Horwitz uses another rising celebrity as a cover star.
Last month we shared a reprint-by-demand Horwitz cover for Carter Brown’s Death of Doll that featured a young Elke Sommer. We got to wondering if other celebs had been used on Horwitz covers and decided to have a look. Above you see Brown’s Swan Song for a Siren, which Horwitz printed in 1958, and the face staring out at you is that of Austrian actress Senta Berger. That’s her, right? Full lips. Sensuous eyes. Hawk eyebrows. Gotta be. Like they had with Sommer, Australia-based Horwitz appropriated Berger’s image when she was barely famous, having appeared in only four films to that point, none in starring roles. We have a photo of Berger below for comparison, and we think you’ll agree it’s her. We’ll dig up a few more of these Horwitz celebrity covers later.
This particular heat wave is indisputably man made.
Above is a nice little find—Bruce Beaver’s The Hot Summer, for the Australian publisher Horwitz, 1963. Beaver made his fame as a poet, winning several prizes for his work, but here he’s in sleaze mode, writing about sex, love, and taboos in Mundulla, New South Wales. The cover art is worn, but still nice. Horwitz had a habit of not crediting artists, so the creator of this is unknown.
Aussie publisher spices up thriller with an image of Elke Sommer.
Last week we shared some images of Elke Sommer from the debut issue of the French magazine Stop. Those were a deliberate preface to today's post, which shows the cover for Carter Brown’s, aka Alan G. Yates’ mystery Death of a Doll from Australia's Transport Publishing, the paperback division of Horwitz Publications.
You can see that the designer used Sommer for his inspiration. Her normally blonde hair was changed to match the hair color of the story’s redheaded femme fatale, but what’s really interesting about this cover is the yawning pose. At least a couple of images from the Stop layout would have worked better, we think, but that’s just our humble opinion.
At first we thought the designer here was Bernard Blackburn, who made many of Horwitz-Transport’s photo-illustrated covers during the mid-1950s, but then we learned that this “reprint by demand” edition appeared in 1960. So we have no idea who created the cover, but he/she had good taste in models, though we seriously doubt Sommer received any compensation for her starring role. Check out the rest of those rare Stop images here and see if you don’t agree about the designer making a weird choice.
, Transport Publishing Company
, Horwitz Publications
, Revue Stop
, Death of a Doll
, Carter Brown
, Elke Sommer
, Alan G. Yates
, Bernard Blackburn
, cover art
God, how stupid of me. I should have known those glowing Trip Advisor reviews on this place were fake.
Above, the cover of Homicide Hotel written by Joe Barry, aka Joe Barry Lake, for the Aussie publisher Phantom Books, 1951. The art, which depicts a scene that doesn’t occur in the text, is uncredited.
Be careful about looking for cheap thrills—you might just find them.
This issue of Adam magazine with its nice cover art illustrating Arthur J Bryant’s story “Hey-Day in Hong Kong” appeared this month in 1971. Bryant’s story, which has a convincing sense of firsthand realism, is about an Aussie traveler searching Hong Kong’s red light district for a “yum-yum girl” but ends up attacked by three thugs. Turns out the hooker employs the toughs because she wants any man who purchases her services to prove he’s deserving of her gifts by fighting for her. You haven’t really had sex unless you’ve done it after being punched in the ribs and eye. Try it sometime.
Elsewhere inside you get more fiction, a bit of fact, plus the usual assortment of humor and models, including, notably, nudist icon Diane Webber, aka Marguerite Empey. The cover art for Adam was painted by Jack Waugh and Phil Belbin. The pieces are always unsigned, but we’re thinking this is Belbin’s work because he was the go-to guy during Adam’s later years. Don’t quote us on it, though. Both Belbin and Waugh have departed this world, and we doubt there’s an Adam archive somewhere definitively crediting the covers. Anyway, we have thirty-four scans below and so many other issues of this magazine tucked away in the website it’s silly. If you want to see them just click here.
British adventure magazine takes readers to the ends of the Earth.
The British men’s adventure magazine The Wide World debuted in 1898 and lasted all the way until 1965. That’s not quite National Police Gazette or Argosy longevity, but it’s still very good. During that entire time, a span encompassing two global conflagrations and various economic fluctuations, it failed to print only four issues—including once when a German aerial bomb flattened its pre-press facility.
The magazine’s founder was George Newnes, who also published The Strand Magazine, Tit-Bits and other titles. With The Wide World he hit upon an audacious marketing gimmick—he assured readers that every word in the magazine was true, and made “Truth Is Stranger than Fiction” the publication’s slogan. This claim was hot air, of course, but that idea—and the conceit that adventurers were a sort of global club that owed allegiance to one another—helped make the magazine a success among readers who considered themselves men of the world, or longed to be.
A strong focus on exotic lands and inscrutable dark-skinned inhabitants resistant to the white man’s ordained incursions likewise played well with readers, as Britain’s colonial era evolved into a post-colonial one. That makes The Wide World a repository of some ugly attitudes, however the magazine also managed such feats as being the first publication to report the death of Butch Cassidy in Bolivia, and publishing stories by many literary notables. Above and below you see a collection of covers, nicely rendered in pulp style by various artists.
, South Africa
, New Zealand
, The Wide World
, Butch Cassidy
, George Newnes
, magazine art
Good boy. Now that you’ve got begging mastered let’s see how you do at playing dead.
Above, Marked for Murder, written by Robert O. Saber, aka Milton K. Ozaki, published originally in 1955, with this edition from Australia’s Phantom Books appearing in 1956. Artist unknown.
Survival of the fittest—or just the person with the gun.
This issue of Australia’s Adam published in December 1971 has a rather nice cover illustrating a story by Adam Greenhill entitled “Nightmare in Timor.” We see the moonlit moment when the villains try to kill the hero, but need to make it look as if he’s been hacked to death by Timorese tribesmen. The girl, named Violet in the tale, plans to shoot the protagonist only in the unlikely event he survives the fight.
One thing about these 1970s Aussie writers is that they use the nearby lands of Timor, Malaysia, the Philippines, et al. to good effect, setting many stories in the jungles of those countries. The best writers do more than simply depend on exotic locales. They manage to slip in details that bring the settings to life, such as quirks of language, protocols of interpersonal interaction, or the fare in local markets and restuarants.
American writers from the same period didn’t seem as interested in their own exotic neighbors such as Guatemala, Belize, etc., although Mexico figures somewhat prominently in U.S. pulp, as well as in film noir. In any case, Adam remains our favorite men’s magazine, and the many stories set in mysterious Asian lands are a major reason. We have twenty-nine scans below to bring your 2014 to a pleasant end.
The headlines that mattered yesteryear.
1937—Amelia Earhart Disappears
Amelia Earhart fails to arrive at Howland Island during her around the world flight, prompting a search for her and navigator Fred Noonan in the South Pacific Ocean. No wreckage and no bodies are ever found.
1964—Civil Rights Bill Becomes Law
U.S. President Lyndon Johnson signs the Civil Rights Bill into law, which makes the exclusion of African-Americans from elections, schools, unions, restaurants, hotels, bars, cinemas and other public institutions and facilities illegal. A side effect of the Bill is the immediate reversal of American political allegiance, as most southern voters abandon the Democratic Party for the Republican Party.
1997—Jimmy Stewart Dies
Beloved actor Jimmy Stewart, who starred in such films as Rear Window and Vertigo, dies at age eighty-nine at his home in Beverly Hills, California of a blood clot in his lung.
1941—NBC Airs First Official TV Commercial
NBC broadcasts the first TV commercial to be sanctioned by the Federal Communications Commission. The FCC began licensing commercial television stations in May 1941, granting the first license to NBC. During a Dodgers-Phillies game broadcast July 1, NBC ran its first commercial, from Bulova, who paid $9 to advertise its watches.
1963—Kim Philby Named as Spy
The British Government admits that former high-ranking intelligence diplomat Kim Philby had worked as a Soviet agent. Philby was a member of the spy ring now known as the Cambridge Five, along with Donald Maclean, Guy Burgess, Anthony Blunt and John Cairncross. Of the five, Philby is believed to have been most successful in providing classified information to the Soviet Union. He defected to Russia, was feted as a hero and even given his commemorative stamp, before dying in 1988 at the age of seventy-six.
1997—Robert Mitchum Dies
American actor Robert Mitchum dies in his home in Santa Barbara, California. He had starred in films such as Out of the Past, Blood on the Moon
, and Night of the Hunter
, was called "the soul of film noir," and had a reputation for coolness
that would go unmatched until Frank Sinatra arrived on the scene.
1908—Tunguska Explosion Occurs
Near the Podkamennaya Tunguska River in what is now Krasnoyarsk Krai in Russia, a large meteoroid or comet explodes at five to ten kilometers above the Earth's surface with a force of about twenty megatons of TNT. The explosion is a thousand times more powerful than the Hiroshima atomic blast, knocks over an estimated 80 million trees and generates a shock wave estimated to have been 5.0 on the Richter scale.
1971—Soviet Cosmonauts Perish
Soviet cosmonauts Vladislav Volkov, Georgi Dobrovolski and Viktor Patsayev, who served as the first crew of the world's first space station Salyut 1, die when their spacecraft Soyuz 11 depressurizes during preparations for re-entry. They are the only humans to die in space (as opposed to the upper atmosphere).
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