Vintage Pulp Dec 23 2016
SEX & THE SINGLE GIRL
The only way to learn it is to do it.

This is a really nice poster for the Italian sex comedy La matriarca. We watched it on Daily Motion, and Catherine Spaak plays a young widow who discovers her dearly departed kept a secret apartment reserved for his serial philandering. Wondering if her lack of sexual experience contributed to her husband's wanderings, and spurred to curiosity about various carnal practices, she proceeds to seduce pretty much everyone she knows, absorbing lessons along the way. She becomes particularly fixated on the wisdom of Aristotle, which leads to her comically using men as horses (see below). We're mainly interested in the poster, though, which is unsigned, but was painted by Giuliano Nistri, a conclusion we came to because he painted the alternate Italian promo which you see below, and because it's very similar to another Nistri poster you can see here. La matriarca premiered in Italy today in 1968. If you get the urge to watch it, try this link.

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Femmes Fatales Jul 3 2015
SPAAK EASY
Effortless, for summer.


We featured French actress Catherine Spaak as a femme fatale a couple of years ago but recently came across the above photo of her and decided on a return engagement. Why? Because this outfit is killer. We love it. We want to see our girlfriends in it. Hell, we want to see every girl in it. We’d even wear it—and make it look better than you can possibly imagine. Oh yeah. 1966 on the shot.

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Femmes Fatales Feb 21 2013
HAIR TODAY, BAD TOMORROW
Spaak now or forever hold your peace.


We couldn’t just call French actress Catherine Spaak—what was it?—ah, yes, the word was “heavenly.” Well, we get all flowery when we do movie reviews. But whatever, we couldn’t call her that and leave you with just a few fuzzy, helmet-haired stills of her from Il gatto a nove code to form your impression, so here she is again in a 1968 promo shot. It’s a bit amazing, don’t you think, how much hair changed in just two years? Watch what we mean. Directly below: 1970. 

 
 
1968.

 
 
1970s.

 
 
1960s.

 
See? We can only assume all that ’60s acid finally kicked in around 1970. It just so happens Spaak looked good even with her 70s hair, but she isn't a typical mortal woman, so she was able to get away with it. The really scary part is people say 70s style is coming back. In the words of George Santayana, “Those who cannot remember the past are condemned to repeat it.” Or better yet, in the words of Grandmaster Melle Mel, “Don’t do it!”

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Vintage Pulp Feb 11 2013
TAILS OF THE CITY
Dario Argento’s Code may prove difficult for most to unravel.

Above are three excellent posters for Dario Argento’s Il gatto a nove code, aka, Cat o’ Nine Tails. Only one bears a signature—P. Franco, who in everyday life was Franco Picchioni. We suspect he painted the others as well. With posters this great, plus Argento at the helm, we had to watch the movie, but while it’s a serviceable giallo with an interesting central murder mystery, it’s nothing to write home about. But it does have Karl Malden doing a bang-up job as a blind ex-newspaperman and James Franciscus as a solid lead. And then there’s the heavenly French creature known as Catherine Spaak. You have to work pretty hard to somehow make a love scene featuring this stunner possibly the worst ever filmed, but Argento manages to make her romp with Franciscus as erotic as watching a hardware store clerk stack two wooden planks. Want your kids to avoid premarital sex? Have them watch this scene. They won’t even have a clue what happened. The title of the movie refers to neither a cat nor a nine-tailed whip, but rather to the many leads that need to be investigated before the mystery can be unraveled. It could also describe Argento’s struggle to weave an involving narrative. In the end, even with his stylish direction framing the story, it’s Malden that carries this movie to the finish line. Plus he has a sword cane, which is always a bonus. Many Argento fans use the term “underrated” to describe this effort. That’s a euphemism for strictly average. Il gatto a nove code premiered in Italy today in 1971.

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History Rewind
The headlines that mattered yesteryear.
April 24
1967—First Space Program Casualty Occurs
Soviet cosmonaut Vladimir Komarov dies in Soyuz 1 when, during re-entry into Earth's atmosphere after more than ten successful orbits, the capsule's main parachute fails to deploy properly, and the backup chute becomes entangled in the first. The capsule's descent is slowed, but it still hits the ground at about 90 mph, at which point it bursts into flames. Komarov is the first human to die during a space mission.
April 23
1986—Otto Preminger Dies
Austro–Hungarian film director Otto Preminger, who directed such eternal classics as Laura, Anatomy of a Murder, Carmen Jones, The Man with the Golden Arm, and Stalag 17, and for his efforts earned a star on Hollywood's Walk of Fame, dies in New York City, aged 80, from cancer and Alzheimer's disease.
1998—James Earl Ray Dies
The convicted assassin of American civil rights leader Martin Luther King, Jr., petty criminal James Earl Ray, dies in prison of hepatitis aged 70, protesting his innocence as he had for decades. Members of the King family who supported Ray's fight to clear his name believed the U.S. Government had been involved in Dr. King's killing, but with Ray's death such questions became moot.
April 22
1912—Pravda Is Founded
The newspaper Pravda, or Truth, known as the voice of the Communist Party of the Soviet Union, begins publication in Saint Petersburg. It is one of the country's leading newspapers until 1991, when it is closed down by decree of then-President Boris Yeltsin. A number of other Pravdas appear afterward, including an internet site and a tabloid.
1983—Hitler's Diaries Found
The German magazine Der Stern claims that Adolf Hitler's diaries had been found in wreckage in East Germany. The magazine had paid 10 million German marks for the sixty small books, plus a volume about Rudolf Hess's flight to the United Kingdom, covering the period from 1932 to 1945. But the diaries are subsequently revealed to be fakes written by Konrad Kujau, a notorious Stuttgart forger. Both he and Stern journalist Gerd Heidemann go to trial in 1985 and are each sentenced to 42 months in prison.
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