When Mafia thugs take on Oklahoma roughnecks it's an oil or nothing battle to the death.
We finally picked up a new scanner and life is good again. You may have noticed the difference in recent uploads. No moire patterns. No weird rainbows. All clean. You may also have noticed the website looks a bit different. We were making some changes over the holidays and got caught in the middle, but we'll finish everything as soon as we can and get it all working properly again. We know, we know. We're really slow with this stuff. But we'll get there.
Meanwhile, today we have for your enjoyment an issue of Australia's Adam magazine, published this month in 1972 with a cover illustrating Martin Rudyard's tale “The Mafia Oil Stakes,” about an organized crime cartel trying to take over a group of Oklahoma oil fields. Most of the owners sell out, but one stubborn cuss refuses, and sabotage followed by violence soon results. The climactic fight takes place against the backdrop of an oil well conflagration. A femme fatale is at the root of all this craziness, and her name is Angela Fierce. Sometimes writers try a little too hard, don't they?
The inside cover star, just above, is Lois Mitchell, someone we've been meaning to feature. She was a popular glamour model during the ’70s, and appeared in copious amounts of high quality images shot by men's magazine contributors Ron Vogel, Edmund Leja, and others. The photo appearing here is new to the internet as far as we can tell. We have thirty-some scans of today's Adam, forty-eight other issues inside the website, and about thirty more we plan on sharing down the line.
When in doubt just shoot everybody.
Above is a really nice cover for an issue of Australia's Adam magazine published this month in 1969. The art illustrates John Dean's story “Aces High,” which is about an undercover operative trying to take down an organized crime kingpin. His way in is a Casino Royale style high stakes poker game, where he's surprised to find that his girlfriend is the arm candy of the kingpin. In the final shootout the girlfriend helps the agent take out the crooks, and we and the boyfriend learn that she's also an agent working undercover—deep undercover—to set up the crooks for the police. We've read better. We've read worse. We'll give Dean credit for deftly working the titillation angle of the girlfriend repeatedly bedding the kingpin so that he would thrust fully in her—er, we mean trust fully in her.
Normally when we share an Adam we make thirty or forty scans. This one, however, came to us in something close to unread condition. Not a crease to be found anywhere. Because scanning involves flattening a magazine, which naturally brings about creases, we decided not to reduce this one's value. That means we have only the cover and few interior images for you. Sorry about that. And our scanner is a little balky of late too. It's six years old, so it's probably a case of that engineered obsolescence thing electronics companies do but which we're supposed to believe they don't. Sure. Anyway, we have dozens of other copiously scanned issues of Adam elsewhere in the website. Try a few of our favorites, here, here, and here, while we pick up a new scanner.
It's really been three days since we showered? Wow. The old saying is true—time flies when you're having fun.
Love in Dishevelment by David Greenhood deals with a man and woman in New York City who decide to live together, something that was severely frowned upon in 1948 when the book was first published, especially for two upstanding professionals like the couple in the story. There's also an out-of-wedlock baby, even more frowned upon, and these and other elements led to the book being banned in Australia, though on the whole you could call the story a romance. Greenhood, who also wrote non-fiction and poetry, takes a literary approach here, and he earned good reviews. This Fawcett-Crest edition appeared in 1955 with cover art from James Meese.
Desire is easy. It's fulfillment that's hard.
This unusual promo pamphlet was made for the Australian release of May Britt's romantic drama The Blue Angel, which opened Down Under today in 1959. 20th Century Fox's publicity department was calling it “one of the great classic films of all times,” though it had only been out a few months. The lesson here is never believe the publicity department. In the film, which is a remake of Marlene Dietrich's 1930 classic of the same name, Swedish bombshell May Britt plays a burlesque performer named Lola-Lola who dances and sings nightly at a smalltown cabaret called the Blue Angel. She draws the romantic attention of a prudish, perhaps even virginal, high school professor, and all kinds of complications follow, ranging from the good (love and romance) to the bad (scorn and unemployment).
It's been said that Britt was chosen over Marilyn Monroe for this role, but if that's true, we're looking at a remarkably different movie than Monroe would have made. For one thing, while financed by 20th Century Fox, the movie is set in Germany and everyone in it hails from somewhere in Europe. We can't imagine that was the plan if Monroe had starred, but as a remake of a German classic, we suppose it's possible. Anotherbig difference is that Britt is not in any way Monroesque. While both are blonde and beautiful, Britt has a knowing, grown-up, real-woman demeanor, her voice a throaty contralto, while Monroe played wiggly-hipped high-pitched kittenish to the hilt. We can only assume the role was intended as a departure for Monroe, and a major departure it would have been.
But this is Britt's film and one thing is sure—she has talent. This isn't a surprise. She had already been in thirteen movies by this point. The Blue Angel came out the year before she met and married Sammy Davis, Jr. She made one more movie then was out of show business until after she and Davis divorced eight years later. These would have been her prime moviemaking years, but she chose to be a wife and mother,has said she chose correctly, and more power to her. Yet The Blue Angel gives a strong indication what sort of star she might have been. 20th Century Fox may have jumped the gun calling the film one of the great classics of all times, but now that it's actually an old film, and it's undoubtedly good thanks to May Britt and the very capable Curt Jürgens, maybe that description isn't so far off after all.
That was great. Send in the third mate when you go. And tell the fourth and fifth mates to get warmed up.
Love Me Sailor was originally published in 1945 by the Australian imprint Georgian House and what a bombshell it was. After much legal wrangling it was banned in 1948 and author Robert S. Close was tossed in prison. His sentence was three months but he served only ten days. He's the only Australian ever jailed for writing a book. After his release he left in disgust for France and didn't return for twenty-five years. Even then he stayed only briefly before leaving again and living the rest of his life on Mallorca.
So what was the fuss about? Love Me Sailor tells the story of a male crewed windjammer that takes on a single female passenger in the form of Emma Miller. The men soon want to slide their dinghies into her cove but because she likes both sex and variety they're soon at each others' throats. Men, right? As a hurricane spins up, the question that arises is whether the crew can function well enough to survive. The book is a serious effort at literature and is highly regarded by many. The edition above from Popular Library appeared in 1952, and the cover art is by unknown.
Who needs an entire bouquet when you already have a Lili?
We've talked before about Horwitz Publications' habit of using celebrities on its Carter Brown paperback covers. Previous examples include Elke Sommer, Joan Collins, and Senta Berger. Above you see another borrowed celeb—none other than Lili St. Cyr—fronting Brown's 1965 thriller Homicide Harem in a cone bra outfit that brings to mind the fashion of Jean Paul Gaultier. There's no doubt it's her. We've spent a lot of time on her and recognized her high arching eyebrows and cleft chin immediately. But just to assuage any doubts you may have, we found a photo of her wearing the same outfit (though with different shoes), which you see below. We think Horwitz used unlicensed handout photos of moderately famous stars to create their covers. Lili was pretty famous by 1955, but perhaps not in Australia, since she wasn't really in movies to the extent that anything she'd done would have played there. Possibly 1955's Son of Sinbad made it there, but we have no data on that. Anyway, we're still a bit baffled why Horwitz didn't just use local models. It isn't as if there has ever been a shortage of beautiful women down under. This will remain a mystery, we suspect.
Why on Earth are you bringing up that till-death-us-do-part stuff now? Neither is us is going to die for a long time.
Above, great cover art for Robert O. Saber's Murder Honeymoon, a digest style paperback from the Australian imprint Phantom Books, 1953. The art originally fronted Saber's 1952 Original Novels thriller City of Sin, which you see at right, and was painted by the always amazing George Gross. Saber was aka Milton K. Ozaki, and we've featured him quite a bit because he seems to have always managed to have his books illustrated by the best. Though the art on these two books was basically the same, the novels were different. This is the first time we've come across identical art for separate novels by the same author.
Wisdom, chivalry, serenity, honor—these are not those kind of samurai.
A different type of paperback today, an example of World War II sexploitation, in this case John Slater's Women Under the Samurai, from Stag Modern Novels, which deals with, well... this is not the kind of book to be proudly displayed on a shelf. More like tucked in the back of a closet. The women here are nurses and are believed by the Japanese to know the location of Allied soldiers on the Pacific Island which they all inhabit. Pretty much every torture you can imagine is used, with the whole spectacle serving to both titillate and horrify the reader. Slater, who was a pseudonym used by Ray Slattery (as well as R.L. Taylor, and others) dipped into these murky waters regularly. Some of the titles that resulted: Island Slave, Brides of Terror, Women of Warsaw, Love Slave of Paris, The Captive Women. And so forth. More than eighty times. You can understand these selling during the war and post-war period, but the amazing thing about this genre of fiction is that it lasted until well into the 1970s. This example is from 1964.
Wild time leaves man with splitting headache.
The cover of this September 1970 issue of Australia's Adam magazine illustrates W. A. Harbinson's story “The Swinging Hep-Cat,” in which a man and woman spend most of their brief marriage fighting. He eventually strangles her. Or thinks he does. She actually survives and he only learns of this fact in jail from the cops who arrested him, as they laugh about it and reveal that she's fled for Paris—and the arms of another man. Much of the fiction in men's adventure magazines is disposable, for lack of a kinder term. We love it, of course. Men's magazine fiction would be nothing without hack writing. But Harbinson actually shows some skills in “The Swinging Hep-Cat,” as well as a muscular style. A sample:
We fought considerably during those early days of our marriage, bouts of most regal proportions, plates, knives, hair-brushes and antiques flying across the bedroom on fierce winds of abuse, she raging naked against the French windows in full view of the tourists below, me crouching back toward the door wondering how to tackle this bitch who had eaten my peace—a farce, a pantomime, a lunatic performance on both sides, always dissolving in the bed.
Or this little description:
Francisco Antonio D'Costa Pegado, a glorious dark beast of a man, rich as sin, tight as a drum, an incredible neurotic lover.
We checked after finishing the story, fully expecting Harbinson to have an extensive bibliography and we were right. He's written several dozen novels, mostly sci-fi, under his own name and that of Shaun Clarke. Not every good wordsmith manages to carve out a strong career—or any career, for that matter—so we were pleased Harbinson did well, because he actually knows how to use language in a way that brings it to three-dimensional life. At least he did in “The Swinging Hep-Cat.” He's still around and was last published in 2012, but we'll probably mine his earlier material, his stuff from the 1970s. We have high hopes. Elsewhere in Adam is fiction from Jack Ritchie, Austrian actress Senta Berger on the table-of-contents page, and plenty of cartoons. We have twenty-eight scans below, including a mega Berger in the final panel for your enjoyment.
The headlines that mattered yesteryear.
1967—Boston Strangler Convicted
Albert DeSalvo, the serial killer who became known as the Boston Strangler, is convicted of murder and other crimes and sentenced to life in prison. He serves initially in Bridgewater State Hospital, but he escapes and is recaptured. Afterward he is transferred to federal prison where six years later he is killed by an inmate or inmates unknown.
1950—The Great Brinks Robbery Occurs
In the U.S., eleven thieves steal more than $2 million from an armored car company's offices in Boston, Massachusetts. The skillful execution of the crime, with only a bare minimum of clues left at the scene, results in the robbery being billed as "the crime of the century." Despite this, all the members of the gang are later arrested.
1977—Gary Gilmore Is Executed
Convicted murderer Gary Gilmore is executed by a firing squad in Utah, ending a ten-year moratorium on Capital punishment in the United States. Gilmore's story is later turned into a 1979 novel entitled The Executioner's Song by Norman Mailer, and the book wins the Pulitzer Prize for literature.
1942—Carole Lombard Dies in Plane Crash
American actress Carole Lombard
, who was the highest paid star in Hollywood during the late 1930s, dies in the crash of TWA Flight 3, on which she was flying from Las Vegas to Los Angeles after headlining a war bond rally in support of America's military efforts. She was thirty-three years old.
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