Femmes Fatales Nov 1 2023
DAY BY NIGHT
There, isn't that better? You'll save a few cents on your electricity bill.


It's never a bad idea to save money on your utilities, as U.S. actress Laraine Day demonstrates above. Day had a long and busy career, appearing in films such as The Woman on Pier 13, Foreign Correspondent, Tarzan Finds a Son!, Fingers at the Window, and The Locket, for which the above promo was made. It dates from 1946, and you can see another photo from the film here.

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Vintage Pulp Oct 8 2021
UNLUCKY 13
When commies get their hooks into you it's forever.


The Woman on Pier 13, for which you see a very nice promo poster above, had a pre-release title that tells you everything you need to know about it. That title was I Married a Communist. What you get here is a melodrama about Laraine Day, whirlwind married to successful San Francisco industrialist Robert Ryan, an exemplar of American free enterprise, but who was once a member of the communist party back in New Jersey. Uh oh.
 
Long before meeting and marrying Day, he exited the party without even thanking his hosts for the snacks, moved to Frisco, and changed his name. Married life is going wonderfully until the commies track him down and threaten to expose him if he doesn't give over two fifths of his salary each month and sabotage labor negotiations between San Fran shipping magnates and striking dockworkers. They kill a guy in front of him, just so he knows they mean business. The sneaky, thieving, blackmailing, murdering rats. They're cruel squared. All they needed to be worse were monocles and riding crops. And maybe a handy tray of stainless steel dental hooks. And speaking of hooks, wait until you see what what Ryan can do with one. The Woman on Pier 13 is well made and pretty fun, but it's less useful as cinema than as a time capsule of anti-commie propaganda. It premiered today in 1949.

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Vintage Pulp Jun 8 2014
TAKE YOUR PIC
All celebrities great and small.


We’ve featured Pic magazine only once before, but not because it was an unimportant publication. Quite the opposite—we’ve seen issues as early as 1936 and as late as 1958, making it both a Depression and World War II survivor, presumably no easy feat and certainly a run indicative of sustained popularity. Early issues seemed focused on sports, but it soon broadened to include celebrities. It was launched by Wagner Publications of New York City, and this issue appeared in June 1952 with a cover featuring actress Suzan Ball placing a crown on the head of Akton Miller, a man Pic had chosen as its Hot Rod King. Inside you get a raft of Hollywood stars, including photos of Yvonne De Carlo in Uruguay, Marilyn Monroe, Janet Leigh, and Joan Vohs, shots of New York Giants manager Leo Durocher and his beautiful actress wife Laraine Day, and some nice boxing pictures. There’s also an interesting feature on the day’s top vocalists (with African-Americans notably excluded), and a profile of crooner Tony Bennett. 

But it’s Suzan Ball’s story we’re interested in today. Her path to show business was so typical of the period as to be almost banal—she was spotted in a Santa Maria, California newspaper after winning a cake baking contest. Universal-International scouts thought she looked a bit like Jane Russell, so they swept her up, shuttled her down Highway 101, signed her to a contract and began selling her as a hot new Tinseltown commodity, proclaiming her the New Cinderella Girl of ’52. Soon the influential columnist Hedda Hopper took up the refrain, naming her one of the most important new stars of 1953, thus ensuring that year would belong to Ball.

It was then that her train to stardom jumped the tracks. She injured her leg performing a dance number in East of Sumatra, and later in the year had a car accident and hurt the leg again. Treatment for those two injuries led to the discovery of a cancerous tumor. Soon afterward she fell and broke the limb, and when doctors decided they couldn’t remove the tumor they instead took the entire the leg. That was in January 1954. Ball soldiered on in her show business career with an artificial leg, starring in Chief Crazy Horse, though she lost fifteen pounds during the production, and later playing nightclub dates and appearing on television shows. In July 1955 she collapsed while rehearsing for the show Climax, whereupon doctors discovered the cancer had metastasized and spread to her lungs. A month later she died at age twenty-one. We have about fifty scans below.

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Femmes Fatales Jul 21 2010
WINK POSITIVE
What a difference a Day makes.

American actress Laraine Day, who starred in The Locket with Robert Mitchum and in Alfred Hitchcock's Foreign Correspondent, seen here circa early ’40s.

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History Rewind
The headlines that mattered yesteryear.
June 13
1971—First of the Pentagon Papers Are Published
The New York Times begins publication of the Pentagon Papers, a top-secret U.S. Department of Defense history of the country's political-military involvement in Vietnam from 1945 to 1967. The papers reveal that the U.S. had deliberately expanded its war with carpet bombing of Cambodia and Laos, coastal raids on North Vietnam, and Marine Corps attacks, and that four presidential administrations, from Truman to Johnson, had deliberately misled the public regarding their intentions toward Vietnam.
June 12
1978—Son of Sam Goes to Prison
David Berkowitz, the New York City serial killer known as Son of Sam, is sentenced to 365 years in prison for six killings. Berkowitz had acquired his nickname from letters addressed to the NYPD and columnist Jimmy Breslin. He is eventually caught when a chain of events beginning with a parking ticket leads to his car being searched and police discovering ammunition and maps of crime scenes.
June 11
1963—Buddhist Monk Immolates Himself
In South Vietnam, Buddhist monk Thich Quang Duc burns himself to death by dousing himself with gasoline and lighting a match. He does it to protest the persecution of Buddhists by Ngô Đình Diệm administration, choosing a busy Saigon intersection for his protest. An image of the monk being consumed by flames as he sits crosslegged on the pavement, shot by Malcolm Browne, wins a Pulitzer Prize and becomes one of the most shocking and recognizable photos ever published.
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