Bonnie Parker and the vicious circle.
The above poster is the Japanese promo for The Bonnie Parker Story, which starred Dorothy Provine in a fictionalized yarn about the famous outlaw's fast life and early death. The movie premiered in 1958 in the U.S., and in Japan today in 1960. On the surface it's a teenybopper oriented b-cheapie, courtesy of American International Pictures, but there's more entertainment value than you'd expect, especially from a movie where history dictates the ending. Quentin Tarantino famously loves the film, but we wouldn't go so far as to call it an overlooked gem. It's more of a cult curiosity. Provine says, “We got ourselves a one way ticket. There's nothing you can do once you get on but ride right to the end of the line.” The end of the line is death in a hail of bullets, but the ride makes The Bonnie Parker Story worth a look. If you want to watch it, for the moment you can catch it on YouTube (with French subtitles). You can also see a cool promo from the film here.
Hiding behind her won't help you. She's my wife, and this morning she demanded a divorce.
Here's another cover to add to our collection of women being used as human shields, Faut pas me la faire by Robert Chirze, aka Georges Claveyre-Peyre, for Éditions le Trotteur's collection Les Grandes Roman Noirs, 1953. The art is a particularly nice example of the work of Alex Pinon, and you can see another piece here.
That was interesting. Next time can we just do it the normal way?
There's no festish sex or podophilia in With Naked Foot. This is actually a serious novel about whites coming to ruin in Africa, which is a crowded literary niche, but one in which Emily Hahn carved out an important place for herself. In fact, maybe the adjective “Hahnesque” should be used alongside “Hemingwayesque.” This is a person who wrote fifty-four books and more than two hundred articles and short stories, whose works were significant in romanticizing Africa and Asia for western readers, who lived in Florence and London in the mid-1920s, traveled to the Belgian Congo where she worked for the Red Cross, lived with a pygmy tribe for two years, crossed Central Africa alone on foot, and journeyed to Shanghai where she taught English for three years while becoming acquaintances with political powerhouses the Soong Sisters and the Chinese poet Zau Sinmay. With Naked Foot is, therefore, unusually well informed. It revolves around a beautiful Congolese girl named Mawa whose relationships with various lustful white men bring disaster. The reviews were rapturous, though some critics protested that it was too focused on sex. That's never a complaint you'll hear from us, though some of the usual flaws of mid-century racial fiction are evident. The cover art on this Bantam paperback was painted by an unknown, and the copyright is 1951.
If you're lucky she'll let you kiss her there.
Above is a poster we first noticed some years back at the blog Sangre Yakuza for the Nikkatsu Studios roman porno flick Inranna kankei, aka Nasty Relationship, which starred pinku icon Hitomi Kozue, and— Wait, what is she holding? Inflatable plastic lips? A novelty sized cherry gummi? Whatever it is, it's supposed to look vaginal. Pinku movies in general are not subtle, and roman pornos are even less so. But this is not a flick we were able to track down, which is sad, because we'd like to know what's going on here. Not finding films has happened a lot this month but it's just one of those random dry spells that occur when you watch nothing but rare classics. The worm will turn, the yin shall yang, and the cloud shall burst. In the meantime we thought we'd share this promo anyway, weird lips and all, because Kozue is a Pulp Intl. favorite. Inranna kankei premiered in Japan today in 1976.
The only friend I need is Jack and he comes in a bottle. Um—I mean he comes from a bottle.
Mary McCarthy's The Company She Keeps was reviewed positively in The Guardian—in 2011. No small feat for a book dating from 1942. It's a semi-autobiographical novel dealing with love, sex, New York City society, and the search for happiness. It's divided into six episodes starring the same woman, and each section features a different central male figure, usually a love interest, but other times a person who stands in contrast to a love interest, such as the therapist to whom the protagonist vents about her marriage. Needless to say, the book fails the Bechdel test at every turn. It made a controversial splash in the ’40s because of its frank style, and is seen today as a minor classic, the first effort from an author who would go on to greater recognition. The edition you see here appeared in 1955 and the cover art of a woman and her little friend in a bottle—perhaps not Jack Daniel's but something sure to hit the spot anyway—is by Robert McGuire.
Joi Lansing returns to change your luck.
Yes, we just featured Joi Lansing as a femme fatale in March. But we came across this Friday the 13th themed promo shot of her, and since today is the dreaded day we brought her back. There's no way you can call that unlucky. The photo dates from 1956.
O Século Ilustrado showcases a top Hollywood beauty.
The Portuguese magazine O Século Ilustrado was the weekly supplement of Lisbon's daily newspaper O Século, which was published between 1880 and 1978. There's some pop culture and cinema content in the magazine, but it wasn't filled with thrilling visuals. The covers were sometimes an exception, though, such as this one that hit newsstands today in 1947 featuring an amazing shot of U.S. actress Martha Vickers—billed as “a star of cinema and radio.” During her short life she made a lasting impression in movies like The Big Sleep and Ruthless. The promo photo O Século Ilustrado editors used to create their cover appears below, and you can see that Vickers was a rare beauty. She died of cancer in 1971 aged forty-six.
Bailiff, can you please hand me Exhibit A so I can use it to get these people the hell out of my face?
In this photo made today in 1958 Hollywood super attorney Jerry Giesler sits next to Lana Turner at a coroner's inquest into the killing of Turner's boyfriend, alleged mob enforcer Johnny Stompanato. Turner's daughter, fourteen-year-old Cheryl Crane, had stabbed Stompanato in the abdomen with a knife during a confrontation in her and Turner's home. Among the throng seen around Giesler and Turner are Crane's father Stephen, assistant attorney Art Crowley, and various members of the press, who back then were given what today would be considered intrusive access to court proceedings.
As all Hollywood hung on Turner's words, the famed femme fatale, looking every bit the superstar she was, described to the court how an escalating argument between her and Stompanato led to him threatening to kill her. She related the fatal moment this way: “I was walking toward the bedroom door and he was right behind me, and I opened it and my daughter came in. I swear it was so fast I … I truthfully thought she had hit him in the stomach. The best I can remember they came together and they parted. I still never saw a blade.”
In most accounts the knife Crane used is described as a butcher knife, but it was actually a thin-bladed filleting knife. In any case it did the job nicely. And despite taking on a feared thug Crane came away physically unharmed. In the seconds after the stabbing Stompanato either chose not to retaliate, or more likely—because the knife had penetrated his liver, portal vein, and aorta—went into shock immediately and was unable either to strike back or go for aid. Police found him peacefully supine on the bedroom carpet. He had bled very little—at least on the outside.
Giesler got Crane off on the grounds of justifiable homicide, but conspiracy theories about the killing became rampant. Some said Crane killed Stompanato out of jealous desire; others claimed Turner did the deed and got her daughter to take the blame because she knew the court wouldn't imprison a minor. But in 1988 Crane, who never testified in 1958, gave her version of events. She said the attack was exactly as described, but that she also hated Stompanato because he was sexually abusing her. Many didn't believe her in 1988 but her words certainly have the ring of truth today.
She purrs but only when she's thinking about destroying you.
This edition of Wade Miller's iconic sleazer teaser Kitten with a Whip is a rarity and it came from Gold Medal in 1963. There's a moment early in the narrative when the hapless protagonist David turns on a news report about the seventeen-year-old sexpot invader occupying his home. Up until then the girl, whose name is Jody, has been in David's house tormenting him only a few hours, but is threatening to ruin his life with lies that they've been shacked up having a grand old time, or that he tried to rape her. David is paralyzed with fear that his wife, neighbors, and employer will believe her. But in that moment when the entire city is told the girl is a violent psycho who escaped her confinement a mere twelve hours earlier by stabbing a matron, David doesn't realize nobody will believe anything she says—not his employers, not his neighbors, and certainly not his wife—as long as he turns her in then and there. “I woke up, found her in my house, bought her some clothes because she had none, gave her money for a bus out of town—and instead of leaving she decided to stay and blackmail me.” He'd be believed, beyond a doubt. But he never makes the call. So he really deserves everything that happens afterward. But the book is a classic for a reason. It's a fun, crazy read.
Diana Dors stirs things up in stuffy suburbia.
We love this promo for the Diana Dors comedy As Long As They're Happy. We looked everywhere online and off for a copy of this to no avail, which is too bad because it sounds pretty wacky. Basically, Dors tricks a famous singer into visiting the suburban home where she lives with her father. Her two sisters happen to be living there too, with their husbands, but when the singer arrives all the women in the house—Dors, her sisters, and her mom—fall for the singer. Monroesque? Beyond doubt. Well, the poster makes us happy even if we can't see the film. As Long as They're Happy had a London premiere in March 1955, and went into wide release today the same year.
The headlines that mattered yesteryear.
1986—Otto Preminger Dies
Austro–Hungarian film director Otto Preminger, who directed such eternal classics as Laura, Anatomy of a Murder
, Carmen Jones
, The Man with the Golden Arm
, and Stalag 17
, and for his efforts earned a star on Hollywood's Walk of Fame, dies in New York City, aged 80, from cancer and Alzheimer's disease.
1998—James Earl Ray Dies
The convicted assassin of American civil rights leader Martin Luther King, Jr., petty criminal James Earl Ray, dies in prison of hepatitis aged 70, protesting his innocence as he had for decades. Members of the King family who supported Ray's fight to clear his name believed the U.S. Government had been involved in Dr. King's killing, but with Ray's death such questions became moot.
1912—Pravda Is Founded
The newspaper Pravda, or Truth, known as the voice of the Communist Party of the Soviet Union, begins publication in Saint Petersburg. It is one of the country's leading newspapers until 1991, when it is closed down by decree of then-President Boris Yeltsin. A number of other Pravdas appear afterward, including an internet site and a tabloid.
1983—Hitler's Diaries Found
The German magazine Der Stern claims that Adolf Hitler's diaries had been found in wreckage in East Germany. The magazine had paid 10 million German marks for the sixty small books, plus a volume about Rudolf Hess's flight to the United Kingdom, covering the period from 1932 to 1945. But the diaries are subsequently revealed to be fakes written by Konrad Kujau, a notorious Stuttgart forger. Both he and Stern journalist Gerd Heidemann go to trial in 1985 and are each sentenced to 42 months in prison.
1918—The Red Baron Is Shot Down
German WWI fighter ace Manfred von Richthofen, better known as The Red Baron, sustains a fatal wound while flying over Vaux sur Somme in France. Von Richthofen, shot through the heart, manages a hasty emergency landing before dying in the cockpit of his plane. His last word, according to one witness, is "Kaputt." The Red Baron was the most successful flying ace during the war, having shot down at least 80 enemy airplanes.
1964—Satellite Spreads Radioactivity
An American-made Transit satellite, which had been designed to track submarines, fails to reach orbit after launch and disperses its highly radioactive two pound plutonium power source over a wide area as it breaks up re-entering the atmosphere.
It's easy. We have an uploader that makes it a snap. Use it to submit your art, text, header, and subhead. Your post can be funny, serious, or anything in between, as long as it's vintage pulp. You'll get a byline and experience the fleeting pride of free authorship. We'll edit your post for typos, but the rest is up to you. Click here
to give us your best shot.