautiful posters we’ve ever seen. Based on the fiction of Edgar Rice Burroughs, Tarzan the Ape Man was the first offering in a film and television franchise that has been sixty-plus years running. It has taken forms as diverse as Bo Derek’s teasingly awful 1981 softcore remake, Jock Mahoney’s 1962 potboiler Tarzan Goes to India, and Casper Van Diem’s 1998 career-killer Tarzan and the Lost City. None of these would have been possible without the original Tarzan, and that film worked for one reason—Romanian-born hunk Johnny Weissmuller. He was not an actor trying to fit the role of a superman, but a superman trying to fit the role of an actor. He was a six foot three inch Olympic swimmer who won 67 world and 52 national titles, and whose physicality radiated from the movie screen. Men wanted to be him, and women wanted to ride his vine. Tarzan the Ape Man premiered in the U.S. today in 1934.

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History Rewind
The headlines that mattered yesteryear.
April 18
1923—Yankee Stadium Opens
In New York City, Yankee Stadium, home of Major League Baseball's New York Yankees, opens with the Yankees beating their eternal rivals the Boston Red Sox 4 to 1. The stadium, which is nicknamed The House that Ruth Built, sees the Yankees become the most successful franchise in baseball history. It is eventually replaced by a new Yankee Stadium and closes in September 2008.
April 17
1961—Bay of Pigs Invasion Is Launched
A group of CIA financed and trained Cuban refugees lands at the Bay of Pigs in southern Cuba with the aim of ousting Fidel Castro. However, the invasion fails badly and the result is embarrassment for U.S. president John F. Kennedy and a major boost in popularity for Fidel Castro, and also has the effect of pushing him toward the Soviet Union for protection.
April 16
1943—First LSD Trip Takes Place
Swiss scientist Albert Hofmann, while working at Sandoz Laboratories in Basel, accidentally absorbs lysergic acid diethylamide, better known as LSD, and thus discovers its psychedelic properties. He had first synthesized the substance five years earlier but hadn't been aware of its effects. He goes on to write scores of articles and books about his creation.
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