| Femmes Fatales | Apr 18 2023 |
The dress doesn't work as camouflage, but as a fashion statement it's tops.
Pam Grier posed for this photo when she was making the a-list crime drama Fort Apache, The Bronx, which was headlined by superstar Paul Newman. Grier was far down the cast list, playing a drug addict prostitute. It was quite a demotion from her starring roles during the blaxploitation era, but the movie was a big hit. She'd finally be toplisted in a mainstream Hollywood movie when Quentin Tarantino cast her in 1997's Jackie Brown, and it was worth the wait. This shot is from 1981.
| Vintage Pulp | Nov 7 2019 |
Somewhere between Hollywood and Rome lay the wild frontier.
Above, numerous Italian posters for 1960s and 1970s westerns. Some of these movies were true spaghetti westerns (produced in Italy and shot in Europe, often Spain), while others are U.S. productions. All the imagery is beautiful. The artists responsible include Renato Casaro, Rodolfo Gasparri, Averardo Ciriello, Aller, aka Carlo Alessandrini, et al.
ItalyJessi's GunIl prezzo del potereLa banda delle donne maldetteIo non Perdono...uccidoPreparati la bara!!L'uomo che doveva uccidere il suo assassinoPassa sartana... é l'omba della tua morteSpara Joe... e così sia!Soldato bluSoldier BlueL'ultimo ApacheApacheShango la pistola infallibileLa texana e i fratelli PenitenzaHannie CaulderIIl grido di guerra dei SiouxRed TomahawkDjuradoRenato CasaroRodolfo GasparriAverardo CirielloAllerCarlo Alessandrinimovie postercinemaspaghetti western
| Sportswire | May 11 2016 |
He gave every last drop of his blood—to the IRS.
This National Police Gazette cover from this month in 1951 shows a bloodied Joe Louis in the midst of a title bout loss to Ezzard Charles in September 1950. Louis had retired, but when the U.S. government's Internal Revenue Service came after him for $500,000 in back taxes, he fought again—at age thirty-six—with the agreement that the proceeds would clear his debt. Thus Gazette's sub-head: “Why Joe Louis Can't Quit.” He'd hoped to pay off the entire bill with one fight, but the crowd was small and the purse far less than expected. With debt still outstanding, he did the only thing he could—take more fights.
And in the center of the magazine Gazette offers up Hazel Nilsen as its Date of the Month. Gazette featured established personalities on its calendar pages only occasionally, which means the magazine's promo shots today serve as an encyclopedia of aspiring starlets who almost—but never quite—made it. Nilsen was aiming for Broadway because of the excitement of acting before a live audience, but never appeared in a play. Instead she scored small roles in three Hollywood westerns between 1949 and 1952, including as an Indian maiden named White Fawn in Apache Chief, before fading from the scene. Showbiz is a cruel mistress.
