|Hollywoodland||Dec 25 2017|
|Vintage Pulp||Jan 20 2017|
This year's Noir City Film Festival opens with the 1949 heist drama Criss Cross. Based on a bestselling novel of the same name by Don Tracy, it's the story of man played by Burt Lancaster who returns to Los Angeles after some years away to find that his ex-wife Yvonne De Carlo has hooked up with a local gangster. The exes rekindle their flame, but when it looks as if the gangster has caught them in the act Lancaster spontaneously cooks up a story about how he was putting together a plan to rob the armored car service for which he works.
Lancaster's robbery idea is not only designed to deflect the gangster's suspicion away from the affair, but to also fund the future he envisions with De Carlo when she and him run away. This scheme, which strains credulity, is probably one of the most obviously terrible ideas in the long, celebrated history of doomed ideas in film noir, but with good direction by Robert Siodmak, who had worked with Lancaster on The Killers, and good acting by all involved, the film concludes on the positive side of the effectiveness ledger. Numerous excellent Los Angeles exteriors, including at Union Station and on now mostly leveled Bunker Hill, make this noir an important time capsule as well, an aspect that increases its appeal. And an excellent musical number by Esy Morales & His Rhumba Band gives the proceedings a further boost. All in all, Criss Cross is a winner.
|Intl. Notebook||Nov 4 2015|
Back in 2010 we showed you some covers of the West German movie magazine Gondel, named of course after Venice’s famed banana-shaped boats. Which is fitting because Gondel later began to dedicate itself to a completely different type of banana shape by turning into a porn magazine. You see, because a banana and an erect penis are both… er… filled with potassium… *someone turns on a blender behind the bar* Anyway, it was in the 1970s when Gondel shifted gears, and theirs wasn’t an uncommon evolution among magazines around that time, as we’ve talked about before regarding the men’s adventure publication Male.
|Vintage Pulp||Jun 8 2014|
We’ve featured Pic magazine only once before, but not because it was an unimportant publication. Quite the opposite—we’ve seen issues as early as 1936 and as late as 1958, making it both a Depression and World War II survivor, presumably no easy feat and certainly a run indicative of sustained popularity. Early issues seemed focused on sports, but it soon broadened to include celebrities. It was launched by Wagner Publications of New York City, and this issue appeared in June 1952 with a cover featuring actress Suzan Ball placing a crown on the head of Akton Miller, a man Pic had chosen as its Hot Rod King. Inside you get a raft of Hollywood stars, including photos of Yvonne De Carlo in Uruguay, Marilyn Monroe, Janet Leigh, and Joan Vohs, shots of New York Giants manager Leo Durocher and his beautiful actress wife Laraine Day, and some nice boxing pictures. There’s also an interesting feature on the day’s top vocalists (with African-Americans notably excluded), and a profile of crooner Tony Bennett.
It was then that her train to stardom jumped the tracks. She injured her leg performing a dance number in East of Sumatra, and later in the year had a car accident and hurt the leg again. Treatment for those two injuries led to the discovery of a cancerous tumor. Soon afterward she fell and broke the limb, and when doctors decided they couldn’t remove the tumor they instead took the entire the leg. That was in January 1954. Ball soldiered on in her show business career with an artificial leg, starring in Chief Crazy Horse, though she lost fifteen pounds during the production, and later playing nightclub dates and appearing on television shows. In July 1955 she collapsed while rehearsing for the show Climax, whereupon doctors discovered the cancer had metastasized and spread to her lungs. A month later she died at age twenty-one. We have about fifty scans below.
|Vintage Pulp||Jun 20 2012|
We ran across some issues of a German language magazine called Das Schweizer, which means “The Swiss,” and indeed, the publication originates from Switzerland. We thought only the French, Germans and Dutch produced magazines during the 1940s and 1950s that combined celebrity, photography, fine art, and eroticism. We stand corrected. Above is the cover of Das Schweizer #139, circa 1954, with Yvonne De Carlo, and interior pages featuring Brigitte Bardot looking especially hot, plus Joan Collins, Romy Schneider and others. You also get the great art of Paul Peter, and just for good measure we pulled a couple of scans from another Das Schweizer that had the cover and most of the photo pages cut out, but two more Peter art pieces left behind. Apparently whoever mutilated that issue didn’t see the value in his work. Hah! Philistines. Anyway, since we can’t make a decent post of that one, we added its Peters below (that just sounds wrong, doesn't it?). We can’t tell you anything about Paul Peter because his name is pretty much ungoogleable, if that’s even a word, however we’ll keep digging for facts on him and eventually something will turn up. It always does.
|Vintage Pulp||May 11 2012|
Since we were just talking a couple of days ago about websites where it’s possible to download vintage magazines, we thought we’d shine the spotlight on two more. Vintage Girlie Mags and Dad’s Stash, which are basically alter egos of each other, both have full scans. The main difference is vintagegirliemags gives away the scans for free, while dads-stash charges a minimal amount for downloads. The May 1950 issue of Beauty Parade you see above is available at the latter site, though ours didn’t come from there. The cover art on this issue is by the great Peter Driben, and inside you get Yvonne de Carlo, Denise Darcel, Ann Sheridan, Lana Turner, and page after page of other beauties. Many scans below for your Friday enjoyment.
|Vintage Pulp||Apr 20 2010|
We have no idea what’s going on in this 1950 issue of the West German magazine Das Ronke because German is not one of our languages. What are major stars doing paired with various automobile brands? Nein idea. Are they ads? Possibly. We’ve seen American stars used in foreign ads before. But ads imply legitimacy, so why are there naked women in the magazine? We ask because you would think, especially in 1950, no Hollywood actress would wish to be associated with a smut publication, especially one that has broken the magical pubic hair rule that at the time defined obscenity. It’s all destined to remain a mystery to us until we find ourselves a German somewhere. We’ll try the nearest pub and get back to you on this later.
|Hollywoodland||Jan 26 2009|
Assorted Festival magazines, published in France, circa 1940s, 1950s. Cover stars from top left are: Arlette Poirier, Susan Hayward, Yvonne de Carlo, Magali Noel, Jaqueline Brion, Alida Valli, Jane Russell, Victoria Shaw, Lana Turner, Elizabeth Taylor, Barbara Bates, Marilyn Monroe, Micheline Francey, and Barbara Stanwyck.