Two mafia pals split the bill.
In our continuing focus on Los Angeles crime scene photos, above you see a shot of a mob hit on two unidentified gangsters who met their end over spaghetti dinners in an Italian restaurant booth. The worst part? They barely even got started on their meals and didn't get a chance to touch the crackers at all. That was today in 1933. Most of the crime scene photos we have are within our Naked City category, which you can access by clicking those words in yellow just above the title of this post.
Subway commuters now running to work after latest round of NYC budget cuts eliminates trains.
Andrew L. Stone may be unique in the realm of vintage literature. His 1958 thriller Cry Terror is a novelization of the film of the same name, which he wrote, directed, and co-produced. Cry Terror wasn't the first time Stone wore multiple hats. Two years earlier he had written and directed the thriller Julie, and written the novelization too. The screenplay earned him an Academy Award nomination. He racked up thirty-seven directorial credits during his career, and among his output was Stormy Weather, The Hard-Boiled Canary, Highway 301, Confidence Girl, and A Blueprint for Murder. He ended up with a star on the Hollywood Walk of Fame. Another reason we wanted to highlight Cry Terror today is because of the excellent cover art by Robert Maguire. It was modeled after a promo shot from the film of lead actress Inger Stevens. You see that below. We were thinking about buying the book, but digging up all this info has revealed the entire plot to us, so we won't bother. Also, the copies that are currently out there are going for fifty dollars and up. As we mentioned before, we don't go that high for anything we'd be tempted to swat flies with. Plus we have a ton of books piled up. We may watch the movie, though. Less time, less expense. If we do we'll report back.
The forecast calls for a slight overcast with a possible hail of bullets.
U.S. actress Virginia Grey may not be well known today, but she appeared in a large number of movies, more than ninety by our count, including Another Thin Man, Grand Central Murder, Highway 301, and Mr. and Mrs. North. As she got older she then slid neatly into television roles and racked up probably a hundred credits in that medium as well. The shot above is from 1940 and was made when she was filming The Golden Fleecing with Lew Ayres and Rita Johnson.
I gather there are some doubts about me, so let me clear those up. Georgie will. Every time.
This is a cheery cover for Maxwell Bodenheim's Georgie May, which is actually a mostly dark story about a prostitute trying to survive in the pre-Depression American south. The art is uncredited. Bodenheim was a literary light in his prime years, but he isn't widely known today, though his books remain in circulation. During his turbulent life he became destitute, was homeless, panhandled for cash, and finally was infamously the victim of a double murder along with his much younger wife in 1954. Maybe we'll get back to that story a bit later. Georgie May was originally published in 1928, with this Avon edition coming in 1948.
The temperature goes up but everything else goes down hard in low budget action flick.
We're drawn by cool promo posters, but even though there's nothing special about the cheap-ass art for the 1976 blaxploitation flick Black Heat, we had to watch it anyway because we love low budget vintage cinema. It's like panning for gold. Usually you end up disappointed, but occasionally you find something shiny and nice. Black Heat stars Timothy Brown, who we last saw in an epic disaster called The Dynamite Brothers, aka Stud Brown, that probably should have ended his cinematic career. But here he is two years later still riding the blaxploitation wave. He plays Kicks Carter, an L.A. cop trying to get to the bottom of illegal activities at a fancy hotel, keep his partner's born loser girlfriend out of gambling trouble, and make time for romance on the side. Considering the bad luck Brown had with The Dynamite Brothers we'd love to tell you Black Heat is a major step up in his career. It isn't. It's terrible. The only spark is provided by co-star Tanya Boyd, who you may remember from her eye popping turn in Black Shampoo. Anything she's in, we'll gladly watch, because as far as heat is concerned her dial goes to eleven. But she about covers the positives here. Well, her and the fact that the movie features one of our favorite sights from ’70s cinema—the car that goes over a cliff with a dummy in the driver seat. It's a good metaphor for the film—basically driverless, destined to crash and burn. Black Heat premiered today in 1976.
We get to the beach so rarely, shame to waste the trip. Who's up for a swim before we haul this stiff to the morgue?
Today in 1954 a man named Nathaniel Smith who was walking on Venice Beach in Los Angeles spotted something floating in the surf behind the breakwater of the old Venice Pier. He waded into the ocean and discovered the something was a person. Smith pulled him to shore, but the man was already dead, a victim not of drowning but of a gunshot wound to the head. Was he a murder victim or a suicide? There's no info available on that, nor on his identity. Whoever he was, we bet he never could have imagined thousands of people would be looking at photos of him nearly a lifetime later. We're doing that thanks to the University of Southern California, which holds these and tens of thousands of other images in its archive of Los Angeles Examiner press photos. You can see many more shots from the collection by clicking its keywords below.
So, this will shock you—I can tell you it shocked me—but I realized I've wanted to shoot you since our very first date.
Marian Marsh was born in what is now Trinidad and Tobago, but which was at the time of her birth part of the British West Indies. She started life as Violet Krauth, but for Hollywood changed her name. She appeared in such films as The Road to Singapore, Crime and Punishment, In Spite of Danger, Murder by Invitation, and the horror classic The Black Room. All worthy achievements, and she also founded a nonprofit called Desert Beautiful, which had a mission to preserve the environment of Palm Desert, California, where she lived after retirement. The organization lasted for about fifty years, which is quite good for a nonprofit. The above photo, made back when she was interested only in murder, is from the 1931 drama Five Star Final.
Unknown person takes an unplanned trip to nowhere.
A lot of places in the U.S. probably aren't having an official Halloween this year, but there's no reason we can't get a bit morbid on Pulp Intl. as the 31st approaches. The photo above shows a body wedged into a trunk, in a state of partial decomposition, found in Commerce, in Los Angeles County today in 1951. The town is usually referred to as the City of Commerce, and it falls into the jurisdiction not only of the local police, but also the Los Angeles Sheriff's Department. It was the latter that dealt with the body, carting it off the LASD Crime Laboratory.
Decomposition made identification a challenge. Medical examiners cut off its fingers and preserved them in alcohol to try and get prints. The body also had a dental bridge, which police hoped would lead to a breakthrough. But when all was said and done, it was a tip from the public that actually broke the case. The victim was Margaret Kelley. Her killer, who you see in photos under arrest and in court below, was John M. Kelley.
We don't have more info on the crime, the cause of death, or the outcome of the court proceedings. We suspect, due to the names involved, that this was a case of domestic murder, but we can't find confirmation in newspapers of the period—at least not ones that are accessible to us. Despite the dearth of facts, we thought the photos were unusual, and perhaps even appropriate for Halloween 2020, one of the least pleasant years on record. So there you go—trick or treat!
Your Honor, I swear I didn't kill them. My wife and her lover were on fire well before I walked into the bedroom.
If you rub two sticks together fast enough you can make fire, so why not two people? But the lovers referred to on this cover of Midnight from August 1964 didn't burst into flames from the sheer intensity of their fucking (though we love that image). They were allegedly doused with gasoline and set ablaze by a Colorado man named Ricardo Anlando, who wasn't a husband, as we suggested in our subhead, but a spurned admirer. He incinerated his unrequited love because she married another man, which goes to show that hell hath no fury like an incel scorned. They say revenge is a dish best served cold, but if there's an opportunity to serve it as flambé, some will take it. There's another fire themed story in this issue about a mother who stuffed her newborn into a furnace. No need to fret, though. The building janitor saved the kid and the mom went to prison. So you get a happy ending to counterbalance the sad one. We bet neither story is true, though. Just a hunch.
Count yourself lucky if your girlfriend only gets grumpy when she's hungry.
We never considered the possibility that the bizarre Girl Diver of Spook Mansion wasn't the only weird ama movie made, but we're fast learning that these films—an ama is basically female pearl diver—were used as templates for all sorts of bizarre plots. Above you see two posters for Hitokui ama, which is known in English as Cannibal Ama, or sometimes Underwater Murder, and occasionally Man-Eating Girl Diver. It starred Yoko Mihara, and like her earlier outing in Spook Mansion, is currently unavailable to us. In fact, we don't think the movie has been released on DVD anywhere outside Japan. It's too bad, because the whole cannibal idea has us greatly intrigued, but sadly this is one we'll have to wait for. Hitokui ama premiered in Japan today in 1958. |
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