|Musiquarium||Aug 24 2017|
Curvy Jayne Mansfield stars on these LP covers from the 1960s that caught our eye because of the clock striking midnight on all of them. You would think these are all from the same company, but no—Smashing Hit Parade, for example, is an album that despite its English name actually came from Japan's Union Records. The platters contain songs such as “Hello Mary Lou” by the Brooklyn Bluegrass Collective, and “Tonight, My Love, Tonight” by Dany Locker. Regardless of the musical content, the real attraction here is Mansfield. We'd love to see what she looks like around 3 a.m.
|Sportswire||Jul 9 2017|
|Hollywoodland | Sportswire||Jun 19 2017|
|Femmes Fatales||May 30 2017|
|Femmes Fatales||Dec 21 2016|
Brooklyn born actress Claire Trevor made more than sixty movies over seven decades, including the important film noir entries Raw Deal, Born To Kill, Johnny Angel, Murder My Sweet, and Key Largo, the latter of which snared her an Academy Award for Best Supporting Actress. And if you haven't seen her in it you really should. She was one of film noir's defining artists, an indispensable participant in it. We're also fond of her in lighter fare such as 1965's How To Murder Your Wife, with Jack Lemmon. The noirish shot above was used as a reference photo by the legendary Peruvian artist Alberto Vargas. He painted a portrait of Trevor which you see inset just above, and you also see her posing with the piece below. The portrait was commissioned by her employers Fox Film Corporation as a promo image, a type of work Vargas did often, and the studio used prints of portrait as lobby cards. All of these images came about in 1934.
|Vintage Pulp||Feb 5 2016|
You ever get the feeling publishers sometimes used whatever art they had sitting around? You certainly would in the case of David Dortort's 1948 paperback Burial of the Fruit, which is a “gripping novel of youth in the slums.” A slum that had a nice expanse of wetlands and recreational boating, apparently. Yes, there's nature around Brooklyn, where the novel takes place and the anti-hero takes his sweetheart out there, but you'd think this was a rural saga if not for the cover blurb. Later editions had more appropriate art. The book tells the story of Honey Halpern—a male—who becomes the leader of a gang of killers for hire. Basically, it's the story of Murder, Inc., turned into fiction. This was Dortort's debut and it got rapturous reviews and earned him comparisons to some of the greatest contemporary authors alive. But he wrote only one other novel and never did become an immortal in the literary world. Instead he's remembered for creating the television show Bonanza. Maybe that isn't as respectable as being a master novelist, but we bet he made way more money. The cover artist here is Ann Cantor.
|Vintage Pulp||Nov 28 2015|
Originally published in 1949 as Spit and the Stars, which is a title we really like, Tough Kid from Brooklyn is the story of a Jewish youth who seeks love and gets involved in union organizing only to see owners strike back violently via the usual methods. The book is a reminder of two important facts—organizing or striking for better pay is often illegal, and that puts cops on the wrong side of justice, as well as literary protagonists. This was Mende’s only novel, though he apparently had thirteen others tucked away in a trunk. The first abridged edition from Avon appeared in 1951. The one you see here is from 1955, with a slightly different logo treatment than the 1951 paperback, but with the same uncredited cover art.
|Femmes Fatales||Jun 28 2015|
American actress Gwen Verdon was born in Culver City, California. That’s a little like being born in Hollywood—Culver City was home to Triangle Studios, The Culver Studios, Metro-Goldwyn-Mayer, and other production houses, and it remains home to Sony Pictures Entertainment. Verdon entered the studio system at age eleven and eventually appeared in such films as Gentlemen Marry Brunettes, The Blonde from Brooklyn, and Damn Yankees! This photo is a promo from the latter film, and dates from 1958.
|Intl. Notebook||Dec 6 2012|
Above is a photo of Manhattan, New York City, in the year 1947, looking from Battery Park toward midtown. Here you see everything—the Staten Island Ferry Building at bottom, Wall Street to the right, the 59th Street Bridge crossing Welfare Island at upper right, and in the hazy distance, the Empire State Building—at that time arguably America’s most recognized symbol. In the aftermath of a war that had destroyed Europe’s and Japan’s industrial capacity, the U.S. was the unquestioned power on the planet, with massive economic might, a military that had taken up permanent residence in dozens of countries, and a growing stock of nuclear weapons. Two years later the Soviets would detonate their first nuclear bomb, shaking the American edifice to its core. Meanwhile, all around the world, the seeds of change were taking root. Below is a look at the world as it was in 1947.
Firemen try to extinguish a blaze in Ballantyne’s Department Store in Christchurch, New Zealand.
American singer Lena Horne performs in Paris.
The hustle and bustle of Hong Kong, and the aftermath of the execution of Hisakazu Tanaka, who was the Japanese governor of occupied Hong Kong during World War II.
Sunbathers enjoy Copacabana Beach in Rio de Janeiro, and a military procession rumbles along Rua Catumbi.
Assorted Brooklyn Dodgers and manager Leo Durocher (shirtless in the foreground) relax at Havana, Cuba’s Estadio La Tropical, where they were holding spring training that year. Second photo, Cuban players for the Habana Leones celebrate the first home run hit at Havana’s newly built Estadio Latinoamericano.
Thousands of Muslims kneel toward Mecca during prayer time in Karachi, Pakistan.
A snarl of traffic near St. Paul’s Cathedral in London.
The city hall of Cape Town, South Africa is lit up to celebrate the visit of the British Royal Family. Second photo, during the same South African trip, the royals are welcomed to Grahamstown.
A wrecked fighter plane rusts in front of Berlin’s burned and abandoned parliament building, the Reichstag. Second photo, a shot of ruins in Berlin’s Tiergarten quarter, near Rousseau Island.
A crowd in Tel Aviv celebrates a United Nations vote in favor of partitioning Palestine.
Men and bulls run through the streets of Pamplona, Spain during the yearly Festival of San Fermin.
Fog rolls across the Embarcadero in San Francisco; a worker descends from a tower of the Golden Gate Bridge.
Detectives study the body of a woman found murdered in Long Beach, California. Two P-51 Mustang fighters fly above Los Angeles.
Danish women from Snoghøj Gymnastics School practice in Odense.
Tens of thousands of protesters in Cairo demonstrate against the United Nations vote in favor of partitioning Palestine.
A beauty queen draped with a sash that reads “Modern 1947” is lifted high above the boardwalk in Coney Island, New York.
A woman in Barbados holds atop her head a basket filled with fibers meant for burning as fuel.
Mahatma Gandhi, his bald head barely visible at upper center, arrives through a large crowd for a prayer meeting on the Calcutta Maidan, India.
Major League Baseball player Jackie Robinson is hounded for autographs in the dugout during a Brooklyn Dodgers game.
|Intl. Notebook||Nov 27 2012|
We received an email a couple of days ago from a reader named Joe R., who pointed us toward an item about Norton Records, a New York City based vintage vinyl dealer whose Brooklyn warehouse was hit pretty hard by Hurricane Sandy (above you see a photo taken of the building just after the storm). According to Norton’s website, most of their catalog stock was destroyed by floodwaters. Like many other vintage vinyl dealers, they also have a pretty nice stack of sleaze fiction, so you collectors out there might want to take a look at their selection. We’ve uploaded a few covers right and below, including Dale Koby’s Sin Lens (art by Paul Rader), Milton Geller’s Don’t Like Me—Love Me!, and Frank Gavin’s Crossfire. The prices are lower than you would typically find on, for instance, Ebay (where we came across a couple of items from Norton’s catalog going for over $30, which is more than double what they charge). If you bought something you’d be supporting a business at a time of struggle, plus it’s officially holiday season again, and nothing says Christmas quite like a sleaze paperback. Thanks, Joe, for sending this item over. Norton Records warehouse photo by Nick Cope