Vintage Pulp Jan 20 2016
MUDDY WATERS
Crocs around the clock.


Above, assorted scans from Adam magazine of January 1971, with cover art illustrating Ross Alexander’s story “Struggle for Survival,” about two kidnap victims in Northern Australia who decide after days of captivity that their only route to escape is across a crocodile infested river. Naturally, what began as obstacles become allies, as the crocs eventually chow down on the villains. You can see forty-two more issues of Adam by clicking its keywords just below.

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Vintage Pulp Jan 19 2016
CUTTING IT CLOSE
Boy, are we glad you're finally here. Our women have gotten really hairy.

Bush Nurse, written by medical novel specialist Kerry Mitchell, aka Hunter Wilkes, has nothing to do with women's bushes, but it’d be cooler if it did. What you actually get though, is the story of a pretty nurse who takes an assignment in the remote Aussie outback to heal from a broken heart, but finds herself in a love triangle with two doctors who have their own difficult histories. The action eventually centers on rains, floods, and a wave of medical cases that threaten to overwhelm the little medical facility. The above paperback appeared in 1962 with uncredited art, and as you can see at right, there was another version, which is actually from two years earlier (and shows how the nurse's horse was replaced by an automobile), also uncredited art-wise.

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Vintage Pulp Jan 15 2016
ALL DOWNHILL FROM HERE
Oh man! What a yard sale! You alright, brah? Brah?

This is a pretty interesting cover for Mason Gregory's paperback mystery If 2 of Them Are Dead, done pamphlet style by Australia's Phantom Books. One-percenters hit the mountain for downhill thrills, but when one dies on a run there's a question whether it was an accident or if he was pushed. Well, since the title refers to that famous line by Benjamin Franklin—"Three can keep a secret if two of them are dead"—accident obviously isn't the explanation. The real shame of the death, in our opinion, is the waste of a lift ticket. Those things are out-of-control expensive. A yard sale, by the way, is when someone falls and leaves their shit scattered all over the mountain—a ski here, a ski there, maybe a hat over yonder. Been there, done it. 1954 copyright on this one (1953 hardcover), with uncredited art.

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Vintage Pulp Jan 8 2016
JOAN ON LOAN
Horwitz showed a keen eye but were their covers legal?


We’ve already commented on the good taste Aussie publishers Horwitz showed when selecting images for its Carter Brown covers. We found this 1954 edition of Murder! She Says! in the University of Queensland’s online Carter Brown archive, and the lovely woman on the front is British actress Joan Collins. Joan’s short-haired period didn’t last long—she had this boycut for just a few years—but it’s a very good look that obviously caught the eye of Horwitz editors.
 
The previous Horwitz celeb covers we showed you used actresses—Elke Sommer and Senta Berger—who were barely known at the time, which led us to believe their images were simply appropriated. But by 1954 Collins was already a legit star. That suggests official licensing, but what would have been the benefit for either Collins or the actual owners of the copyright, The Rank Organisation, and why would Horwitz pay money for the image then fail to even identify Collins as their cover star? Where’s the gain there? Why not just use a local model? Or maybe trademark infringement didn’t exist in 1954 the way we understand it today and they simply came across the photo and liked it. Anyway, it’s an interesting side note to a very eye-catching piece of art. See the other Horwitz ingénue covers here and here

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Modern Pulp Dec 15 2015
MAX OVERDRIVE
The rocker, the roller, the out of controller.

Mad Max premiered in Australia in April 1979 and made its way to Japan a few months later. Significantly, the U.S. premiere came after Japan—as well as Portugal, Italy, Holland, and Spain—and when it finally happened it was at The Motorcycle Film Festival in Seguin, Texas, several months before a wide U.S. release. The point is it’s amazing how careful the filmmakers were about releasing the movie in what was the world’s most lucrative film market. They weren't sure how American audiences would react to something so leftfield, but of course it did well enough there to become a series, and now a rebooted franchise helmed by original director George Miller. The Japanese poster above, painted by Tom Beauvais, was made for the movie’s Tokyo premiere today in 1979.

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Vintage Pulp Dec 9 2015
FRIGHT BEFORE CHRISTMAS
My husband is down the chimney right now, but when he gets back you’re definitely going on his naughty list.

Switcheroo is a detective yarn set in the unlikely locale of Louisville, Kentucky, but since author Emmett McDowell lived there most of his life, it’s no surprise. Nearly all his writing featured Kentucky in some form, and he even branched out into non-fiction and wrote a Civil War history of Louisville. Switcheroo was his first book, and originally appeared in 1954 as one half of an Ace Double, with Lawrence Treat’s Over the Edge on the flipside. The edition you see above is from the Australian imprint Phantom Books and was published in 1955. Basically, low rent detective Jaimie McRae is hired to locate a missing woman. All the usual benchmarks are there—unhelpful cops, a hot secretary and girl Friday, and unexpected developments. It earned lukewarm reviews all the way around. The uncredited art for Phantom closely resembles the original Victor Olson art for the Ace Double edition, which you see above and right, but we doubt Olson had a hand in the rooftop makeover. 
 
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Vintage Pulp Dec 8 2015
HELL OR HIGH WATER
Fear and floating in Los Angeles.

Above are the cover and twenty-seven scans from Adam magazine, published December 1972, with interior art from Jack Waugh, fiction from Edwin Booth, man-against-nature from Joe Keebler, and a rear cover featuring Raquel Welch. The cover illustration, uncredited but by Waugh or Phil Belbin, is for “Deadly Vendetta,” a neat little thriller by Dick Love—yeah, we know—about a guy living on his sailboat in one of L.A.’s marinas who accidentally interrupts the planned murder of a beautiful woman. After escaping momentarily by leaping off the pier with the intended victim he has to figure out a way to outwit two capable gunmen. Good stuff as always from Adam. More to come. 

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Vintage Pulp Nov 26 2015
ROAD FROM BENGHAZI
Nobody knows the way, but everyone knows they’re right.

Last time we posted an Adam we miscounted and said it was our fortieth issue shared. Well, this is our fortieth (impossible to even know at this point—41st—issue shared, we can't count). It’s an earlier one, from this month in 1955. That means it’s more text heavy, giving us plenty to read, which is nice for us, but leaving us fewer pages of visual interest to scan, not so nice for the website. So today you get thirteen images where normally we post about thirty. We could have scanned several more but getting to the pages in the center of the issue was a challenge—just removing it from its sleeve resulted in losing part of the cover. Alas.
 
Inside the issue you get fiction and fact, including Dick Halvorsen’s harrowing story of being shot down near Benghazi during World War II and having to trek for days through the Libyan desert to reach civilization. A few years ago 95% of Americans wouldn’t have been able to pronounce Benghazi, but now it’s a cultural buzzword—meaning to some people “cover-up” or “incompetence” and to others “witch-hunt” or “wingnut.” What a world we live in. Halvorsen’s tale, referencing a time when the Allies were informally partnered with Bedouins in the area, provides interesting historical color.

In other news we have twenty-six more issues of Adam to share. Yes, we’ve been busy beavers. Since today’s issue is already fragile as pie crust perhaps somewhere down the line we’ll just pull it completely apart in order to obtain more and better scans. We’ve sacrificed physical issues of magazines before to give them digital permanency, but not of our beloved Adam. In any case, check back for another posting of our favorite men’s magazine in a week or so. And for a quick look at some of those other thirty-nine issues, maybe start here, here, or here.

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Vintage Pulp Sep 27 2015
BLOOD SPORT
When in Rome kill as the Romans do.


We’ve shared forty thirty-nine issues of Australia’s Adam magazine, but none since March. That isn’t because we’re running out, but merely because we decided to focus on American men’s magazines for a while. But Adam is the king as far as we’re concerned. For us, it’s the most attractive, most interesting, and—because of its penchant for stories set in the Aussie outback and wilds of South Asia—the most exotic of all the publications from the late mid-century period. Maybe that’s why we have more than 1,200 scans from the magazine tucked inside Pulp Intl.

Today’s issue, number forty-one forty we’ve scanned and uploaded, has a typically lurid cover illustrating James McQueen’s story “Blood on the Sand,” which is one of the better pieces we’ve read in Adam. McQueen spins a yarn about a Roman gladiator named Marcellus who faces his best friend Helvius in the Colossuem. Helvius loses, but is spared by a thumbs-ups from the emperor. But the two friends have to fight again, they know Marcellus will win again, and they know the emperor never spares a life twice. The bulk of the story is set in the few days of contemplation and partying between the two battles. It's a very effective little tale.

Elsewhere in Adam you get nice spreads from Samson Pollen and Bruce Minney, lots of thrilling fiction, and lots of naked women, including one in a soap foam bikini that reminds us of when Reiko Ike did the same. On a different subject, moving forward you may notice a break in our magazine scanning activities. Could be days or months. We have to replace our reliable old Mac with a new one and we’ll be losing our Adobe programs—i.e. no more Photoshop for cleaning scans, and we aren’t going to buy it for $1,500 because, as much as we like being one of the sites that uploads new, original content to the web, that price tag is just insane. We can still scan individual pieces of art and not need to use Photoshop on them, but magazines require retouching because the way they're bound means the scans come out skewed. If you've ever scanned one you know what we mean. We’ll see what we can do to work around the problem. In the meantime enjoy this Adam. Twenty-six images below. 

Update: Forty issues, thirty-nine, who can keep count? Well, we actually went back through the website and today's makes forty. Still plenty. Plus we have twenty-one more issues in reserve. Look for those down the line.


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Vintage Pulp Jul 8 2015
TENNIS THE MENACE
It’s the unseeded players that really need to watch out.

In honor of Wimbledon, here’s a Horwitz cover for 1964’s The Love Game by Donald Hann. We had to search far and wide for a good tennis cover, but finally found this one at a webpage maintained by New Zealand’s University of Otago, which also has many other covers worth viewing. Donald Hann was a pseudonym belonging to author Ken Macauley, and the art here is uncredited. 

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History Rewind
The headlines that mattered yesteryear.
February 07
1985—Matt Munro Dies
English singer Matt Munro, who was one of the most popular entertainers on the international music scene during the 1960s and sang numerous hits, including the James Bond theme "From Russia with Love," dies from liver cancer at Cromwell Hospital, Kensington, London.
February 06
1958—Plane Crash Kills 8 Man U Players
British European Airways Flight 609 crashes attempting to take off from a slush-covered runway at Munich-Riem Airport in Munich, West Germany. On board the plane is the Manchester United football team, along with a number of supporters and journalists. 20 of the 44 people on board die in the crash.
February 05
1919—United Artists Is Launched
Actors Charlie Chaplin, Mary Pickford, Douglas Fairbanks, along with director D.W. Griffith, launch United Artists. Each holds a twenty percent stake, with the remaining percentage held by lawyer William Gibbs McAdoo. The company struggles for years, with Griffith soon dropping out, but eventually more partners are brought in and UA becomes a Hollywood powerhouse.
1958—U.S. Loses H-Bomb
A 7,600 pound nuclear weapon that comes to be known as the Tybee Bomb is lost by the U.S. Air Force off the coast of Savannah, Georgia, near Tybee Island. The bomb was jettisoned to save the aircrew during a practice exercise after the B-47 bomber carrying it collided in midair with an F-86 fighter plane. Following several unsuccessful searches, the bomb was presumed lost, and remains so today.

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