Today our seminar for giant monsters will cover how to get human heads unstuck from your mouth.
How can you not love this? This startling poster that looks like someone has bitten off more than they can chew was made for Aullidos, a movie better known as The Howling. It was painted by Macario Gomez Quibus, an artist who also crafted promos for the horror movies The Fog and Murder Mansion, among others. After opening in the U.S. in 1981, Aullidos premiered in Spain today in 1982. Have you seen it? No? You might need to. Read about it here.
Filmgoers say yes to No and a franchise is born.
Since we've already talked about two movies inspired by Bond today, why not discuss the landmark that started it all? There had always been spy movies. Even the James Bond films, with their focus on high concept action and fantastical super villains, had predecessors. But United Artists, director Terence Young, Sean Connery, and the rest took the basic notes of those earlier efforts, wove them into a fresh composition, and cranked the volume up to eleven. This Spanish poster painted by Macario Gomez was made for the first Bond film Dr. No, which played in Spain as Agente 007 contra el Dr. No. Ian Fleming's novel had been published in 1958, and the film hit cinemas four years later. Like From Russia with Love, which we watched recently, we've seen it more than once, but not for years, and decided to screen it with fresh eyes.
We imagine audiences had never seen a spy movie quite like this, with its opulent production values and near-seamless construction. Set in Jamaica, the exotic locations are beautifully photographed, and while the filmmakers' portrayal of the island isn't necessarily authentic, it's immersive, and makes the required impression of a land of mystery and danger. An altogether different impression was made by the ravishing Ursula Andress, and we suspect once word got out certain filmgoers bought tickets just to see her. Joseph Wiseman's villainous Julius No, a few hi-budget gadgets, and a secret lair filled with expendable henchmen complete the set-up—and establish the Bond template for the future. Add the unflappable if occasionally imperious spy himself and the fun is complete.
The Bond franchise's success inspired scores of imitators, as discussed in the two posts above, but with a few exceptions those movies usually work today on the level of unintentional comedy or eye-rolling camp. Dr. No, despite Bond's interjections of humor, took itself seriously. Viewers were supposed to believe its most fantastic elements were possible. In addition, they were supposed to see Bond as the uber-male, a man who fights and loves hard, is virtually immune to sentiment, and never mourns losses for long. That notion of ideal manhood has certainly changed—for the better we'd say—but even accounting for the tectonic cultural shifts in the interim Dr. No holds up like the best vintage thrillers. It's stylish, charmingly simple, and—if one assesses it honestly—progressive for its time. It premiered in England in October 1962, and reached Spain today in 1963.
Low visibility and even lower survivability.
Yes, we're tripling up on films this lovely Thursday because all three premiered today in some year or other. This third poster is the Spanish promo painted by Macario Gomez for John Carpenter's horror flick The Fog, about a town beset by a ghost ship filled with murderous lepers. It's an oldie but a goodie, we'd say, with Jamie Lee Curtis, her real life mom Janet Leigh, Adrienne Barbeau, and Hal Holbrook. Couple of takeaways from this one—Jamie Lee will hook up with any old schlub, and haunted fog really scoots. Think you can outrun it? Forget it. If you hated the 2005 remake (and who didn't) give this one a try. There are some legit chills here. The Fog premiered as La niebla in Spain today in 1980.
Like Shakespeare wrote, what's past is prologue.
This unusual poster was made to promote the Spanish run of Retorno al pasado, a movie better known as Out of the Past. The title says it all. A man who thinks he's left his sordid past behind sees it rear its ugly head and threaten to ruin the good future he's planned for himself. Starring Robert Mitchum, Jane Greer, and Kirk Douglas, this is one of the top noir thrillers, in our opinion. Certainly it's one of the most beautifully shot, thanks to director Jacques Tourneur and cinematographer Nicholas Mesuraca. Like the poster art by Macario Gomez, the film is richly textured and lushly black, which makes for a nice sense of gathering danger, especially in the pivotal fight sequence about forty minutes in. Plus it has the always compelling Mexico connection used by many excellent noirs, as well as nice location shooting around Lake Tahoe and Reno. Highly recommended, this one. After opening in the U.S. in November 1947 it had its Spanish premiere in Madrid today in 1948.
Macario Gomez shows an ability to see the bigger wicker.
A couple of years ago we shared some posters by the Spanish artist Macario Gomez, including one rather creative effort for La mansion de la niebla, aka Murder Mansion. But commercial art isn’t always about creativity. This Gomez effort for Emmanuelle, which premiered yesterday in 1974 (and we meant to post it yesterday, except we got deeply involved in a deadly combo of beachy weather and white wine), is an almost exact reproduction of the photographed French promo poster, at right.
We say almost, because you can see that Gomez, whose distinctive signature appears at middle left on the poster, put actress Sylvia Kristel in a bigger wicker chair than in the photo. Or maybe it’s rattan. Whatever, they’re known as peacock chairs, and when they appear in promo art they’re reliable signifiers that what you’re going to get is softcore or sexploitation. They especially pop up during the 1970s and early 1980s. It might even be the same chair each time. In any case, we really like this poster from Gomez. It’s nothing more than a portrait made from a photo, true, but the final product is very nice, we think. As for the movie, we talked about it a bit way back in 2008. If you’re into romantic softcore, it’s pretty much mandatory.
Aiiieee! I can’t stand the clutter!
You can find plenty of amateur reviews of La mansion de la niebla, aka Murder Mansion, aka Maniac Mansion around the internet, so we won’t add another. We watched it, though, and basically, it’s about a bunch of people stranded in a fogbound manor house, and a plot to frighten one of them to death. Hope that didn’t give away too much. What really struck us was the poster, which was painted by an artist who signed his work Mac. Mac was short for Macario Gomez, and for four decades beginning in 1955 this Spanish painter created posters for such films as Dr. Zhivago, For a Few Dollars More, El Cid and others. Gomez’s effort for La mansion de la niebla is a bit cheeseball, but we rather enjoy the numerous elements he managed to fit in, including a disembodied face, some skulls, a ribcage, a full moon, assorted gravestones, some random ironwork, a spider web, a bare tree, a couple of bats, and, of course, copious fog. Faced with all that, it’s no wonder the central figure is fleeing for her life. But just to show that Gomez really does have top tier talent, we’ve shared a few of his more successful posters below. La mansion de la niebla, an Italian/Spanish co-production, premiered as Quando Marta urlò dalla tomba in Italy, and in Spain six weeks later, today 1972.
Rosanna Yanni and Janine Reynaud are the kiss of death in Jesus Franco’s campy spy thriller.
If we had to select our favorite sexploitation director, guys like Russ Meyer, Italy’s Mario Bava, and France’s Just Jaeckin would be in the running, but the top dog might possibly be Spain’s Jesus Franco. Franco has helmed an unbelievable 190 movies, including the one accompanying this fantastic poster painted by Macario Gomez—El caso de las dos bellezas, aka Rote Lippen, Sadisterotica, aka Two Undercover Angels. The camp factor is high here. The heroines are the Red Lips, two ultragroovy superspies played by Rosanna Yanni and Janine Reynaud. The villains are a sadistic artist and his henchmonster, Morpho the werewolf, who are killing girls and taking photos to use as inspiration for paintings. If you haven’t seen a Franco movie, this is a good one to start with. Several shots of Jägermeister are a helpful viewing aid, but aren’t required. El caso de las dos bellezas was released in Spain today in 1969.
The headlines that mattered yesteryear.
1934—Arrest Made in Lindbergh Baby Case
Bruno Hauptmann is arrested for the kidnap and murder of Charles Lindbergh Jr., son of the famous American aviator. The infant child had been abducted from the Lindbergh home in March 1932, and found decomposed two months later in the woods nearby. He had suffered a fatal skull fracture. Hauptmann was tried, convicted, sentenced to death, and finally executed by electric chair in April 1936. He proclaimed his innocence to the end
1919—Pollard Breaks the Color Barrier
Fritz Pollard becomes the first African-American to play professional football for a major team, the Akron Pros. Though Pollard is forgotten today, famed sportswriter Walter Camp ranked him as "one of the greatest runners these eyes have ever seen." In another barrier-breaking historical achievement, Pollard later became the co-head coach of the Pros, while still maintaining his roster position as running back.
1932—Entwistle Leaps from Hollywood Sign
Actress Peg Entwistle
commits suicide by jumping from the letter "H" in the Hollywood sign. Her body lay in the ravine below for two days, until it was found by a detective and two radio car officers. She remained unidentified until her uncle connected the description and the initials "P.E." on the suicide note in the newspapers with his niece's two-day absence.
1908—First Airplane Fatality Occurs
The plane built by Wilbur and Orville Wright, The Wright Flyer, crashes with Lieutenant Thomas Selfridge aboard as a passenger. The accident kills Selfridge, and he becomes the first airplane fatality in history.
1983—First Black Miss America Crowned
Vanessa Williams becomes the first African American Miss America. She later loses her crown when lesbian-themed nude photographs of her are published by Penthouse magazine.
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