|Vintage Pulp||May 14 2015|
This issue of Paris Frou Frou appeared in 1956 with cover star Marilyn Monroe in costume for her role in the classic comedy Bus Stop. Inside the issue she's garbed for Otto Preminger’s River of No Return, an interesting quasi-western that’s worth a viewing just to see Monroe and her co-star Robert Mitchum together. Elsewhere you get Kim Novak, dancer Vera Bell, and Mamie van Doren. Van Doren and Novak are still with us, and that fact serves to remind that—incredible as it may seem—Monroe would be eighty-nine now if not for her unfortunate suicide (or murder, if you want to go that direction). Considering how long she’s been dead, and how deeply her current-day identity is tied to her death, it’s a bit of a shocking thought. Eleven scans below.
|Vintage Pulp||Jan 3 2015|
Confidential gives Kim Novak the cover and Lili St Cyr the inset on an issue published this month in 1965. Inside, the editors offer readers mostly lukewarm rehash, as was Confidential’s usual approach during its fangless mid-1960’s years, but there are also a few interesting tidbits. We learn that Lili St. Cyr took more than thirty Nembutals during her 1958 suicide attempt, yet still managed to survive though as few as three pills can be fatal. Ramfis Trujillo’s wild Parisian parties are detailed, including the time he and his entourage shot up the lobby of the Hotel George V. And we find out that Frank Sinatra paid a $400 fine in Spain for disturbing the peace when he blew up after a woman threw a drink on him.
But even if Confidential wasn’t kicking ass and taking names in 1965, its visuals were still quite nice, with those impactful black, white and red graphics, and that super hip language that’s so much of its time but which is still amazing to read today. Try this on for size: “Call the men in the white coats and get the whacky wagon rolling, your favorite swinging correspondent is ready for Flipsville!” We’re always ready for Flipsville, and we’re always ready for mid-century tabloids, too. How many of these do we have left in our collection? You wouldn’t believe us if we told you. We’d sell some, but how could we possibly part with them? We’re stuck with them. And so are you. Twenty-plus scans below.
|Femmes Fatales||Jul 26 2014|
|Hollywoodland | Vintage Pulp||May 24 2013|
Jayne Mansfield, Mickey Hargitay, Elvis Presley, Eartha Kitt, and more. This issue of Whisper published this month in 1965 tells tales about some of the most popular stars of the day. And then there’s Hayley Mills, former child star who was trying to make a full-grown career for herself where breaking from type often involves shocking the public. In Mills’ case, she planned to star in the film Candy, which was to be an adaptation of the banned satirical novel Terry Southern and Mason Hoffenberg had based on Voltaire’s Candide. Considered one of the sexier novels of the time, it touched on homosexuality, masturbation, interracial relations, and seemed like a disastrous choice for wholesome Hayley Mills. But if she actually wanted to change that image what could do it? Candy could. Whisper warns Mills away from the role: “We’ll bet her fans—and the moviegoing public at large—won’t buy it.” Dire words, indeed. But in the end, Mills never got the role. It went instead to Swedish actress Ewa Aulin.
|Hollywoodland||Nov 13 2012|
Above is a publicity photo of American singer/actor/comedian Sammy Davis, Jr. with his Swedish bride, actress May Britt. The shot dates from today in 1960, and as you might guess, that was a very bad time for mixed couples. Sammy had for years been making tabloid headlines for dating white women ranging from Tinseltown icon Kim Novak to Canadian singer Joan Stuart, but when he announced plans to marry Britt, a chunk of the general public lost its collective mind. He faced racist banners and chants in London, received rafts of hate mail, and was confronted in Los Angeles with the bizarre spectacle of three men marching outside the Huntington Hartford Theater in nazi regalia. Even two admirers, John and Robert Kennedy, allegedly asked Frank Sinatra to tell Davis to delay the wedding until after the 1960 presidential election.
|Vintage Pulp||Feb 10 2012|
Last time we featured Inside Story, we took a detailed look at the contents, concluded that there was good reason it was a strictly blah tabloid, and decided not to buy it again. But that doesn’t mean we can’t cull them from online, so today we have this February 1957 cover that promises to expose “the amazing James Dean hoax.” Make sure you’re sitting down when you read this. The globe-spanning conspiracy Inside Story uncovered is simply that Dean’s posthumous spike in popularity wasn’t entirely due to sincere outpourings of appreciation by fans, but also because of a deliberate, behind-the-scenes publicity campaign by Warner Bros., who had produced his last movie Giant. Warners had decided that, after dropping $5 million on production, they needed a major publicity angle to have any hope of recouping their investment in a movie whose star had been dead a year and a month. The money quote: “Unfortunately, Dean, living again only for the profits of the movie-makers, will never see a dime of that increased gross…” Well, no, because death will tend to put a crimp in one’s personal finances. At least Inside Story published a nice photo, from East of Eden, below. We have two more issues, with lots of scans, and you can see those here and here.
|Vintage Pulp||Aug 31 2011|
The cover of this December 1956 issue of the American tabloid Exposed offers teasers on Kim Novak, Laurence Olivier, and Hollywood bad boy William Holden, but it's Ava Gardner who's front and center as readers learn about her mingling with Spanish bullfighters. Gardner had been introduced to the spectacle of the plaza de toros several years earlier by Ernest Hemingway, and she became a fixture at both the fights and on the Madrid social circuit. Since she was married to Frank Sinatra, this was of great interest to U.S. readers, not to mention Sinatra himself, and all the tabloids were reporting on it. The publicity didn’t help what was already a stormy marriage. Gardner eventually pursued and bedded matador Luis Miguel Dominguín, and not very discreetly. Everyone knew. Sinatra knew, and it tortured him. His buddy Humphrey Bogart rebuked Gardner, telling her, “Half the world’s female population would throw themselves at Frank’s feet and you are flouncing around with guys who wear capes and ballerina slippers.” Sinatra knew he was losing the love of his life, and he wasn't about to let it happen without a fight. He flew to Spain in a desperate bid to win his wife back, but it was no use—seven months after this Exposed hit newsstands, he and Gardner were divorced.
|Vintage Pulp||Apr 14 2011|
This issue of Top Secret from April 1962 asks the question: Did Kim Novak really perform in the nude during the filming of The Notorious Landlady? In the movie, Jack Lemmon bursts in on Novak while she’s bathing and she delivers her dialogue covering her breasts with her arms. It was racy stuff for back then—in fact, one contemporary review referred to the scene as “degrading”. Columbia Pictures’ publicity department fanned the flames by letting it be known that Novak had no bodysuit or other covering, meaning one of the most desirable women in Hollywood had been seen in the buff by an entire film crew. Hubba hubba. However Top Secret says the story is untrue and Novak was, in fact, covered. Whatever the truth, the timing was perfect, promotionally speaking. The Notorious Landlady hit cinemas that same month with the tagline “Did she… or DID SHE?” The line referred to a murder her character was suspected of committing, but it dovetailed nicely with the nude controversy. So the question remains: Did she… or DID SHE? And the answer is: Judge for yourself below.
|Femmes Fatales||Dec 31 2010|
Below are eighteen timeless Hollywood leading ladies, some well-known, some less so, but all gleamingly beautiful. They are, top to bottom, Mari Blanchard, Carmen Phillips, Grace Kelly, Jane Adams, Joan Vohs, Martha Hyer, Laurette Luez, Tippi Hedren, Marguerite Chapman, Janet Leigh, Venetia Stevenson, Annabella, Muriel Barr, Lana Turner, Kim Novak, Paula Drew, Ann-Margret, and Vera Miles. Happy New Year.
|Vintage Pulp | Politique Diabolique||Nov 25 2010|
How times have changed. Could one of the most brutal killers in the world openly hobnob with the Hollywood set today? We doubt it. But back in the day, a few rumors of murder only bolstered a man’s adventurous reputation, as proved by this November 1958 Whisper showing Rafael “Ramfis” Trujillo, Jr. charming Zsa Zsa Gabor and Kim Novak. One or both women, you may notice, actually appear courtesy an X-acto knife and glue, but what self-respecting tabloid has time to locate a legit photo when paste-up will do the job almost as well? Trujillo did date and bed both Gabor and Novak in real life, which makes this cover technically accurate, and makes him the second most enviable Dominican jet-setter in history.
Ramfis Trujillo reportedly gave most women that frisson some find irresistible, but his life wasn’t all starlets and champagne. Though he wanted nothing more than to be a playboy, there was an obstacle in the form of family baggage. Specifically, his father was a sadistic military dictator who had been put in power in the Dominican Republic by the CIA. Trujillo, Sr. expected his son to continue in the family business. This had been abundantly clear to Ramfis since the day his father made him a full general—with full pay—at age nine. For this and other reasons, he grew up with a warped sense of power and by the time of this Whisper cover had already ordered several murders and indulged in the occasional gang rape. He might have been considered a classic chip off the old block, save for rumors that Ramfis’s father was actually a Cuban named Rafael Dominicis—hence the “illegitimate dastard” tag in the banner. But the story about Ramfis being illegitimate was strongly denied by everyone involved (except Dominicis, who “disappeared”).
In any case, through the late fifties Ramfis tomcatted his way from Hollywood to Paris, and only occasionally let his urbane manner slip to reveal someone considerably less charming beneath. He seemed to have settled into his chosen lifestyle permanently when he married an actress named Lita Milan, below, who had starred opposite Paul Newman inThe Left-Handed Gun. But back in the Dominican, the impulsive Rafael Trujillo, Sr. was behaving less and less like the good lap dog the CIA had put in charge three decades earlier. Eventually, his U.S. benefactors turned against him and he died in a fusillade of possibly CIA-arranged bullets.
Junior succumbed to the pull of familial duty, as well as the desire for revenge, and flew back to the Dominican to restore order. This involved personally killing some of the participants in his father’s assassination. While this must have given him great satisfaction, it did little to stabilize the country. Under pressure from both internal enemies and the U.S., Ramfis Trujillo fled to Spain less than a year later with a casket containing millions in cash, jewels, bonds, and his father. By 1969 he was dead too, due to complications stemming from an automobile accident. In the end he presents an interesting question of nature versus nurture, i.e. was he meant to be a ladykiller, a real killer, or both?