|The Naked City||Jun 20 2014|
|The Naked City||Jul 19 2013|
Tonight in 1949 just before 4 a.m.—i.e. early in the morning of July 20—L.A. mobster Mickey Cohen was ambushed by unknown gunmen outside a Sunset Boulevard eatery called Sherry’s. The above photo diagram and close-up shows where his assailants hid behind a billboard across the street from the restaurant and opened fire with shotguns. Cohen was hit in the shoulder, three others were seriously wounded, and New York Daily News reporter Florabel Muir was bruised by a ricochet (or shot directly, according to some accounts). The photo just below shows the view the gunmen had from underneath the billboard. And the last two show the immediate aftermath of the shooting, with a surprising number of bystanders and/or restaurant patrons present considering the late hour, and Cohen henchman Edward Herbert on the ground. He would later die from his wounds. The Sherry’s ambush was the second of several attempts on Cohen’s life. None were successful, though as usual, the members of his circle did not fare well. For a look at a cool collection of photo diagrams and an explanation of their use, see here.
|Intl. Notebook||Jun 18 2013|
|The Naked City||Nov 28 2012|
Above is a photo of the aftermath of the Cocoanut Grove fire of 1942. Its appearance belies the scope of the disaster that took place there. The Cocoanut Grove had been founded as an illegal speakeasy and, after the 1933 repeal of Prohibition, became Boston’s trendiest nightspot. It was comprised of several properties that had been consolidated into one, and was a labyrinth of tropical-themed bars, lounges, and dining rooms, complete with a famous “rolling roof” that allowed patrons to dance under the stars during warm summer nights. The club’s cobbled together construction meant there were many exits, but owner Barnet “Barney” Welansky was preoccupied with the possibility of people using these to dash without paying their checks, and had hidden some exits behind curtains, locked others, boarded up a plate glass window, and bricked over an emergency exit.
About 10:15 p.m. one frigid November night a fire started for the most banal of reasons. A soldier in the Melody Lounge, which was in the basement, had either loosened or removed a light bulb in an artificial palm tree to create the privacy he desired in order to make out with his date. A busboy was ordered to replace or tighten it. He climbed onto a chair and lit a match so he could see, very likely using one from a matchbook like the one at right. Moments later the canopy of artificial palm fronds overhead caught fire. Whether it was the match or the light bulb that started the blaze nobody ever figured out for sure, though the busboy unambiguously blamed himself and the match.
|The Naked City||Aug 6 2012|
They were known as the Two Tonys—Brancato and Trombino, a pair of wild mobsters out of Kansas City. In May 1951 they robbed the cash room at the mob-controlled Flamingo Hotel in Las Vegas. They and their three henchmen had been wearing hats, but Tony Brancato lost his mid-robbery, was caught on camera, and from there ended up on the FBI’s most wanted list. Brancato and Trombino were also identified by a mob subordinate who recognized them because he’d been robbed by them in Beverly Hills. The pair were arrested for the Flamingo robbery, but made bail, then promptly headed to Los Angeles. There they shook down a mob bookmaker’s right hand man, which put them on L.A. crime boss Jack Dragna’s most wanted list. But the difference between his list and the FBI’s was that Dragna’s had nothing to do with capture and trial. He ordered the Two Tonys to be killed, and mob shooter Aladena Fratianno, aka Jimmy the Weasel, took on the task. Brancato and Trombino desperately needed money for their legal defense, and Fratianno told them he’d help them take down a high stakes poker game worth $40,000. The Tonys were thrilled and grateful, but the heist was fiction. Instead, in a car on Hollywood Boulevard, Fratianno had two subordinates murder them. The aftermath appears above and below. Today, 1951.
|The Naked City||May 10 2012|
This LAPD mugshot of gangster Johnny Stompanato dates from today in 1952, when he was arrested on suspicion of armed robbery. Stompanato was an Illinois boy who joined the army and after his discharge fell into the west coast gangster lifestyle. He quickly became well known to the cops. Beverly Hills police chief Clifford Anderson described him as “one of the most successful wolves in Hollywood,” which was a polite way of saying he was a pimp, blackmailer, and boy toy for a series of wealthy women, who he often shook down for cash. By the time these images were made he was living the high life as a connected subordinate to top tier mobster Mickey Cohen.
After numerous scrapes, liaisons and adventures, plus an arrest in 1956 for violating the White-Slave Traffic Act, aka the Mann Act, Stompanato met actress Lana Turner. It was the spring of 1957. Turner had just survived an ugly divorce involving a husband who molested her daughter from a previous marriage, and her movie career had taken a hit when MGM had declined to renew her contract. But she was still one of the biggest names in Hollywood, and Stompanato thought he’d finally found the pot of gold at the end of the rainbow. Turner was rich, connected, beautiful, and wild. And she was drawn to him because he looked good, had a bad reputation, and was known to be a dynamo in bed.
Stompanato was accustomed to being physical with women, and, while Turner put up with the abuse, her daughter Cheryl grew less and less inclined to stand by and watch. One April night in 1958 Stompanato was allegedly roughing up Turner, when Cheryl—fourteen years old at the time—grabbed a knife and stuck Stompanato in the chest. Either by intent or lucky aim, one of the toughest and meanest wiseguys in Hollywood ended up cold on the floor, and the case became the tabloid sensation of the decade. Turner’s daughter was eventually acquitted at trial of murder charges on the grounds of justifiable homicide. The photos below provide a chronology of the events and aftermath of the night that brought Johnny Stomp to his end, and you can read a bit more about the killing at a previous post here.
|Musiquarium||Apr 23 2012|
Here's something wonderful we found on our recent U.S. trip. It's a 1929 woodcut print promoting Harlem's famous Cotton Club. You probably know the Cotton Club was one of America's most prominent speakeasies, if that isn't an oxymoron, and that it hosted some of the greatest jazz luminaries of the age, including Duke Ellington, Lena Horne, Cab Calloway, Bessie Smith, George Gershwin, and many others. The place was mob owned, specifically by England-born gangster Owney Madden. If stories about the sheer wildness of the Cotton Club are true, this print certainly captures its spirit. The artist here is E.M. Washington, who was quite well known for his woodcuts, and whose surviving original work goes for a fortune. This particular item is a reprint, which put it well within our price range.
|Intl. Notebook||Apr 12 2012|
We came across two more postcards celebrating Las Vegas’s distinction as a city from which it was possible to see nuclear test shots. You may remember we posted a couple of similar items in December. These two promote not just Vegas’s dubious proximity to planet-killing nuclear ordnance, but also the venerable Horseshoe Club, a casino owned by Vegas legend Benny Binion. This is the 1950’s we’re talking about, so of course Binion was mobbed up. He started as a thief and killer in Dallas, and ended up with a commemorative statue on Freemont Street (later moved to the Strip). That simple fact probably says more about old Las Vegas than entire books. We’ll get back to him a bit later. No pulp site could be complete without him.
|The Naked City||Oct 7 2011|
More from the USC digital photo archive. It looks like just another black Cadillac, but no, this one belonged to mobster par excellence Mickey Cohen and it’s parked outside the L.A. eatery Sherry’s, where he was the target of an assassination attempt in July 1949. Gunmen shot Cohen in the shoulder (or arm, depending on the telling), fatally wounded one of his friends, seriously wounded two others, and managed to hit journalist Florabel Muir in the ass with a non-penetrating ricochet. Having learned a lesson, Cohen had his next Cadillac bulletproofed (bombproofed as well, by some accounts). Below are a couple of photos of that car and the two-inch-thick glass that was installed (all well and good to be sealed inside an armored hotbox, but what if your driver ate broccoli with dinner?). Anyway, Cohen sold the Caddy in 1951 for $12,000, supposedly because it wasn’t street legal. He died of natural causes in 1976.
|Vintage Pulp | Sportswire||Jul 26 2011|
The National Police Gazette focuses on sports with this July 1956 cover of welterweight and middleweight boxing champion Carmen Basilio. According to the Gazette, Basilio lost his welterwight title to challenger Johnny Saxton due to the fact that the judges had been bought off by local mob figures. This may have been true. Saxton was tight with—or perhaps controlled by—a Philadelphia wiseguy named Blinky Palermo. Saxton was no hack—he went 39-0-1 to start his career—but in some of those fights his opponents gave less than their all, conspicuously so. Saxton won his first title in 1954 against Kid Gavilán, and that fight was openly discussed as a fixed affair. When Saxton topped Basilio in March 1956 in a fifteen round decision, Basilio said bluntly of the judging, “It was like being robbed in a dark alley.” The Gazette took up his case four months later. Other magazines weighed in on Basilio’s behalf as well, and in September 1956 he got his revenge when he knocked out Saxton in a rematch. Basilio finished his career 56-27-7 having taken quite a few beatings, and having dished quite a few out. In the end his face was a topographical map of all those battles, but on this Gazette cover showing him after winning the welterweight title, he positively glows. There’s nothing quite like winning.