Larger than life and twice as revolutionary.
The schlock factory known as American International Pictures and director Eddie Romero team up for another low budget romp with Savage Sisters, one of numerous shot-in-the-Philippines action epics they put together for the grindhouse circuit. AIP regulars Sid Haig, John Ashley, and Vic Diaz make appearances, but the stars of this one are Cheri Caffaro, Gloria Hendry, and Rosanna Ortiz, playing women caught up in a third world revolution. Violence and dumb comedy combine into an entertaining mix, but entertaining isn't the same as good. Savage Sisters is strictly for movie parties with pals, something you glance at between beers and bong hits to catch the intermittent gun battles and soft titillation. Gil Scott-Heron said the revolution would not be televised. It won't be organized either, if these plotters are any indication. It's ironic that all these AIP movies about overthrowing repressive governments were shot during Ferdinand Marcos's exploitative Philippine regime, but we guess he was just happy to have film production in the country and didn't actually care about the finished product. As long as you don't care too much about the finished product either you can put Savage Sisters in the awful-but-fun bin and enjoy. It opened this month in 1974.
The way you say that word makes me so hot. Say it again. Say... “epaulettes.”
Sorry, dude, I can't reach that knife in your pocket. But I can hold your hand. It'll comfort us both as we die of exposure.
Damn, girl. I never noticed before, but when the light hits your face just right you look a lot like Peter Frampton.
I think we all knew that Iota Kappa Ass has the most difficult initiations of all the sororities but this is just crazy.
It's a revealing outfit for a military assault, I know, but after we shoot up this munitions depot we're headed to the disco.
I think I just realized something. I don't give a fuck about the revolution. I just want to ventilate some honkies.
I'm uniquely qualified to lead this revolution because of my grand vision and infallible foresight. Take my outfit, for instance. This will never go out of style.
We must have sex on the brain, because everything we see reminds us of it.
Remember our last group of Japanese posters containing the English word “sex”? No? Go directly there. Also, perhaps visit here, here, and here. Now that you’re back, today we have another set of posters with sex in the text (you have to look closely at some of them, but it’s there). One Japanese word for sex is セックス, and the phonetic transvocalization of the English is “sekkusu,” but their poster artists often seem to prefer plain old sex. Why? Well, why do Americans use the French word “chauffeur” instead of saying, “that underpaid guy who drives my car”? Because it's cooler, that’s why. Most of these posters are for American x-rated films, but panel two, just below, is for the Natalie Wood movie Bob and Carol and Ted and Alice, which definitely isn’t x-rated. But it should have been. Because Natalie Wood. And, um, wood. On the other posters you get Kay Parker, Nina Fause, Maria Arnold, Jennifer Welles, Constance Money, Annette Haven, and Inge Hegeler. And if you want to know the titles, those are all on the posters in English too (though sometimes wrong, as in Expose Me Lovely which turns into Exporse Me Lovely), but it’s probably easier to just look at the bottom of the post, where we’ve listed them in order.
Nobody’s Faut but her own.
Above is a great piece of Jef de Wulf art of an amorous sailor and an interested woman for Jacques Marlène’s Faut que tu y passes, cheri!. The book appeared in 1952 from Lutécia Editions à Lyon as part of their Pour lire la nuit collection. We gather the novel was censored in France in 1955. The title Faut que tu y passes, cheri! translates to something like “You have to pass it, darling.” Here again we have a French phrase that doesn’t quite translate into English. Usually we get e-mailed about these, but our e-mailer is down, and we’re well aware of it. We’ll get to fixing that soonish, along with the pulp uploader. In the meantime, you can still contact us at email@example.com if you care to explain this title more fully.
Update: So we got several reponses to this question.
From the blog oncle-archibald.blogspot.com we learned that the title translates roughly to, "I will have my wicked way with you, darling!" This is in reference to the French expression "
passer a la casserole," which has a sexual interpretation and translates, "to have his wicked way with you."
From our friend Jo B. we get a similar interpretation. He says it's a way of saying, "You’ve got to make love with me, you’ve got no way to escape this... (faut que tu y passes). He explains further: In French, they also say, “Il faut que tu passes à la casserole,” which means, "You’ve got to go in the saucepan." Strange, ain’t it ? Sometimes, we also say that for people who want to get a job (at the television, for example or in a company).
So there you go. We're giving serious thought to learning this language. There are thousands of French speakers around here anyway, and it would come in handy. Oncle Archibald has lots of similar book covers, by the way, and we recommend clicking over there for a look.
They don’t make them like they used to.
Brigitte Bardot started as a dancer and model, but soon moved into film, debuting in 1952’s Le trou normand. But it wasn’t until today in 1955 that she exploded onto the international scene in Roger Vadim’s Et Dieu… créa la femme, aka ...And God Created Woman. As Bardot’s career blossomed she embraced the role of luscious sex symbol, and was eventually voted honorary sex goddess of the 1960s—though by whom we aren’t sure. Anyway, if she’s a sex goddess, she’s pulp, so here she is on a collection of vintage posters.
Later in her career Bardot released several albums, charting hits in collaboration with French musical legend Serge Gainsbourg. As Bardot aged she became reclusive, but still speaks out on political issues. Recently she slammed U.S. vice-presidential candidate and fellow sexpot Sarah Palin for, among other transgressions, downplaying the environmental harm caused by humans. There’s much more to Bardot’s life than we can describe here. We recommend checking out her Wikipedia entry and renting her movies.
The headlines that mattered yesteryear.
1940—Trotsky Iced in Mexico
In Mexico City exiled Russian revolutionary Leon Trotsky is fatally wounded with an ice axe
(not an ice pick) by Soviet agent Ramon Mercader. Trotsky dies the next day.
1968—Prague Spring Ends
200,000 Warsaw Pact troops backed by 5,000 tanks invade Czechoslovakia to end the Prague Spring political liberalization movement.
1986—Sherrill Goes Postal
In Edmond, Oklahoma, United States postal employee Patrick Sherrill shoots and kills fourteen of his co-workers and then commits suicide.
1953—Mohammed Mossadegh Overthrown in Iran
At the instigation of the CIA, Prime Minster of Iran Mohammed Mossadegh is overthrown and the Shah Mohammad Reza Pahlavi is installed as leader of the country.
1920—U.S. Women Gain Right To Vote
The Nineteenth Amendment to the United States Constitution is ratified despite heavy conservative opposition. It states that no U.S. citizen can be denied the right to vote because of their gender.
1958—Lolita is Published in the U.S.
Vladimir Nabokov's controversial novel Lolita, about a man's sexual obsession with a pre-pubescent girl, is published in the United States. It had been originally published in Paris three years earlier.
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