|Vintage Pulp||Oct 13 2017|
The cops arrest her for the killing and send her to a mental hospital to await trial. But the case is hardly airtight. Loose ends include Bolkan's dream diary, an illicit affair, and a blackmail plot. The mental hospital is hardly airtight either. A stalker shows up intent on putting Bolkan out of commission. Eventually doubts arise in the case and Bolkan is sprung from the booby hatch, but who committed the murder? Well, below we have some production shots, and at bottom is a poster for the film's re-issue as Schizoid—a title that's a blatant spoiler. Actually, considering lizards change their skin by molting, the original title is a spoiler as well. Too clever by half, these Italian filmmakers, but the movie is still fun.
|Musiquarium||Oct 19 2009|
Cover art from an assortment of sixties and seventies soundtracks and collections from Beat records, Italy. Note the Sandro Symeoni art in panel nine. If you missed our earlier post on this master's work, you can find it here.
|Vintage Pulp||Aug 21 2009|
This poster for Una sull’altra, aka Perversion Story, was painted by Angelo Cesselon, and the film was directed by Lucio Fulci, who would later become one of Italy’s grandmasters of cinematic gore. This flick is eerily similar in plot to Vertigo, complete with the death of the love interest and subsequent reappearance of her double. It’s even set in San Francisco like Vertigo, but the difference is Fulci notches the ’60s psychedelia up to the max, and offers up lots of Marisa Mell’s naked flesh. Mell had starred in the camp classic Diabolik the previous year, and here she is getting groovy again, particularly in one motorcycle striptease that’s probably worth the time spent watching the rest of the film. As a side note, you’ll see Jean Sobieski here, who happens to be Leelee Sobieski’s dad. Una sull’altra opened in Italy this week, and France today in 1969.
|Modern Pulp||Apr 29 2009|
A couple of days ago we were riffing on a movie called The Beyond, aka Spirit City of the Damned, aka Seven Doors of Death, and showed you the colorful Thai poster. By contrast, the sinister and almost monochromatic promo art you see above accompanied the film’s earlier Italian release as E tu vivrai nel terrore—L'aldilà. The story concerns a hotel perched atop an entrance to hell (hope that isn’t giving too much away), but of course when Catriona MacColl inherits the property she doesn’t know anything about that and thinks she’s actually getting a sweet deal. But the difficulties of maintaining a dead & breakfast soon prove overwhelming, not least because staff turnover in a place inhabited by demons can be pretty high (though heating bills are low). L'aldilà is a bit incoherent, truth told, and the fx are clunky even by 1981 standards, but it does possess unbridled exuberance thanks to the unflinching direction of Lucio Fulci. That’s all we’ll say about the film, except that there’s a character here named Joe the Plumber who meets a gory death, so depending on your political beliefs, this could be a must-see. L'aldilà premiered in Italy today in 1981.