Future cat shows her slinky side for Horwitz.
It's another Horwitz Publications celeb paperback. You know the drill by now—the Aussie publisher licenses (or just appropriates) the image of an up-and-coming star for their Carter Brown series. We've already shown you what they did with Joan Collins, Senta Berger and Elke Sommer. Do you recognize the woman on the front of 1959's amusingly titled Blonde, Beautiful, and – Blam!? Take a sec. No? It's everyone's favorite Catwoman Julie Newmar, seen at age twenty-six when she was still going by Julie Newmeyer, and it's one of the rare images of her with close-cropped hair. Just so you believe us, there she is at right, looking a bit more recognizable. Check out the other Horwitz celeb covers here, here, and here.
Any evil a man can do she can do worse.
This colorful poster was made for the Australian release of Deadlier Than the Male, known elsewhere in the world as Born To Kill. The movie stars Claire Trevor and Lawrence Tierney. We had seen Trevor in several roles over the years, including in Murder My Sweet, Johnny Angel, and 1948's Key Largo, but for some reason had never learned to appreciate her talent until seeing her here. Lawrence Tierney, who you may remember as Joe from Reservoir Dogs, is also excellent, if inordinately repellent (as required by his role). A cold-hearted woman meets her match in a brutal man, and the two become entwined in both a murder coverup and adultery. Money is the backdrop but it's jealousy that is the catalyst for every terrible event that occurs. Not a perfect movie, but very good, sprinkled with engaging secondary characters—including Walter Slezak as a sleazy detective—and Trevor knocks her bit out of the park. Deadlier Than the Male premiered as Born To Kill in the U.S. today in 1947.
How I got here is a long story. It starts with me not knowing how “penile” is spelled.
Above, the cover of Penal Colony, written for Ace Books by Robert S. Close, 1957. The story was inspired by real life Irish convict Elizabeth Callaghan, who in the 1820s was sentenced to the incredibly harsh sentence of death for forgery, then had the sentence commuted and was shipped off to colonize Australia along with one hundred other criminals. She stayed in trouble most of her life and was finally stomped to death in a barroom brawl in 1852 in Geelong. This “lusty” novel is, of course, only loosely based on fact, which is good, because what a downer that'd be. Cover art by uncredited.
Get your filthy mitts off her this instant! I told you before—under my rules everybody gets a piece!
This issue of Adam was published this month in 1977. It has a nice cover featuring a tussle on the Hudson River with New York City in the background, and Bernie Sanders looking very pissed off. And really who can blame him? This situation is inherently unequal and there’s no need for it because, clearly, there’s more than enough to go around. The story being illustrated here is Mike Rader’s “The Man They Killed at the Waldorf,” about a murder plot with national security implications. This is probably one of the last stories he published in the magazine, and it’s certainly one of his most fanciful, involving a weather control device, a kindly professor, Russian spies, and a murderous femme fatale. Also in this issue you get the usual assortment of great illustrations and pretty models. The final photo feature is called “Irish Eyes,” and for some reason we prefer that last shot upside-down, maybe because there’s a Dorian Gray sort of weirdness to it. Scroll to see what we mean. Go on—Bernie would want you to.
Oh man! What a yard sale! You alright, brah? Brah?
This is a pretty interesting cover for Mason Gregory's paperback mystery If 2 of Them Are Dead, done pamphlet style by Australia's Phantom Books. One-percenters hit the mountain for downhill thrills, but when one dies on a run there's a question whether it was an accident or if he was pushed. Well, since the title refers to that famous line by Benjamin Franklin—"Three can keep a secret if two of them are dead"—accident obviously isn't the explanation. The real shame of the death, in our opinion, is the waste of a lift ticket. Those things are out-of-control expensive. A yard sale, by the way, is when someone falls and leaves their shit scattered all over the mountain—a ski here, a ski there, maybe a hat over yonder. Been there, done it. 1954 copyright on this one (1953 hardcover), with uncredited art.
Horwitz showed a keen eye but were their covers legal?
We’ve already commented on the good taste Aussie publishers Horwitz showed when selecting images for its Carter Brown covers. We found this 1954 edition of Murder! She Says! in the University of Queensland’s online Carter Brown archive, and the lovely woman on the front is British actress Joan Collins. Joan’s short-haired period didn’t last long—she had this boycut for just a few years—but it’s a very good look that obviously caught the eye of Horwitz editors.
The previous Horwitz celeb covers we showed you used actresses—Elke Sommer and Senta Berger—who were barely known at the time, which led us to believe their images were simply appropriated. But by 1954 Collins was already a legit star. That suggests official licensing, but what would have been the benefit for either Collins or the actual owners of the copyright, The Rank Organisation, and why would Horwitz pay money for the image then fail to even identify Collins as their cover star? Where’s the gain there? Why not just use a local model? Or maybe trademark infringement didn’t exist in 1954 the way we understand it today and they simply came across the photo and liked it. Anyway, it’s an interesting side note to a very eye-catching piece of art. See the other Horwitz ingénue covers here and here. Australia
, University of Queensland
, The Rank Organisation
, Horwitz Publications
, Transport Publishing Company
, Murder! She Says!
, Carter Brown
, Joan Collins
, cover art
The rocker, the roller, the out of controller.
Mad Max premiered in Australia in April 1979 and made its way to Japan a few months later. Significantly, the U.S. premiere came after Japan—as well as Portugal, Italy, Holland, and Spain—and when it finally happened it was at The Motorcycle Film Festival in Seguin, Texas, several months before a wide U.S. release. The point is it’s amazing how careful the filmmakers were about releasing the movie in what was the world’s most lucrative film market. They weren't sure how American audiences would react to something so leftfield, but of course it did well enough there to become a series, and now a rebooted franchise helmed by original director George Miller. The Japanese poster above, painted by Tom Beauvais, was made for the movie’s Tokyo premiere today in 1979.
, Mad Max
, Mel Gibson
, George Miller
, Tom Beauvais
, poster art
The headlines that mattered yesteryear.
1945—Plane Hits Empire State Building
A B-25 bomber crashes into the north side of the Empire State Building, between the 79th and 80th floors. One engine plows entirely through the structure, lands on a nearby apartment building, and sparks a fire that destroys a penthouse. The other engine falls down an elevator shaft. Fourteen people are killed in the incident.
1965—Vietnam War Heats Up
U.S. president Lyndon Johnson commits a further 50,000 US troops to the conflict in Vietnam, increasing the military presence there to 125,000. Johnson says about the increase, "I do not find it easy to send the flower of our youth... into battle."
Film legend Bob Hope dies of pneumonia two months after celebrating his 100th birthday.
1945—Churchill Given the Sack
In spite of admiring Winston Churchill as a great wartime leader, Britons elect
Clement Attlee the nation's new prime minister in a sweeping victory for the Labour Party over the Conservatives.
1952—Evita Peron Dies
Eva Duarte de Peron, aka Evita, wife of the president of the Argentine Republic, dies from cancer at age 33. Evita had brought the working classes into a position of political power never witnessed before, but was hated by the nation's powerful military class. She is lain to rest in Milan, Italy in a secret grave under a nun's name, but is eventually returned to Argentina for reburial beside her husband in 1974.
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