| Intl. Notebook | Jan 6 2023 |
Fillette gets overheated and the final result isn't pretty.
Montreal based Le Rendez-Vous is one of the more interesting mid-century tabloids. It faithfully catalogued celebrity, crime, and nature's misfortunes and atrocities—the classic tabloid formula—but did so with an extra layer of brutality that's amazingly raw for a Canadian publication. Was it that way because Canada was such a safe country and its readers liked to walk on the dark side? We think that could be a factor, though it's true to an extent for all tabloids that their readers seek exotic thrills. But as if to prove our point about Le Rendez-Vous, the crime stories in this issue from today in 1969 all come from outside countries: Mexico, South Africa, and the good ole USA. Canada seemingly wasn't a good source of chaos and killing.
The editors first pump up the sex factor with British actress Margaret Lee on the cover, then, to the right, you see a stack of text about a “fillette de 16 ans.” No, it's not about a dry-aged steak. It says: 16-year-old girl kills her sister... Because she stole her lover father. Lover father? That sounds ominous. And indeed, turns out a Mexico City girl named Amalia Martinez, her sister Cristina, and father Ernesto, were in an incestuous love triangle. Amalia solved this family beef by shooting her sister in the head. “That little silly girl,” she said after being arrested, “got what she deserved.” Clearly she still hadn't quite worked through her anger. Probably she always had to share everything with her sister, and usually got the short end of the stick. It's quite a story from Le Rendez-Vous—100% prime tabloid journalism.
Elsewhere in the issue readers get a feature on circus performers, including a photo of a contortionist that brings to mind the time we saw a woman in Marrakech crawl through a tennis racket (we were searching for a cursed monkey's paw, but seeing that feat was a worthy consolation prize). Also inside is Croatian actress Sylva Koscina on the Côte d'Azur, Italian actress Antonella Dogan in the centerfold, ex-first lady Jaqueline Onassis in Greece, and our old friend, model and actress Donna Marlowe, in a bikini. We have plenty of scans of those items and more below, two other issues of Le Rendez-Vous here and here, and more from this publication to come.
Elsewhere in the issue readers get a feature on circus performers, including a photo of a contortionist that brings to mind the time we saw a woman in Marrakech crawl through a tennis racket (we were searching for a cursed monkey's paw, but seeing that feat was a worthy consolation prize). Also inside is Croatian actress Sylva Koscina on the Côte d'Azur, Italian actress Antonella Dogan in the centerfold, ex-first lady Jaqueline Onassis in Greece, and our old friend, model and actress Donna Marlowe, in a bikini. We have plenty of scans of those items and more below, two other issues of Le Rendez-Vous here and here, and more from this publication to come.
CanadaMexicoMexico CityMargaret LeeSylva KoscinaAntonella DoganDonna MarloweDonna MarlowDonna ReadingJune WilkinsonKarin JamesJacqueline KennedyJacqueline OnassisAristotle Onassismurdertabloid
| Vintage Pulp | May 13 2020 |
Males top the endangered species list in 1967 spy thriller.
We've shared a lot of art, including a previous Japanese poster, from the James Bond knockoff Deadlier than the Male without ever actually talking about the movie. Today seems like an opportune time, since we're already on the subject of Bond clones. The film, which premiered in Japan today in 1967 after opening in the the UK earlier in the year, starred Richard Johnson, who actually came close to landing the role of Bond thanks to the interest of Dr. No director Terence Young. It didn't happen, though, and Connery as Bond makes more sense when you see Johnson, who's older, skinnier, shorter, and in less pristine shape. But he has panache, and that may be why Young wanted him. Instead he got Connery, and Johnson got the consolation prize of playing Hugh Drummond, a character that originates in H. C. McNeile novels from the 1920s, but who's updated to the ’60s in order to deal with a Cold War plot to steal rockets and divert them for nefarious means.
Like the Bond films, Deadlier than the Male offers a winning combination of action, quips, exotic scenery, and lightweight sexiness, but the film never quite rises to the upper echelons. Without the Bond budget it's hard to bring a truly thrilling vision to life. At least the filmmakers were smart enough to frontload their assets by opening the proceedings with Elke Sommer, who's second billed, but probably more important than Johnson in terms of increasing the film's watchability. She has a physicality that makes her a nice fit playing an assassin in the employ of the film's ultimate villain. Sylva Koscina co-stars as Sommer's klepto sidekick, which doesn't hurt. The pair's nefarious deeds eventually draw Johnson to their mountaintop stronghold, and there viewers are treated to a final throwdown with the evil mastermind involving a mechanized, life-sized chessboard. While Deadlier than the Male doesn't manage to out-Bond Bond, watch it with friends and beers and you'll maximize its potential.
JapanDeadlier than the MaleRichard JohnsonElke SommerSylva KoscinaKitty SwanTerence YoungH. C. McNeileposter artcinemamovie review
| Femmes Fatales | Feb 22 2018 |
I took an oath to first do no harm, but you know what? Oath schmoath.
Sylva Koscina prepares to dispense some bitter pills in this still from the 1970 adventure L'Assaut des jeunes loups, aka Hornet's Nest, a World War II flick set in Italy, starring her and Rock Hudson. She plays a German physician, but sometimes you have to stop healing and start unhealing, at least when Hollywood is calling the shots. The movie came during the second stanza of Koscina's career, which was characterized by a lot of minimally successful mid-budget fare. But there's nothing minimal or mid about Koscina. She's one of the most fondly remembered European actresses of her era.
| Hollywoodland | Nov 22 2017 |
Who'd like to help me perform a little experiment?
We've been seeing a lot of Sylva Koscina lately, haven't we? Well here's one of the biggest sex symbols of the 1960s again, this time on the front of an issue of National Enquirer that hit newsstands today in 1959. She says American men are boobs as lovers. Since she studied physics at university, we can only assume she used the scientific method to come to this conclusion—observation, measurement, experimentation, and repetition. We're sure there was no shortage of volunteers, and she was willing to revisit her conclusions, apparently, since after this cover appeared she hooked up Paul Newman, Kirk Douglas, and—it's rumored—Robert Kennedy. Who says science is boring?
| Vintage Pulp | Oct 21 2017 |
Singer elopes with girlfriend and everything falls apartheid.
We'd never heard of African Story, aka The Manipulator, before seeing this Italian promo poster painted by Renato Casaro. We were hoping for another semi-comical romp in the vein of Black Emmanuelle or The African Deal (i.e. lily white visitors are magically driven to get freaky in the bush with locals), but this film goes in a different direction. A famous singer named Rex Maynard runs away to South Africa with a powerful music producer's daughter, prompting the producer to set up a fake kidnapping to scare the crooner and simultaneously generate publicity for his career. Somehow or other a group of actual kidnappers decide to put the bag on Rexie, and mayhem soon follows. Rex may be a soft jazz kind of singer, but he's hard rock with his fists. He even uses judo to whip ass on several of his assailants. Luckily one of them packs a gun or they'd all have ended up in intensive care. Rex is also slippery as an eel, with his escapability aided by the kidnappers' generally lax security.
We'd file this movie in the terrible-but-fun category, with Stephen Boyd, who played the rugged Messala in Bur Hur, here putting on his evil capitalist pants, beautiful Sylva Koscina playing the femme fatale, and Michael Kirner expending far more physical energy in the role of the pursued singer than you'd think possible for a guy with his body fat. African Story has virtually no Africans of the black variety in it, but then again this is the apartheid era we're talking about. Blacks need not apply—particularly for speaking roles (except for those two fisherman guys who you'll miss if you blink). In fact, you see very few blacks even in the backgrounds of shots. With sequences set in offices, hotels, nightclubs, pools, and at a *ahem* race track, their conspicuous absence reveals the reality of how all good things in South Africa were reserved for whites. And some bad things too, if you count the movie. African Story premiered today in 1971.
We'd file this movie in the terrible-but-fun category, with Stephen Boyd, who played the rugged Messala in Bur Hur, here putting on his evil capitalist pants, beautiful Sylva Koscina playing the femme fatale, and Michael Kirner expending far more physical energy in the role of the pursued singer than you'd think possible for a guy with his body fat. African Story has virtually no Africans of the black variety in it, but then again this is the apartheid era we're talking about. Blacks need not apply—particularly for speaking roles (except for those two fisherman guys who you'll miss if you blink). In fact, you see very few blacks even in the backgrounds of shots. With sequences set in offices, hotels, nightclubs, pools, and at a *ahem* race track, their conspicuous absence reveals the reality of how all good things in South Africa were reserved for whites. And some bad things too, if you count the movie. African Story premiered today in 1971.
ItalySouth AfricaAfrican StoryThe ManipulatorRenato CasaroStephen BoydMichael KirnerSylva Koscinaposter artcinemamovie review
| Sex Files | Sep 18 2017 |
Sex Stars System uncovers erotic cinema around the world.
Here's a little treat for Monday, because Mondays are universally acknowledged to suck. Above is the cover and below are a ton of scans from the cutting edge cinema magazine Sex Stars System, which billed itself as “Le Magazine du Cinema Erotique.” It was published out of 55 Passage Jouffroy, in Paris, France, and for a while it was the top magazine with reviews and features on the new, sexually liberated mainstream cinema of the early 1970s, and the new pornography of the same era. Because porn was taken seriously as an art form back then (hard to imagine, we know) certain magazines discussed and critiqued the films and regarded the performers as equal with those in mainstream cinema. We talked about this phenomenon with Cine-Revue a few years ago. Sex Stars System was similar, but much edgier, as you'll see.
On the cover and in the centerfold you see Croatian born star Sylva Koscina (a mainstream actress), and elsewhere you get Emmanuelle Parèze (porn), Dany Carrel (mainstream), Valérie Bosigel (mainstream), Karin Schubert (both), Catherine Spaak (mainstream), Ornella Muti (mainstream), Chesty Morgan (porn, obviously), Marilyn Monroe (mainstream, though some scam artists claim she was the other too), et al. They don't make magazines like this anymore, because they don't make cinema like this anymore. Sex in U.S. movies is strictly taboo, unless, generally speaking, the actors keep their clothes on. You do see it on cable television, however, though such shows generate reams of online criticism about how terribly wrong it is (we agree, however, that more sex and nude scenes need to be filmed from the vantage point of the female gaze). In Europe, as always, things are a bit more liberated.
We aren't sure how long Sex Stars System published. It debuted in 1975. Also in 1975, or possibly 1976, a magazine called simply Stars System appeared. Stars System had a softer editorial approach and featured solidly mainstream cover celebs such as Jane Fonda and Romy Schneider. At some point it changed its name slightly to Star System and, thus rebranded, published at least as late as 1982, which seems to be longer than Sex Stars System was on the scene. The information online about these magazines is, as you can probably guess, a jumble, but we'll keep looking into it and maybe have something more concrete to report later. There's also a Star System celeb magazine around today, but it's Canadian and presumably unrelated. Many scans below, and we have a few more issues we'll post later.
On the cover and in the centerfold you see Croatian born star Sylva Koscina (a mainstream actress), and elsewhere you get Emmanuelle Parèze (porn), Dany Carrel (mainstream), Valérie Bosigel (mainstream), Karin Schubert (both), Catherine Spaak (mainstream), Ornella Muti (mainstream), Chesty Morgan (porn, obviously), Marilyn Monroe (mainstream, though some scam artists claim she was the other too), et al. They don't make magazines like this anymore, because they don't make cinema like this anymore. Sex in U.S. movies is strictly taboo, unless, generally speaking, the actors keep their clothes on. You do see it on cable television, however, though such shows generate reams of online criticism about how terribly wrong it is (we agree, however, that more sex and nude scenes need to be filmed from the vantage point of the female gaze). In Europe, as always, things are a bit more liberated.
We aren't sure how long Sex Stars System published. It debuted in 1975. Also in 1975, or possibly 1976, a magazine called simply Stars System appeared. Stars System had a softer editorial approach and featured solidly mainstream cover celebs such as Jane Fonda and Romy Schneider. At some point it changed its name slightly to Star System and, thus rebranded, published at least as late as 1982, which seems to be longer than Sex Stars System was on the scene. The information online about these magazines is, as you can probably guess, a jumble, but we'll keep looking into it and maybe have something more concrete to report later. There's also a Star System celeb magazine around today, but it's Canadian and presumably unrelated. Many scans below, and we have a few more issues we'll post later.
CroatiaFranceParisSex Stars SystemSylva KoscinaEmmanuelle ParèzeDany CarrelValérie BosigelOrnella MutiCatherine SpaakChesty MorganSerge KorberChrista FreeGilliane PascualUschi DigardVirginia BellLorna MaitlandSylvia SorrenteMarilyn MonroeDayle HaddonSusannah DijonJocelyne DoiseauMargaret Rose KeilLjuba WelischVittorio Gassmancinemanudityxxx
| Vintage Pulp | Sep 19 2015 |
It’s always best to let sleeping corpses lie.
It’s a Dino de Laurentiis production, so you know it’s going to be bad. Filmed in black and white, Cadavere per signora, aka Corpse for a Lady deals with a wealthy woman, played by the transcendent Sylva Koscina, who is blackmailed and calls her three childhood friends for help. The four of them arrange a deal with the blackmailer, but he ends up dead and they’re stuck with the body. Hilarity ensues as they try to get rid of it. Not recommendable, but we love the poster. Cadavere per signora premiered in Italy today in 1964.
ItalyDino de Laurentiis CinematograficaDino de LaurentiisSylva KoscinaCadavere per signoraCorpse for the Ladyposter artcinema
| Vintage Pulp | Sep 13 2015 |
Making the world a safer place one skewered man at a time.
Above and below you see some Yugoslavian promo cards for Opasnije od muškaraca, aka Deadlier Than the Male, a film we’ve talked about a few times before. The text is in Serbian, and you’ll notice it describes the movie as “Američki." Actually, it was British. But Brits, Americans, who can tell them apart, really? We imagine the Yugoslavian distributors of the film knew quite well it came from Britain-based Greater Films Ltd., but that they labeled it Američki to make it more marketable. As if Elke Sommer and Sylva Koscina aren’t sufficient. See more from the film here.
YugoslaviaBritainGreater Films Ltd.Opasnije od muškaracaDeadlier Than the MaleElke SommerSylva Koscinaposter artcinemaexyu
| Intl. Notebook | Jun 21 2013 |
The year’s longest day in a season that’s always too short.
In some places the weather is warm every day, pretty much, but in others, warmth is a fleeting gift. Regardless of where you are, we are officially at the beginning of summer, with the solstice arriving today or tomorrow, depending on your time zone. So we’ve decided to pull together some summery promo pix. These are from Japanese magazines and feature stars who were most famous during the 1950s and 1960s, including Raquel Welch, Ursula Andress, Yvette Mimieux, and others. You can similar summer collections from previous years here and here.
JapanJaqueline BisssetJoanna ShimkusJane BirkinUrsula AndressBrigitte BardotRaquel WelchMarlène JobertKatia ChristinaYuko AsanoClaudia CardinaleSylva KoscinaBarbara BouchetYvette Mimieux
| Vintage Pulp | May 13 2012 |
Sommer and Koscina are rare sea creatures that hunt on land.
Above, a nice Japanese poster for the 1967 crime thriller Deadlier Than the Male, with Elke Sommer and Sylva Koscina. We uploaded a couple of promo shots from this production a long while ago, and you can see them here and here.
