Reiko Ike’s pelvic floor exercises pay off big time.
Onsen mimizu geisha, which premiered today in 1971, stars an eighteen-year-old Reiko Ike, along with Miki Sugimoto and Junkô Tôda, in yet another tale centered on a Japanese hot spring—Toi Onsen on the Izu Peninsula. So what is this about specifically? Basically, in order to avoid losing the family’s ancestral burial plot to debt collectors, Ike is forced to become a geisha, which turns out to be a natural choice because of the muscle control she has over her vagina. The extraordinarily pleasurable sensation she creates in there is akin to that of worms writhing. Yes, you read that right—worms. Warm ones, of course. And this is where the title of the movie comes from—Onsen mimizu geisha, or “hot springs earthworm geisha.” Do you need to know more? This is a classic, with a lot of goofy humor, plenty of bare skin and bikinis, a strong visual style from director Noribumi Suzuki, and some bizarrely aggressive octopi. And most importantly it has Ike, who’s radiant throughout, never more so than when flashing the viewer during the naughty opening credit montage. Maybe not for everybody, this one, but it certainly worked for us.
Reiko Ike makes her presence felt in Rome.
Reiko Ike appears here in a bold photo published in the French magazine Euro Cinéma in November 1972. The text reads: A beautiful oriental pearl came to Rome for the turn Toei’s “A modern biography.” What does that mean? Unfortunately, our translating widget cannot clear that up. Seems as though the magazine is telling us Ike was sent to Rome earlier that year to promote either one of her own films, films by her studio Toei Company, or both. We found no references to anything made by Toei called A Modern Biography, and nothing that would translate to such. Our guess is the name refers to a Japanese film festival in Rome they put together or participated in. Anyone out there want to clear this up? You know the drill—email@example.com. Anyway, what’s extra cool about this magazine is that it also has Christina Lindberg on the cover and inside, plus Florinda Bolkan and Laura Antonelli. Euro Cinéma is good cinema.
Reiko Ike and Sandra Julien get together and sparks fly.
Gendai poruno-den: Sentensei inpu, aka Modern Porno Tale: Inherited Sex Mania, aka The Insatiable is a Noribumi Suzuki-directed tale of sexual awakening, but we bet most viewers don't awaken until co-stars Reiko Ike and Sandra Julien end up in the shower together. Pretty steamy stuff, and as a bonus the two migrate into bed, which you see in the photo below. Prefacing that agreeable sequence are less agreeable but standard pinku elements, including legions of slimy horndogs, shameful voyeurism, forced de-virginization, a drugging, and an alcohol fueled orgy. The only good thing that happens is that Ike falls into bed with Pulp Intl. fave Miki Sugimoto. Actually, that's nearly the opening sequence, which is nice because it lets you know exactly where the movie plans to take you. But that interlude aside, other aspects of Reiko's life really suck, and her escalating problems eventually lead to a brawl which she escapes by hiding in a parked car. The man who owns that car seems to bethe person destined to save her from the sordid club girl life she's made for herself. Or is he? He slaps her within minutes of their initial meeting, but can you blame the guy? She was trying to kiss him. We can't pretend to truly understand these movies, and since there are no real reviews of this one online we're flying blind with our interpretation, but the message seems to be that sluttiness is genetic. In any case, we love the two posters at top. We also love the two promo images below of Ike and Julien. Gendai poruno-den: Sentensei inpu opened in Japan today in 1971.
Just when you thought it was safe.
We already shared the two-piece panel length poster for Sukeban berûsu: mesubachi no chosen, aka Girl Boss Blues: Queen Bee’s Challenge, but today we have two alternate versions. At top you see the standard poster, and below is the bo-ekibari, or horizontal two-piece. We already told you everything you need to know about the movie—in short, it has Reiko Ike, Miki Sugimoto, and strategic soap foam. A perfect night’s entertainment.
Life and death at the edge of a razor.
This promo is for Jigoku no tenshi: Akai bakuon, aka Hells Angels: Crimson Roar, one of scores of girl gang movies that deluged Japanese cinema during the 1970s. This one is from Toei Company and concerns a gang member named Yoko, played by Yûko Iruka, who spends three years in prison for assault with a switchblade, and afterward emerges onto the mean, nightclub-lined streets of her coastal hometown. You know Japanese bars are sleazy when their names are English—Bar Lucky, The Apollo, The Happening, Club Ace, New York 3, et al. We especially liked the placard that read: Girls can get so excited and lustful sometimes, as shown in this picture. Why don’t you come in now? The girls working for me are so sexy. You can try to satisfy them. Yes, even sex club signage is polite in Japan.
These places are all geared toward American servicemen, of course, and the distaste for Western decadence, though subtle, is clear. But it isn’t Americans who are a problem for Yoko—it’s a group of pesky Yakuza who make their home at the Lonely Angel bar. After Yoko is drugged into paralysis and raped by two of the slimier specimens she hones that trusty switchblade of hers and goes on a revenge spree that, well, doesn’t end nicely for her enemies. She gets timely help from her boyfriend, and when he ends up on the point of a katana, that makes her even angrier. Turns out she’s deadly with a sniper rifle too. Standard stuff, but with an unusual and effective star in Iruka, and Reiko Ike’s 1973 hit song “Futen Gurashi Part 2” recurring throughout the soundtrack—a bonus. Jigoku no tenshi: Akai bakuon premiered in Japan today in 1977.
Maybe not today, maybe not tomorrow, but someday soon.
Above you see an alternate version of the promo poster for Sukeban gerira, aka Girl Boss Guerilla, Miki Sugimoto and Reiko Ike’s classic biker-girl revenge pinku flick. The previous versions, including a rare bo-ekibari style, are here. We also have a couple of rare promo images of Sugimoto and Ike below for your enjoyment, so you can appreciate them when they aren't trying to kill people. We have other promos that are even more rare, and we’ll see about sharing those later. Sukeban gerira premiered in Japan today in 1972.
This September pinku stars rage in central Europe.
We call it Pulp International because we try to feature pulp style art from all over the world, but this may be the first item we've found from Croatia. It's an eye-catching off-angle poster promoting a pinku film festival in Zagreb, which starts today at the Kinoklub Zagreb—a cinema first established in 1928—and runs through the end of this month. Our analytics tells us where our website visitors come from, and we do indeed get the occasional glance from Croatia, so for all of you in Zagreb and environs—go to this festival. You get Girl Boss Guerilla, Terrifying Girls' High School 2: Lynch Law Classroom, and School of the Holy Beast. We've done short write-ups on all three films, so if you want to know more check, respectively, here, here, and here.
When you play with her you’re betting your life.
Above, a rare alternate poster for the very entertaining pinku flick Hidirimen bakuto, aka Red Silk Gambler, with Reiko Ike. The movie, which we touched upon briefly a few years ago, opened in Japan today in 1972.
Reiko Ike again demonstrates the utility of soap foam for covering her naughty bits.
Remember a while back when we watched Sukeban berûsu: mesubachi no chosen, aka Girl Boss Blues: Queen Bee’s Challenge, and got such a kick out of Reiko Ike's brief bathtub scene? We stumbled across this promo shot from the film, and once again she shows a deft hand for manipulating foam. The photo shows less than the film—in that she didn’t cover her top half, but in any case, this is a fun shot. Check out our previous post on the movie here.
Butt on the other hand...
Above, a poster for Noribumi Suzuki’s Ero shogun to nijuichi nin no aisho, aka Lustful Shogun and His 21 Mistresses, aka The Erotic Shogun and His Twenty-One Prostitutes, which starred Tôru Abe, Yasumori Hikita, and also features three of our favorite pinku actresses, Reiko Ike, Yayoi Watanabe, and Miki Sugimoto. We had a bit of a debate here at Pulp HQ as to the actual number of buns 21 women possess. Would it be 21 or 42? The PI girlfriends just rolled their eyes at this question, by the way. But it’s worth exploring. In the strictly physical sense, a bun possesses two halves, right? Thus one woman has one bun, comprising two halves, each of which might be useful for an open face sandwich, perhaps, but which cannot by itself constitute a whole. Alternatively, when referring to a person’s backside, you might observe that she has nice buns. More to the point, if there were, say, a tattoo there, you might say, “She has a tattoo on her right bun.” Actually, first you might say, “Poor girl. That looks really frickin’ trashy and she has no idea.” But then you’d say she has a tattoo on her right bun. Or left bun, as the case may be. Or saddest of all, across both buns. All of which would seem to imply that 21 women have 42 buns. The PI girlfriends suggested we go with the British term “bum,” which is not in any way ambiguous, but also doesn’t rhyme with “gun,” which was really the whole point. Actually, it technically could rhyme with gun, depending on how loose your interpretation of rhyming is. Certainly, a rapper would agree that bum rhymes with gun, but we don’t rap, so in the end, we went with bun. That is, one woman has one bun. All pretty confusing, truthfully. At this point we’d normally do a quick review, maybe show you some still shots of these 21 mistresses that populate Ero shogun to nijuichi nin no aisho, maybe even mention that it premiered in Japan today in 1972, but after dragging you through the cramped, dark spider hole of our editorial process, the least we can do is show you an/some actual bun/buns. So there’s Reiko’s below. Hooray!
The headlines that mattered yesteryear.
1945—Flag Raised on Iwo Jima
Four days after landing on the Japanese-held island of Iwo Jima, American soldiers of the 28th Regiment, 5th Marine Division take Mount Suribachi and raise an American flag. A photograph of the moment shot by Joe Rosenthal becomes one of the most famous images of WWII, and wins him the Pulitzer Prize later that year.
1987—Andy Warhol Dies
American pop artist Andy Warhol, whose creations have sold for as much as 100 million dollars, dies of cardiac arrhythmia following gallbladder surgery in New York City. Warhol, who already suffered lingering physical problems from a 1968 shooting, requested in his will for all but a tiny fraction of his considerable estate to go toward the creation of a foundation dedicated to the advancement of the visual arts.
1947—Edwin Land Unveils His New Camera
In New York City, scientist and inventor Edwin Land demonstrates the first instant camera, the Polaroid Land Camera, at a meeting of the Optical Society of America. The camera, which contains a special film that self-develops prints in a minute, goes on sale the next year to the public and is an immediate sensation.
1965—Malcolm X Is Assassinated
American minister and human rights activist Malcolm X is assassinated at the Audubon Ballroom in New York City by members of the Nation of Islam, who shotgun him in the chest and then shoot him sixteen additional times with handguns. Though three men are eventually convicted of the killing, two have always maintained their innocence, and all have since been paroled.
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