Femmes Fatales Sep 19 2018
SMOKIN' CHIBA
Time lapse at the local bar: 11pm to closing time.


You could try this attention getting move next time you go out to your favorite watering hole, but we don't recommend it for amateurs. Japanese actress Chiba Kobayashi was a pro. In fact, she was a porn actress, one of Japan's early AV stars. It's difficult to unearth more online about her beyond what we just shared, because though her pseudonym is unusual, its two components are among the most common names in Japan. The mystery just adds to her allure. These photos are from 1972.

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Modern Pulp Aug 8 2018
THE BEAST IS YET TO COME
And she's already starting to sprout hair.


This interesting poster was made for Kemono ni natta hitozuma, aka The Beast: Married Woman, which was produced by Shin-Toho Company and starred Maki Tomota, aka Maki Tomoda. She's an adult video actress who began her career in Japan in 2002 and today is a popular figure in milf porn. In case you're wondering, they do use the term milf in Japan, but just for effect. The preferred word is actually jukujo, literally “mature woman.” Tomoda's armpit hair is not just any armpit hair. It's a trademark. One of her more successful jukujo series has been Kāsan no waki no ke, which means “mother's armpit hair.” As we've mentioned before, we're indifferent about female body hair, and it isn't an age thing—we're fully from generation wax. We just feel, you know, her body, her choice. Tomoda probably has hundreds of hirsute images out there, because she's quite well known. This particular film, on the other hand, is not. We couldn't track it down, nor uncover any plot info, though it's an ironclad certainty it's bondage related (hello, de Sade). What we did find were some promo images and we've shared two—nice Maki, and naughty Maki. Kemono ni natta hitozuma premiered in Japan today in 2008.

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Femmes Fatales Jun 10 2018
PEARLY IN THE MORNING
You've heard of a purity necklace? That's not what's she's wearing.


We kind of thought the most recent promo image we found of Marilyn Chambers would be last we shared. It was so rare and beautiful that we considered it closure on the subject of Miss C. But we've found another that captures her allure, so here she is one more time. Through it, she joins the ranks of others we've posted on Pulp Intl. wearing only pearls, such and here and here. This UPI promo is dated today 1973, but it was shot during the filming of her hit porno flick Behind the Green Door in 1972.

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Vintage Pulp Jun 5 2018
THRILLS AND KILLS
In the land of bad men the one eyed woman becomes queen


Above is a promo poster for the Swedish sexploitation flick Thriller - en grym film. When it was released in the U.S. it was retitled Thriller: A Cruel Picture, then edited and given the revised name They Call Her One Eye, and still later dubbed Hooker's Revenge, which we think gives a bit too much away. But what do we know? It's not like we have marketing degrees. Anyway, the poster above for the film's Thriller incarnation has an unusual shape sometimes referred to as subway size because such promos were usually displayed on mass transit vehicles. As far as we know, no standard vertically oriented poster was ever made with the title Thriller: A Cruel Picture. But if any do exist, you can be sure they're worth a fortune.

Sweden's best export Christina Lindberg stars here as a Frigga, a young woman gone mute due to a sexual assault in her youth. Terrible luck strikes again when, as an adult, she's abducted, addicted to heroin, and forced into prostitution. She resists, but after she harms a customer her pimp punishes her by cutting her eye out with a scalpel. After enduring further indignities she eventually musters the courage to try and escape. Heroin addiction is the leash her pimp counts on to keep her in line, but she's otherwise free to use her down time as she wishes. With the little money she has she secretly buys lessons in martial arts, shooting, and tactical driving, then when the moment is ripe she finally goes on a revenge spree.

There's nothing here you won't find in other 1970s revenge sexploitation flicks except lots of slo-mo, but for Lindberg's fans—among them Quentin Tarantino, who borrowed the eyepatch look for Daryl Hannah when he made Kill Bill—this is probably a must-see. As a side note, you'll sometimes find Lindberg referenced as a porn actress because of this movie. BAV Film made two versions, one with x-rated inserts and one without. The explicit stuff was done by a stand-in. Or a lay-in. In an interview Lindberg once said the hardest part of her career was resisting the constant pressure to do porn. We suspect this was a film she had in mind when she said that. After premiering in France at the Cannes Film Festival in 1973 and later playing in Sweden, Thriller: A Cruel Picture first opened eyes in the U.S. today in 1974.

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Vintage Pulp Feb 11 2018
A DOSE OF MOLLY
Marie Forså indulges in a summer of ecstasy.


Marie Forså appears above on yet another beautiful Japanese promo, this time for Molly, aka Sex in Sweden, a sexploitation flick based—very loosely we think—on Moll Flanders. The only similarity seems to be that the main character is away from home (in the Côte d'Azur, poor tortured thing) and undergoes a sexual awakening. The version we watched was fully hardcore, with scenes performed by Anne Magle and others. Forså's sex scene is shot with a body double, which is a little strange considering she already had an x-rated magazine spread to her credit, but it was a very obscure Swedish publication, which is a whole different ball game, so to speak, from doing the same for international cinema audiences. Without her sex scene and the several others scattered at intervals Molly would be maybe 40 minutes long, and that should tell you exactly what to expect in terms of plot—dubious Moll Flanders connection notwithstanding.

We usually post screenshots or production stills when we write about a film, but we won't bother with that here because our copy's image quality was blurrier than your vision after several hits of the aforementioned ecstasy. Instead we decided to share the below image of Forså. It's rare, and with Forså covering her furry bits it reminds us of the many Japanese promos we've uploaded. We think it's a beautiful shot, but others—possibly our girlfriends among them—may disagree. Well, if they have any serious objections about our website it's way too late to register them now. We're going to talk about one more of Forså's movies before consigning her to the completed bin, so look for that a bit later. You can see our other posts on her movies by clicking her keywords at bottom. Molly opened in Sweden in 1977 and premiered in Japan today in 1978.

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Femmes Fatales Jan 25 2018
TOO FUR?
Gimme a girl with hair, long beautiful hair...


We've actually never seen the musical Hair. It was before our time. But we know of the song, so that's what we did with our subhead on this promo photo of model and AV actress Kuroki Kaoru, who during her heyday caused a sensation in Japan with her decision to grow feather dusters under her arms. Her intent was to protest restrictions against showing pubic hair in Japanese movies, but the act was also seen as feminist, and she became a hero for women who felt constrained by unreasonable beauty standards. For our part* we just appreciate the impact of the image—it's an amazing shot, dating from 1988.

*We've told the Pulp Intl. girlfriends many times we wouldn't care if they stopped shaving but they do it anyway. They're just fastidious that way, and in a beach town maybe you can only push grooming standards so far. But what a conversation starter they'd be in sleeveless tops.

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Intl. Notebook Nov 30 2017
GAZETTE DOUBLE FEATURE
They all screwed people but only one of them wanted the public to watch.


We were fishing around online and found a couple of November covers of The National Police Gazette, both quite interesting, issued fifteen years apart. On top you have Gazette editors predicting a 1960 election victory for John F. Kennedy over Richard Nixon “by a nose!” They were right about that, though Nixon would become president later and his nose would grow greatly. Meanwhile Kennedy had his own fun with a piece of anatomy that got bigger, if reports are to be believed. The second cover features a very nice image of Marilyn Chambers from 1975, whose specialty was making other people's body parts swell in x-rated films. The shot comes from the same session that produced this rare image we shared back in 2011. We still have a pile of Gazettes but we've been very lazy about scanning them because of the requirement to scan each page in two parts then join them in Photoshop. It's a pain, so we tend to focus on smaller magazines whose pages we can scan in one piece. But we'll get to those Gazettes eventually. Promise.

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Modern Pulp Nov 18 2017
NOTTI GIRL
Laura Gemser bites off more than she can chew in z-grade zombie epic.


Finally! We've learned that the Italian poster artist who signed his work Aller was a man named Carlo Alessandrini, and we owe that information to a new book by Roberto Curti called Italian Gothic Horror Films 1970-1979. Above you see Alessandrini's work for the Laura Gemser sexploitation flick Le notti erotiche dei morti viventi, aka Sexy Nights of the Living Dead. Gemser started in erotica in 1974, and as the years wore on she basically traded on her name and did less and less actual performing, appearing in several films in little more than cameo roles. In this one she secures top billing for not showing up until the thirty-three minute mark, and not uttering a line of dialogue until probably forty minutes in.

Plotwise, a sailor takes a greedy gringo developer and his prostie companion to a deserted island where the American wants to build the finest resort in the Caribbean. The place is called Cat Island and whenever anyone mentions it to the locals who live on nearby islands they run out of the room. To normal people this would be a strong non-endorsement concerning travel to Cat Island, but such blatant hints are lost on lunkheads in horror movies. So a-boating they go. When the developer announces his plan to pave over the old island cemetery to build a heliport you just know he's sticking his dick somewhere he's likely to lose it—Gemser's mouth (see below). Her army of zombies are equally opposed to gentrification, and lodge their protests by chasing the living all over the place. But all is not lost. As the hero explains at one point: “The advantage we have is that they move at a snail's pace.”

So does the movie. One plus is that it was made primarily on beautiful beaches in the Dominican Republic, and several scenes were shot in Santo Domingo, which is interesting to see pre-tourist era. Another plus is that there's wall to wall sex featuring such beauties as Dirce Funari, who's the real star of the movie, and Lucia Ramirez. The unrated version goes all the way, and even treats viewers to a Tijuana donkey show-worthy routine involving a stripper and a Champagne bottle. None of the X action includes Gemser, who was strictly softcore her entire career, though her nudity is more explicit than usual here. Basically, it's all just as dumb as it sounds, but we'll admit it's accidentally funny in parts, which helps. Le notti erotiche dei morti viventi premiered in Italy today in 1980.

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Sex Files Oct 30 2017
STRANGE SENSATIONS
Cannes goods take on a whole new flavor.


Today in 1976 the U.S. porno movie Sensations premiered in Japan. We talked about it five years ago and shared an amazing Japanese promo poster painted by William Stok. That piece was an alternate promo. The one you see above was more widely used. While it's no Stok, in its own way it's almost as interesting, with star Brigitte Maier seeming to fellate psychedelic emissions of unknown composition and provenance. Of course, the Japanese designers merely painted over what she was really tasting. The visual effect is rather nice, we think.

Sensations—referred to on the poster as Sensation—was well received upon release. Bruce Williamson of Playboy called it a “sensually pulsating sextravaganza” that was “the best bet of all for outright voyeurs.” The film was so highly regarded it even screened at the Cannes Film Festival. Does that mean it's good? Not exactly. Not by any normal standard. But we mention the Cannes thing because if someone walks in unexpectedly while you're watching it you are now equipped to indignantly inform them: “Porn? Porn? I'll have you know this played in Cannes!”

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Sex Files Sep 18 2017
SYSTEMATIC APPROACH
Sex Stars System uncovers erotic cinema around the world.


Here's a little treat for Monday, because Mondays are universally acknowledged to suck. Above is the cover and below are a ton of scans from the cutting edge cinema magazine Sex Stars System, which billed itself as “Le Magazine du Cinema Erotique.” It was published out of 55 Passage Jouffroy, in Paris, France, and for a while it was the top magazine with reviews and features on the new, sexually liberated mainstream cinema of the early 1970s, and the new pornography of the same era. Because porn was taken seriously as an art form back then (hard to imagine, we know) certain magazines discussed and critiqued the films and regarded the performers as equal with those in mainstream cinema. We talked about this phenomenon with Cine-Revue a few years ago. Sex Stars System was similar, but much edgier, as you'll see.

On the cover and in the centerfold you see Croatian born star Sylva Koscina (a mainstream actress), and elsewhere you get Emmanuelle Parèze (porn), Dany Carrel (mainstream), Valérie Bosigel (mainstream), Karin Schubert (both), Catherine Spaak (mainstream), Ornella Muti (mainstream), Chesty Morgan (porn, obviously), Marilyn Monroe (mainstream, though some scam artists claim she was the other too), et al. They don't make magazines like this anymore, because they don't make cinema like this anymore. Sex in U.S. movies is strictly taboo, unless, generally speaking, the actors keep their clothes on. You do see it on cable television, however, though such shows generate reams of online criticism about how terribly wrong it is (we agree, however, that more sex and nude scenes need to be filmed from the vantage point of the female gaze). In Europe, as always, things are a bit more liberated.


We aren't sure how long Sex Stars System published. It debuted in 1975. Also in 1975, or possibly 1976, a magazine called simply Stars System appeared. Stars System had a softer editorial approach and featured solidly mainstream cover celebs such as Jane Fonda and Romy Schneider. At some point it changed its name slightly to Star System and, thus rebranded, published at least as late as 1982, which seems to be longer than Sex Stars System was on the scene. The information online about these magazines is, as you can probably guess, a jumble, but we'll keep looking into it and maybe have something more concrete to report later. There's also a Star System celeb magazine around today, but it's Canadian and presumably unrelated. Many scans below, and we have a few more issues we'll post later.

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Next Page
History Rewind
The headlines that mattered yesteryear.
September 24
1992—Sci Fi Channel Launches
In the U.S., the cable network USA debuts the Sci Fi Channel, specializing in science fiction, fantasy, horror, and paranormal programming. After a slow start, it built its audience and is now a top ten ranked network for male viewers aged 18–54, and women aged 25–54.
September 23
1952—Chaplin Returns to England
Silent movie star Charlie Chaplin returns to his native England for the first time in twenty-one years. At the time it is said to be for a Royal Society benefit, but in reality Chaplin knows he is about to be banned from the States because of his political views. He would not return to the U.S. for twenty years.
September 22
1910—Duke of York's Cinema Opens
The Duke of York's Cinema opens in Brighton, England, on the site of an old brewery. It is still operating today, mainly as a venue for art films, and is the oldest continually operating cinema in Britain.
1975—Gerald Ford Assassination Attempt
Sara Jane Moore, an FBI informant who had been evaluated and deemed harmless by the U.S. Secret Service, tries to assassinate U.S. President Gerald Ford. Moore fires one shot at Ford that misses, then is wrestled to the ground by a bystander named Oliver Sipple.
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