It's taken a few weeks, Tony, but I'm really starting to feel like a woman. I have like fifty useless receipts in my purse.
Above, a sound stage photo of Tony Curtis and Jack Lemmon in costume for their roles in Some Like It Hot, in which they starred with Marilyn Monroe. The movie premiered today in 1959 in Memphis, Tennessee, for some reason, then hit Chicago, Washington, D.C., and New York City later in the month.
New tabloid explodes onto the gossip scene.
When we describe Dynamite as a new tabloid, it's only partly true. It was a new imprint. But its publisher, the Modern Living Council of Connecticut, Inc., was headquartered at the Charlton Building in Derby, Connecticut, which is where Top Secret and Hush-Hush based operations. When you see that Dynamite carried the same cover font as Top Secret and Hush-Hush, and that those two magazines advertised in Dynamite, it seems clear that all three had the same provenance. But unlike Top Secret and Hush-Hush, it doesn't seem as if Dynamite lasted long. The issue above, which appeared this month in 1956, is the second. We are unable to confirm whether there was a third. But if Dynamite was short-lived it wasn't because of any deficiencies in the publication. It's identical in style to other tabloids, and its stories are equally interesting.
One of those deals with Henry von Thyssen, the Dutch born, German descended heir to an industrial fortune, and his wife, Nina Dyer, heiress to a tea plantation in Sri Lanka, back then called Ceylon. The von Thyssen family manufactured steel in Germany, including for Hitler's Third Reich, and came out of World War II unscathed, as big companies that profit from war always do. Dyer was a dilettante famed for making bikinis popular on the French Riveria. According to Dynamite, von Thyssen was so desperate to marry Dyer that he allowed her to keep her boyfriend, the French actor Christian Marquand. Society gossips whispered,but both spouses were fine with the set-up until von Thyssen accidentally ran into Dyer and Marquand in Carrol's nightclub in Paris and was forced to save face by starting a fight. The couple soon divorced, but not because of infidelity, as many accounts claim. What finally broke the couple up was that Dyer dropped Marquand. Dynamite tells readers: “[von Thyssen] has ditched his sloe-eyed Baroness because now she's decided she loves him.”
Interesting, but there are many similar stories about open high society marriages. What interested us, really, was the portrayal of Dyer. Apparently she had at some point been strongly influenced by Asian women. Her husband described her as “soft and feminine and oriental looking.” Dynamite painted this word picture: “She walks as though she has a water pot balanced on her head, her dark, slanting eyes are inscrutable, and her movements are so languorous and cat-like that von Thyssen gave her a baby panther as a companion.” Dyer eventually had two panthers, and was often seen walking them on the Croisette in Cannes. After her marriage to von Thyssen ended she quickly married Prince Sadruddin Aga Khan, but that marriage ended in divorce. Over the years she had been given many gifts. Besides the panthers there were cars, jewels, and a Caribbean island. But the one thing money never bought for her was happiness. She committed suicide at age thirty-five.
There's a lot more to learn about Nina Dyer—her modeling career, her adventures in the south of France, her free-spirited ways in the Caribbean, her 1962 E-Type Jaguar Roadster that was found in Jamaica in 2015 and restored for a November 2016 auction, and more. So we'll be getting back to her a little later. We still have about fifty tabloids from the mid-1950s and we're betting she appears in more than a few. Meanwhile, elsewhere in Dynamite is a story tracking Marilyn Monroe's movements around Fire Island during a summer 1955 vacation, a report about Frank Sinatra being barred from the Milroy Club in London, an exposé on prostitution in Rome, a breakdown of the breakdown of Gene Tierney's engagement to Aly Khan (Sadruddin Aga Khan's brother), and a couple of beautiful photos of Diana Dors. We have about thirty scans below for your enjoyment. Odds are we'll never find another issue of Dynamite, but we're happy to own even one. It's great reading.
Ha! Caught you looking at my ass. I knew you didn't really care about art history.
It's difficult to find a photo of Marilyn Monroe that stands apart. So many were made, and of course she looked good in all of them. But this unusual shot of her checking out a book on Spanish artist Francisco Goya shows the most photographed person of her era in an interesting and slightly different way. It's from 1953.
It's nobody's Asphalt but their own.
The best poster for the movie The Asphalt Jungle was, beyond doubt, the one we showed you a while back painted by the Italian artist Angelo Cesselon. But that one came a bit later. The above poster was made for the film's initial release in 1950. We think it's very nice as well, if remarkably different from Cesselon's masterpiece. As for the movie, we could tell you it's a top effort, but you already know that. If you haven't seen it, definitely do. It's showing at the Noir City Film Festival tonight, but even at home it's worth a screening.
Happiness in Hollywood can be hard to hold onto.
Uncensored gives readers the lowdown on all the Hollywood trysts and splits in this issue published this month in 1962. José Ferrer and Rosemary Clooney apparently broke up—after eight years and five children—over Ferrer's insistence on carrying on extramarital affairs, as was his natural right. At least that's what he thought: “Since the beginning of our marriage he has engaged in a series of affairs with other women,” Clooney is quoted. “I discussed this with him prior to our separation, but he said he couldn't change his way of life.” Apparently the Puerto Rican born Ferrer was old school with the whole machismo thing. But all was not lost between him and Clooney. They married again in 1964 and managed to stay together another three years.
Pivoting to the hook-ups, Uncensored explains how Joan Collins stole hotel heir Nicky Hilton from Natalie Wood, but Robert Wagner stole Collins from Hilton, leading to Natalie Wood stealing Wagner from Collins, and Collins falling into the arms of Warren Beatty. Mixed in with those four are James Dean, Tab Hunter, Lance Reventlow, and Elvis Presley. Or so the magazine says. That's a lot of guys and only two women, but the old tabloids loved to slut shame women while either ignoring or approving the antics of men. For example, Beatty was already known in 1962, after some years in television and with two hit movies behind him, as a bit of a slut, but that's not mentioned here at all. These days, though, he does get a bit of a bad rap. Although you'd have to have the brain of a fourteen-year-old to believe—as many people do—that he's slept with 12,000 women.
Uncensored next gets to Marilyn Monroe and Frank Sinatra. It's since been established that the two hooked up, but at the time this magazine was published the pair were generating mere rumors. Why? Because Monroe was flying to Las Vegas regularly and staying in Sinatra's home there. There's no rationale needed for this pairing—beautiful people tend to get together. But the editors actually offer a rationale for Monroe's interest in Sinatra and it's simply amazing: “Monroe is having all kinds of troubles with her studio and would like a man around the house to fight her battles for her.” Huh? That one makes no sense to us. Let's run it through our trusty Mid-Century Tabloid Filter™: Buzz...whirrrr... clickety click... Aha. What Uncensored means is Monroe was so emotionally fragile she had to have a guy around 24/7 to handle angry phone calls. Interesting, but we're still not buying it. Twenty scans below.
Monroe, Curtis, and Lemmon give jazz a swing.
On this promo poster for the Marilyn Monroe comedy Certains l'aiment chaud, aka Some Like It Hot, it looks like Russian illustrator Boris Grinsson went a little strong on Monroe's wink, making her look like she got a splinter of glass in her eye, but Monroe actually looked that way in the promo photo used as the basis of the art, which you can see at right.
You know all about this movie, so we won't bother to go over it. We'll just mention, if you haven't seen it, don't be surprised that it's in black and white. There are so many color production photos from this one—like the several we've shared below—that we even forgot. And we'd seen the movie several times, though not in about ten years. When it opened with documentary style footage of a car chase and shootout followed by a title card reading “Chicago, 1929,” we were thinking, “Ah, this is where it shifts to color.”
But of course it didn't, and we suddenly remembered that this was a later black and white production, made the same year Technicolor films such as Ben Hur and North by Northwest hit cinemas. According to our research, Monroe actually had a stipulation in her contract that all her films had to be in color, but director Billy Wilder wanted black and white because the heavy makeup worn by Curtis and Lemmon—who spend most of the movie disguised as women—looked green in Technicolor. He lobbied Monroe and she finally agreed her co-stars could not be green.
Does Some Like It Hot fit under our self-defined umbrella of pulp? Of course—there are gangsters, the aforementioned shootout, and it's about two jazz musicians on the run. And few Hollywood figures are more pulp in essence than Monroe. The character of nightclub singer Sugar Kane is one of her better creations. Sit back and enjoy. Some Like It Hot premiered in the U.S. in February 1959, and opened in Paris as Certains l'aiment chaud today the same year. Another promotional poster by Grinsson appears below, and you can see the very different West German promo poster here.
So I found these awesome leopardskin drapes on sale. What do you think? Too much?
The incomparable Marilyn Monroe, wearing see-though lingerie, stars on the above Technicolor lithograph titled “Vivacious Marilyn.” The image was originally shot by acclaimed Hungarian lensman Laszlo Willinger in 1947. Most sources say 1949, but we can confirm 1947 because we've seen another frame from this leopard series used on a 1947 Sunoco calendar. However, the above lithograph wasn't printed until 1955, when the negative fell into the hands of the good people at A. Scheer Co. and they said, “She's sheer! We're Scheer! It's a match made in heaven!” A. Scheer made another print of one of Willinger's other famed Monroe images which we'll show you a bit later. In the meantime, we offer the bonus image of Monroe on the phone for no reason at all. You can see more lithos of Hollywood's greatest star wearing assorted bits of almost nothing here.
If only the music were as flawless as the cover art.
Here's little curio from the former Yugoslavia—a record sleeve from Serb pop-rock artist Boris Bizetić with a Marilyn Monroe cover motif. We've seen her image rather poorly used on album covers, but this one is nice, we think, if almost certainly unlicensed. And the music? Hah hah. We dare you.
The headlines that mattered yesteryear.
1930—Chrysler Building Opens
In New York City, after a mere eighteen months of construction, the Chrysler Building opens to the public. At 1,046 feet, 319 meters, it is the tallest building in the world at the time, but more significantly, William Van Alen's design is a landmark in art deco that is celebrated to this day as an example of skyscraper architecture at its most elegant.
1969—Jeffrey Hunter Dies
American actor Jeffrey Hunter dies of a cerebral hemorrhage after falling down a flight of stairs and sustaining a skull fracture, a mishap precipitated by his suffering a stroke seconds earlier. Hunter played many roles, including Jesus in the 1961 film King of Kings, but is perhaps best known for portraying Captain Christopher Pike in the original Star Trek pilot episode "The Cage".
1938—Alicante Is Bombed
During the Spanish Civil War, a squadron of Italian bombers sent by fascist dictator Benito Mussolini to support the insurgent Spanish Nationalists, bombs the town of Alicante, killing more than three-hundred people. Although less remembered internationally than the infamous Nazi bombing of Guernica the previous year, the death toll in Alicante is similar, if not higher.
1977—Star Wars Opens
George Lucas's sci-fi epic Star Wars premiers in the Unites States to rave reviews and packed movie houses. Produced on a budget of $11 million, the film goes on to earn $460 million in the U.S. and $337 million overseas, while spawning a franchise that would eventually earn billions and make Lucas a Hollywood icon.
It's easy. We have an uploader that makes it a snap. Use it to submit your art, text, header, and subhead. Your post can be funny, serious, or anything in between, as long as it's vintage pulp. You'll get a byline and experience the fleeting pride of free authorship. We'll edit your post for typos, but the rest is up to you. Click here
to give us your best shot.