Japanese society is very formal, but around here I keep things pretty laid back.
Above, a provocative promo photo of Japanese pinku icon Miki Sugimoto, one of dozens she made, all of which are rare. If you don't know her work we suggest adding it to your life. You can start with this film, this one, and this one.
Two of pinku's biggest stars headline a rare film festival in Tokyo.
If you find yourself in Tokyo today, Cinema Laputa Asagaya is hosting a retrospective of films featuring two of the biggest pinku stars of the 1970s—Reiko Ike and Miki Sugimoto, who are not only big stars but also Pulp Intl. faves who we've discussed many times. A new film will be featured every weekend until April 1, with all the pair's most legendary efforts appearing on the program, including Yasagure anego den: sôkatsu rinchi, aka Female Yakuza Tale (discussed here and here), Zenka onna: koroshi-bushi, aka Criminal Woman: Killing Melody, for which you can see the badass promo poster here, and of course Furyô anego den: Inoshika Ochô, aka Sex & Fury, which we talked about way back in 2009. There will be thirteen films in all, and the festival represents the best chance to see all these movies on a big screen in many years, and in a pretty cool location too. If you're in the vicinity, don't miss it.
Reiko Ike’s pelvic floor exercises pay off big time.
Onsen mimizu geisha, which premiered today in 1971, stars an eighteen-year-old Reiko Ike, along with Miki Sugimoto and Junkô Tôda, in yet another tale centered on a Japanese hot spring—Toi Onsen on the Izu Peninsula. So what is this about specifically? Basically, in order to avoid losing the family’s ancestral burial plot to debt collectors, Ike is forced to become a geisha, which turns out to be a natural choice because of the muscle control she has over her vagina. The extraordinarily pleasurable sensation she creates in there is akin to that of worms writhing. Yes, you read that right—worms. Warm ones, of course. And this is where the title of the movie comes from—Onsen mimizu geisha, or “hot springs earthworm geisha.” Do you need to know more? This is a classic, with a lot of goofy humor, plenty of bare skin and bikinis, a strong visual style from director Noribumi Suzuki, and some bizarrely aggressive octopi. And most importantly it has Ike, who’s radiant throughout, never more so than when flashing the viewer during the naughty opening credit montage. Maybe not for everybody, this one, but it certainly worked for us.
Reiko Ike and Sandra Julien get together and sparks fly.
Gendai poruno-den: Sentensei inpu, aka Modern Porno Tale: Inherited Sex Mania, aka The Insatiable is a Noribumi Suzuki-directed tale of sexual awakening, but we bet most viewers don't awaken until co-stars Reiko Ike and Sandra Julien end up in the shower together. Pretty steamy stuff, and as a bonus the two migrate into bed, which you see in the photo below. Prefacing that agreeable sequence are less agreeable but standard pinku elements, including legions of slimy horndogs, shameful voyeurism, forced de-virginization, a drugging, and an alcohol fueled orgy. The only good thing that happens is that Ike falls into bed with Pulp Intl. fave Miki Sugimoto. Actually, that's nearly the opening sequence, which is nice because it lets you know exactly where the movie plans to take you. But that interlude aside, other aspects of Reiko's life really suck, and her escalating problems eventually lead to a brawl which she escapes by hiding in a parked car. The man who owns that car seems to bethe person destined to save her from the sordid club girl life she's made for herself. Or is he? He slaps her within minutes of their initial meeting, but can you blame the guy? She was trying to kiss him. We can't pretend to truly understand these movies, and since there are no real reviews of this one online we're flying blind with our interpretation, but the message seems to be that sluttiness is genetic. In any case, we love the two posters at top. We also love the two promo images below of Ike and Julien. Gendai poruno-den: Sentensei inpu opened in Japan today in 1971.
Just when you thought it was safe.
We already shared the two-piece panel length poster for Sukeban berûsu: mesubachi no chosen, aka Girl Boss Blues: Queen Bee’s Challenge, but today we have two alternate versions. At top you see the standard poster, and below is the bo-ekibari, or horizontal two-piece. We already told you everything you need to know about the movie—in short, it has Reiko Ike, Miki Sugimoto, and strategic soap foam. A perfect night’s entertainment.
Maybe not today, maybe not tomorrow, but someday soon.
Above you see an alternate version of the promo poster for Sukeban guerira, aka Girl Boss Guerilla, Miki Sugimoto and Reiko Ike’s classic biker-girl revenge pinku flick. The previous versions, including a rare bo-ekibari style, are here. We also have a couple of rare promo images of Sugimoto and Ike below for your enjoyment, so you can appreciate them when they aren't trying to kill people. We have other promos that are even more rare, and we’ll see about sharing those later. Sukeban gerira premiered in Japan today in 1972.
Sugimoto heats up summer in Tokyo.
We like to keep an eye out for these cinema flyers advertising vintage pinku flicks because they usually feature imaginative reworkings of iconic imagery. In this case, Miki Sugimoto appears front and center on a flyer produced for a film festival at the Jinbōchō Theater, an arts complex comprising a theatre, cinema, and performance space opened in 2007 by Shogakukan publishers in the Jinbōchō neighborhood of Chiyoda, Tokyo. The shot of Sugimoto comes from her 1974 pinku actioner Zeroka no onna: Akai wappa, aka Zero Woman: Red Handcuffs, which plays from today through the end of July on a slate with fifteen other films of the non-pinku variety.
The nicely designed text in the bubbles at the center of the poster says something like, “Films born from summer vacation special project cartoons,” or put another way, it's a summer festival of films whose source material were all mangas—i.e. Japanese comic books. Zeroka no onna: Akai wappa was based on a manga by Tōru Shinohara, who also wrote the manga that inspired the hit Meiko Kaji series Female Prisoner Scorpion.
As a side note, the Jinbōchō Theater is an amazing structure designed by acclaimed architects Nikken Sekkei, and we uploaded a shot of it so you could have a look. It's an intimate space—99 seats, which means it was made specifically for film revivals. Generally we're all about vintage stuff and preserving history, particularly fantastic old cinemas, but nothing significant was torn down to build the Jinbōchō Theater, and in a city as modern as Tokyo a structure like this fits right in. If you're a film buff and you happen to be in thatr egion of the globe you now have something to do in July.
This September pinku stars rage in central Europe.
We call it Pulp International because we try to feature pulp style art from all over the world, but this may be the first item we've found from Croatia. It's an eye-catching off-angle poster promoting a pinku film festival in Zagreb, which starts today at the Kinoklub Zagreb—a cinema first established in 1928—and runs through the end of this month. Our analytics tells us where our website visitors come from, and we do indeed get the occasional glance from Croatia, so for all of you in Zagreb and environs—go to this festival. You get Girl Boss Guerilla, Terrifying Girls' High School 2: Lynch Law Classroom, and School of the Holy Beast. We've done short write-ups on all three films, so if you want to know more check, respectively, here, here, and here.
Idle handcuffs are the Devil’s playthings.
We’re into the Japanese pile again today, but for a different type of poster, and a different type of movie. This rare promo is for Yukio Noda’s Zeroka no onna: Akai wappa, aka Zero Woman: Red Handcuffs, starring Miki Sugimoto. It’s a limited edition piece painted by the artist Shindo, who we can’t find much about, but who presumably was pretty famous. We’ll look into that. Anyway, we watched this movie recently, and we’d tell you all about it, but do you really need another blog review, even an extraordinarily (ahem) witty and erudite one? Thought not. It’s widely available, so search it out, queue it up, and enjoy it. Zeroka no onna: Akai wappa premiered in Japan today in 1974.
The headlines that mattered yesteryear.
In Detective Comics #27, DC Comics publishes its second major superhero, Batman, who becomes one of the most popular comic book characters of all time, and then a popular camp television series starring Adam West, and lastly a multi-million dollar movie franchise starring Michael Keaton, then George Clooney, and finally Christian Bale.
1953—Crick and Watson Publish DNA Results
British scientists James D Watson and Francis Crick publish an article detailing their discovery of the existence and structure of deoxyribonucleic acid, or DNA, in Nature magazine. Their findings answer one of the oldest and most fundamental questions of biology, that of how living things reproduce themselves.
1967—First Space Program Casualty Occurs
Soviet cosmonaut Vladimir Komarov dies in Soyuz 1 when, during re-entry into Earth's atmosphere after more than ten successful orbits, the capsule's main parachute fails to deploy properly, and the backup chute becomes entangled in the first. The capsule's descent is slowed, but it still hits the ground at about 90 mph, at which point it bursts into flames. Komarov is the first human to die during a space mission.
1986—Otto Preminger Dies
Austro–Hungarian film director Otto Preminger, who directed such eternal classics as Laura, Anatomy of a Murder
, Carmen Jones
, The Man with the Golden Arm
, and Stalag 17
, and for his efforts earned a star on Hollywood's Walk of Fame, dies in New York City, aged 80, from cancer and Alzheimer's disease.
1998—James Earl Ray Dies
The convicted assassin of American civil rights leader Martin Luther King, Jr., petty criminal James Earl Ray, dies in prison of hepatitis aged 70, protesting his innocence as he had for decades. Members of the King family who supported Ray's fight to clear his name believed the U.S. Government had been involved in Dr. King's killing, but with Ray's death such questions became moot.
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