| Femmes Fatales | May 28 2020 |
It's not an N95 mask but it's all I've got.
Visual references change. This is obviously a veil, but when we saw it the first thing that came to mind was mask. It's an elegant, somewhat erotic shot, which is no wonder, as veils are generally seen as sexy. Masks, meanwhile, are not, but might that change? There's already mask porn. Doesn't do anything for us, but maybe we're just not cutting edge enough. Anyway, this rare photo was made to promote the 1947 Groucho Marx comedy Copacabana, and the face behind the veil is that of legendary Portuguese-born Brazilian singer Carmen Miranda. We know what you're thinking. This can't be Carmen Miranda. But it is. In the film she's trying to hide her identity, which is why she's made-up so pale and is wearing a blonde wig. Her ruse worked, and not just in Copacabana—websites have misidentified this shot as everyone from Chili Williams to Lili St. Cyr.
| Vintage Pulp | Feb 7 2019 |
What's the most important Carnival accessory? Anonymity.
Who is this masked woman? We don't know, because she doesn't get credit for her appearance on this Rio carnival themed cover of O Seculo Ilustrado published today in 1948, but what a great image. A little anonymity is just the thing carnival goers need. We know because we've been to Rio during that raucous holiday and we can tell you plenty of people are simply not themselves. This is a beautiful photo-illustration, even frame-worthy, we'd say. Which is actually possible, since the original scan of this is more than 1100 pixels wide thanks to the Wordpress blog Ilustração Portugueza. Get your own while the page is up. It's been idle for a while and could, as blogs are wont to do, disappear anytime.
| Intl. Notebook | Dec 3 2018 |
Television makes a celebrity of a natural born Kira.
Above is another cover of the Portuguese magazine O Século Ilustrado, this time with a non-Hollywood face. She's Kira Shirk, who gained fame when Europe learned she had been a sniper in the Russian infantry during World War II's Battle of Leningrad. The magazine explains that she's appearing on NBC's Big Surprise, a game show that culminated in a high pressure question worth $100,000 if the contestant answered it correctly. Shirk had pledged to donate part of her winnings to an organization called Crusade for Freedom. Did she win? No idea, but her question was supposed to be about weapons and war, so we're going with yes. Great image, published today in 1955. More here.
| Intl. Notebook | Oct 4 2018 |
The women they talked about then.
It took us a while but we finally find out where the covers of O Século Ilustrado we've been sharing came from. They originate at a Wordpress blog called Ilustração Portugueza. It hasn't been active since January 2017, so it looks like we missed our chance to send them some traffic, but at least the images remain up for now. The above cover hit newsstands today in 1947 and features a triptych of Vera Zorina, Yvonne DeCarlo, and Lucille Ball labeled as “Tres mulheres de quem se fala,” which means “Three women we're talking about.” They were so good we're still talking about a couple of them. If you want to see the other covers we posted just click the magazine's keywords below.
| Intl. Notebook | Sep 20 2018 |
O Século Ilustrado gives readers its best shot.
It's the Portuguese magazine O Século Ilustrado again, with another hazy, portrait style cover. We love these things. This one features Swedish legend Ingrid Bergman looking quite pleased and dates from today in 1947.
| Intl. Notebook | Jun 28 2018 |
Miss beijada pelo sol brightens the day.
We've been running across covers of the Portuguese magazine O Século Ilustrado online lately. We don't know where they originated, since they're on numerous image aggregator sites without attribution, but we like them. We shared one with Martha Vickers recently and here's another starring U.S. actress Leslie Brooks that calls her “Miss beijada pelo sol,” literally “Miss Kissed by the Sun.” It appeared on newsstands today in 1947.
| Intl. Notebook | Apr 12 2018 |
O Século Ilustrado showcases a top Hollywood beauty.
The Portuguese magazine O Século Ilustrado was the weekly supplement of Lisbon's daily newspaper O Século, which was published between 1880 and 1978. There's some pop culture and cinema content in the magazine, but it wasn't filled with thrilling visuals. The covers were sometimes an exception, though, such as this one that hit newsstands today in 1947 featuring an amazing shot of U.S. actress Martha Vickers—billed as “a star of cinema and radio.” During her short life she made a lasting impression in movies like The Big Sleep and Ruthless. The promo photo O Século Ilustrado editors used to create their cover appears below, and you can see that Vickers was a rare beauty. She died of cancer in 1971 aged forty-six.
| Hollywoodland | Jun 5 2017 |
When you can move like Astaire, nobody is out of your league.
Only in the movies could a 150 pound broomstick like Fred Astaire score a babe like Rita Hayworth. Or maybe we're not giving him enough credit. He was an amazing dancer, and we know that counts for a lot. Also, Hayworth made it with Sinatra and he was tiny too. So forget what we said. She liked them small. Anyway, the image above is from the rear of a copy of the Portuguese newspaper O Século Ilustrado, and it's a promo for the musical romance You Were Never Lovelier. We've watched it a couple of times, and it's a nice flick set in Buenos Aires telling the story of a very picky Hayworth refusing to marry any of the many handsome and rich men around her. When she meets Astaire she thinks he's a pest—until she sees him glide around the room. We recommend the movie. It's as fun as this photo makes it look. To add to the fun even more, we have a promo image from the film below, and by the way, let's never forget that Hayworth was a professional level dancer too. Check here for proof.
PortugalArgentinaBuenos AiresO Século IlustradoYou Were Never LovelierRita HayworthFred Astairecinema
| Modern Pulp | May 29 2017 |
All jerks and no play make Linda a very dull movie.
Some of the other titles of the West German sexploitation flick Linda are Captive Women, Naked Super Witches of the Rio Amore, and Orgy of the Nymphomaniacs. Those should tell you everything about the content of this movie. Plotwise, it involves a woman forced to work as a prostitute at a bdsm brothel on the island of Madeira, Portugal. How that actually happens doesn't much matter. The circumstances are ridiculous, and not at all the point. The point is nudity, which is delivered often and steadily. Characterwise, almost every man in the film deserves to be drawn and quartered, which makes it too bad that doesn't actually happen. It's actually a scorpion that turns the tide and allows the heroine to finally escape.
The movie is notable really for only two things: it was one of more than 100 productions helmed by Jesus Franco, that misunderstood genius, and it features 1979 Playboy centerfold Ursula Buchfellner, billed here as Ursula Fellner. Three things, actually: it's as humorless a sexploitation flick as we've ever seen. Even Katja Bienert in the title role can't save it. No way we can recommend this one, but we wanted to show you the Italian promo poster. It has the look of pieces painted by Mafé, but he signed all his work, as far as we know, so this must just be a convincing imitation. Linda premiered in West Germany for the first time today in 1981, and don't say we didn't try to steer you away.
Bonus material: just for the hell of it, just because they exist, we've uploaded a couple of promo shots of Bienert and Buchfellner below. Their names together sound kind of like a cop show, like a prime time drama where every problem is solved within an hour. We think it would have been a hit, because they've solved our problems in just a couple of minutes. But our previous advice holds true: don't watch the movie.
West GermanyItalianPortugalMadeiraLindaCaptive WomenNaked Super Witches of the Rio AmoreOrgy of the NymphomaniacsPlayboyJesus FrancoJess FrancoUrsula BuchfellnerUrsula FellnerKatja BienertRaquel Evansposter artcinemasexploitationnuditybdsmmovie review
| Vintage Pulp | Mar 15 2015 |
Rádio & Televisão offers a glimpse into entertainment during Portugal’s dark dictatorship years.
Our recent post of Movie Mirror reminded us that we have other magazine collections in the hard drive, so today we present Rádio & Televisão, which was a Portuguese celeb publication. You may have noticed that Florbela Queiroz earns three covers in three years. She was one of Portugal’s biggest stars during the late-1960s, which was toward the end of António de Oliveira Salazar’s U.S.-backed, corporatist military dictatorship. Other covers go to Ana Leiria, British actress Cilla Black, and figures we don't recognize. Even though the design of Rádio & Televisão changed pretty much immediately after the country was freed from its long bondage, we prefer the retro look of these dictatorship-era covers. A few of the images came from the Portuguese music blog Ié-Ié, so thanks for those.
PortugalBritainRádio & TelevisãoAna LeiriaCilla BlackFlorbela QueirozAntónio de Oliveira Salazartelevision
