Lindberg brings some warmth to the end of winter.
This March calendar page is from fifty years ago, was published by the magazine FIB Aktuellt, and features Swedish actress and sex symbol Christina Lindberg, who was just beginning her ascent to international stardom. This is not the first calendar page we've seen her on. We posted a rare one many years ago, and were the first to do so. Have a look here.
Lindberg is larger than life in three dimensions.
Have you ever seen a 3D sexploitation movie? Rittai Poruno-Sukoppu: Sentensei Roshutsukyou, which was originally released as Liebe in drei Dimensionen and known in English as Love in 3-D, is a typical piece of West German goofball sexploitation—except it comes right at you! Ingrid Steeger is top billed but the film's Japanese distributors—no fools they—put Christina Lindberg on the promo poster.
There isn't much of a plot to this. It's basically just sex vignettes wrapped around Steeger apartment sitting and dealing with her bad boyfriend. 3D movies always overuse their gimmickry and this effort is no exception. Items thrust at the camera include Dorit Henke's panties, Ulrike Butz's bush, several animatronic monsters in a house of horrors, and of course Lindberg's boobs.
Lindberg was globally famous for her breasts (see what we just did there?), which means her nudity was expected and duly delivered, but watching her tour Munich rocking a red mini-skirt and fluffy pink jacket may impress you even more. Lederhosen must have gotten cramped all over Bavaria when she shot those scenes. Liebe in drei Dimensionen premiered in West Germany in January 1973 and reached Japan today in 1974.
Never has a domestic employee done so little actual work.
It's Christina Lindberg again. Yes, eventually we're going to cover everything related to her. Thanks to the internet and some interest from modern filmmaker Quentin Tarantino, Lindberg rose from obscurity a while back and is now a staple on numerous blogs. She had become a journalist after her film career ended around 1982, and eventually ascended to the position of editor-in-chief of a Swedish aviation magazine called Flyrgevyn, but since 2000 she's been appearing in films again, and occasionally pops up at film festivals.
Her hit sexploitation flick Maid in Sweden premiered in the U.S. today in 1971, and you see the poster for that above. She plays a milkmaid, not a housemaid, by the way. Happy cows make tasty milk. There's nothing special about the promo poster, or the movie for that matter, but there's plenty special about Lindberg. We have proof below. We've had a lot of success locating promo shots of her that have never been seen online before, and this is another one. We have more, so you can bet we'll revisit her soon. Until then you can see a rare and pretty Japanese Maid in Sweden poster here, a sort of psychedelic Italian poster here
, and plenty more Lindberg all around the site.
Girls Come First but Lindberg came last.
Above you see a promo poster for the wacky British sex comedy Girls Come First, which premiered this month in 1975. The movie deals with a rich magazine owner named Hugh Jampton who hires a debt-wracked artist played by hunky ex-physique model John Hamill to paint nude portraits of the hostesses that work at the Swinger Club, which Jampton owns. This is a short film, only about forty-five minutes, so that's the entire plot, other than Hamill getting laid. Our main interest in this was determining whether Christina Lindberg is in it. She's not on any cast lists you find online, but she's right in the middle of the poster. Could she be in the film but be absent from cast lists? Absolutely. Thanks to the dreaded internet replication error, she's listed everywhere as appearing in 1974's Teenage Playmates, which she doesn't, so we wouldn't be surprised if she isn't credited for a movie she's actually in. So we took a detailed look and we can say without doubt that—like technical values, genuine laughs, acting ability, and a sense of shame—Lindberg is nowhere to be found here. The producers obviously figured she'd make a great addition to the poster and borrowed her for that purpose.
After getting over that disappointment, we noticed British-Chinese actor Burt Kwouk playing Jampton's chauffeur. His presence is worth mentioning because, in a way, he's a film icon, a sort of symbolic stand-in for stereotyped Asian characters in cinema. He played the bumbling Cato in four Pink Panther films, and here he plays a bumbler named—wait for it—Sashimi. Can you imagine? Kwouk personified the dilemma confronting all actors, but particularly actors of color, throughout film history. In the real world a paycheck is nothing to sneeze at, but the resulting work survives for future generations to ridicule and/or revile. Kwouk said in 1981 about the parts he played, “If I don’t do it, someone else will. So why don’t I go in, get some money, and try to elevate it a bit, if I can?” If Kwouk's work was the elevated version you'll break into a cold sweat imagining what his roles could have been like. In any case, we've solved the Lindberg mystery, and now we'll move on. Below are a couple of shots of Hamill and Longhurst for your pleasure.
Lindberg gets full exposure in Japan.
This is a very interesting Japanese poster for the Swedish sexploitation flick Exponerad, which premiered in Japan today in 1972 as 露出 or Roshutsu, which both mean “exposure.” The film was known in English speaking countries as Exposed and (misleadingly) Diary of a Rape. There are some scans of this piece online, but not of this quality. We talked about the movie last year. Check here.
And as a bonus, because Exponerad is a movie that deals with daydreams, we have below all of our most dreamlike images of Lindberg. No surprise, right? If you visit our site often, you know she's a mainstay, so today we're just adding to what was already a substantial treasure trove. All of these ethereal shots are Exponerad promos, and all are striking. We have many more Lindberg rarities, and you can bank on us sharing those down the line.
What was the must-have possession of 1971? Christina Lindberg.
Here you see a couple of French posters for the 1971 Swedish sexploitation movie Possédée, which means “possessed,” but which was originally titled Exponerad, and was known in the U.S. as Exposed and Diary of a Rape. There's no known release date for the movie in France, but it worked its way across Europe in 1972, so figure it opened in France sometime in the middle of the year. The top poster is one you see often online, but the second promo, in black and white and showing star Christina Lindberg clutched by a male hand, is rare.
We've posted a lot a material on Exponerad. Our continual focus on this is not because the movie is especially worthwhile, but because its promotional materials are great. As an example, below is a shot of Lindberg made to publicize the film, and which appeared in the Japanese magazine Young • Idol • Now. More photos from the session appeared in other Japanese magazines, but this rare shot is by far our favorite. Feel free to check out our other posts on this film by clicking keyword “Exponerad” at bottom.
Christina Lindberg flick expounds upon reality, fantasy, and a woman's struggle in a sexualized world.
The sexploitation flick Exponerad, which premiered in Sweden today in 1971 and is known in English as Exposed and Diary of a Rape, is an exceedingly serious movie considering its genre. That would normally be a sin in our book, but this stars Christina Lindberg, so we figured okay, it's worth a gander. Lindberg, in one of her earliest roles, plays Lena, a high school girl torn between her twerp of a boyfriend Jan and an older, depraved sociopath named Helge. She prefers Jan, but Helge has taken nude photos of her and is using them to blackmail her into servicing guests at his wild parties.
When Jan learns that Lena has been sharing her fuzzy favors, his caveman side comes out and he slaps her. Lena promptly runs away to the country. Here we learn that the wall between reality and fantasy is a thin one for her, and she crosses between it multiple times. She's raped by a stranger, tries to seduce a man who picks her up hitchhiking, dies in a fiery automobile crash, and has other imaginings the audience only knows are in her head once the movie leaps back to the point where those scenes began.
If we consider these fantasies closely it's possible Lena is coming to grips with her sexuality and her place in a sexualized world. A particularly insightful review we read suggested that all of these waking dreams represent the male gaze, which is why they're creepy and violent. It's a theory we like, but we aren't sure if it actually holds up—unless daydreams can leave physical artifacts behind. We know we're being vague. This is when that no spoilers promise we made a while back is inconvenient.
In any case, what the filmmakers wanted to do here was make thought-provoking erotica, and they definitely accomplished that. We picture the producer shaking hands with director Gustav Wiklund and saying, “Well done, lad. Despite all the nudity there's no possibility anyone will get a boner.” Whether the film makes any sense is a different issue. We recommend that if you watch Exponerad, you watch with full attention or you'll get lost long before the double twist ending that'll make you say either, “Aha!” or “Huh?” Fans of ambitious sexploitation, this movie is your jam. We have some promo images beow, and you can see more here and here.
Lindberg takes a break from smoking bad guys to smoke a cigarette.
Above are three candid production photos of Swedish star and Pulp Intl. favorite Christina Lindberg which were made when she was filming the revenge sexploitation flick Thriller - en grym film, known in the English speaking world first as Thriller: A Cruel Picture, then They Call Her One Eye, and later as Hooker's Revenge. The film began its run in Sweden today in 1974. You can read more about it, and see more photos, at this link.
In the land of bad men the one eyed woman becomes queen
Above is a promo poster for the Swedish sexploitation flick Thriller - en grym film. When it was released in the U.S. it was retitled Thriller: A Cruel Picture, then edited and given the revised name They Call Her One Eye, and still later dubbed Hooker's Revenge, which we think gives a bit too much away. But what do we know? It's not like we have marketing degrees. Anyway, the poster above for the film's Thriller incarnation has an unusual shape sometimes referred to as subway size because such promos were usually displayed on mass transit vehicles. As far as we know, no standard vertically oriented poster was ever made with the title Thriller: A Cruel Picture. But if any do exist, you can be sure they're worth a fortune.
Sweden's best export Christina Lindberg stars here as a Frigga, a young woman gone mute due to a sexual assault in her youth. Terrible luck strikes again when, as an adult, she's abducted, addicted to heroin, and forced into prostitution. She resists, but after she harms a customer her pimp punishes her by cutting her eye out with a scalpel. After enduring further indignities she eventually musters the courage to try and escape. Heroin addiction is the leash her pimp counts on to keep her in line, but she's otherwise free to use her down time as she wishes. With the little money she has she secretly buys lessons in martial arts, shooting, and tactical driving, then when the moment is ripe she finally goes on a revenge spree.
There's nothing here you won't find in other 1970s revenge sexploitation flicks except lots of slo-mo, but for Lindberg's fans—among them Quentin Tarantino, who borrowed the eyepatch look for Daryl Hannah when he made Kill Bill—this is probably a must-see. As a side note, you'll sometimes find Lindberg referenced as a porn actress because of this movie. BAV Film made two versions, one with x-rated inserts and one without. The explicit stuff was done by a stand-in. Or a lay-in. In an interview Lindberg once said the hardest part of her career was resisting the constant pressure to do porn. We suspect this was a film she had in mind when she said that. After premiering in France at the Cannes Film Festival in 1973 and later playing in Sweden, Thriller: A Cruel Picture first opened eyes in the U.S. today in 1974.
Seventh movie in famed sexploitation series has plenty to report.
After taking a little break you can be sure we'd return to posting by showing you something unusual, so above you see a beautiful Japanese poster for the West German sexploitation comedy Schulmädchen-Report 7. Teil - Doch das Herz muß dabei sein. It's a mouthful, we know. The title would translate as “schoolgirl report part 7 - but the heart must be there.” This word salad was changed for the film's English language release to merely Teenage Playmates. It was the seventh of thirteen films in the Schulmädchen-Report series and is generally regarded as one of the better entries—though having not seen all of them we can't corroborate that. Among its large cast are Elke Deuringer, Ulrike Butz, and Puppa Armbruster. The movie is also said by various websites, including IMDB, to feature Christina Lindberg, but she's not in it. It would be better if she were, but no such luck, and we aren't even sure how that rumor sprouted, except that the cast is uncredited and people have bad eyes.
Plotwise, when a bunch of high school aged brothel workers are arrested they tell a judge and court filled with scandalized spectators how they ended up in such circumstances. Thus the entire film is just a framework for sex vignettes. Our favorite quote: “Naturally I touched my breasts in the shower. Which are erogenous zones according to The Atlas of Sexual Education. My nipples got hard and my... my... my... how should I describe it? My pussy became aroused.” Movies like this fall into the could-not-be-made-today category, which is a good thing—though we should note that all the alleged high schoolers were actors in their twenties, some considerably so. Which will be obvious when you look at the promo images below. After premiering in West Germany in 1974 Schulmädchen-Report 7. Teil - Doch das Herz muß dabei sein reached Japan today in 1975.
Fuck—I look at least twenty-five. I guess it's true what they say about this life aging you.
Oh, ah, the fact that some people mistake me for Christina Lindberg is a real turn on!
I'll leave the glasses on, if you don't mind. When this all comes out in court later I'll need to describe you accurately.
Mmm... fuzzy. I love you Mr. Zwetschgenkuchenbear.
The teen brothel is on the third floor. This floor sells designer handbags. Buy one for a woman and you'll get laid even faster than going to a hooker. You'll learn that later in life.
Who's in the mood for kochwurst? Kochwurst, everyone? Okay, kochwurst for all of us, please, waiter. Thanks.
The Atlas of Sexual Education says we're rounding second base. Next stop—deeply unfulfilling sex for pay.
Police! This is a raid! Girls—you're all under arrest! Men—all of you go home and revel in the fact that male privilege lets you off scot-free!
It's easy. We have an uploader that makes it a snap. Use it to submit your art, text, header, and subhead. Your post can be funny, serious, or anything in between, as long as it's vintage pulp. You'll get a byline and experience the fleeting pride of free authorship. We'll edit your post for typos, but the rest is up to you. Click here
to give us your best shot.