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Pulp International - Jack+Woodford
Vintage Pulp Jan 8 2022
WANDER WOMAN
I didn't notice you trying to claw your way out of the room, so we're both hitch-hike hussies, in my view.


Above is a 1959 cover for Hitch-Hike Hussy painted by Saul Levine, who we've shown you before, such as here and here. This cover was also used in 1954 for Hans Habe's Walk in Darkness, but with a different male figure and background. The duo of John B. Thompson and Jack Woodford are the minds behind this tale, the story of a hitch-hiking runaway named Sunny Neversen, and her adventures and sexual involvements, which include a young trucker named Jim Bottomly, a man in his sixties named Mumford Basserman, and others. None of it is convincingly erotic, and little of it actually takes place on the road. She mostly works in a gambling hall, and after a few guys get to sample her wares Bottomly turns up again to sweep her off her feet. This is rote sleaze fiction, one of many mid-century books to use the hitchhiking gimmick. The only interesting aspect of this is pondering why it took two people to write it. Nothing to see here, people. Move along...

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Vintage Pulp May 15 2020
BARELY HANGING IN THERE
*sigh* This was more fun before the social distancing thing.


Orrie Hitt turns his sleazolicious talents to the subject of nudism for the succinctly titled Nudist Camp, published by Beacon Signal in 1957. We're treated to the story of an Icelandic immigrant to the U.S. named Della who finds herself needing to earn her keep due to a looming divorce, and turns her patch of rural land into a nudist resort. Problem is her partner in this scheme is secretly planning to photograph the visitors and blackmail them with the prints. When Della finds out, she's aghast, and bends her efforts toward thwarting this rude plan, leading to a scheme to steal the photos and hopefully burn them. Mixed into the intrigue is a bit of romance, and lots of waxing rhapsodic about Iceland and its beautiful women. That part Hitt actually got right. We've been there, and the women do in fact often have perfect ivory skin. Despite these factoids, and the exploration of body-free culture, Nudist Camp is a preposterous tale, uninspiringly told, signifying very little. You know what would have made it a lot better? More nudity. Go and figure. The cover art here is by Bernard Safran, and was adapted from a piece that originally appeared on the front of 1953's Male Virgin.

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Vintage Pulp Nov 16 2015
SLEAZY DOES IT
Avon Publications dared to ask—will readers pay to be turned on?


Avon Publications launched in 1941 as a direct competitor to the revolutionary Pocket Books. But while Pocket was basically a literary house, Avon directed itself toward the popular market, working with lesser known authors focused on pure entertainment, and promoting books by featuring more visually arresting covers. The company veered further in the mass market direction when it launched a subsidiary called Novel Library, which saw it begin experimenting with racier fiction. Jack Woodford, born in 1894 as Josiah Pitts Woolfolk, was one of the early practitioners of what would later become sleaze fiction. His books, mostly written during the 1930s and 1940s, were pretty chaste by later standards, but helped prove that pulp readers would pay for sexual thrills. Above are seven of the eight Woodford books published by Novel Library between 1948 and 1950. Some originally appeared under other titles, for example Free Lovers, which was aka Fiddler's Fee. The cover artists here are, top to bottom, J. Biernacki, Perlowen (not Perl Owen, as seen on many sites), D. Trager-Phillips, Ann Cantor, and unknowns. You can see Woodford's eighth Novel Library book in this group.

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Vintage Pulp Feb 7 2015
UNHAPPILY CARRIED
For better or worse, in sickness and health, women in pulp don’t have a heck of a lot of choice about it.
 
Pulp is a place where the men are decisive and the women are as light as feathers. We’ve gotten together a collection of paperback covers featuring women being spirited away to places unknown, usually unconscious, by men and things that are less than men. You have art from Harry Schaare, Saul Levine, Harry Barton, Alain Gourdon, aka Aslan, and others.
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Vintage Pulp Jul 14 2013
KEYHOLES TO THE CITY
Maybe you shouldn't look, but sometimes you just can't help yourself.


A couple of months ago we mentioned the popularity of keyhole themed pulp art and said we’d gather some examples. Well, today’s the day. Below are fifteen pieces of keyhole cover art for your enjoyment.

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Vintage Pulp Jul 2 2012
BAYOU WILDLIFE
They’re beautiful but they bite.


In honor of ’Gator Bait, which we wrote about a few days ago, we’ve gathered together a small collection of covers with art set in swamps and bayous. There are many different types of swamp denizens. You got your babes, your nymphs, your spawn, and even your occasional brat. Usually these creatures are safe to be around, but do remember that they attack if provoked. Thanks to all the original uploaders for these images.

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Vintage Pulp Nov 4 2009
UNCONVENTIONAL BEAUTY
So, you know how people sometimes say I'm a handsome woman? Before we get started I should tell you something.

You can always count on the low rent publishing company Saber Books for pieces of unsuccessful cover art, and here we have an example—Hard Way Back, from 1963. We don’t know who painted this, but we do know the femme fatale is supposed to be a real looker. Mission unaccomplished. Author Jack Woodford, who was actually Josiah Pitts Woolfolk, and wrote under such hilarious pseudonyms as Sappo Henderson Britt, was quite a prolific scribe—some of his output includes Unwilling Sinner, Three Gorgeous Hussies, and the terrifyingly titled Hoof Hearted. He also wrote how-to writing books, which may seem strange, but in literature lack of quality has rarely been a barrier to publication, and no one knew more about success in defiance of talent than Woodford. He’s credited as having described one of his books as, “Boy meets girl; girl gets boy into pickle; boy gets pickle into girl.” So there you go, aspiring novelists. 

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History Rewind
The headlines that mattered yesteryear.
April 26
1933—The Gestapo Is Formed
The Geheime Staatspolizei, aka Gestapo, the official secret police force of Nazi Germany, is established. It begins under the administration of SS leader Heinrich Himmler in his position as Chief of German Police, but by 1939 is administered by the Reichssicherheitshauptamt, or Reich Main Security Office, and is a feared entity in every corner of Germany and beyond.
1937—Guernica Is Bombed
In Spain during the Spanish Civil War, the Basque town of Guernica is bombed by the German Luftwaffe, resulting in widespread destruction and casualties. The Basque government reports 1,654 people killed, while later research suggests far fewer deaths, but regardless, Guernica is viewed as an example of terror bombing and other countries learn that Nazi Germany is committed to that tactic. The bombing also becomes inspiration for Pablo Picasso, resulting in a protest painting that is not only his most famous work, but one the most important pieces of art ever produced.
April 25
1939—Batman Debuts
In Detective Comics #27, DC Comics publishes its second major superhero, Batman, who becomes one of the most popular comic book characters of all time, and then a popular camp television series starring Adam West, and lastly a multi-million dollar movie franchise starring Michael Keaton, then George Clooney, and finally Christian Bale.
1953—Crick and Watson Publish DNA Results
British scientists James D Watson and Francis Crick publish an article detailing their discovery of the existence and structure of deoxyribonucleic acid, or DNA, in Nature magazine. Their findings answer one of the oldest and most fundamental questions of biology, that of how living things reproduce themselves.
April 24
1967—First Space Program Casualty Occurs
Soviet cosmonaut Vladimir Komarov dies in Soyuz 1 when, during re-entry into Earth's atmosphere after more than ten successful orbits, the capsule's main parachute fails to deploy properly, and the backup chute becomes entangled in the first. The capsule's descent is slowed, but it still hits the ground at about 90 mph, at which point it bursts into flames. Komarov is the first human to die during a space mission.
Featured Pulp
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Pulp Covers
Pulp art from around the web
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