Two of pinku's biggest stars headline a rare film festival in Tokyo.
If you find yourself in Tokyo today, Cinema Laputa Asagaya is hosting a retrospective of films featuring two of the biggest pinku stars of the 1970s—Reiko Ike and Miki Sugimoto, who are not only big stars but also Pulp Intl. faves who we've discussed many times. A new film will be featured every weekend until April 1, with all the pair's most legendary efforts appearing on the program, including Yasagure anego den: sôkatsu rinchi, aka Female Yakuza Tale (discussed here and here), Zenka onna: koroshi-bushi, aka Criminal Woman: Killing Melody, for which you can see the badass promo poster here, and of course Furyô anego den: Inoshika Ochô, aka Sex & Fury, which we talked about way back in 2009. There will be thirteen films in all, and the festival represents the best chance to see all these movies on a big screen in many years, and in a pretty cool location too. If you're in the vicinity, don't miss it.
Reiko Ike’s pelvic floor exercises pay off big time.
Onsen mimizu geisha, which premiered today in 1971, stars an eighteen-year-old Reiko Ike, along with Miki Sugimoto and Junkô Tôda, in yet another tale centered on a Japanese hot spring—Toi Onsen on the Izu Peninsula. So what is this about specifically? Basically, in order to avoid losing the family’s ancestral burial plot to debt collectors, Ike is forced to become a geisha, which turns out to be a natural choice because of the muscle control she has over her vagina. The extraordinarily pleasurable sensation she creates in there is akin to that of worms writhing. Yes, you read that right—worms. Warm ones, of course. And this is where the title of the movie comes from—Onsen mimizu geisha, or “hot springs earthworm geisha.” Do you need to know more? This is a classic, with a lot of goofy humor, plenty of bare skin and bikinis, a strong visual style from director Noribumi Suzuki, and some bizarrely aggressive octopi. And most importantly it has Ike, who’s radiant throughout, never more so than when flashing the viewer during the naughty opening credit montage. Maybe not for everybody, this one, but it certainly worked for us.
Reiko Ike and Sandra Julien get together and sparks fly.
Gendai poruno-den: Sentensei inpu, aka Modern Porno Tale: Inherited Sex Mania, aka The Insatiable is a Noribumi Suzuki-directed tale of sexual awakening, but we bet most viewers don't awaken until co-stars Reiko Ike and Sandra Julien end up in the shower together. Pretty steamy stuff, and as a bonus the two migrate into bed, which you see in the photo below. Prefacing that agreeable sequence are less agreeable but standard pinku elements, including legions of slimy horndogs, shameful voyeurism, forced de-virginization, a drugging, and an alcohol fueled orgy. The only good thing that happens is that Ike falls into bed with Pulp Intl. fave Miki Sugimoto. Actually, that's nearly the opening sequence, which is nice because it lets you know exactly where the movie plans to take you. But that interlude aside, other aspects of Reiko's life really suck, and her escalating problems eventually lead to a brawl which she escapes by hiding in a parked car. The man who owns that car seems to bethe person destined to save her from the sordid club girl life she's made for herself. Or is he? He slaps her within minutes of their initial meeting, but can you blame the guy? She was trying to kiss him. We can't pretend to truly understand these movies, and since there are no real reviews of this one online we're flying blind with our interpretation, but the message seems to be that sluttiness is genetic. In any case, we love the two posters at top. We also love the two promo images below of Ike and Julien. Gendai poruno-den: Sentensei inpu opened in Japan today in 1971.
Just when you thought it was safe.
We already shared the two-piece panel length poster for Sukeban berûsu: mesubachi no chosen, aka Girl Boss Blues: Queen Bee’s Challenge, but today we have two alternate versions. At top you see the standard poster, and below is the bo-ekibari, or horizontal two-piece. We already told you everything you need to know about the movie—in short, it has Reiko Ike, Miki Sugimoto, and strategic soap foam. A perfect night’s entertainment.
Maybe not today, maybe not tomorrow, but someday soon.
Above you see an alternate version of the promo poster for Sukeban guerira, aka Girl Boss Guerilla, Miki Sugimoto and Reiko Ike’s classic biker-girl revenge pinku flick. The previous versions, including a rare bo-ekibari style, are here. We also have a couple of rare promo images of Sugimoto and Ike below for your enjoyment, so you can appreciate them when they aren't trying to kill people. We have other promos that are even more rare, and we’ll see about sharing those later. Sukeban gerira premiered in Japan today in 1972.
Idle handcuffs are the Devil’s playthings.
We’re into the Japanese pile again today, but for a different type of poster, and a different type of movie. This rare promo is for Yukio Noda’s Zeroka no onna: Akai wappa, aka Zero Woman: Red Handcuffs, starring Miki Sugimoto. It’s a limited edition piece painted by the artist Shindo, who we can’t find much about, but who presumably was pretty famous. We’ll look into that. Anyway, we watched this movie recently, and we’d tell you all about it, but do you really need another blog review, even an extraordinarily (ahem) witty and erudite one? Thought not. It’s widely available, so search it out, queue it up, and enjoy it. Zeroka no onna: Akai wappa premiered in Japan today in 1974.
She’s never been the clothes minded type.
Above, an image of Japanese actress Miki Sugimoto, who appeared in such movies as Zeroka no onna: Akai wappa, aka Zero Woman: Red Handcuffs and Sukeban gerira, aka Girl Boss Guerilla, seen here doing, um, we don’t know. She’s sort of making the sign of the horns with her right hand, though, and that was traditionally meant to ward off bad luck. Didn’t work, clearly, since she lost her clothes somewhere. Circa 1973.
Butt on the other hand...
Above, a poster for Noribumi Suzuki’s Ero shogun to nijuichi nin no aisho, aka Lustful Shogun and His 21 Mistresses, aka The Erotic Shogun and His Twenty-One Prostitutes, which starred Tôru Abe, Yasumori Hikita, and also features three of our favorite pinku actresses, Reiko Ike, Yayoi Watanabe, and Miki Sugimoto. We had a bit of a debate here at Pulp HQ as to the actual number of buns 21 women possess. Would it be 21 or 42? The PI girlfriends just rolled their eyes at this question, by the way. But it’s worth exploring. In the strictly physical sense, a bun possesses two halves, right? Thus one woman has one bun, comprising two halves, each of which might be useful for an open face sandwich, perhaps, but which cannot by itself constitute a whole. Alternatively, when referring to a person’s backside, you might observe that she has nice buns. More to the point, if there were, say, a tattoo there, you might say, “She has a tattoo on her right bun.” Actually, first you might say, “Poor girl. That looks really frickin’ trashy and she has no idea.” But then you’d say she has a tattoo on her right bun. Or left bun, as the case may be. Or saddest of all, across both buns. All of which would seem to imply that 21 women have 42 buns. The PI girlfriends suggested we go with the British term “bum,” which is not in any way ambiguous, but also doesn’t rhyme with “gun,” which was really the whole point. Actually, it technically could rhyme with gun, depending on how loose your interpretation of rhyming is. Certainly, a rapper would agree that bum rhymes with gun, but we don’t rap, so in the end, we went with bun. That is, one woman has one bun. All pretty confusing, truthfully. At this point we’d normally do a quick review, maybe show you some still shots of these 21 mistresses that populate Ero shogun to nijuichi nin no aisho, maybe even mention that it premiered in Japan today in 1972, but after dragging you through the cramped, dark spider hole of our editorial process, the least we can do is show you an/some actual bun/buns. So there’s Reiko’s below. Hooray!
Don't let the toplessness fool you—their plan is to kill you.
We have two posters here for the classic pinku flick Sukeban gerira, aka Girl Boss Guerilla, with Miki Sugimoto and Reiko Ike. The top version is pretty hard to find, and the bottom one—a two piece bo-ekibari style—is ultra rare. We've posted that whole, as well as in two pieces so you can put together a large version yourself if you desire. Sukeban gerira premiered in Tokyo today in 1972.
Until she finds a helping hand, she’ll have to manage by herself.
Above, an ultra rare promo poster of pinku star Miki Sugimoto handling her business in a wheat field, circa 1973. We’ve had this one laying around for more than three years and finally shared it today for no real reason at all save that we have so many other posters of this exact type that it’s probably time to either hide them away for good, or just be brazen and start uploading them. Lucky you, we chose option two. By the way, the opposite side looks like this.
The headlines that mattered yesteryear.
1910—Duke of York's Cinema Opens
The Duke of York's Cinema opens in Brighton, England, on the site of an old brewery. It is still operating today, mainly as a venue for art films, and is the oldest continually operating cinema in Britain.
1975—Gerald Ford Assassination Attempt
Sara Jane Moore, an FBI informant who had been evaluated and deemed harmless by the U.S. Secret Service, tries to assassinate U.S. President Gerald Ford. Moore fires one shot at Ford that misses, then is wrestled to the ground by a bystander named Oliver Sipple.
1937—The Hobbit is Published
J. R. R. Tolkien publishes his seminal fantasy novel The Hobbit, aka The Hobbit: There and Back Again. Marketed as a children's book, it is a hit with adults as well, and sells millions of copies, is translated into multiple languages, and spawns the sequel trilogy The Lord of Rings.
1946—Cannes Launches Film Festival
The first Cannes Film Festival is held in 1946, in the old Casino of Cannes, financed by the French Foreign Affairs Ministry and the City of Cannes.
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