Today we’re back to the bodybuilding publication Tomorrow’s Man. The content of TM was health focused, but in the same way that the Sports Illustrated swimsuit issue is about swimwear. We’ll let a contemporary from the period say it: “When I was a closeted teenager Tomorrow’s Man was my favorite guilty pleasure magazine. I was so impressed that in 1965 I mentioned Tomorrow’s Man specifically in my first novel What They Did to the Kid.” That’s from award winning author Jack Fritscher. So you had a health and fitness publication that—for some customers—also served as a sexual outlet, exactly like Sports Illustrated. One difference here, though, is that underaged boys were often featured in TM’s pages, and that holds true for this issue as well, in which a fifteen-year-old boy named Steve Jano poses in the woods wearing a thong and holding a spear. Of course, back then there were nudist publications that published photos of entire families—including completely naked pre-pubescent girls—so there’s nothing going on with TM that heterosexuals weren’t doing too, probably long earlier and doubtless in far greater numbers. None of that is the reason we wanted to share this issue, but as we’ve said before, sometimes to get where we want we have to first address the elephant in the room. Okay, done. What actually struck us about this issue from May 1956 is the inclusion of Marilyn Monroe. We thought we’d seen Monroe everywhere, but no—here she is in a male bodybuilding publication. There seems to be no limit to her range. But we do think she needs to bump up the weight she’s lifting just a bit. You can check out more TM covers here.

Above, Marilyn Monroe on four covers of Filmski Vjesnik, or Film Journal, a Croatian language magazine from the former Yugoslavia. You may remember we showed you a great ex-yu Monroe film poster a couple of years ago. Items from Yugoslavia are highly collectible these days, so much so that a couple of these magazines were priced at $250.00. That’s a lot for a publication of any vintage, even ones from dissolved nations, but when it comes to nostalgia you can never predict what people will pay. We’ve seen similar items sell at that price. These date from 1958, 1957, 1953 and 1953, top to bottom.

Above is a rather nice poster for the Japanese comedy Monro no youna onna, aka A Woman Like Monroe, which was released in 1964. It was adapted from Funahashi Seiichi’s novel of the same name, directed by Minoru Shibuya, and starred Akemi Mari, Keiji Sada, and Chishû Ryû. We haven’t seen the film, but we gather it’s about a young woman who decides to become a model and deals with various conflicts related to that, including the pressure of whether to pose nude. Not much info, we know, but that’s all we got. We will say, though, that the movie is yet another indication of Marilyn Monroe’s unparalleled global fame. We often hear how popular she was, and the confirmation is everywhere in the form of her films, interviews, biographies, and thousands upon thousands of photos, yet we’re still capable of being surprised that her name was borrowed for the title of a Japanese novel, and subsequently a movie. And speaking of titles, while poking around online we found a frame of the film’s unusual main title sequence. See below. In the meantime we’ll try to locate a copy of Monro no youna onna and get back to you on it.

Above, a very cool polka-dotted cover of the French weekly Point de Vue, published 3 March 1956, with Marilyn Monroe. An interesting detail about the magazine is that it launched in March 1945, while World War II was still raging, and less than a month (if we have our history right) after the last of the German army had been driven from French territory. Maybe that level of advance planning explains why the magazine is still around today.

Above is the cover of an issue of Final, a publication we had never heard of before, but which is certainly big budget and hit the streets this month in 1950 courtesy of Gambit Publishing out of New York City. The cover star is model Joy Niven, who we also had never heard of, but who was photographed by famed Marilyn Monroe lensman Earl Leaf. This Final has taken a bit of wear over the last six decades, but kudos to the Denver Book Fair for acquiring it, sealing it so its deterioration stopped, and selling it to us cheap. Now we’ve carried it across an ocean, opened it, and exposed it to the elements, but all in an effort to scan it for posterity. For as we discussed before, if it isn’t digital and accessible to the masses, does it really exist at all?

Final is basically a tabloid, with a bit of crime, a bit of politics, a bit of sports, and a lot of celebrity dish. There are quite a few interesting items inside. In the Picture of the Month you see Canadian actor Rod Cameron with Portuguese model Angela Alves-Lico. They had just met earlier on the beach and, according to Final, she was driving home, and Cameronwas following in his car, when she had an auto accident. Our first thought, because they’d just met and “following her home” sounds a bit stalkerish to us, is that maybe she crashed because she was trying to get away from him. But perhaps not—Cameron and Alves-Lico soon married each other.

Probably the highlight of the issue, for us at least, is an article asking nineteen prominent ministers if they think the use of a nuclear bomb by the U.S. in Korea could be justified. Of the nineteen, only three unambiguously say it would be wrong. Most of the others echo theopinion of the compassionate Rev. B. W. Hancock: “If our military feels that it would establish peace, then I would favor it.” Truly, Hancock must have spent a lot of time with his cock in his han to come up with that one. It makes us think of the famous Tacitus quote: “Ubi solitudinem faciunt, pacem appellant.” Or, “And where they make a desert, they call it peace.” Yes! Three years of high school Latin and we finally worked that shit into a post. Nice! Anyway, for various reasons, the U.S. never nuked Korea, so we hope the ministers weren’t too disappointed.

Update: Pamela writes in and says, "The best part about that Rod Cameron/Angela Alves-Lico story is that after ten years of marriage, Cameron divorced her. And married her mother. Yep...the woman on the right in that photo.

Above is the cover of the NYC based tabloid Suppressed from this month in 1955. This issue shows Suppressed in full bloom—bold, brash, fearless. Within the next two years a series of Hollywood lawsuits against scandal magazines would begin to make editors wary of being dragged into court for committing libel and slander, but 1955 was still the heyday for celeb bashing, and Supressed engaged in what might be best described as open warfare against film stars. Here’s a small sampling of some of the gut punches in this magazine:

We could go on, but you get the point. We’ve written many times on this website that nothing in media is truly new, and this is yet another example. Click over to any muckraking celebrity blog right now and you’d think journalism, as well as simple grammar, went down the toilet around the year 2000. But no, they were always in the toilet. Remember, Suppressed and its brethren Confidential, Whisper, On the QT, Hush-Hush, et.al., were not fringe. By itself Confidential was the biggest newsstand sellerin the U.S. These publications were powerful. Like modern American cable news, they assumed leading roles in making the public swallow false political memes—a commie under every bed, a black man in every bed, and the loose women who made it all possible.

The story probably fueled ten million fantasies. Marilyn Monroe had stripped naked on the set of her last movie Something’s Got To Give. Monroe was eventually fired, the production was scrapped, and the footage was archived, but if it had been released, she would have been the first Hollywood actress to appear unclothed onscreen since the 1920s. It’s interesting, isn’t it, to reflect upon the effect a minority of prudes had on Hollywood? Because of them, Monroe’s unreleased scene, and Jayne Mansfield’s later nude scene in 1963’s Promises, Promises, merely brought American cinema back to where it had already been four decades earlier.

Hush-Hush was not the first magazine to break the story of Monroe’s peel down. Life had done that in June 1962, accompanied by a couple of titillating photos. By the time Hush-Hush told the tale Monroe was two months dead. The blurb MM—Even In The Nude They Didn’t Want Her wasn’t strictly true. The production company Twentieth Century Fox most certainly did want her. A hospital stint prior to production had caused her to shed twenty-five pounds, bringing her to a weight she had never reached in her adult life, despite exercise and dieting. The newly svelte Monroe looked good and Fox was getting her cheap—$100,000.

Marilyn Monroe was still largely unknown when her image, along with the descriptive “Cloudless,” was selected for the cover of this Picture Post, an immensely popular British photo magazine published from 1938 to 1957. Monroe had scored only one credited film role so far—in Ladies of the Chorus—and went the entire next year without appearing on a movie screen. It was during this time, having gone back to full-time modeling, that she posed for her famous nude set. The next year she landed a part in the hit drama The Asphalt Jungle and she was on her way. This issue of Picture Post appeared today in 1949.

Last year we posted the front and back covers of an issue of He magazine. As usual, it’s taken us longer than we intended, but today we’re back with more. The above cover appeared this month in 1953 and features a masked model shot at New York City’s annual Artists Equity Ball, which, according to He, pretty much turned into an orgy. We don’t know about that, but the photos do reveal a rather racy scene. You also get shots of (we think) Rocky Marciano knocking out someone or other and lightweight champ Jimmy Carter mashing some hapless opponent’s face, photos of Laurie Anders, Lili St. Cyr, Lilly Christine, Daniele Lamar, and other celebs of the day, an amazing still of Julie Newmar, aka Julie Newmeyer, dancing in Slaves of Babylon, plus a back cover featuring highly touted but ultimately underachieving actress Mara Corday. We don’t have to bother too much with a description today, because these digest-sized magazines have text that scans large enough to be read even on small computers. So read and enjoy.