| Vintage Pulp | May 30 2018 |
G.I. foe: the rise of the cobra.
Some promo posters work exactly as intended. We saw this one for Cult of the Cobra and immediately dropped everything to find the film. We knew it was going to be a cheesy b-movie because we'd never heard of it before, and perhaps having low expectations is the key to enjoying it. In the story six American G.I.s in (presumably) India decide to alleviate their boredom by attending a local cobra cult's ritual. When they disrupt the ceremony in spectacularly boneheaded fashion the high priest curses the group. They pay no attention to this at all.
They return to the U.S. not knowing they've been tracked there, but when they start dropping dead they think, “Hey, didn't that high priest dude curse us?” Yes, he did. In fact, he specifically said the cobra goddess would kill them one by one. Missy Misdemeanor Eliot once memorably rapped in her hit song “Slide,” Behind every curtain there's a snake bitch lurkin', and that neatly encapsulates the problem for the surviving G.I.s—they realize they're in trouble but have no idea who their nemesis could be.
But we viewers don't have to guess. Their homicidal stalker is Faith Domergue, raven haired veteran of many beloved sci-fi and horror films, including This Island Earth and The Atomic Man. She also starred in the occasional decent drama such as Vendetta and Where Danger Lives. She's an unusual looking woman but here her sloe-eyed beauty really works. You can almost believe she'll turn into a snake at any moment. Check her out:
Definite snakelike qualities, right?Cult of the Cobra is a bad but fun Universal International cheapie, what we like to call a popcorn muncher, a time killer you can enjoy and forget immediately thereafter. Its main attractions are Domergue as the snake woman, the luscious Kathleen Hughes as the hero's love interest, and some amusing cobra-vision sequences. And that amazing promo poster. We also have the alternate U.S. promo and Australian promo below. Cult of the Cobra slithered into cinemas for the first time today in 1955.
AustraliaUniversal International PicturesCult of the CobraFaith DomergueRichard LongKathleen Hughesposter artcinemahorrormovie review
| Femmes Fatales | Apr 10 2018 |
I can see how excited I've made you. Pour this bowl of cold water on it and see if that helps.
In the promo photo above Femi Benussi appears in costume—in amazing costume—as Lola in the film Il domestico. Benussi was born in Rovigno, Italy, which is now Rovnij, Croatia, and debuted in 1965's Il boia scarlatto, aka Bloody Pit of Horror. She went on to appear more than eighty films, including the giallo Nude per l'assassino, aka Strip Nude for Your Killer and the actioner Storia di sangue, aka Blood Story. The above image is from 1974, and just to make Benussi's outfit complete it also came with a hat, shoes, and a bruise courtesy of the makeup department, below. As we continue to work our way through various 1970s schlock classics you can be sure that Benussi will show up here again
ItalyCroatiaRovignoIl domesticoIl boia scarlattoBloody Pit of HorrorNude per l'assassinoStrip Nude for Your KillerStoria di sangueBlood StoryFemi Benussigiallo
| Vintage Pulp | Feb 1 2018 |
The world of professional ballet is absolute murder.
Suspiria is a legendary giallo, praised by horror fans and mainstream critics alike, and slated for a splashy 2018 remake. The fact that it's being remade is understandable—from Hollywood's perspective it fits with action and horror movies such as Turistas, Hostel, A Lonely Place To Die, Land of Smiles, Taken, et al that over the last decade or so have warned Americans that horrific things will happen to them if they travel overseas. In Suspiria an American dancer gains admittance to a prestigious West German ballet academy, but arrives just in time for a nightmarish series of murders. Jessica Harper stars as the ingenue trapped in this mostly blood red dance academy, a stranger in the strangest land, beset by unexplained illnesses, hallucinatory events, and vicious nocturnal terrors.
Suspiria piles the horror stylings on—from Dario Argento and his surreal direction, to Luciano Tovoli with his baroque lighting schemes and supersaturated colors, to the maggot wrangler who produced many more maggots than could have been reasonably expected, to the scorers (Argento among them) who came up with a percussive and discordant soundtrack that could rattle a bomb disposal robot. The first murder is nothing short of operatic, complete with a shot of a knife piercing the victim's exposed heart. The only real question going forward is whether Argento can possibly keep reaching such heights. And the answer is Suspiria, its brilliance outshining its flaws, is a classic for a reason. The poster above is a classic too. It was painted by Mario de Berardinis to promote the film's premiere in Italy today in 1977.
Suspiria piles the horror stylings on—from Dario Argento and his surreal direction, to Luciano Tovoli with his baroque lighting schemes and supersaturated colors, to the maggot wrangler who produced many more maggots than could have been reasonably expected, to the scorers (Argento among them) who came up with a percussive and discordant soundtrack that could rattle a bomb disposal robot. The first murder is nothing short of operatic, complete with a shot of a knife piercing the victim's exposed heart. The only real question going forward is whether Argento can possibly keep reaching such heights. And the answer is Suspiria, its brilliance outshining its flaws, is a classic for a reason. The poster above is a classic too. It was painted by Mario de Berardinis to promote the film's premiere in Italy today in 1977.
ItalyWest GermanySuspiriaDario ArgentoJessica HarperLuciano TovoliMario de Berardinisposter artcinemagiallohorrormovie review
| Vintage Pulp | Jan 14 2018 |
The Bates Motel offers room service with that personal touch.
When we wrote about Psycho a while back we came across this Yugoslavian poster which we're sharing today, finally. Usually we write about films on their release dates but there isn't an exact one known for Yugoslavia. It arrived there in 1963, though, three years after its U.S. run. This two tone poster is about as low rent as it gets, but it's still effective, we think.
| Femmes Fatales | Dec 28 2017 |
She's ready to go anywhere her legs take her.
British actress Veronica Carlson's first screen role was an uncredited bit in Casino Royale, and her latest role is in 2018's upcoming House of the Gorgon. In between she became well known as a regular player in various Hammer Studios horror films. The above promo image was made when she appeared on the British television series The Saint. She looks a bit sinful, though, don't you think. Copyright 1969.
| Vintage Pulp | Nov 20 2017 |
Nobody wants to be around when the bill comes due.
We've seen a few posters for the Japanese horror classic Jigoku, but never this one. The title is a Japanese word meaning “hell,” and that idea comes across pretty strongly on this bizarre promo. If you haven't seen the movie, it's about a group of people, all who have committed sins of some sort or another, that find themselves in hell. What's that like? Well, there are lakes of pus, pools of boiling water, fields of spikes, etc., as well as numerous baroque tortures, including people buried alive head first up to their ankles, chopped up, torn apart, de-toothed by various brutal means, and worse. In short, the filmmakers showed everything they had the efx capabilities to depict. It must have scared the bejesus out of people, but the movie was so successful it was remade three times. Real film buffs will want to check out the original, which premiered in Japan today in 1960.
| Modern Pulp | Nov 18 2017 |
Laura Gemser bites off more than she can chew in z-grade zombie epic.
Finally! We've learned that the Italian poster artist who signed his work Aller was a man named Carlo Alessandrini, and we owe that information to a new book by Roberto Curti called Italian Gothic Horror Films 1970-1979. Above you see Alessandrini's work for the Laura Gemser sexploitation flick Le notti erotiche dei morti viventi, aka Sexy Nights of the Living Dead. Gemser started in erotica in 1974, and as the years wore on she basically traded on her name and did less and less actual performing, appearing in several films in little more than cameo roles. In this one she secures top billing for not showing up until the thirty-three minute mark, and not uttering a line of dialogue until probably forty minutes in.
Plotwise, a sailor takes a greedy gringo developer and his prostie companion to a deserted island where the American wants to build the finest resort in the Caribbean. The place is called Cat Island and whenever anyone mentions it to the locals who live on nearby islands they run out of the room. To normal people this would be a strong non-endorsement concerning travel to Cat Island, but such blatant hints are lost on lunkheads in horror movies. So a-boating they go. When the developer announces his plan to pave over the old island cemetery to build a heliport you just know he's sticking his dick somewhere he's likely to lose it—Gemser's mouth (see below). Her army of zombies are equally opposed to gentrification, and lodge their protests by chasing the living all over the place. But all is not lost. As the hero explains at one point: “The advantage we have is that they move at a snail's pace.”
So does the movie. One plus is that it was made primarily on beautiful beaches in the Dominican Republic, and several scenes were shot in Santo Domingo, which is interesting to see pre-tourist era. Another plus is that there's wall to wall sex featuring such beauties as Dirce Funari, who's the real star of the movie, and Lucia Ramirez. The unrated version goes all the way, and even treats viewers to a Tijuana donkey show-worthy routine involving a stripper and a Champagne bottle. None of the X action includes Gemser, who was strictly softcore her entire career, though her nudity is more explicit than usual here. Basically, it's all just as dumb as it sounds, but we'll admit it's accidentally funny in parts, which helps. Le notti erotiche dei morti viventi premiered in Italy today in 1980.
So does the movie. One plus is that it was made primarily on beautiful beaches in the Dominican Republic, and several scenes were shot in Santo Domingo, which is interesting to see pre-tourist era. Another plus is that there's wall to wall sex featuring such beauties as Dirce Funari, who's the real star of the movie, and Lucia Ramirez. The unrated version goes all the way, and even treats viewers to a Tijuana donkey show-worthy routine involving a stripper and a Champagne bottle. None of the X action includes Gemser, who was strictly softcore her entire career, though her nudity is more explicit than usual here. Basically, it's all just as dumb as it sounds, but we'll admit it's accidentally funny in parts, which helps. Le notti erotiche dei morti viventi premiered in Italy today in 1980.
ItalyDominican RepublicSanto DomingoLe notti erotiche dei morti viventiSexy Nights of the Living DeadItalian Gothic Horror Films 1970-1979Laura GemserAllerCarlo AlessandriniRoberto Curtiposter artcinemasexploitationmovie reviewxxx
| Modern Pulp | Vintage Pulp | Oct 31 2017 |
A dozen bloody reasons to love Halloween.
This poster is a special edition promo painted by Nanpei Kaneko for The Texas Chainsaw Massacre, which was showing at the Tokyo International Film Festival on its fortieth anniversary in 2014. The Japanese title 悪魔のいけにえtranslates to “devil sorrowfully” or “Satan sorrowfully,” and that's a mystery to us, as we're sure there are chainsaws in Japan, as well as the concept of massacres, and some general inkling about Texas, but whatever. Sorrowfully it is—the poster is amazing.
Below, in honor of Halloween, which is becoming more and more of an event here overseas where we live, we have eleven more Japanese posters for 1970s and 1980s U.S.-made horror films. They are, top to bottom, The Prowler (aka Rosemary's Killer), The Fog, Lifeforce, An American Werewolf in London, Bug, Halloween II (aka Boogey Man), Let Sleeping Corpses Lie,Torso, The Evil Dead, Link, and Death Trap.
We've put together horror collections in the past. We have five beautiful Thai posters at this link, fifteen Japanese horror posters we shared on Halloween two years ago here, and we also have a collection of aquatic creature feature posters we shared way back in 2009. And if those don't sate your appetite for the morbid and terrible, just click the keyword “horror” below, and you can see everything we've posted that fits the category. No tricks. Only treats.
Below, in honor of Halloween, which is becoming more and more of an event here overseas where we live, we have eleven more Japanese posters for 1970s and 1980s U.S.-made horror films. They are, top to bottom, The Prowler (aka Rosemary's Killer), The Fog, Lifeforce, An American Werewolf in London, Bug, Halloween II (aka Boogey Man), Let Sleeping Corpses Lie,Torso, The Evil Dead, Link, and Death Trap.
We've put together horror collections in the past. We have five beautiful Thai posters at this link, fifteen Japanese horror posters we shared on Halloween two years ago here, and we also have a collection of aquatic creature feature posters we shared way back in 2009. And if those don't sate your appetite for the morbid and terrible, just click the keyword “horror” below, and you can see everything we've posted that fits the category. No tricks. Only treats.
JapanTokyo International Film Festival悪魔のいけにえThe ProwlerRosemary's KillerThe FogLifeforceAn American Werewolf in LondonBugHalloween IIBoogey ManLet Sleeping Corpses LieTorsoThe Evil DeadLinkDeath TrapNanpei Kanekoposter artcinemahorror
| Vintage Pulp | Oct 28 2017 |
No vacancy? No problem. A room will open up shortly.
Whenever we watch Psycho—and we've seen it several times—we try to imagine what 1960 film audiences thought about the goings on at the Bates Motel. There had been a terrifying trailer that hinted at most of the plot points, but still, to see Janet Leigh—a big star who had already appeared in films like Touch of Evil and Safari—so brutally and helplessly dispatched must have sent some people running from the cinema. Alfred Hitchcock was an incredibly popular director, but of suspense and thriller films, so it's safe to assume many Psycho ticket buyers who would never otherwise have seen a legit horror film found themselves trapped in their first—one of the most violent and dark entries the genre had yet seen. It's still a very affecting film all these years later, as is this Italian promo poster—notice the Italian spelling “Psyco”—painted by Ermano Iaia. If you haven't seen the movie we highly recommend it. Psycho premiered in the U.S. during the summer of 1960 and arrived to traumatize Italy today the same year.
ItalyPsycoPsychoAlfred HitchcockAnthony PerkinsVera MilesJanet LeighErmano Iaiaposter artcinemahorrormovie review
| Modern Pulp | Oct 24 2017 |
Some things are better left undimensioned.
Stuart Gordon's cult classic horror film From Beyond premiered in the U.S. today in 1986, but we're sharing this Thai poster because it's more attractive than the American promo. For the uninitiated, From Beyond is loosely based on an H.P. Lovecraft story of the same name about a scientist who discovers what is today a standard terror motif: if you can see them, they can see you. Lovecraft came up with this idea way back in 1920, spinning a tale about a machine called a resonator that enables humans to see horrific beings that surround us but reside in an invisible adjacent dimension. But once the scientist perceives them, the monstrous entities likewise perceive him—and come calling.
The film starred Jeffrey Combs and Barbara Crampton, two alumni from Gordon's bravura gorefest Re-Animator, released the previous year. From Beyond doesn't push the envelope as far as the earlier film, but that doesn't mean it's bad. It just means Gordon tempered his vision a bit. In other ways the films are quite similar. Both play the naked-woman-as-victim card, which can be uncomfortable to watch, since these days such sequences are not benignly received. As always, times change.
In From Beyond the nudity isn't gratuitous exactly. One of the side effects of the resonator is that it frees the id, which is why you see Crampton go from buttoned up schoolmarm to brazen dominatrix in the promo shots below. Males are similarly affected. We searched for shots of co-star Ken Foree in his banana hammock undies—one of many famous moments from the film—but came up empty, so to speak. Regardless of the cultural shift that has placed movies like From Beyond, with its depiction of sexual assault, on shaky ground in 2017, we recommend it for true horror fans. The viewing may discomfit, but the villain is after all both man and monster, which makes him/it an interesting symbol for our modern age.
The film starred Jeffrey Combs and Barbara Crampton, two alumni from Gordon's bravura gorefest Re-Animator, released the previous year. From Beyond doesn't push the envelope as far as the earlier film, but that doesn't mean it's bad. It just means Gordon tempered his vision a bit. In other ways the films are quite similar. Both play the naked-woman-as-victim card, which can be uncomfortable to watch, since these days such sequences are not benignly received. As always, times change.In From Beyond the nudity isn't gratuitous exactly. One of the side effects of the resonator is that it frees the id, which is why you see Crampton go from buttoned up schoolmarm to brazen dominatrix in the promo shots below. Males are similarly affected. We searched for shots of co-star Ken Foree in his banana hammock undies—one of many famous moments from the film—but came up empty, so to speak. Regardless of the cultural shift that has placed movies like From Beyond, with its depiction of sexual assault, on shaky ground in 2017, we recommend it for true horror fans. The viewing may discomfit, but the villain is after all both man and monster, which makes him/it an interesting symbol for our modern age.
ThailandFrom BeyondH.P. LovecraftJeffrey CombsBarbara CramptonKen ForeeTed Sorelposter artcinemahorrormovie review
