Vintage Pulp Jul 18 2021
THE WOMAN IN 809
Monroe finds herself in a room with no space to maneuver.


It says plenty about Don't Bother To Knock that we queued it up last night, popcorn and adult beverages in hand, having forgotten that we already watched it several years ago. That has less to do with the overall film than with Marilyn Monroe, but we'll get to that in a minute. The film was based on Charlotte Armstrong's Mischief, which was serialized in 1950 in Good Housekeeping magazine, and deals with a mentally disturbed babysitter watching over a child in a fancy New York City hotel suite. Along with Monroe it stars Richard Widmark and Anne Bancroft, with their three characters suffering respectively from derangement, detachment, and disillusionment—three ailments suggested to be caused or exacerbated by life in the big city. Widmark as a cynical single looking for easy action and Bancroft as a world weary torch singer working the hotel lounge don't have any problems a change in luck wouldn't solve, but the movie revolves around Monroe, who, thirteen credited roles into her career at this point, gets a chance to stretch her range as a nutty nanny in need of a lot more than just kind words to get back on the beam.

Monroe's performance in this heavy drama is tough to judge. To us it feels a bit flat, but contemporary reviewers generally liked it, and it's fair to say it helped her climb that last rung to the superstardom she'd reach a year later with Gentlemen Prefer Blondes. Watch that film and you'll see that, while Don't Bother To Knock asked her to stretch, it did so by requiring that she suppress her natural charisma. That's no easy trick for an actor, let alone someone as incandescent as her, and that, in short, is probably why we forgot we'd already watched the movie. Monroe was so big in her other performances that this flick went down the memory hole. Her iconic movies feel as if they could only have starred her. This one feels like it could have starred anyone. Monroe just isn't Monroe in it. But that probably means her performance is a success. Watching it afresh, we can tell you it's certainly a must for Marilyn fans, and will probably work for vintage film fans of all types. But those unschooled in the oldies might walk away from this effort thinking, Meh, I don't get all the Monroe fuss. But the fuss was appropriate and deserved. Don't Bother To Knock—not a film noir as labeled on many sites, by the way—premiered today in 1953.

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Vintage Pulp Nov 9 2020
UNDER COVER OF NIGHT
When the sun's away the crooks will slay.


And speaking of the film noir starring Aldo Ray and Anne Bancroft, we watched it right after finishing the book, and though the novel was pretty dark, the filmmakers decided a little upbeat mood music was on order, so they got the immortal jazz crooner Al Hibbler to sing a theme song. Everybody knows this one. Join right in: Nightfaaaaaaall... and youuuuuuuuuuu... lovely you... underneath the wreath of heaven's pale blue... you are poetry (possibly haiku)... you are melody (maybe in d minor, the saddest of keys)... You get the idea. Don't let us turn you off this film. The theme song is nothing the mute button won't fix.

As we mentioned in the post above, Nightfall was directed by Jacques Tourneur, the heavyweight talent behind the film noir monument Out of the Past, and he has the kind of skills that make an early shot of co-star James Gregory getting on a bus an artistic achievement. Gregory plays an insurance investigator on the trail of $350,000 of missing heist loot, and, as in the novel, the innocent schmuck who accidentally got stuck with it lost it and doesn't remember how or where. That person is played by Ray, who's great in this, as he relates his dilemma in flashbacks and desperately tries to deal with the two murderous robbers who originally stole the cash.

Nightfall is no Out of the Past, but it's a solid film noir entry, well worth watching. Besides Ray and Gregory, the two robbers Brian Keith and Rudy Bond are good, and honey-voiced Bancroft as the femme fatale handles her pivotal role nicely. Credit here also goes to Burnett Guffey, who photographed the movie, and added to his long list of beautiful film noir achievements—Johnny O'Clock, Night Editor, In a Lonely Place, The Sniper, Private Hell 36, Screaming Mimi, and a portfolio of other films. Put Nightfall in your queue. It'll be worth it—once the theme song is over. It premiered in the U.S. today in 1956

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History Rewind
The headlines that mattered yesteryear.
December 07
1941—Japanese Attack Pearl Harbor
The Imperial Japanese Navy sends aircraft to attack the U.S. Pacific Fleet and its defending air forces at Pearl Harbor, Hawaii. While the U.S. lost battleships and other vessels, its aircraft carriers were not at Pearl Harbor and survived intact, robbing the Japanese of the total destruction of the Pacific Fleet they had hoped to achieve.
December 06
1989—Anti-Feminist Gunman Kills 14
In Montreal, Canada, at the École Polytechnique, a gunman shoots twenty-eight young women with a semi-automatic rifle, killing fourteen. The gunman claimed to be fighting feminism, which he believed had ruined his life. After the killings he turns the gun on himself and commits suicide.
December 05
1933—Prohibition Ends in United States
Utah becomes the 36th U.S. state to ratify the 21st Amendment to the United States Constitution, thus establishing the required 75% of states needed to overturn the 18th Amendment which had made the sale of alcohol illegal. But the criminal gangs that had gained power during Prohibition are now firmly established, and maintain an influence that continues unabated for decades.
1945—Flight 19 Vanishes without a Trace
During an overwater navigation training flight from Fort Lauderdale, five U.S. Navy TBM Avenger torpedo-bombers lose radio contact with their base and vanish. The disappearance takes place in what is popularly known as the Bermuda Triangle.
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