Vintage Pulp Apr 16 2017
SPOT INSPECTION
You're right. They do look like ladybugs. I guess that means you're gonna get lucky.


Above you see the cover of Illicit Desires from Quarter Books, 1949, by H.M. Appel, aka Archibald Bittner, with art by the famed George Gross. Some sources say this book was originally published as The Farmer's Daughter, but others say that was the original title of Appel's Brutal Kisses. Were both novels alternatively titled The Farmer's Daughter? Could be. There were plenty of precocious farmer's daughters in mid-century fiction. 

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Vintage Pulp Dec 30 2016
BARN BURNER
Can I interest you in a quick hay ride?

Above, another installment of art from the great George Gross, with cover work for Norman Bligh's Play-Girl, 1950, from Venus Books. See more here and here.

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Vintage Pulp Oct 7 2016
THE HONEYMOON IS OVER
Why on Earth are you bringing up that till-death-us-do-part stuff now? Neither is us is going to die for a long time.

Above, great cover art for Robert O. Saber's Murder Honeymoon, a digest style paperback from the Australian imprint Phantom Books, 1953. The art originally fronted Saber's 1952 Original Novels thriller City of Sin, which you see at right, and was painted by the always amazing George Gross. Saber was aka Milton K. Ozaki, and we've featured him quite a bit because he seems to have always managed to have his books illustrated by the best. Though the art on these two books was basically the same, the novels were different. This is the first time we've come across identical art for separate novels by the same author.

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Vintage Pulp Sep 11 2016
POLE POSITION
These are people who definitely pay attention to the poles.


When you look at lots of paperbacks sometimes a common thread suddenly jumps out at you that went unnoticed before. Such was the case a few weeks ago when we noticed the large number of characters on mid-century covers leaning against poles—light poles, telephone poles, sign poles, etc. We suggested someone should put together a collection, but of course we really meant us, so today you see above and below various characters deftly using these features of the urban streetscape as accessories. Art is from Benedetto Caroselli, Harry Schaare, George Gross, Rudolph Belarski, James Avati, et al. You can see a couple more examples here and here.

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Vintage Pulp Sep 5 2016
NEEDLEDICK IN A HAYSTACK
Forget it. I hate being constantly poked by small pointy things. And I'm not very fond of hay either.


Have you ever had sex in hay? We haven't, but it seems like it would stab and stick, possibly even lodge and wedge, necessitating careful removal from bodily crevices. We could be wrong. Passion's Harvest, which features hay prominently on the cover, along with a man who has no apparent qualms about its drawbacks, was written by the prolific Peggy Gaddis and published in 1956. It was a revised re-issue of her 1952 Cameo Books paperback Woman of Fire. Basically, you get a May-December marriage, which is without fulfillment for the young wife/mother, but is secure and stable until she meets a local stud and finds herself irresistibly attracted to him. The attraction for us is the George Gross art with its unusual backward signature. As far as hay goes, we're dubious. But we live not far from farmland, so we'll maybe explore this with the Pulp Intl. girlfriends and report back. 

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Vintage Pulp Aug 12 2016
BAGGAGE CHECK
A suitcase and a sense of adventure will take you anyplace you want to go (and some places you don't).

As noted in the above post, we've gotten a trip together for this summer, so we thought we'd inspire ourselves by collecting a set of paperback covers featuring characters with suitcases. Just about anything can happen once you leave the comfy confines of home and we're hoping several of the scenes depicted here come true for us. See if you can guess which. Hint: not the one above—we already did that last year when we got caught in a monsoonal downpour that shut the airport on the day we were supposed to fly. No, we're thinking we want something more like the below cover to happen. And actually, that's a guarantee because the Pulp Intl. girlfriends are coming with us. Anyway, this group of covers serves as a companion set to our hitchhiker collection from last year. Art is by Robert McGinnis, Mitchell Hooks, George Gross, and others.

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Vintage Pulp Apr 22 2016
MALE PRIVILEGE
They reserve the right to kill everything in sight.


It's murder and mayhem in this issue of Male published this month in 1958. The carnage and gunplay span the Wild West era to World War II, and France to Xinjiang, China, with cheesecake model Diana Crawford thrown in to break up the monotony. The cover is an atypical effort from George Gross, and the interior art is by the always excellent Charles Copeland, along with Brendon Lynch, John Leone, Arthur De Kuh, and others. Looking for more Male? Click here. Or here.

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Vintage Pulp Mar 10 2016
GROSS VALUE
You can’t put a price on genius.
 
We spend a lot of time looking for obscure paperback fronts, but sometimes you have to go with the top artists just for a reminder of how good they were. Therefore behold the immortal George Gross—six examples, all perfect.
 


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Vintage Pulp Jan 5 2016
SHADOW AND FRIGHT
The shape of bad things to come.

Above and below are assorted covers featuring yet another fun mid-century paperback art motif—the looming or threatening shadow. The covers are by the usual suspects—Rader, Phillips, Gross, Caroselli, Nik, as well as by artists whose work you see less often, such as Tony Carter’s brilliant cover for And Turned to Clay. That's actually a dust jacket, rather than a paperback front, but we couldn't leave it out. You’ll also notice French publishers really liked this theme. We’ll doubtless come across more, and as we do we’ll add to the collection. This is true of all our cover collections. For instance, our post featuring the Eiffel Tower has grown from fifteen to twenty-two examples, and our group of fronts with syringes has swelled from thirteen to twenty-six images. We have twenty-four twenty-eight—see what we mean?—more shadow covers below, and thanks to all original uploaders.

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Vintage Pulp Dec 2 2015
WICKED WAYS
It’s true I’m a bad girl. But by morning you’ll say I made you see God.

And now for some beautiful art to wipe the memory of Rope Cosmetology from our heads. Above is a George Gross cover for Nora’s No Angel by Tom Stone, aka Florence Stonebraker, aka Ted Stratton. This came from Rainbow Books and you can see that Gross has his femme fatale dressed in the same style of off-the-shoulder drawstring blouse we pointed out before. 1951 copyright. 

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Next Page
History Rewind
The headlines that mattered yesteryear.
May 27
1930—Chrysler Building Opens
In New York City, after a mere eighteen months of construction, the Chrysler Building opens to the public. At 1,046 feet, 319 meters, it is the tallest building in the world at the time, but more significantly, William Van Alen's design is a landmark in art deco that is celebrated to this day as an example of skyscraper architecture at its most elegant.
1969—Jeffrey Hunter Dies
American actor Jeffrey Hunter dies of a cerebral hemorrhage after falling down a flight of stairs and sustaining a skull fracture, a mishap precipitated by his suffering a stroke seconds earlier. Hunter played many roles, including Jesus in the 1961 film King of Kings, but is perhaps best known for portraying Captain Christopher Pike in the original Star Trek pilot episode "The Cage".
May 25
1938—Alicante Is Bombed
During the Spanish Civil War, a squadron of Italian bombers sent by fascist dictator Benito Mussolini to support the insurgent Spanish Nationalists, bombs the town of Alicante, killing more than three-hundred people. Although less remembered internationally than the infamous Nazi bombing of Guernica the previous year, the death toll in Alicante is similar, if not higher.
1977—Star Wars Opens
George Lucas's sci-fi epic Star Wars premiers in the Unites States to rave reviews and packed movie houses. Produced on a budget of $11 million, the film goes on to earn $460 million in the U.S. and $337 million overseas, while spawning a franchise that would eventually earn billions and make Lucas a Hollywood icon.
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