|Hollywoodland||Apr 27 2016|
In a story entitled “What Kim Novak Won’t Tell Her Psychiatrist,” this issue of Uncensored from April 1962 promises “the most intimate, revealing self-portrait of a guilt-tormented soul that you have ever read.” What does the magazine reveal? Apparently Novak’s father was disappointed to have had a daughter instead of a son. Novak’s father is portrayed as domineering and distant, and this relationship is cited as the cause of all her “neuroses,” from her preference for slacks and shirts over dresses and skirts, to her supposed shame over sex. Even her short hair is blamed on her father—she allegedly cut it off as an expression of self-loathing. But here’s the bit we love: “He is a father who raised no objection when nightclub entertainer Sammy Davis, Jr. showed up at Kim’s home in Chicago with a engagement ring one Christmas.” Yes, this father of hers was truly the lowest of the low.
The story goes on to describe all the various hells Novak put her employers and paramours through, reveals a lifetime of analysis beginning in childhood, and outs her for an alleged late 1950s stint in a psychiatric facility, where she received “mechanical tests”—i.e. an EEG. It finally ends on a melodramatic note: “Kim fled the hospital, fled the analyst, fled the dark memories. She went back to making movies, to throwing temper tantrums. And, on occasion, to more solid things. She went back to the loneliness she dreads. To the big house that is haunted by shapes, people, memories she dare not dredge up and face lest the strain be too much, added to other strains.” You’d almost think journalist Marian Simms was writing a Harlequin novel—a bad one.
|Hollywoodland||Jan 17 2016|
As far as we know nobody mentioned in any these stories sued. Confidential was impervious—at least for the moment. Celebrities just hunkered down and hoped the stories would fade. But Confidential'scirculation kept growing. Soon it would be one of the most widely read magazines in America, the indisputable king of tabloids. Hmm… king of tabloids has a nice ring to it. We’re going to use that—Pulp Intl. is the king of tabloid websites. You can work your way through more than three-hundred individual tabloid entries here.
|Intl. Notebook||Nov 9 2015|
This Inside Story from November 1963 features cover star Christine Keeler and the people in her life, while the left of the page has insets with Mamie Van Doren and Anthony Quinn. We’ve covered Keeler. Hers was one of the most flogged scandals of the 1960s, and Inside Story editors are well aware of that, which is why they claim to have new information. But it’s nothing new—just rehash on Keeler, a background on Czech call girl Maria Stella Novotny, who was well known by this time as one of Keeler’s colleagues, and standard red scare stuff about motel rooms set up with microphones and two-way mirrors. We will get back to Novotny, however—her tale offers some interesting twists and turns.
Inside Story shares stories about Mamie Van Doren, Jackie Gleason, Peter O’Toole, Ava Gardner and a nervous tailor who measured her for a suit, and how perfume makes men go wild. Editors also decry the injustice of a Harlem restaurant refusing to serve a white woman—this, mind you, during an era when literally hundreds of thousands of U.S. enclaves, from restaurants to schools to country clubs to sectors of the military, were whites-only. False equivalence, thy name is Inside Story. But interestingly, a subsequent piece about the world’s sexiest nightclubs tells readers chic Harlem bars are frequented by white Hollywood stars. And so it goes…
|Vintage Pulp||Jun 6 2015|
This issue of the New York based tabloid Private Affairs appeared in June 1962, and features cover stars Kim Novak and American Nazi Party leader George Lincoln Rockwell rendered by an uncredited artist. Inside the issue Affairs rehashes Novak’s various relationships, recounting how mafia goons threatened to kill Sammy Davis Jr. if he didn’t stop meeting Novak across the color line, how she accepted an expensive sports car as a gift from Ramfis Trujillo even though his hands were “bathed in the blood of executed political prisoners,” and how she shot down a smitten Charles Boyer by asking him in bewilderment, “How could you have thought I loved you?” The overarching concern is Novak’s longstanding unmarried status, wedlock of course being the default state for any normal woman. Novak was only twenty-nine at the time—but that was spinster age by tabloid standards. She eventually did wed when she was thirty-two, and it’s a wonder she made it down the aisle without the aid of a wheelchair.
Elsewhere in the issue we get Lana Turner, who Affairs claims let her daughter take a murder rap for her; comedian Dick Gregory, who is accused of stealing jokes; and Ingrid Bergman, who is shown with her later-to-be-famous daughter Isabella Rossellini. We also meet Nai Bonet, a famed Vietnamese bellydancer who within a couple of years would parlay her fame into a film and music career. Private Affairs is not a well known tabloid today—it probably arrived on the scene just a bit too late to carve out a readership when newsstand shelves were already packed with established imprints such as Confidential, Uncensored, Top Secret, Inside Story, Hush-Hush, et al. This particular issue—designated Vol 1, No. 3—is the only copy of the magazine we’ve ever seen. We suspect the brand was defunct within the first year. Many scans below, and more rare tabloids coming soon.
|Vintage Pulp||May 14 2015|
This issue of Paris Frou Frou appeared in 1956 with cover star Marilyn Monroe in costume for her role in the classic comedy Bus Stop. Inside the issue she's garbed for Otto Preminger’s River of No Return, an interesting quasi-western that’s worth a viewing just to see Monroe and her co-star Robert Mitchum together. Elsewhere you get Kim Novak, dancer Vera Bell, and Mamie van Doren. Van Doren and Novak are still with us, and that fact serves to remind that—incredible as it may seem—Monroe would be eighty-nine now if not for her unfortunate suicide (or murder, if you want to go that direction). Considering how long she’s been dead, and how deeply her current-day identity is tied to her death, it’s a bit of a shocking thought. Eleven scans below.
|Vintage Pulp||Jan 3 2015|
Confidential gives Kim Novak the cover and Lili St Cyr the inset on an issue published this month in 1965. Inside, the editors offer readers mostly lukewarm rehash, as was Confidential’s usual approach during its fangless mid-1960’s years, but there are also a few interesting tidbits. We learn that Lili St. Cyr took more than thirty Nembutals during her 1958 suicide attempt, yet still managed to survive though as few as three pills can be fatal. Ramfis Trujillo’s wild Parisian parties are detailed, including the time he and his entourage shot up the lobby of the Hotel George V. And we find out that Frank Sinatra paid a $400 fine in Spain for disturbing the peace when he blew up after a woman threw a drink on him.
But even if Confidential wasn’t kicking ass and taking names in 1965, its visuals were still quite nice, with those impactful black, white and red graphics, and that super hip language that’s so much of its time but which is still amazing to read today. Try this on for size: “Call the men in the white coats and get the whacky wagon rolling, your favorite swinging correspondent is ready for Flipsville!” We’re always ready for Flipsville, and we’re always ready for mid-century tabloids, too. How many of these do we have left in our collection? You wouldn’t believe us if we told you. We’d sell some, but how could we possibly part with them? We’re stuck with them. And so are you. Twenty-plus scans below.
|Femmes Fatales||Jul 26 2014|
|Hollywoodland | Vintage Pulp||May 24 2013|
Jayne Mansfield, Mickey Hargitay, Elvis Presley, Eartha Kitt, and more. This issue of Whisper published this month in 1965 tells tales about some of the most popular stars of the day. And then there’s Hayley Mills, former child star who was trying to make a full-grown career for herself where breaking from type often involves shocking the public. In Mills’ case, she planned to star in the film Candy, which was to be an adaptation of the banned satirical novel Terry Southern and Mason Hoffenberg had based on Voltaire’s Candide. Considered one of the sexier novels of the time, it touched on homosexuality, masturbation, interracial relations, and seemed like a disastrous choice for wholesome Hayley Mills. But if she actually wanted to change that image what could do it? Candy could. Whisper warns Mills away from the role: “We’ll bet her fans—and the moviegoing public at large—won’t buy it.” Dire words, indeed. But in the end, Mills never got the role. It went instead to Swedish actress Ewa Aulin.
|Hollywoodland||Nov 13 2012|
Above is a publicity photo of American singer/actor/comedian Sammy Davis, Jr. with his Swedish bride, actress May Britt. The shot dates from today in 1960, and as you might guess, that was a very bad time for mixed couples. Sammy had for years been making tabloid headlines for dating white women ranging from Tinseltown icon Kim Novak to Canadian singer Joan Stuart, but when he announced plans to marry Britt, a chunk of the general public lost its collective mind. He faced racist banners and chants in London, received rafts of hate mail, and was confronted in Los Angeles with the bizarre spectacle of three men marching outside the Huntington Hartford Theater in nazi regalia. Even two admirers, John and Robert Kennedy, allegedly asked Frank Sinatra to tell Davis to delay the wedding until after the 1960 presidential election.
|Vintage Pulp||Feb 10 2012|
Last time we featured Inside Story, we took a detailed look at the contents, concluded that there was good reason it was a strictly blah tabloid, and decided not to buy it again. But that doesn’t mean we can’t cull them from online, so today we have this February 1957 cover that promises to expose “the amazing James Dean hoax.” Make sure you’re sitting down when you read this. The globe-spanning conspiracy Inside Story uncovered is simply that Dean’s posthumous spike in popularity wasn’t entirely due to sincere outpourings of appreciation by fans, but also because of a deliberate, behind-the-scenes publicity campaign by Warner Bros., who had produced his last movie Giant. Warners had decided that, after dropping $5 million on production, they needed a major publicity angle to have any hope of recouping their investment in a movie whose star had been dead a year and a month. The money quote: “Unfortunately, Dean, living again only for the profits of the movie-makers, will never see a dime of that increased gross…” Well, no, because death will tend to put a crimp in one’s personal finances. At least Inside Story published a nice photo, from East of Eden, below. We have two more issues, with lots of scans, and you can see those here and here.