Voulez vous Rendez-Vous avec moi ce soir?
We have a new Canadian tabloid for you, an issue of Le Rendez-Vous published today in 1968 with a cover shot of Austrian star Marisa Mell, and in the centerfold a brilliant photo of German actress Elke Sommer we're pretty sure has never been seen online before. We had to scan that in four pieces and merge the quadrants, which is time consuming, but in this case worth it, because—as you know if you visit the site often—we think Sommer is one of the all-time vintage goddesses. And speaking from a graphic design perspective, we think we did a pretty good job of assembling her, if we may say so. Fellow German actress Babsi Zimmermann also makes an appearance, and we thought we'd never see her again, but 1968 seems to have been a very visible year for her—particularly in Canadian tabloids.
In typical cheapie scandal sheet style, Le Rendez-Vous is filled with ridiculous material on subjects ranging from crime to medicine. You'll see a photo below of a human brain. The text there says, unsurprisingly, “Finally the secret of immortality... We can keep the brain alive separated from a dead body!” A Doctor Jacobsen claims brain transplants will become as popular as heart transplants. Okay, but heart transplants aren't popular—they're necessary. Big difference. However, if brain transplants were ever to become routine, we'd take one. Sure why not? It would be the ultimate mind altering experience, and we've never been against those. Twenty-plus scans below.
Cancans de Paris is always uncanny.
Above: a few pages from the French burlesque publication Cancans de Paris, the seventh time we've taken a look at this mag, with this example dating from September 1965. As always there are mainstream celebrities mixed in with the peelers, including Carroll Baker, Brigitte Bardot, Elke Sommer, Kim Novak, Sean Connery, Sophia Loren, Gina Lollobrigida, and French born ballerina Ludmilla Tchérina. At the top of panel two there's also a minor Raymond Brenot illustration. See some major ones here, and just click the Cancans keywords below if you want to see more issues.
Where Elke is concerned a cigar is never just a cigar.
You know the famous quote attributed to Sigmund Freud, right? He's sometimes criticized for having seen phallic symbols and sexual subtext where they didn't exist, but apparently he once said, “Sometimes a cigar is just a cigar.” But not in this case. In 1967's Deadlier Than the Male, Elke Sommer's cigar is an explosive she uses to assassinate someone, blowing his airplane out of the sky as she parachutes safely to the ground. It's a cheeseball movie, but her turn as the ultimate femme fatale makes it worth watching. You can read more about it here, and see plenty more Elke here, there, and everywhere.
Hi, this is Elke calling from Down Under. Can I speak to my agent? There's been a trademark infringement.
As usual the Aussie publishing company Horwitz has used a film star on one of its book covers—this time German goddess Elke Sommer on the front of 1959's Terror Comes Creeping. She was a favorite of theirs—we've seen her on four covers, including this one, and we've speculated that they're all unlicensed, for reasons discussed here. This one stars Carter Brown's, aka Alan G. Yates's franchise sleuth Danny Boyd, who's hired by a woman named Martha Hazelton who thinks her father is killing off his children—with her next in line—in order to avoid losing his dead wife's inheritance. The father, when confronted by Boyd, says that insanity runs in the family and his daughter is paranoid and probably nuts. It certainly seems that way when Boyd meets his client's loopy, danger obsessed little sister, but of course matters soon begin to look far more complicated than they seemed at first. On one level it's amazing Carter Brown sold something like 120,000,000 books, because his work is not special. But on the other hand it's fast, sometimes funny, and hits the right notes for detective novels. So maybe his success isn't so strange after all. We'll probably read another, because we have a few.
All the best people showed up.
The West German pop culture and celeb magazine Party, which was produced in Hannover by Lehning Press, is an obscure publication. It's very vivid, with bright color, many full page photos, and many film celebrities represented. Equal time is given to unknowns too, for example, the cover features Annelies Niessner, who was... we have no idea, and inside a color page is given to Cornelie, identified only as a “millionärstochter geht eigene wege,” a millionaire's daughter who goes her own way.
In terms of celebs you get Carol Lynley, Jane Russell, Sandra Dee, Stella Stevens, Laya Raki, a beautiful portrait of Jane Fonda, numerous shots of Ursula Andress, and many others. This publication didn't waste words, even on the copyright date. The cover tells us this is issue eight, so we're going to say it came in August, and we're thinking it's from 1967. Though it may be short on info, Party is an appropriate name, because it's a very fun magazine. We have several more issues, so look for those later.
We should emphasize our best features. On me that's everything, but I can show this without getting arrested.
Our regularly scheduled tributes to German actress Elke Sommer continue with these two images of her taking bare midriff fashion to its furthest limits. As nice as her stomach looks, a rear angle of this would be worth a lot to us. We suspect butt cleavage big time. And that's always a good thing.
No dream involving Elke Sommer can be bad.
This Japanese poster features the German perfection known by the earthly name Elke Sommer, and it was made to promote her Cold War adventure The Wicked Dreams of Paula Schultz. Generally, long foreign titles were shortened, so in Japan this was called simply “Her Immoral Dream.” It isn't a great film, but it may cause you to have immoral dreams about Sommer. We have some promo photos below showing her in all her incomparable beauty. There's no Japanese premiere date for the movie, but it opened worldwide in 1968.
Males top the endangered species list in 1967 spy thriller.
We've shared a lot of art, including a previous Japanese poster, from the James Bond knockoff Deadlier than the Male without ever actually talking about the movie. Today seems like an opportune time, since we're already on the subject of Bond clones. The film, which premiered in Japan today in 1967 after opening in the the UK earlier in the year, starred Richard Johnson, who actually came close to landing the role of Bond thanks to the interest of Dr. No director Terence Young. It didn't happen, though, and Connery as Bond makes more sense when you see Johnson, who's older, skinnier, shorter, and in less pristine shape. But he has panache, and that may be why Young wanted him. Instead he got Connery, and Johnson got the consolation prize of playing Hugh Drummond, a character that originates in H. C. McNeile novels from the 1920s, but who's updated to the ’60s in order to deal with a Cold War plot to steal rockets and divert them for nefarious means.
Like the Bond films, Deadlier than the Male offers a winning combination of action, quips, exotic scenery, and lightweight sexiness, but the film never quite rises to the upper echelons. Without the Bond budget it's hard to bring a truly thrilling vision to life. At least the filmmakers were smart enough to frontload their assets by opening the proceedings with Elke Sommer, who's second billed, but probably more important than Johnson in terms of increasing the film's watchability. She has a physicality that makes her a nice fit playing an assassin in the employ of the film's ultimate villain. Sylva Koscina co-stars as Sommer's klepto sidekick, which doesn't hurt. The pair's nefarious deeds eventually draw Johnson to their mountaintop stronghold, and there viewers are treated to a final throwdown with the evil mastermind involving a mechanized, life-sized chessboard. While Deadlier than the Male doesn't manage to out-Bond Bond, watch it with friends and beers and you'll maximize its potential.
With special guests the Slaymates of the year.
Today we have some beautiful rarities, a set of door panel posters made for the 1968 Dean Martin spy movie spoof The Wrecking Crew. Martin played the wise-cracking and woman-loving Matt Helm, a character created by novelist Donald Hamilton. There have been a lot of loveable drunks in cinema, but Martin certainly was one of the most popular. Boozy Matt Helm was a perfect role for him, and the first film became the launching point for a series that stretched to four entries.The Wrecking Crew was the last film, coming after 1966's The Silencers and Murderer's Row, and 1967's The Ambushers. The movies were populated by a group of women known as Slaygirls, and the actresses on the posters below are posing as members of that deadly cadre. They are, top to bottom, Sharon Tate, Elke Sommer, Nancy Kwan, Tina Louise, and a fifth woman no other website seems able to identify, but who we're pretty sure is Kenya Coburn.These posters are 51 x 152 centimeters in size, or 20 x 60 for you folks who measure in inches, and they caught our eye mainly because of Tate. There's been renewed interest in her, including portrayals in two 2019 films—The Haunting of Sharon Tate and Quentin Tarantino's new effort Once Upon a Time in Hollywood. Her poster is definitely one of the nicest pieces of Tate memorabilia we've seen.
We glanced at The Silencers a while back and found it just a little too dumb to consider slogging through the series, but maybe we'll have another go at it. We're sort of newly interested in Tate too, and since The Wrecking Crew was her next-to-last screen role, we want to have a look. Allegedly, Dean Martin quit this highly successful franchise because it felt wrong to go on with it after the Tate–LaBianca murders in August 1969. From what we've read about the era, Martin was far from the only person who felt as if that event changed everything. These days Tate's death makes anything she's in seem ironic and portentous, even, we suspect, a piece of fluff like The Wrecking Crew.
The headlines that mattered yesteryear.
1934—Baby Face Nelson Killed
In the U.S., killer and bank robber Baby Face Nelson, aka Lester Joseph Gillis, dies in a shoot-out with the FBI in Barrington, Illinois. Nelson is shot nine times, but by walking directly into a barrage of gunfire manages to kill both of his FBI pursuers before dying himself.
1922—Egyptologists Enter Tut's Tomb
British Egyptologists Howard Carter and Lord Carnarvon become the first people to enter the tomb of Pharaoh Tutankhamun in over 3000 years. Though sometimes characterized as scholars, Carter and Carnarvon were primarily interested in riches, and cut up Tut's mummy to more easily obtain the jewels and gold affixed to him.
1947—Hollywood Blacklist Instituted
The day after ten Hollywood writers and directors are cited for contempt of Congress for refusing to give testimony to the House Committee on Un-American Activities, the group, known as the "Hollywood Ten," are blacklisted by Hollywood movie studios.
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