Can I interest you in a quick hay ride?
Above, another installment of art from the great George Gross, with cover work for Norman Bligh's Play-Girl, 1950, from Venus Books. See more here and here.
Why on Earth are you bringing up that till-death-us-do-part stuff now? Neither is us is going to die for a long time.
Above, great cover art for Robert O. Saber's Murder Honeymoon, a digest style paperback from the Australian imprint Phantom Books, 1953. The art originally fronted Saber's 1952 Original Novels thriller City of Sin, which you see at right, and was painted by the always amazing George Gross. Saber was aka Milton K. Ozaki, and we've featured him quite a bit because he seems to have always managed to have his books illustrated by the best. Though the art on these two books was basically the same, the novels were different. This is the first time we've come across identical art for separate novels by the same author.
These are people who definitely pay attention to the poles.
When you look at lots of paperbacks sometimes a common thread suddenly jumps out at you that went unnoticed before. Such was the case a few weeks ago when we noticed the large number of characters on mid-century covers leaning against poles—light poles, telephone poles, sign poles, etc. We suggested someone should put together a collection, but of course we really meant us, so today you see above and below various characters deftly using these features of the urban streetscape as accessories. Art is from Benedetto Caroselli, Harry Schaare, George Gross, Rudolph Belarski, James Avati, et al. You can see a couple more examples here and here.
Forget it. I hate being constantly poked by small pointy things. And I'm not very fond of hay either.
Have you ever had sex in hay? We haven't, but it seems like it would stab and stick, possibly even lodge and wedge, necessitating careful removal from bodily crevices. We could be wrong. Passion's Harvest, which features hay prominently on the cover, along with a man who has no apparent qualms about its drawbacks, was written by the prolific Peggy Gaddis and published in 1956. It was a revised re-issue of her 1952 Cameo Books paperback Woman of Fire. Basically, you get a May-December marriage, which is without fulfillment for the young wife/mother, but is secure and stable until she meets a local stud and finds herself irresistibly attracted to him. The attraction for us is the George Gross art with its unusual backward signature. As far as hay goes, we're dubious. But we live not far from farmland, so we'll maybe explore this with the Pulp Intl. girlfriends and report back.
You can’t put a price on genius.
We spend a lot of time looking for obscure paperback fronts, but sometimes you have to go with the top artists just for a reminder of how good they were. Therefore behold the immortal George Gross—six examples, all perfect.
The shape of bad things to come.
Above and below are assorted covers featuring yet another fun mid-century paperback art motif—the looming or threatening shadow. The covers are by the usual suspects—Rader, Phillips, Gross, Caroselli, Nik, as well as by artists whose work you see less often, such as Tony Carter’s brilliant cover for And Turned to Clay. That's actually a dust jacket, rather than a paperback front, but we couldn't leave it out. You’ll also notice French publishers really liked this theme. We’ll doubtless come across more, and as we do we’ll add to the collection. This is true of all our cover collections. For instance, our post featuring the Eiffel Tower has grown from fifteen to twenty-two examples, and our group of fronts with syringes has swelled from thirteen to twenty-six images. We have
twenty-four twenty-eight—see what we mean?—more shadow covers below, and thanks to all original uploaders.
It’s true I’m a bad girl. But by morning you’ll say I made you see God.
And now for some beautiful art to wipe the memory of Rope Cosmetology from our heads. Above is a George Gross cover for Nora’s No Angel by Tom Stone, aka Florence Stonebraker, aka Ted Stratton. This came from Rainbow Books and you can see that Gross has his femme fatale dressed in the same style of off-the-shoulder drawstring blouse we pointed out before. 1951 copyright.
I already knew you weren’t married, silly. No self-respecting wife would let her man out wearing such an atrocious tie.
Above is a beautiful and lighthearted cover for No Time for Marriage by David Charlson for Venus Books, 1951, featuring a smiling femme fatale and her homme with his garish pin-up girl tie. The art isn’t attributed and Gary Lovisi’s reference book Dames, Dolls and Delinquents lists it as by unknown. But we think it’s by George Gross. Compare it to a cover confirmed as painted by Gross—One Wild Night, which you see just to the right. The general style is close if not identical, and the female figures on both covers wear drawstring puffsleeve blouses, necklaces, an assortment of gold bracelets, and the always popular ankle strap pumps. We sound like we’ve been watching Project Runway for the last ten years, we know, but this is what obsessing over paperback art does to you. You also notice that the pose, facial features and hairdos on both covers are nearly identical too. While it’s true Rudy Nappi also painted in this general style for Venus, his hairstyles were usually less sculptural than what you see here. We also think the similarities of No Time for Marriage to other Gross covers are too great to ignore. In any case, we hope whoever painted it was well paid at least, because the same art was reused for Joan Tucker’s 1954 novel Young Secretary.
The headlines that mattered yesteryear.
1963—Profumo Denies Affair
In England, the Secretary of State for War, John Profumo, denies any impropriety with showgirl Christine Keeler and threatens to sue anyone repeating the allegations. The accusations involve not just infidelity, but the possibility acquaintances of Keeler might be trying to ply Profumo for nuclear secrets. In June, Profumo finally resigns from the government after confessing his sexual involvement with Keeler
and admitting he lied to parliament.
1978—Karl Wallenda Falls to His Death
World famous German daredevil and high-wire walker Karl Wallenda, founder of the acrobatic troupe The Flying Wallendas, falls to his death attempting to walk on a cable strung between the two towers of the Condado Plaza Hotel in San Juan, Puerto Rico. Wallenda is seventy-three years old at the time, but it is a 30 mph wind, rather than age, that is generally blamed for sending him from the wire.
2006—Swedish Spy Stig Wennerstrom Dies
Swedish air force colonel Stig Wennerström, who had been convicted in the 1970s of passing Swedish, U.S. and NATO secrets to the Soviet Union over the course of fifteen years, dies in an old age home at the age of ninety-nine. The Wennerström affair, as some called it, was at the time one of the biggest scandals
of the Cold War.
The federal penitentiary located on Alcatraz Island in San Francisco Bay closes. The island had been home to a lighthouse, a military fortification, and a military prison over the years. In 1972, it would become a national recreation area open to tourists, and it would receive national landmark designations in 1976 and 1986.
1916—Einstein Publishes General Relativity
German-born theoretical physicist Albert Einstein publishes his general theory of relativity. Among the effects of the theory are phenomena such as the curvature of space-time, the bending of rays of light in gravitational fields, faster than light universe expansion, and the warping of space time around a rotating body.
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