A new woman for a new era.
This issue of Paris Magazine features a beautiful Louis-Charles Royer cover of Ziegfeld star Claire Luce, one of the most popular celebrities of her time. Her heyday was the 1920s and ’30s, a period during which—though this is little remarked upon today—substantially more women began to have sex before marriage. By the time the first surveys took place in the 1940s about 50% of women admitted to having pre-marital sex. Anecdotally, during the 1920s probably at least one in four women had sex as singles. Claire Luce was a pioneer of the female right to choose. A mere eight-year span of her diary describes sixty lovers.
Luce very much personifies a seismic shift in the values of Western women. Many scholars say it happened because they moved into the university and the workplace around that time, and that was indeed an important factor because it brought women and men into mutual contact outside of family and church situations. But it’s clear the prime mover was the trauma of World War I and the loss of 37 million lives in a conflict that taught those who came of age around then that life could be short and joy could be fleeting. This factor is nearly always downplayed in studies of that time, though we have never understood why. It is too obvious?
Even with their numbers increasing, relatively few women were in the university and workplace. But virtually no Western family went untouched by the war. Those 37 million deaths reached deep into every town, every enclave, every social class. Nearly everyone had lost a father, a brother, an uncle, or at least a family friend. And if a loved one actually survived battle, they often returned to preach the futility of war to the generation below them—or by their mere broken presence serve as a warning. Ernest Hemingway captured this in The Sun Also Rises, which focuses on Jake, prevented by a war wound from having sex, and Lady Brett, who loves Jake but must constantly seek lovers elsewhere.
Of course, there are many factors behind any social shift, but rapid change typically derives from chaos. Ask any neo-con or disaster capitalist. The primary effect of war or warlike events upon society is to alter how it views life, death, and personal freedom. In the past, the spectre of death made people want more freedom to live as they saw fit; in our present era, traumatic events have resulted in people agreeing to sacrifice their personal freedom (thanks to powerful suggestions and hard work by opportunistic governments).
Anyway, just an interesting digression concerning Paris Magazine’s cover star. Like predecessors such as Dorothy Parker, and peers like Tallulah Bankhead, she was a sexual trendsetter, a new type of woman for a radically reordered Western world. She’s also about as pulp as it gets. We may get back to Claire Luce a bit later, but in the meantime we have a bunch of interior scans from Paris Magazine below, and more issues available at the click of a mouse. This edition, number 34, appeared in 1934.
Next time he should try thinking about baseball.
Above is a nice piece by George Erickson for Eric Allen’s Like Wild. It’s the story of a soldier of fortune who returns from Laos to find that his patch of land in Florida is coveted by a local villain. Complicating matters is the villain’s wife, who is a seductress with no qualms about a little action on the side. You know the drill. You may also notice the rather Freudian aspect of the art—i.e., the female figure wraps herself around the male figure in a sexual style embrace that causes his, er, drink to overflow onto the carpet. Well, the stain will come out with water and soap, hopefully. Top marks on this one.
No crown needed.
Actress Zeudi Araya was born in Asmara, Eritrea, was crowned Miss Eritrea in 1968, and used the recognition to launch a film career in Italy in 1973. She appeared in about a dozen movies, released a few records, posed for numerous magazines, including Playboy, and most recently shifted into movie production. This tasteful shot appeared in the Italian magazine Playmen and dates from 1976.
Rock bottom is always a lot closer than you think.
This excellent promo poster is for a down and dirty little film noir called 99 River Street, the story of a boxer who was almost champion, but instead was knocked out at the moment of his seeming triumph. Now he’s a cab driver with big dreams but a wife that hates him for his low station in life and undermines him at every turn. She’s having an affair with a well-heeled criminal, and this situation leads to murder, which of course brings the cops knocking on our hero’s door. John Payne does an excellent job as a boxer with a bad eye and worse instincts, Peggie Castle is his two-timing conniver of a wife, and Evelyn Keyes is his bright-eyed and ambitious female friend—and probably his only hope for redemption. The plot takes a few twists and turns before speeding toward a nighttime dockside climax. Highly recommended. 99 River Street premiered in the U.S. today in 1953.
Today we’re doing fractions. Which of you can tell me how many times two can go into one?
Above, The Punks by Lee Richards, aka Lee E. Wells, 1966, from Beacon Signal, with unknown cover art. This book is part of that fun wave of high school sleaze fiction that crested during the 1960s. Author Lee Wells actually specialized in westerns, but you gotta pay the bills, right? See a few more good examples from this genre here and here.
They didn’t think it was funny in Oklahoma.
This issue of Laff from this month in 1949 contains a rather amusing story about burlesque queen Lilly Christine being censored from University of Oklahoma campus newspaper Covered Wagon by scandalized administrators. Seems members of the newspaper staff had been in New Orleans the previous year for the Sugar Bowl and had caught Christine in residency at the 500 Club. When later she toured through Oklahoma City the newspaper staff arranged a trip to see her, and that led to the quite logical idea of working up a story about her—which was when administrators stepped in to nix the plan. Christine saw a chance for free publicity and proceeded to appear at the campus health clinic seeking a chest x-ray. You couldn’t make this stuff up. After a bit of runaround she was refused. Meanwhile newspaper staff were seething over their unceremonious shackling—they saw it as a free speech issue, while the greyhairs saw it as a morals issue. The editor declared that there would be no more issues of Covered Wagon, but that’s when one of OU’s frats quickly ran off a scab issue of the paper to prove the point that Covered Wagon staffers were replaceable. Leave it to a bunch of entitled Greeks to side with the establishment, right? Checkmated, the editor and several loyalists quit. Meanwhile, Lilly Christine had long since minced on her merry way, no doubt accustomed to leaving a bit of chaos in her wake. See more Christine at this link (and elsewhere in the site if you search). Oklahoma
, Oklahoma City
, New Orleans
, University of Oklahoma
, 500 Club
, Lilly Christine
, Martha Theresa Pompender
, Jerry Noonan
, Winnie Garrett
, Bette Sherry
, Bette Guthrie
, magazine art
She always gets into the worst binds.
Bondage queen Naomi Tani became one of Nikkatsu's biggest stars, centerpiece of the company's roman porno line of movies during the 1970s. Above are five promo posters from her films during that period. They are, top to bottom, Zankoku: kurobara lynch, aka Cruelty: Black Rose Torture, Kashin no irezumi: nureta tsubo, aka Tattooed Flower Vase, Monzetsu! Donden Gaeshi, aka Painful Bliss! Final Twist, Kurobara fujin, aka Lady Black Rose, and lastly unknown. On that final poster, we checked IMDB, JMDB and every source of Japanese cinema we know but got no hits. The first word in the title is Tani’s name, and while we found a few movies that incorporated her name—along the lines of 1977’s Tie! Naomi Tani—we did not find anything on the poster above. Ain’t that always the way? It’s actually the most interesting of the lot. Anyone with insight feel free to drop us a line. In the meantime you can check out more Tani here, here, and here, and elsewhere in the site if you’re inclined to look.
, Zankoku: kurobara lynch
, Cruelty: Black Rose Torture
, Kashin no irezumi: nureta tsubo
, Tattooed Flower Vase
, Monzetsu! Donden Gaeshi
, Painful Bliss! Final Twist
, Kurobara fujin
, Lady Black Rose
, Naomi Tani
, roman porno
, poster art
Ashley Madison hack could lead down road to serious trouble for important people.
Perhaps you haven’t been following the story, but the marital infidelity website Ashley Madison suffered a security breach in July by a hacktivist group called Impact Team in which all its account records were stolen. At first Ashley Madison’s parent corporation Avid Life Media tried to claim its data remained secure, but it later emerged that Ashley Madison’s client database was completely compromised. For the uninitiated, Ashley Madison hooks up marrieds who want to have affairs, and while most sensible people would think that's a terrible idea, the site had generated millions of clients. Impact Team demanded the site be shut down or all the user records would be published, and yesterday the group made good on that threat and posted 9.7 gigs of records from as many as 32 million users in 46 countries.
Generally, we’re in favor of digital civil disobedience, but this latest raid seems a bit out of character for the various anonymous hacker collectives. At least until you dig a little deeper. Impact Team’s proclamation says in part, “Keep in mind the site is a scam with thousands of fake female profiles. See Ashley Madison fake profile lawsuit; 90-95% of actual users are male.” Exposing mass fraud seems more in line with the usual hacktivist modus operandi, but there’s more. Approximately 15,000 Ashley Madison accounts carry a .gov or .mil web address. Yes, you read that right—more than 15,000 of the accounts go directly back to U.S. military or government IPs. Some even carry a White House home address.
Thus, the moral posturing about sexual infidelity (Impact Team writes, “Find yourself in here? It was ALM that failed you and lied to you. Prosecute them and claim damages. Then move on with your life. Learn your lesson and make amends.”) feels a bit like a smokescreen. In reality, this hack has very likely put a major scare into the political class. Some of the addresses are probably fake (the White House ones are good candidates, because we doubt any White House employees are thatdumb, whereas people who hate the government would be more than willing to spend the time and effort to set up fake profiles). But then some of the addresses most definitely aren’t fake.
The account information is only available so far on the dark web, but we’re very curious to see if anyone follows up on the details of those .gov addresses. There’s no telling who’s at the other end, and we can hardly wait for the denials to start. It's just delicious to think that, after passing all sorts of intrusive laws designed to corral and track internet users, the same politicians could end up being the foxes to a bunch of curious citizens' hounds. Could it actually happen? We have no idea, but we can dream can't we? Stay tuned.
What do I look like? A guy with a heart or something? Don’t let the door hit you in the culo on the way out.
This piece of Mexican pulp-style art depicting a woman being evicted by an evil landlord was made during the early 1980s, but it’s appropriate for today’s era of millions of evictions a year, which goes to show that the more shit changes the more it stays the same. The piece is entitled El pez grande... roba al chico, or “the big fish robs the small one,” a phrase that pretty much sums up the last few decades. The painting was made for a Mexican graphic novel series entitled Jungla de asfalto, or Asphalt Jungle, and it’s probably the most technically accomplished piece of Mexican cover art we’ve come across. It’s initialed, but, as you can see, in such baroque style that it’s impossible to discern the letters. What do you think? Is that “FE”? “TE”? We have no idea. Thus the piece is unidentified, at least for now. See more Mexican pulp-style art beginning here.
The headlines that mattered yesteryear.
1948—Mitchum and Leeds Snared in Drug Raid
Actor Robert Mitchum and actress Lila Leeds are arrested in a Hollywood drug raid and convicted of criminal conspiracy to possess marijuana. Mitchum serves 43 days in jail
, but in 1951 the conviction is overturned when it is exposed as a set-up. The entire episode has zero effect on his popularity. Leeds, conversely
, becomes a heroin addict while behind bars and is never able to rekindle her career.
1997—Princess Diana Killed in Accident
Princess Diana dies after a car crash in the Pont de l'Alma tunnel in Paris, along with Egyptian jet-setter Dodi Al-Fayed, and driver Henri Paul, who loses control of the car while attempting to elude paparazzi. Despite lengthy resuscitation attempts, including internal cardiac massage, Diana dies at 4 a.m. local time. Her funeral six days later is watched by an estimated 2.5 billion people worldwide.
Russian political revolutionary Fanny Kaplan shoots Bolshevik leader Vladimir Lenin, wounding him in the shoulder and jaw. Lenin survives, she doesn't—she's executed three days later.
1963—Washington-Moscow Hotline Established
A hotline between U.S. and Soviet leaders, known as the Washington-Moscow hotline or Red Telephone, goes into operation. It linked the White House to the Kremlin at the height of the Cold War, and presumably still does today.
2006—Glenn Ford Dies
Canadian actor Glenn Ford, who starred in some of the best films ever made, including Gilda
, The Big Heat, and the original 3:10 to Yuma, dies in his home in Beverly Hills, USA. He was still in love with Rita Hayworth, his one-time co-star who had died years earlier. Reputedly, his last words were, "You don't keep Rita Hayworth waiting."
1949—Soviet Union Joins Nuclear Club
The Soviet Union detonates
a nuclear weapon at a test site in Kazakhstan. American experts are shocked and dismayed because they had thought the Soviets were still years away from having a workable bomb. The resultant fear helps trigger an arms race that would see the Americans and Soviets stockpile approximately 32,000 and 45,000 nuclear devices.
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