There's hell to pay and the only currency she takes is cold hard ass.
Above is a rare bo-eikibari style promo for Sukeban burûsu: Mesubachi no gyakushû, known in English as as Girl Boss Blues: Queen Bee Strikes Again, or sometimes Girl Boss Blues: Queen Bee's Counterattack. It premiered in Japan today in 1971. You can see the standard promo at the top of this group post, and you can see the tateken promo here. Basically, Reiko Ike, Miki Sugimoto, Yayoi Watanabe, et al are members of a gang of hot young thieves who extort hapless middle-aged squares by luring them, drugging them, and robbing them. The movie has a little of everything—and lot of Ike, one of the towering figures of Japanese b-movies. We find it interesting that Sugimoto didn't make it onto the poster (nor the other promos made for the film) while Yayoi Watanabe (prone and restrained) did. Rest assured, Miki is in the film. She gets as much screen time as anyone except Ike, especially in the first forty-five minutes. Mysterious are the minds of pinku poster designers. This isn't the first time they've thrown us a curve by leaving someone important off a promo. Anyway, this movie is well worth a watch for fans of pinky violence. We already showed you a promo image of Reiko Ike yesterday, but what the heck—let's bring her back, below. And Sugimoto too. We can't have one without the other.
Reiko and Miki chew over a very tough problem.
Reiko Ike (front) and Miki Sugimoto pose together in a rope gnawing b/w promo made for their pinky violence actioner Zenka onna: koroshi-bushi, aka Criminal Woman: Killing Melody, which premiered today in 1973. We found this on Reddit, so thanks to whoever originally uploaded this slightly bizarre item. We have plenty on the movie in our website, including some amazing posters. We recommend clicking its keywords below and scrolling.
The Zu animals break loose and Tokyo is never the same.
Above is a promo poster for Toei Company's pinky violence hit Zubekô banchô: yume wa yoru hiraku, aka Tokyo Bad Girls, aka Delinquent Girl Boss: Blossoming Night Dreams, which premiered in Japan today in 1970. We already talked about the movie years back and showed you the tateken sized promo poster. Because we had this second piece of art, today we decided to be completist. Reiko Oshida and Keiko Fuji are still the main graphic elements, but some of the other bits have been rearranged. You can see the first piece, and also read about the movie, at this link.
Reiko starts the day out behind again.
We're beginning to get the impression that Japanese filmgoers liked pinku actress Reiko Ike's rear end. We say that because it seems to be featured more than is usual in promo images of pinku stars. Well, here it is again, attached to the rest of her lovely form, and unlike the last time we discussed her posterior anatomy, there's no confusion today, because instead of referring to it as her buns or bun, we're going with cheeks. And there's no doubt people have two cheeks—a left one and the other one. It's good to finally have cleared that up.
Brand new prison, same old problems.
The sixth and final entry in the Female Prisoner 701 series was Shin joshuu sasori: Tokushu-bô X, known in English as New Female Prisoner Scorpion: Special Cellblock X. It starred Yôko Natsuki as a woman stuck in a hellhole prison where the warden is incompetent, the guards are corrupt, and the other prisoners are hateful. The movie opens with her being returned to confinement after an escape. Via flashbacks we're told how she was originally jailed, flew the coop, but was wounded and caught. Now she's singled out for cruel treatment by both her jailers and her peers, the former group due to the damage her escape caused their reputations, the latter group due to the extra punishment meted out as an escape deterrent. All of this already makes for a chaotic prison, but hell truly breaks loose when a new head of security arrives to “reinforce discipline.” That would be this guy:
Doesn't exactly look like Department of Corrections material does he? He brings in a regime of humiliation and torture that would impress even a CIA waterboarder, but finds himself at odds with the old head of security. The conflict eventually sees one of them dethroned, which makes him an unlikely ally for Natsuki. These two—the abused and her former abuser—plot an escape from the isolated prison and are soon fleeing over a barren wasteland chained together like the Wild Ones, while chased by guards and German Shepherds. Natsuki, who was given her first starring role here (the first four movies in the series starred Meiko Kaji, and the fifth starred Yumi Takigawa), may have been hired solely because she can make steely eyes:
That's an almost Eastwood level of flintiness. When we try that look on the Pulp Intl. girlfriends they ask if we've got sand in our eyes. Even in the throes of action or torture Natsuki never drops her mask. Her expression says, “I get to kill you eventually, asshole. It's in the script.” Anyway, the last third of the movie is a pure escape thriller, but you'll get no hints from us whether Natsuki triumphs. On the whole, we think this is a solid enough women-in-prison entry, though the consensus among pinku aficionados is that it doesn't hold a candle to the Meiko Kaji episodes. We'd have to watch those again to form an opinion on that, but why make it a competition? Just watch them all. Shin joshuu sasori: Tokushu-bô X premiered in Japan today in 1977.
We couldn't let her slide any longer.
We've had this sitting around for ten whole years. We were reluctant to post it because it's so rare. This tug of war went on forever, but today we've finally overcome our reservations because, after all, even though the scan will proliferate on the internet—and possibly even end up on Ebay like some of our other scans—we still have the physical item. So above you see iconic Japanese pinku actress Miki Sugimoto, star of such films as Zeroka no onna: Akai wappa, aka Zero Woman: Red Handcuffs and Sukeban gerira, aka Girl Boss Guerilla. A photographer named Takeo Sano was responsible for the image, and it was published as a four panel centerfold in the magazine Purei Comikku, or Play Comic, in 1973. Sugimoto has provided plenty of material for our website over the years. It's difficult to choose her greatest hits, but if forced, we'd say her best are here, here, and here. And maybe here too.
Oshida shows how to wield authority with flair.
We have another bo-ekibari style Japanese poster today, the rare two-piece horizontal variety that you don't see many of—except on Pulp Intl. This was made for Zubeko banchô: hamagure kazoe uta, aka Delinquent Girl Boss: Ballad of Yokohama Hoods, which premiered in Japan today in 1971 and starred Reiko Oshida and her katana, which is a useful motivational tool for management types. We shared another poster for the movie several years ago, which you can see here, and if you're interested in bo-ekibari promos, we've posted some fun ones here, here, here, here, and here.
A gun and an attitude will take you far.
This is the rarest of the rare. We've shown you many movie posters foreign to the country in which the original film was made. The most common amongst those have been French, Italian, and Japanese posters for American films. We've also seen a few U.S. and British posters for Japanese films. But we've never seen a French poster for a Japanese film, and that's what you have here. And it isn't just any film. It's for the iconic 1973 Miki Sugimoto pinku actioner Sukeban–Kankain Dasso, known in English as Girl Boss: Escape from Reform School, and titled here Girl Boss - Les Étudiantes en cavale. That would translate: “girl boss - students on the run.”
This was painted using the original Japanese poster as inspiration by Constantin Belinsky, a talent we've discussed a couple of times before. He was born in Bratslav, Ukraine, learned his craft in art school in Chișinău, which was then in Romania but is now in Moldova, and worked professionally in Paris. He painted posters for classic dramas like Laura and Pickup on South Street, but later in his career specialized in genre films such as Creature from the Black Lagoon. He was born in 1904, so we suspect this poster was among his last pieces. But it won't be his last on Pulp Intl. We have more to show you later.
They don't make happy music but it'll stick with you for a long time.
Above, a Toei Company promo photo for Zenka onna: koroshi-bushi, aka Criminal Woman: Killing Melody, featuring one of the great girl gangs of pinku cinema—comprising, counterclockwise from upper right, Reiko Ike, Miki Sugimoto, Masami Soda, Chiyoko Kazama, and Yumiko Katayama. We have some beautiful material on this flick, here, here, and here. It premiered today in 1973.
That whole prison rehabilitation thing doesn't seem to be working.
Well, this completes the collection of posters we have for Zeroka no onna: Akai wappa, aka Zero Woman: Red Handcuffs, starring Miki Sugimoto as a vigilante cop released from prison to take on a gang of kidnappers. We've shown you the limited edition poster panted by Toru Shinohara, and the tateken sized promo. This is the standard sized poster and finishes up all the promo material we have on this iconic film. Don't worry, though. We have more on Sugimoto and even some rare promo images of her never before seen online. We'll get to those later.
The headlines that mattered yesteryear.
1955—Rosa Parks Sparks Bus Boycott
In the U.S., in Montgomery, Alabama, seamstress Rosa Parks refuses to give her bus seat to a white man and is arrested for violating the city's racial segregation laws, an incident which leads to the Montgomery Bus Boycott. The boycott resulted in a crippling financial deficit for the Montgomery public transit system, because the city's African-American population were the bulk of the system's ridership.
1936—Crystal Palace Gutted by Fire
In London, the landmark structure Crystal Palace, a 900,000 square foot glass and steel exhibition hall erected in 1851, is destroyed by fire. The Palace had been moved once and fallen into disrepair, and at the time of the fire was not in use. Two water towers survived the blaze, but these were later demolished, leaving no remnants of the original structure.
1963—Warren Commission Formed
U.S. President Lyndon B. Johnson establishes the Warren Commission to investigate the assassination of President John F. Kennedy. However the long report that is finally issued does little to settle questions
about the assassination, and today surveys show that only a small minority of Americans agree with the Commission's conclusions.
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